scholarly journals Traditional Clothes and Jewelry of Surkhandarya Oasis

Author(s):  
Gayrat Abdulkhakimovich Mamarajabov
Keyword(s):  
The Body ◽  

In the oasis of Surkhandarya, local craftsmen sew traditional shoes, make such shoes as takaki, charik, hakkari, mokkas, tashtovan. In the Surkhan oasis, women wore jewelry such as beads, earrings, rings and bracelets, which were worn and sewn on the forehead, hair, ears, neck, arms, legs and chest. In the Surkhandarya oasis, which combines ancient and national costumes of Uzbeks, women's clothes are rich in historical and factual materials. Women's clothing is divided into winter, spring, summer, autumn clothes depending on the seasons; casual, holiday and ceremonial clothing according to the condition in which it is worn; divided into underwear, top, head, shoes, depending on which part of the body is worn.

2019 ◽  
pp. 69-76
Author(s):  
Є. О. Головчанська

Explore the existing anthropometric classifications of women's figures from the point of view of the clothes’ design for industrial production. To reveal the methodological significance of anthropometric classifications of consumer figures in the development of structural construction and content of clothing collections of industrial production. For the purpose of structuring consumer typology as the basis for designing industrial production clothing were used following methods: analytical-typological, comparative-typological, comparative-historical and comparative methods. In the article are analyzed the existing anthropometric typologies of female figures in the context of generally accepted sewing industry classifications, as well as modern trends in the creation of harmonic images with using visual illusions. Also in the article are determined the basic types of women’s body forms, which are the most frequently meet. Accordingly, it is advisable to take into account these types of figures in the design of women's clothing of industrial manufacture. The scientific novelty consists in systematizing modern typologies of the body shape of women for the design of clothing with their subsequent use in the process of designing an industrial collection of modern women's clothing. The systematized information is given about the classification of the modern typology of female figures for the design of assortment collections of promising women's clothing. The presented researches reveal ways of development and active use of methods of visual illusions for the development of women's clothing of industrial production.


2020 ◽  
Vol 4 (02) ◽  
pp. 218-228
Author(s):  
Syarifah Alawiyah ◽  
Budi Handrianto ◽  
Imas Kania Rahman

The phenomenon that afflicts Indonesian society, especially Muslim female students, is a culture of clothing that deviates from the guidance of Islamic law, although there are Muslim women who show how to dress according to Sharia, but the number is relatively small compared to those who are not. The phenomenon of wearing hijab is currently not in accordance with the requirements of Muslim women's clothing where not a few of the clothing models worn by women wearing hijab but still show the shape of the body, made from transparent and so on. Of course this is a problem that must be addressed by parents, educators and those in charge of education, because if it is left unchecked this will become a culture that will continue to develop and eventually become a law that is considered true by future generations. One way to overcome this is to raise awareness among Muslim women about the obligation to cover their genitals by providing sufficient understanding of genitals, the obligation to cover them and the adab of dressing in Islam. This study uses a literature review that synthesizes the theories and concepts of fiqh scholars about the aurat adab dress in Islam which then produces a concept of how to foster awareness of covering one's genitals which can be internalized in the form of dress behavior in Muslim women, especially students.


2021 ◽  
Vol 23 ◽  
Author(s):  
Olivia Cotton Cornwall

In John Collet’s 1777 print, Tight Lacing, or Fashion Before Ease a woman is depicted holding onto a bed poster as her maid and husband strain to tighten the lacing on her stays. Meanwhile, a large tie-on pocket can be seen hanging from the woman’s waist. Although they were worn closely together on the female body stays and pockets have been studied independently from each other. This is understandable, as at first glance, they appear incomparable. Stays were the precursor to nineteenth century corsets and they moulded the body into the desired and fashionable shape. Pockets on the other hand were utilitarian bags meant for carrying necessary items; separate from women’s clothing they were tied around the waist with string and were hidden under the skirts. Despite the initial differences, these garments did not function independently from each other. Using caricatures, etiquette books, and physical examples found in museum collections, this study demonstrates that when examined in tandem it becomes apparent that stays and pockets served distinct, yet overlapping functions in women’s lives. They informed women’s relationships with their surrounding environments, strengthened women’s connection to the domestic realm, yet also gave women freedom to move outside the home and participate within the public sphere. Furthermore, both items also acted as private spaces, which allowed women to actively partake in romantic courtship and sexual flirtations in a gender appropriate way. By juxtaposing stays and pockets this study contributes to the growing historical discussion surrounding these items, but also begins to piece together a larger picture of the role undergarments, as a whole, played in women’s lives.


2017 ◽  
Vol 6 (2) ◽  
pp. 166-173
Author(s):  
Arsy Febrina Dewi ◽  
Fitri Arnia ◽  
Rusdha Muharar

Clothing is a human used to cover the body. Clothing consist of dress, pants, skirts, and others. Clothing usually consists of various colors or a combination of several colors. Colors become one of the important reference used by humans in determining or looking for clothing according to their wishes. Color is one of the features that fit the human vision. Content Based Image Retrieval (CBIR) is a technique in Image Retrieval that give index to an image based on the characteristics contained in image such as color, shape, and texture. CBIR can make it easier to find something because it helps the grouping process on image based on its characteristic. In this case CBIR is used for the searching process of Muslim fashion based on the color features. The color used in this research is the color descriptor MPEG-7 which is Scalable Color Descriptor (SCD) and Dominant Color Descriptor (DCD). The SCD color feature displays the overall color proportion of the image, while the DCD displays the most dominant color in the image. For each image of Muslim women's clothing, the extraction process utilize SCD and DCD. This study used 150 images of Muslim women's clothing as a dataset consistingclass of red, blue, yellow, green and brown. Each class consists of 30 images. The similarity between the image features is measured using the eucludian distance. This study used human perception in viewing the color of clothing.The effectiveness is calculated for the color features of SCD and DCD adjusted to the human subjective similarity. Based on the simulation of effectiveness DCD result system gives higher value than SCD.


2015 ◽  
Vol 5 ◽  
Author(s):  
Enaya Othman

This paper examines the narratives of twenty-two Palestinian immigrant women who settled in the Milwaukee area in order to demonstrate the particular ways in which they used their dress as a means to claim places of importance and exert influence in their communities. While women’s clothing conventions are the product of social and cultural powers that operate to ‘discipline the body,’ nevertheless, women subject to these forces deliberately choose to maneuver within their society’s standard code of dress for mobility. Because of this, the standards for dress do not simply discipline; they are a means by which women can reassign their roles within their communities. That is, the deliberate use of clothing within a defined temporal and spatial context allows women to position themselves in places of authority and power. This paper illuminates how Palestinian women identified themselves with their families, communities, regions, religion, and ethnicity during two distinctive periods between the 1960s and the 2000s. In each period, women attached different meanings to their dress, meanings that are directed towards recognition, social mobility, and expanding their roles both inside andoutside of their homes. 


2019 ◽  
Vol 8 (1) ◽  
pp. 222
Author(s):  
Nurul Hidayah ◽  
Yasnidawati Yasnidawati

Abstrak Pembuatan pola busana merupakan salah satu proses terpenting dalam pembuatan suatu busana, karena pola merupakan jiplakan bentuk badan yang digambar sesuai dengan ukuran badan seseorang yang diukur secara cermat dan tepat. Pola  busana wanita dengan bentuk tubuh gemuk memerlukan sistem pola khusus dibandingkan dengan wanita dengan bentuk tubuh ideal. Penelitian ini bertujuan untuk melihat kelemahan, cara memperbaiki, kesesuaian pola dasar sistem Indonesia untuk wanita Indonesia dengan bentuk tubuh gemuk. Penelitian ini merupakan penelitian terapan, objek penelitiannya yaitu pola dasar sistem indonesia yang di fitting sebanyak tiga kali pada wanita dewasa dengan bentuk tubuh gemuk, dengan tiga panelis yaitu dosen yang ahli dibidang pembuatan pola. Teknik pengumpulan data penelitian ini diperoleh dengan menyebarkan instrumen penelitian yang disusun berdasarkan kuesioner atau angket berupa skala likers, sedangkan teknik analisis data yang digunakan yaitu, modus, median dan persentase untuk menetukan kecenderungan terbanyak dalam penilaian kesesuaian pola dasar sistem Indonesia pada wanita dengan bentuk tubuh gemuk. Hasil penelitian, menunjukkan bahwa pola dasar sistem Indonesia terdapat kelemahan dengan persentase 71% dan diklasifikasikan dengan kategori sesuai. Perbaikan dengan persentase 95% dengan klasifikasi sangat sesuai. Secara keseluruhan pola dasar sistem Indonesia setelah dilakukan penyesuaian diperoleh persentase 95% dan diklasifikasikan dengan kategori sangat sesuai untuk wanita dengan bentuk tubuh gemuk.Kata Kunci : pola Indonesia,wanita, gemukAbstact Making fashion patterns is one of the most important processes in making clothes, because the pattern is a copy of the body shape drawn in accordance with the size of a person's body that is measured carefully and precisely. Women's clothing patterns with fat body shapes require a special pattern system compared to women with ideal body shape. This study aims to see weaknesses, ways to improve, the suitability of the basic pattern of the Indonesian system for Indonesian women with a fat body shape. This research is an applied research, the object of the research is the basic pattern of the Indonesian system that has been fitted three times in adult women with obese bodies, with three panelists namely lecturers who are experts in pattern making. The data collection technique of this research was obtained by distributing research instruments compiled based on questionnaires in the form of likers scale, while the data analysis techniques used were, mode, median and percentage to determine the most trends in assessing the suitability of the Indonesian system's basic pattern in women with obese bodies . The results of the study indicate that the basic pattern of the Indonesian system has weaknesses with a percentage of 71% and classified in the appropriate category. Repairing with a percentage of 95% with classification is very appropriate. Overall the basic pattern of the Indonesian system after adjustments was obtained was a percentage of 95% and classified with a category very suitable for women with fat body shape.Keywords : pattern of indonesia, women, obese bodies


2020 ◽  
Vol 24 (3) ◽  
pp. 211-227 ◽  
Author(s):  
Niromi Seram ◽  
Kethmini Kumarasiri

Purpose Plus size clothing is becoming a fashion trend worldwide due to the body positivity movement sparked off by the growing obesity rates and fat shaming incidents reported around the world. Although the problems relating to plus size clothing in the global context have been addressed, thereby establishing certain norms in the market, none of this work has proved helpful in assessing the level of customer satisfaction in the Sri Lankan plus size market. In view of this lacuna, this paper aims to probe customer preferences and identify the problems currently prevailing in the plus size women’s wear fashion market in Sri Lanka. Design/methodology/approach Data were gathered through both qualitative and quantitative methods. For this purpose, visits were made to several fashion outlets in the Colombo area offering plus size clothing to observe the available product categories, size ranges, fabrics, finishing methods and designs at each outlet. A closed-ended questionnaire survey was conducted to identify the perception of the customers on the current plus size fashion market. Semi-structured interviews with designers working at selected Sri Lankan fashion brands that catered to the plus size market were carried out to acquire an understanding of the current plus size fashion industry from the garment manufacturer’s perspective and to learn about the current construction techniques in the industry. Findings The results indicated that 55.6% of the plus size women who participated in the survey were either dissatisfied or only moderately satisfied with the current products available in the Sri Lankan market. The major cause for the dissatisfaction was the inability to find well-fitting clothes to suit their body proportions and the unavailability of trendy, fashionable clothes. Ideally, they preferred fashionable, comfortable, well-fitting and good quality garments. Unavailability of standardized sizing methods and lack of up-to-date information on the female body were identified as the main issues in the Sri Lankan plus size women’s wear market. Therefore, the necessity for a standardized size chart for plus size women based on Sri Lankan anthropometric data was emphasized by designers. Originality/value The findings will be useful for the Sri Lankan apparel producers as well as retailers as they will have a better understanding of not only the fit and aesthetic preferences but also the overall shopping preferences of plus size women. This will help them to develop marketing strategies to cater to this Sri Lankan niche market segment, as currently there is no documented information on plus size Sri Lankan women’s clothing preferences.


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