scholarly journals Linguoculturemes in the rhetorical scheme of Ukrainian defensive speeches in Galicia in the beginning of 20th century

2020 ◽  
pp. 135-145
Author(s):  
Alina Zabolotna
Keyword(s):  
20Th Century ◽  
Sociocultural Factors ◽  
Cultural Stereotypes ◽  
Communicative Skills ◽  
Polish People ◽  
The World ◽  
In The Beginning ◽  
Functional Mechanisms ◽  
Persuasive Speech ◽  
Selection Of

The article is devoted to the analysis of functional mechanisms of persuasive speech formulas, namely, linguoculturemes (ethnic, cultural stereotypes, mythologemes, and precedent phenomena) in the defensive speeches of Ukrainian lawyers in Galicia in the beginning of 20th century. The purpose of the paper is to investigate the interaction between historical, political and sociocultural factors and strategies of linguoculturemes’ usage. The phenomenon of the rhetorical scheme is analyzed from the standpoint of extralinguistic context. The rhetorical scheme is considered as a set of rhetorical communicative instruments by which the speaker relays his own rhetorical picture of the world in order to influence the common socio-cultural communicative space. Linguoculturemes are described as essential media of historical, political, and cultural discourse in persuasive speeches. The main strategies of communicative formulas in defensive speeches of Ukrainian barristers of Galicia are analyzed. The strategy of selection of linguoculturemes was in keeping with the traditions of the Austro-Hungarian judiciary but also the desire to establish Ukrainian national identity. All precedent phenomena were used due to the imperial model of the world and achievements of the Polish people. However, at the beginning of the twentieth century, under the imperial regime, attempts to form a rhetorical scheme of defensive speeches focused on Ukrainian values and statehood can be noticed. The article considers the essence of defensive speech as an example of the official communication linked to social context in two ways: the extralinguistic conditions affect the speech structure, and the speaker, in turn, selects certain communicative formulas (linguoculturemes) to establish the linguocultural identity. The future tendencies of Ukrainian judicial rhetoric are the improvement of the communicative skills of the lawyers-rhetoricians, the rejection of Russian legal stamps, and the reactivation of traditional Ukrainian linguoculturemes.

scholarly journals A. P. Platonov and children’s reading in the beginning of the 20th century: Sources, genres, names, themes

2021 ◽  
Vol 21 (3) ◽  
pp. 313-319
Author(s):  
Aleksey O. Kostylev ◽  
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Early Reading ◽  
The World ◽  
In The Beginning ◽  
Children's Reading ◽  
Children’S Reading

The article examines the reading of a child at the beginning of the twentieth century in connection with the question of its influence on the world of childhood in the work of A. Platonov. The study of the pre-revolutionary reading of children is of historical and literary interest, it can help in identifying specific texts from the early reading of the writer, in defining traditions that influenced the world of childhood in Platonov’s prose and shaped it, the genesis of children’s images, and the search for allusions.

Effect of Reflexology on EEG – A Nonlinear Approach

2004 ◽  
Vol 32 (04) ◽  
pp. 641-650 ◽  
Author(s):  
N. Kannathal ◽  
Joseph K. Paul ◽  
C.M. Lim ◽  
K.P. Chua ◽  
P.K. Sadasivan
Keyword(s):  
20Th Century ◽  
Research Work ◽  
Scientific Research ◽  
Point Of View ◽  
Western World ◽  
Ancient India ◽  
Nonlinear Approach ◽  
Scientific Research Work ◽  
The World ◽  
In The Beginning

Reflexology is a 4000-year-old art of healing practiced in ancient India, China and Egypt. In the beginning of the 20th century, it spread to the Western world. Reflexologic clinics and massage centers can be found all around the world. In spite of the widespread popularity, to the best of our knowledge, no serious research work has been done in this area, although much scientific research work has been carried out in other Eastern techniques like meditation and yoga. This is why a humble attempt is done in this work to quantitatively assess the effect of reflexological stimulation from a systems point of view. In this work, nonlinear techniques have been used to assess the complexity of EEG with and without reflexological stimulation. We prefer the nonlinear approach, as we believe that the effects are taking place in a subtle way, since there is no direct correlation between reflexological points and modern neuroanatomy.

scholarly journals Concept of a landscape map according to Professor Franciszek Uhorczak

2016 ◽  
Vol 48 (3) ◽  
pp. 129-140
Author(s):  
Mirosław W. Meksuła ◽  
Leszek Grzechnik
Keyword(s):  
20Th Century ◽  
Publishing House ◽  
Small Scale ◽  
Scientific Publishing ◽  
The World ◽  
Thematic Cartography ◽  
Landscape Map ◽  
Selection Of

Abstract In the article, the concept of landscape maps by Franciszek Uhorczak (1902–1981), Professor of the Maria Curie-Skłodowska University in Lublin, was discussed. The maps constitute a cartographic illustration of volume III, IV and V of “Universal Geography” edited by Państwowe Wydawnictwo Naukowe (the National Scientific Publishing House) (Warsaw 1965–1967) – the first Polish small-scale landscape maps of the world. From the perspective of the 50s, an attempt was undertaken to assess the editorial assumptions, landscape typology and selection of cartographic means used by the author, paying special attention to the selection of colours representing landscapes. Also, issues raising controversies related to the degree of generalization of particular elements of the content, typology of landscapes as well as map details were indicated. The performed analysis leads to the conclusion that landscape maps by Professor F. Uhorczak constituted one of the most significant achievements of Polish thematic cartography of the 20th century, and they are an unequaled model also for the contemporary cartographers.

scholarly journals Nie Tylko Dzienniki. Oryginalne Warianty Kobiecej Literatury Dokumentu Osobistego (Na Wybranych Przykładach) / ‘Not Only Diaries’: Original Variations of Women’s Memoirs (A Selection of Women‘s Autobiographical Documentary Literature)

2012 ◽  
Vol 53 (4-5) ◽  
pp. 451-463
Author(s):  
Anna Pekaniec
Keyword(s):  
20Th Century ◽  
Physical World ◽  
Fundamental Assumption ◽  
Women's Autobiographies ◽  
The World ◽  
Non Linear ◽  
Documentary Literature ◽  
Selection Of

Summary This article is concerned with some 20th-century women’s autobiographies whose authors do not play according to the rules of the genological model of autobiography and even go round its fundamental assumption that the autobiographical pact between writer and reader is impossible outside the conventional diary narrative. The three memoirs discussed in the article (written by Bronisława Ostrowska Grabska, Zuzanna Rabska, and by the poetic duo of Maryla Wolska and Beata Obertyńska) exhibit a freshness and unconventionality which make them perfect examples of Jennifer A. Gonzáles’s subgenre of ‘autotopography’. Organized round eye-catching random objects that generate a non-linear, non-sequential string of personal, or even intimate stories, they show that the true potential of women’s memoirs lies in their chequered, heterogeneous forms that can produce a seamless blend of the physical world and the world of words.

scholarly journals Santos Dumont e a conquista do ar: uma nova forma de ver o mundo

2006 ◽  
Vol 31 (2) ◽  
Author(s):  
Claudia Musa Fay
Keyword(s):  
Key Words ◽  
20Th Century ◽  
Cultural Changes ◽  
The World ◽  
In The Beginning

No início do século XX Santos Dumont realizou a conquista o ar. Entre tantas invenções nenhuma teve tanto impacto e despertou tanto a imaginação como a aviação. As máquinas voadoras foram associadas à idéia de modernidade. O artigo analisa algumas imagens produzidas entre (1906-1930) buscando compreender as mudanças culturais provocadas pela nova forma de ver o mundo. Abstract In the beginning of the 20th Century Santos Dumont conquered space. Among a number of inventions none of them has had so much impact and has triggered so much imagination as aviation. The flying machines were associated with the Idea of modernity. The article analyses some images produced between (1906-1930) with the aim of understanding the cultural changes that resulted from this new way of seeing the world. Palavras-chave: Imagem. Arte. Aviação. Key words: Image. Art. Aviation.

scholarly journals MISE EN SCÈNE FILM NYAI KARYA GARIN NUGROHO

2020 ◽  
Vol 17 (2) ◽  
pp. 89-97
Author(s):  
Nur Annisa Savini ◽  
Surya Farid Sathotho ◽  
Philipus Nugroho Hari Wibowo
Keyword(s):  
Literary Works ◽  
Camera Lens ◽  
Mise En Scene ◽  
The World ◽  
In The Beginning ◽  
Movement Angle ◽  
Selection Of

Nyai  (2016)  merupakan  sebuah  film  karya  Garin  Nugroho  yang  dibuat hanya  dengan  menggunakan  satu  kamera  dan  pengambilan  gambarnya  secara terus menerus tanpa henti (one take) untuk satu film secara penuh. Konsekuensi dari teknik tersebut menyebabkan Film Nyai tak ubahya seperti pementasan teater di atas panggung. Karya ini terinspirasi oleh beberapa karya sastra sekaligus.Untuk melakukan analisis terhadap Film Nyai, menggunakan konsep yang dikenal awal mulanya sebagai sebuah konsep pemanggungan di atas panggung  teater  dan  pada perkembangan  selanjutnya dikenal juga dalam dunia  sinematografi.  Pemahaman  mengenai  mise en scène  ini  sangat  penting untuk  pijakan  melakukan  analisis  terhadap  unsur-unsur  yang  ada  dalam  Film Nyai.Nyai merupakan film dengan idiom pertunjukan teater yang sangat kental. Blocking, Setting, Make Up benar-benar seperti pertunjukan teater di atas panggung. Sedangkan pergerakan, sudut pengambilan dan pemilihan lensa kamera dibuat semirip mungkin dengan pandangan manusia. Kata Kunci: mise en scène, film nyai, garin nugroho   Nyai (2016) is a film by Garin Nugroho which is made using only one camera and with long take technique for full film. As a consequence of this technique, Nyai is very as theater performance ona stage. This work is inspired by several literary works at once.To conduct an analysis of the Nyai, it uses a concept that was known in the beginning as a staging concept on the theater stage and later known in the world of cinematography. This understanding of mise en scène is very important for the basis of analyzing the elements in Nyai.Nyai is a film with a very strong theatrical idiom. Blocking, Setting, Make Up are really like theatre performances. Meanwhile, the movement, angle and selection of the camera lens are made as close as possible to human sight.Key words: mise en scène, nyai, garin nugroho  

scholarly journals Content, Identity Building and National Curricula

2015 ◽  
Vol 2 ◽  
pp. 114
Author(s):  
Urve Läänemets ◽  
Katrin Kalamees-Ruubel
Keyword(s):  
General Education ◽  
Cultural Differences ◽  
20Th Century ◽  
Theoretical Research ◽  
Sustainable Society ◽  
School Subjects ◽  
Diverse Field ◽  
New Knowledge ◽  
The World ◽  
Selection Of

<h1>Theoretical research on curriculum development and implementation has been a rich and highly diverse field of study in the second half of the 20th century and the first decade of the 21st , including Estonia, but the selection of educational content for general comprehensive schools has not been a priority. Some reasons for difficulties with regard to making informed decisions about the selection of the content can be found in the constantly growing amount of new knowledge, global developments and in cultural differences within and between societies. The acknowledged political goal for organising general education for the majority of countries in Europe (and all over the world) has been the development of a cohesive and sustainable society, which can be built on acknowledged and accepted common values. Research on the potential of school subjects can contribute to that and open new vistas for development of national curricula.</h1>

scholarly journals „Jak to się stało, że masz syna z nowym Bondem?” – kobiece, męskie i boskie w poezji Justyny Bargielskiej

2018 ◽  
pp. 29-40
Author(s):  
Jarosław Fazan
Keyword(s):  
21St Century ◽  
The Other ◽  
Cultural Stereotypes ◽  
Value System ◽  
Ordinary Life ◽  
Independent Form ◽  
The World ◽  
The One ◽  
In The Beginning ◽  
The Trinity

The paper applies to the work of one of the most important Polish writers of the last decade. Bargielska combines bold poetic experiments with a keen testimony of an ordinary life of a young woman, who experiences life in the beginning of the 21st century in Poland. On the one hand, the poet declares a conservative worldview (her value system is based on the “trinity”: Catholicism, heterosexuality, motherhood), on the other hand, she brutally and mercilessly uncovers the subjugation of a woman in the world of a male-dominated language. Her writing deconstructs this system, as it discovers the literature as a space for the practice of personal freedom beyond the slogans and ideological divisions; she manages to create her own independent form of existence. The poet renews feminine way of being through the deconstruction of religious myths and cultural stereotypes, confronted with the physiological and social reality.

The Great Reform and the Fate of Capitalism in Russia (On the 150th Anniversary of the Emancipation Reform)

2011 ◽  
pp. 119-136
Author(s):  
M. Voeikov
Keyword(s):  
20Th Century ◽  
Historical Research ◽  
150Th Anniversary ◽  
In The Beginning

The paper deals with the problem of the establishment of capitalism in Russia in the late 19 - early 20th centuries. Using a wide array of historical research and documents the author argues that the thesis on the advanced state of capitalism in Russia in the beginning of the 20th century does not stand up to historical scrutiny, and the role of the famous Emancipation reform of 1861 appears to be of limited importance.

“To Corrupt a Man in the Midst of a Verse”: Ben Jonson and the Prose of the World

2017 ◽  
Vol 24 (1) ◽  
pp. 46-72
Author(s):  
Jacob Tootalian
Keyword(s):  
Mixed Mode ◽  
Ben Jonson ◽  
Digital Analysis ◽  
Interactive Engagement ◽  
Sentence Level ◽  
Linguistic Patterns ◽  
The World ◽  
Selection Of ◽  
Bartholomew Fair

Ben Jonson's early plays show a marked interest in prose as a counterpoint to the blank verse norm of the Renaissance stage. This essay presents a digital analysis of Jonson's early mixed-mode plays and his two later full-prose comedies. It examines this selection of the Jonsonian corpus using DocuScope, a piece of software that catalogs sentence-level features of texts according to a series of rhetorical categories, highlighting the distinctive linguistic patterns associated with Jonson's verse and prose. Verse tends to employ abstract, morally and emotionally charged language, while prose is more often characterized by expressions that are socially explicit, interrogative, and interactive. In the satirical economy of these plays, Jonson's characters usually adopt verse when they articulate censorious judgements, descending into prose when they wade into the intractable banter of the vicious world. Surprisingly, the prosaic signature that Jonson fashioned in his earlier drama persisted in the two later full-prose comedies. The essay presents readings of Every Man Out of his Humour and Bartholomew Fair, illustrating how the tension between verse and prose that motivated the satirical dynamics of the mixed-mode plays was released in the full-prose comedies. Jonson's final experiments with theatrical prose dramatize the exhaustion of the satirical impulse by submerging his characters almost entirely in the prosaic world of interactive engagement.

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