scholarly journals LAYERS OF DISCOURSE AND GENDER RELATION IN KHALED HOSSEINI'S A THOUSAND SPLENDID SUNS

2020 ◽  
Vol 8 (3) ◽  
pp. 1464-1471
Author(s):  
Priyanka Chaudhary

Purpose of the study: The research explores the gender relation and coercion on the marginalized section—women primarily due to socialized stereotypes in Hosseini's bestselling A Thousand Splendid Suns. The paper deciphers discrimination among the Muslim society of Afghanistan. It leads to how the filial and societal norms, which women are expected to upkeep, gradually develop revulsion and motivation for resilience to bring peace in filial relations. Methodology: In the context of postcolonial and feminist literary debates, this research is framed by Discourse Analysis of Edward Said, Gayatri Spivak, Karl Marx, and Foucauldian theories on 'Othering,' alienation, and power relation. Main Findings: It is found that the inflexible gendered roles in conventional Afghan society instigate the oppressed to cultivate insolence against cultural hierarchy. The female characters, three generations apart, an embodiment of Afghan women, show resilience against the discourses. Women, being more prone to being triply marginalized in the regimes of phallocentric norms—Taliban dictatorship, and western ideologies of Soviet and American government. Applications of this study: The novel is chosen to discuss this problem as it demonstrates Afghan women's conflicts through the heart-rendering portrayal of their positions and roles in the community. The protagonists develop a sisterhood to raise voice against the cultural institutions to seek peace in filial relations. Novelty/Originality of this study: The novel is thoroughly examined under discourse related to gender relations and under feministic criticism, which is far apart when we talk about the women in third world countries. They try to gain their space and share not by keeping themselves in the centre similar to Eurocentric feminism; rather, they are more concerned with filial welfare instead of the 'self.'

2017 ◽  
Vol 12 (1) ◽  
pp. 55
Author(s):  
Suyanto Suyanto ◽  
Mujid F Amin

This study aims to explain the use of diction which reflects gender relation in four aspects namely leniency, authority, mobility, and attitude. The material object of this research is Abidah El-Khalieki's novel Women to Wear headdress. Data collection using the method refer and note technique. Data analysis was used data reduction, data display, data verification, interpretation and theoretical meanings, and result conclusions. In the aspect of leniency shows the existence of allowances or the opportunity of women to indicate its existence in public spaces. Gender inequality is demonstrated by diction that States that in the wedding were not involved to define himself. Diction in the form of metaphor is dominated by metaphor symbolic stating that the woman just jewelry for her husband. Diction in attitude more widely used to describe the nature of stereotypes of women and gender bias. In general the diction in the novel more gender-equitable tend to PBS. Usage of diction are generally gender bias for comparison that finally found the gender-sensitive nature of the resolution. As for the use in the novel PBS dominated by symbolic figurative.


Author(s):  
Daniel F. Silva

This chapter examines how the novel combines the religious with elements of the fantastic in staging the reincarnation of Jesus Christ. Placed within an existing field of global meanings, especially pertaining to notions of morality and propriety underpinned by racial and sexual discourses, Jesus confronts a world of stigma and suffering. As millions of people flock to Lém to seek out the messiah, many of which requesting miracles, Jesus comes face to face with imperial categorizations of bodies in terms of not only race and gender, but also of disease and disability. In doing so, she is forced to grapple with the construction and lived consequences of particular notions of normativity – of corporal ability, skin color, and gender – that inform privilege within Empire. The resolutions she seeks reveal a mission against what Michel Foucault and Gayatri Spivak call the epistemic violence of power, namely that of Empire.


2019 ◽  
pp. 25-39
Author(s):  
Juan de Dios Torralbo Caballero ◽  
Violeta Janulevičienė

This paper offers a study of the less known today and less analysed epistolary novel by Anne Brontë’s The Tenant of Wildfell Hall. It focuses on the instances of female protagonist's unconventional behaviour according to the existing societal norms of the Victorian era. The research aims at pointing out the reasons modifying heroine’s behaviour and analysis of the reactions that the protagonist’s acts of nonconformity elicits in other characters of the novel. The undertaken study is believed to raise awareness of less studied Brontë sisters works in university literature and gender studies courses, as it touches upon the emerging issues of the female strength in the Victorian society.


2007 ◽  
Author(s):  
Katy Lonergan ◽  
Kerry Hubel ◽  
Sabrina D. O'Kennon ◽  
Josh McGuire ◽  
Rowena G. Gomez ◽  
...  

2009 ◽  
Vol 27 (1) ◽  
pp. 65-92
Author(s):  
Susan Jones

This article explores the diversity of British literary responses to Diaghilev's project, emphasising the way in which the subject matter and methodologies of Diaghilev's modernism were sometimes unexpectedly echoed in expressions of contemporary British writing. These discussions emerge both in writing about Diaghilev's work, and, more discretely, when references to the Russian Ballet find their way into the creative writing of the period, serving to anchor the texts in a particular cultural milieu or to suggest contemporary aesthetic problems in the domain of literary aesthetics developing in the period. Figures from disparate fields, including literature, music and the visual arts, brought to their criticism of the Ballets Russes their individual perspectives on its aesthetics, helping to consolidate the sense of its importance in contributing to the inter-disciplinary flavour of modernism across the arts. In the field of literature, not only did British writers evaluate the Ballets Russes in terms of their own poetics, their relationship to experimentation in the novel and in drama, they developed an increasing sense of the company's place in dance history, its choreographic innovations offering material for wider discussions, opening up the potential for literary modernism's interest in impersonality and in the ‘unsayable’, discussions of the body, primitivism and gender.


Author(s):  
Mary Youssef

This book examines questions of identity, nationalism, and marginalization in the contemporary Egyptian novel from a postcolonial lens. Under colonial rule, the Egyptian novel invoked a sovereign nation-state by basking in its perceived unity. After independence, the novel professed disenchantment with state practices and unequal class and gender relations, without disrupting the nation’s imagined racial and ethno-religious homogeneity. This book identifies a trend in the twenty-first-century Egyptian novel that shatters this singular view, with the rise of a new consciousness that presents Egypt as fundamentally heterogeneous. Through a robust analysis of “new-consciousness” novels by authors like Idris ᶜAli, Bahaᵓ Tahir, Miral al-Tahawi, and Yusuf Zaydan, the author argues that this new consciousness does not only respond to predominant discourses of difference and practices of differentiation along the axes of race, ethno-religion, class, and gender by bringing the experiences of Nubian, Amazigh, Bedouin, Coptic, Jewish, and women minorities to the fore of Egypt’s literary imaginary, but also heralds the cacophony of voices that collectively cried for social justice from Tahrir Square in Egypt’s 2011-uprising. This study responds to the changing iconographic, semiotic, and formal features of the Egyptian novel. It fulfills the critical task of identifying an emergent novelistic genre and develops historically reflexive methodologies that interpret new-consciousness novels and their mediatory role in formalizing and articulating their historical moment. By adopting this context-specific approach to studying novelistic evolution, this book locates some of the strands that have been missing from the complex whole of Egypt’s culture and literary history.


2020 ◽  
Vol 1 (1) ◽  
pp. 150-158
Author(s):  
A. V. Zhuchkova

The article deals with A. Bushkovsky’s novel Rymba that goes beyond the topics typical of Russian North prose. Rather than limiting himself to admiring nature and Russian character, the author portrays the northern Russian village of Rymba in the larger context of the country’s mentality, history, mythology, and gender politics. In the novel, myth clashes with reality, history with the present day, and an individual with the state. The critic draws a comparison between the novel and the traditions of village prose and Russian North prose. In particular, Bushkovsky’s Rymba is discussed alongside V. Rasputin’s Farewell to Matyora [ Proshchanie s Matyoroy ] and R. Senchin’s The Flood Zone [ Zona zatopleniya ]. The novel’s central question is: what keeps the Russian world afloat? Depicting the Christian faith as such a bulwark, Bushkovsky links atheism with the social and spiritual roles played by contemporary men and women. The critic argues, however, that the reliance on Christianity in the novel verges on an affectation. The book’s main symbol is a drowning hawk: it perishes despite people’s efforts to save it.


2020 ◽  
Author(s):  
Aml Ghanem

COVID-19 is a global crisis that requires a deep understanding of infection pathways to facilitate the development of effective treatments and vaccines. Telomere, which is regarded as a biomarker for other respiratory viral infections, might influence the demographic distribution of COVID-19 infection and fatality rates. Viral infection can induce many cellular remodeling events and stress responses, including telomere specific alterations, just as telomere shortening. In brief, this letter aims to highlight the connection between telomere shortening and susceptibility to COVID-19 infection, in addition to changes in telomeric length according to the variation of age and gender of confirmed cases with COVID-19 infection. To sum up, the correlation is revealed from the available data that connect telomere length and COVID-19 infection, demonstrated in the fact that the elderly patients and males are more susceptible to COVID-19 due to shortening in their telomere length.


Author(s):  
Elizabeth Gaskell ◽  
Sally Shuttleworth

`She tried to settle that most difficult problem for women, how much was to be utterly merged in obedience to authority, and how much might be set apart for freedom in working.’ North and South is a novel about rebellion. Moving from the industrial riots of discontented millworkers through to the unsought passions of a middle-class woman, and from religious crises of conscience to the ethics of naval mutiny, it poses fundamental questions about the nature of social authority and obedience. Through the story of Margaret Hale, the middle-class southerner who moves to the northern industrial town of Milton, Gaskell skilfully explores issues of class and gender in the conflict between Margaret’s ready sympathy with the workers and her growing attraction to the charismatic mill ownder, John Thornton. This new revised and expanded edition sets the novel in the context of Victorian social and medical debate.


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