scholarly journals CHOREOGRAPHIC AMATEURS IN THE STRUCTURE OF NON-FORMAL ART EDUCATION: HISTORICAL AND PEDAGOGICAL DISCOURSE

Author(s):  
Tetiana Blahova

Development dynamics of choreographic amateur as a phenomenon of creative activity in the structure of non-formal art education is investigated in the article. The main stages of becoming a choreographic amateur in Ukraine in the context of socio-political and cultural-artistic determinants are characterized. It has been found that during the XX century choreographic activity as a component of non-formal art education had passed a difficult and contradictory path from the experiments of dance studios and the search for “Soviet dance” to the creation of groups, ensembles, creative associations, and later the appearance of amateur dancers of various genres of choreographic performances. Choreographic performance was actively implemented in the permanent and temporary forms of organization that brought together different social groups. The study analyzes the content of choreographic training in the activities of dance groups in different cultural and educational locations at different stages of historical development. The actual perspective of the development of theoretical studies in the field of choreographic education is the understanding of pedagogical resources of amateur choreography, the analysis of its strategies, meaningful content in various forms of organization. 

2019 ◽  
pp. 108-114
Author(s):  
Nicolay R. Vorobyov

Architectural and artistic construction of museum is one of the most complex genres in environment development and design, with its inherent qualities, means of expressiveness, principles of environment and image development, scientific concepts, in the context of historical development, artistic styles and trends. The author of the article considers the artistic lighting design in isolation from the integral dramaturgy of the project to be deeply flawed, and the setting of accent lighting at the final stage Ц to be simple, but not outstanding. Based on extensive hands-on experience in the construction of museum expositions, the author of the article reveals some peculiarities, especially significant to the participants of the lighting system setting for museums and other cultural facilities.


2020 ◽  
Vol 1 (1) ◽  
pp. 143-149
Author(s):  
E. V. Fomchenko ◽  

The article deals with such a modern phenomenon of culture and art — as performance. The purpose of this study is to determine the performative features as characteristics of modern artistic creativity and their influence on the development of folk culture. The tendency for turning to ritual, ceremonial types of folk art, whereby the communication is put forward, is considered on the example of the creative activity of the folklore ensemble "Rosstan". The article notes such performative characteristics as the creation of an event and atmosphere, space and communication organization, the interaction of the audience, that provide conditions for perception and response. The author relies on the works of such scientists as: E. Fischer-Lichte, V. Turner, A. Ya. Flier, L. N. Zakharova, L. V. Demina and others. In the process of studying following methods were used: generalization, comparison and also dialectical, historical and logical once. Modern features in folk culture, expressed in the interaction of traditional and innovative folkloristics are revealed on the example of the creative activity of "Rosstan". The revival of folk culture, the realization of its creative potential is possible through the development of cultural traditions and the creation of innovations related to ancient ritual forms of interaction, which should be adapted to the present and be understood by modern generation.


2021 ◽  
pp. 219-228
Author(s):  
Lesia TURCHAK

The work of Ukrainian artists who have contributed to Ukrainian and international art, is not sufficiently disclosed. Their creative search impresses with versatility, interesting decision, continues to impress and inspire contemporaries. Purpose of the article — to find out the contribution of the Ukrainian avant-garde artist, set designer, teacher Oleksandra Ekster, to the Ukrainian and international fine arts. Oleksandra Ekster’s work has been the subject of research for decades. Scientists are interested in the painter’s art search, her contribution to Ukrainian avant-garde, scenography reforms, and teaching activity. Some sources may state that Ekster is a representative of Russian avant-garde. However, the artist grew up in Kyiv, obtained art education and promoted with her work not only Ukrainian but world avant-garde as well. The research of modern scientists (H. Kovalenko, D. Horbachova, T. Filevska, N. Stoliarchuk, M. Yur and others) makes it possible to review the artist’s life and artistic journey as well as her contribution to art history. The research methodology consists of a range of methods: historical, biographical, theoretical. The abovementioned methodological approach allows studying the question of historical data relating to the events in Ukraine that led to the emigration waves, finding out certain biographical facts and analyzing the artist’s creative activity.


2020 ◽  
pp. 019145372096217
Author(s):  
Mariano Croce

In the existing literature on depoliticization, the increasing use of law as a medium to tackle social and political issues is deemed to be detrimental to the legitimacy of political processes. Against this view, I argue that this trend – which some scholars call ‘juridification’ – can be key to giving life to new forms of politics. First, I show why juridification is a political more than a legal process. Second, I illustrate recent critiques of the dangers inherent in the particular type of juridification that involves the growing use of rights. Third, while concurring with these critiques, I make the case that other facets of juridification are often underrated that can ignite a novel kind of politics. On this account, I go on by elaborating on the idea of self-organization of social groups vis-à-vis the state that is entailed in this notion of politics. Finally, I discuss the recognition of non-conventional family networks to exemplify how a politics of juridification could work. The conclusion is that, while juridification calls for a thorough revision of the tasks of politics, it does not thwart it. Rather, traditional representative politics could and should take stock of how it involves social actors in the creation of new bodies of regulation.


2017 ◽  
Vol 58 ◽  
pp. 88
Author(s):  
Edit Bugge

<p><strong>Úrtak</strong>: Tann norski fólkavísudansurin vaks fram i byrjan av 1900­árunum og var fyrst og fremst en nýtíðar norsk tulking av føroyska dansinum. Tann norski fólkavísudansurin spældi stóran lut i fólkaupplýsingar­ og tjóðbyggingarstarvinum hjá „norskdomsrørsluni“. Í hesi grein verður greitt frá nøkrum eyðkennum í norska fólkavísudansinum, upphavi og søguligu menning hansara. Í norska diskursinum um stílideal í fólkavísudansi spæla møti við og hugmyndir av <em>autentiskum </em>føroyskum dansi stóran lut. Tiknar verða fram tvær vitjanir, sum føroysk dansifeløg gjørdu hjá norskum fólkadansifeløgum í Noregi. Hesar vitjanir hava havt ávirkan á menningina av fólkavísudansi í Noregi, og tær hava fyri ein part eisini ført til split í norskum fólkadansihøpi.</p><p> </p><p><strong>A</strong><strong>bstract</strong>: Norwegian <em>folkevisedans </em>is a dance form that appeared in the early 1900s. It is primarely a modern Norwegian interpretation of the Faroese chain dance. The Norwegain <em>folkevisedans </em>played a central role as a cultural expression to the nation building and cultivation project of <em>The Movement for Norwegianness (norskdomsrørsla)</em>. The article gives a short introduction to Norwegian folkevisedans, its origin and historical development. Encounters with and ideas about <em>authentic </em>Faroese dance has been, and still is, an important topic in the Norwegian discourse on the aestetic and stylistic ideals of <em>folkevisedans</em>, <em>sangdans </em>and <em>stordans</em>. The article discusses two such cultural encounters, in which Faroese dance groups have visited Norway. These encounters have had an impact for the development of the folkevisedans in Norway, and to some extent they have given rise to a dissension between Folkevisedans enthusiasts.</p>


This book provides a one-volume introduction to Catholic theology. Part I includes chapters on the major themes of Catholic theology. Topics covered include the nature of theological thinking, the Triune God, the Creation, and the mission of the Incarnate Word. Part I also covers the character of the Christian sacramental life and the major themes of Catholic moral teaching. The treatments in this first part of the book offer personal syntheses and perspectives, but each chapter is intended to be in accord with Catholic theology as it is expressed in the Second Vatican Council and the magisterial tradition. Part II focuses on the historical development of modern Catholic theology. An initial section offers chapters on some of Catholic theology’s most important sources between AD200 and 1870, and the final section of the book considers all the main movements and developments in Catholic theology since 1870.The writers include some of the best-known names in current Catholic theology from the Americas, Europe, Asia, and Africa, and all of the most vibrant schools in current Catholic theology are represented. The book should be of help to students of Catholic theology at all levels.


2021 ◽  
Vol 2 (1/S) ◽  
pp. 104-108
Author(s):  
Laylo Aslonova

This article analyzes the legal study of bicameralism as a phenomenon of modern parliamentarism. The evolution of functions, powers and methods of activity of bicameral parliaments is studied, in particular, the historical and political context of the creation of the upper chambers of parliament at various stages of state and legal construction is indicated. Also, a comparative analysis of historical and theoretical studies of the role of the upper house of parliaments was carried out.


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