Estetika Motif Batik Mok-Ramok Kabupaten Pamekasan

Abstract: Batik is an Indonesian cultural heritage in the form of various decorative patterns on a garment in a traditional way, passing the imprinting technique using batik wax to produce a motif. One of the motifs that is particularly interesting to be studied is the mok-ramok motif, which is derived from the word ramok that means ‘root’. This motif is unique because the root motif is actually not root-shaped, and it tends to have tiny and detailed root sizes. This is what underlies this research with the aim of analyzing the aesthetics of the mok-ramok batik motif, because essentially batik do not only have economic value but also beauty value. The aesthetic value contained in this motif is divided into two, namely extrinsic and intrinsic. Mok-ramok motifs have a lot of varieties, however, this study only focused on analyzing the three of them. They are the mok-ramok kembhang motif, the mok-ramok engser motif, and the mok-ramok kates motif. The data collection methods in this research were observation, interviews, and documentation. The results discover the aesthetic value of the mok-ramok kembhang motif, the mok-ramok engser motif, and the mok-ramok kates motif in terms of extrinsic and intrinsic values. Keywords: batik, batik motifs, mok-ramok, aesthetics Abstrak: Batik merupakan warisan budaya Indonesia dengan corak ragam hias yang dituangkan pada satu kain dengan cara tradisional, dengan melewati teknik percantingan menggunakan lilin batik sehingga menghasilkan suatu motif. Salah satu motif yang menarik perhatian untuk diteliti adalah motif mok-ramok yang memiliki arti ‘akar’ dari kata ramok. Motif ini memiliki banyak peminat dan memiliki keunikan yaitu motif akar yang tidak berbentuk akar dan cenderung memiliki ukuran akar yang sangat kecil dan detail. Hal tersebutlah yang melandasi penelitian ini dengan tujuan menganalisis estetika motif batik mok-ramok karena pada dasarnya karya batik tidak hanya memiliki nilai ekonomis tetapi juga memiliki nilai keindahan. Nilai estetika yang terkandung dalam motif mok-ramok terbagi menjadi dua yaitu nilai ekstrinsik dan nilai intrinsik. Motif mok-ramok memiliki jenis yang cukup banyak, akan tetapi dalam penelitian ini hanya menganalisis tiga motif yaitu motif mok-ramok kembhang, motif mok-ramok engser, dan motif mok-ramok kates. Metode pengumpulan data dalam penelitian ini adalah observasi, wawancara, dan dokumentasi. Hasil penelitian ini dapat diketahui nilai estetika pada motif mok-ramok kembhang, motif mok-ramok engser, dan motif mok-ramok kates yang ditinjau dari nilai ekstrinsik dan nilai intrinsik. Kata kunci: batik, motif batik, mok-ramok, estetika

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UPAYA KONSERVASI RUMAH ADAT KARO DALAM MENUNJANG PARIWISATA BUDAYA DI DESA LINGGA KABUPATEN KARO SUMATERA UTARA

JURNAL DESTINASI PARIWISATA ◽

10.24843/jdepar.2016.v04.i02.p25 ◽

2016 ◽

Vol 4 (2) ◽

pp. 139

Author(s):

Rikka Agustriana Sinulingga ◽

I Gst. Agung Oka Mahagangga

Keyword(s):

Local Government ◽

Data Collection ◽

Cultural Heritage ◽

Literature Study ◽

Data Collection Methods ◽

The Government ◽

Modern House ◽

The Village ◽

North Sumatra ◽

Collection Methods

Karo traditional house is the cultural heritage of the ancestors that should be preserved. Karo Traditional House or Rumah Siwaluh Jabu is a home stage which is about 2 meters off the ground and usually inhabited by eight to ten households. Karo Traditional House could still be found in some areas in Karo like Dokan, Melas, and Lingga. Nowadays, the existence of Karo traditional house especially in Linga is reduced, where in 2002 the number of Karo traditional house totaling 29 units and it is only two units now. The number of traditional house is no longer groomed and crumbling with age and due to the lack of attention from the local government and the community. In this study, the problems are how the efforts made by the government and the community in conserving the Karo traditional house in Lingga. The location of this study is conducted in the village named Lingga, Simpang Empat sub district, Karo District of North Sumatra. Data collection methods used in this study is observation, interviews, literature study. An attempt by the government in this case the Department of Tourism and Culture of Karo viewed of the strategy, work programs, targets and achievements that provide land to relocate the modern house, the maintenance of Karo traditional house, hosted a party of flowers and fruit, held cultural festival in Lingga. Meanwhile, from the community side, it could be seen from the management and packaging of travel packages.

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ESTETIK TARI SINING PADA MASYARAKAT GAYO KABUPATEN ACEH TENGAH

Gorga Jurnal Seni Rupa ◽

10.24114/gr.v9i2.20660 ◽

2020 ◽

Vol 9 (2) ◽

pp. 359

Author(s):

Magfhirah Murni Bintang Permata ◽

Rika Wirandi ◽

Berlian Denada

Keyword(s):

Qualitative Research ◽

Data Collection ◽

Cultural Heritage ◽

Point Of View ◽

Community Life ◽

Literature Study ◽

Aesthetic Value ◽

Value Analysis ◽

The People ◽

The Aesthetic

AbstrakPenelitian Nilai Estetik Tari Sining pada masyarakat Gayo bertujuan mendeskripsikan koreografi dan nilai estetik Tari Sining Koreografi Tari Sining merupakan salah satu daya Tarik yang memiliki nilai estetik lebih sehingga tarian ini sebelumnya pernah punah, hingga pada akhirnya dilestarikan kembali melalui upaya revitalisasi dan menjadi warisan budaya daerah Aceh. Dengan memiliki nilai estetik koreografi yang lebih dan dapat tergambar melalui gerakan yang dihasilkan sehingga dapat menyatu dengan konsep kehidupan masyarakat tarian ini dapat di terima dengan baik oleh masyarakat. Analisis koreografi Tari Sining menggunakan konsep koreografi Sumandiyo Hadi. Analisis nilai estetik menggunakan konsep nilai estetik menurut The Liang Gie, yang didukung oleh konsep ciri-ciri sifat benda estetik oleh Monroe Beardsley, dan konsep pengungkapan nilai-nilai kehidupan dalam karya seni oleh De Witt H. Parker. Penelitian ini menggunakan metode penelitian kualitatif dengan pendekatan estetik. Teknik pengumpulan data yang digunakan adalah observasi, wawancara dan studi pustaka. Hasil penelitian menunjukan bahwa Tari Sining memiliki nilai estetik karena dari sudut pandang yang mampu diserat oleh inderawi memiliki nilai bentuk dan dari sisi manapun mengungkapkan nilai-nilai kehidupan pada masyarakat Gayo menjadikan Tari Sining sebagai salahs atu ritual dari budaya dan tradisi masyarakat pada masanya. Kata Kunci: estetik, tari sining, gayo.AbstractResearch on the Aesthetic Value of Sining Dance in the Gayo community aims to describe the choreography and aesthetic value of the Sining Dance. The choreography of Sining Dance is one of the attractions that has more aesthetic value so that this dance has previously been extinct, until it is finally preserved again through revitalization efforts and becomes the cultural heritage of Aceh. . By having more choreographic aesthetic value and can be illustrated through the resulting movements so that it can be integrated with the concept of community life, this dance can be well received by the community. The choreography analysis of Sining Dance uses the choreography concept of Sumandiyo Hadi. Aesthetic value analysis uses the concept of aesthetic value according to The Liang Gie, which is supported by the concept of the characteristics of aesthetic objects by Monroe Beardsley, and the concept of expressing the values of life in works of art by De Witt H. Parker. This research uses qualitative research methods with an aesthetic approach. Data collection techniques used were observation, interviews and literature study. The results showed that Sining Dance has aesthetic value because from the point of view that the senses are able to nibble it has a form value and from any side reveal the values of life in the Gayo community making Sining Dance a ritual or ritual of the culture and traditions of the people of its time.Keywords: aesthetic, sining dance, gayo.

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