scholarly journals TEXT-WORLDS IN MICHAEL SWAN’S POETRY: A READER’S PERSPECTIVE

Author(s):  
O. Kulchytska ◽  
I. Malyshivska

The article highlights the role of world-building elements in the process of readers’ interpretation of poetic texts. According to Text World Theory (P. Werth, J. Gavins), elements that set temporal and spatial boundaries, specify objects and entities; elements that describe their qualities; and those that desceibe events, actions or states enable readers to construct their own text-worlds – mental representations of the discourse. This principle underpins our analysis of free verse poetry of Michael Swan, a contemporary British linguist and poet. His texts abound in references to objects, entities, spatial and temporal relationships in the world around us; often, they dominate in the verbal context of a poem. Such references are a characteristic feature of both narrative and metaphor-based poetry. World-building elements are perceived as especially foregrounded in the poems where no conclusion or attitude are explititly stated. There are the following types of world-builders in Michael Swan’s poems: units that denote God as the supreme being, persons, animals and birds, geographic objects, material objects, objects and phenomena in the world of nature, scientific objects and notions, phenomena of human spiritual life, temporal and spatial parameters. We also consider their attributes. Taken together, they illustrate Michael Swan’s general themes – the nature of reality and being, the conception of God, human beings in social and historical contexts, human psychology, human relationships with nature, art. Besides, Swan’s mimetic reflection of reality has a significant emotionl potential. A mini-experiment within the framework of this research shows that it is necessary to further develop students’ skills in inferential interpretation of poetry.

2015 ◽  
Vol 11 (2) ◽  
Author(s):  
Milla Benicio

RESUMO O principal objetivo deste artigo é traçar o itinerário científico e filosófico que permitiu à modernidade a criação de um novo campo de visibilidade dentro da ciência, enfraqueceu o antigo pressuposto da centralidade do homem em relação aos demais seres e levou a uma complexa transformação nas relações do homem com o mundo natural. Nosso foco será, portanto, a grande reorganização epistemológica e cultural do Ocidente, cujas quebras de paradigmas revolucionaram não apenas as noções ligadas à natureza, mas, principalmente, ao papel do homem nesse cenário.Palavras-chave: Reorganização Epistemológica; Homem; Mundo Natural.      ABSTRACT This article aims to draw the scientific and philosophical route which allowed to modernity the creation of a new field of visibility within science. This field weakened the old assumption of the centrality of human beings in relation to other and led to a complex transformation in human relationships with the natural world. Our focus will therefore be the major epistemological reorganization of the Western, whose breaking paradigms revolutionized not only the concepts related to the nature, but, mainly, to the role of the man in this scenario.Keywords: Epistemological Reorganization; Man; Natural World.


Author(s):  
Samuel Torvend

Luther not only wrote about charity and social ethics throughout much of his life; he also experienced the conditions that were the object of Christian generosity and ethical reflection. This essay suggests that his study of the Bible and Church Fathers was not the only source of Luther’s writings and revolutionary programs. His experience of deprivation as a child and a monk, his encounters with the homeless poor of Wittenberg, and his observation of corrupt business practices and failed political leadership played significant roles in his sensitivity to the scriptures and the history of ecclesial care for the poor. The rise of social history and the use of social scientific methods have drawn attention to the economic, political, and social context in which Luther lived and to which he responded throughout his life. The reformer’s works on charity and social ethics did not emerge in a vacuum. His initial public foray focused on the “spiritual economy” of the late medieval church, which discriminated against many of Luther’s poor parishioners. While the Ninety-Five Theses raised serious questions about the sacrament of penance, the role of indulgences, and the authority of the pope, the text also reveals Luther’s early concern for the poor, who were frightened into buying spiritual favors for themselves or their dead relatives. In addition to theological problems, Luther recognized the ethical dimension of this large-scale sales campaign that benefited archbishops and the Vatican treasury. Luther’s rediscovery of the Pauline teaching on justification by grace alone reoriented Christians toward life in this world. Rather than spend effort or money on spiritual exercises that might win one God’s favor in the afterlife, human energies could be directed toward alleviating present suffering. A dialectical thinker, Luther insisted on holding together two seemingly irreconcilable claims, two disparate texts, two discordant images in order to raise the question: How is one related to the other? His teaching on justification claims that God always advances toward a suffering humanity first and that this advance is revealed with utter clarity in the person and work of Jesus Christ, who incarnates God’s desire to free human beings from the deathly presence of anxious religion and give them “life, health, and salvation.” But such freedom must be used for the good of one’s neighbor who suffers within the economic, political, and social fabric of life. The advance of God, who is mercy and grace, continues into the world through Christ and his body. This essay suggests that while Luther animated significant contributions to biblical studies and theology, a body of ethical teaching has been harder to discern among his followers. Perhaps this hesitancy arose out of fear that an emphasis on ethics would be construed as a lapse into what Luther called “works righteousness.” This essay considers a number of the ethical questions and crises that faced Luther, which have not subsided and ask for contemporary investigation. A remarkable achievement of Luther’s reform was a revolutionary change in social assistance. The monastic communities of western Europe had long served as centers of hospitality and charity, and the order in which the young Luther made his vows was a reforming order committed to austerity of life and care for the urban poor. For theological reasons, Luther promoted the suppression of the monasteries and vilified the mendicant orders, but this left a gap in care for the growing population of homeless peasants seeking work in urban centers. The reform of social assistance undertaken in the small “Lutheran” town of Leisnig, Germany, in the early 16th century would become the model for many church orders throughout Germany and Scandinavia, influencing today’s state-run and tax-funded assistance to needy families. Recently, ethicists and Luther scholars have reassessed his reform of charity to ask how the reformer’s social teaching might support engagement with a wide range of present-day social movements. Increased study of Luther’s social writings and the study of evangelical “church orders,” previously marginalized in the academy, offers promising avenues for continued research. This essay also compares three forms of charity—Lutheran, Roman Catholic, and Reformed—illustrating the symbiotic relationship between social ethics and theology and underscoring the role of theological priorities in the conceptualization of social assistance. Finally, this essay considers Luther’s writings on social ethics. Frequently, interpreters of this focus on “faith active in love,” or the utility of his distinction between two kingdoms or governments. Such studies offer a biblical or theological grounding for Lutheran ethics yet frequently overlook the actual crises or practices he encountered. Luther was not a “systematic” theologian, and one must search through his many writings to discover his “ethical” teachings. Luther scholars and historians of social ethics are increasingly interested in the specific ethical questions he was asked to discuss by those who had accepted his reform. The growing popularity of his reform movement and the seismic shift in Christian thought and practice it animated left Luther little time to construct a well-ordered corpus of social teaching, yet many of his concerns are vitally alive in the world today albeit within a different context. Many of his concerns were enlightened by his study of scripture, in which he recognized a mirror of his own turbulent era.


2015 ◽  
Vol 21 (1) ◽  
pp. 123-149
Author(s):  
Gerald Filson

Human beings are conceptual in ways unique to our species, different in kind from animal rationality. Our conceptual capacity goes beyond the cognitive and shapes our emotions, our moral and spiritual capabilities and our perception of the world. That conceptual capacity is formed by culture and language where language plays a central role in how we experience the world. The role of language, especially spiritual or religious language, can inform our perception of the world in ways that represent genuine ‘spiritual perception’ of the material, social and spiritual dimensions of reality. Human beings’ conceptual capabilities are fallible, even in how we use perception as a capacity for knowing the world. Conditions in modernity have increased our vulnerability to fallibility. Consequently, collective exercise of our conceptual capacities in deliberation and coordinated assessments of reality are more necessary than ever. Science and religion are influential models of how collective deliberation, or consultation, enhances our conceptual capabilities and the ways in which perception takes in a world that is both material and spiritual.


2017 ◽  
Vol 21 (1-2) ◽  
pp. 150-175
Author(s):  
David Seamon

In this article, I draw on Gurdjieff’s philosophy to initiate a phenomenology of aesthetic experience, which I define as any intense emotional engagement that one feels in encountering or creating an artistic work, whether a painting, poem, song, dance, sculpture, or something else. To consider how aesthetic experience might be understood in a Gurdjieffian framework, I begin with an overview of phenomenology, emphasizing the phenomenological concepts of lifeworld and natural attitude, about which Gurdjieff said much, though not using phenomenological language. I then discuss Gurdjieff’s “psychology of human beings” as it might be interpreted phenomenologically, emphasizing three major claims: first, that, human beings are “asleep”; second, that they are “machines”; and, third, that they are “three-centered beings.” I draw on the last claim—human “three-centeredness”—to highlight how aesthetic experiences might be interpreted via Gurdjieff’s philosophy. Drawing on accounts from British philosopher and Gurdjieff associate J. G. Bennett, I end by considering how a Gurdjieffian perspective understands the role of the artistic work in contributing to aesthetic experience.


2020 ◽  
Vol nr specjalny 1(2020) ◽  
pp. 364-394
Author(s):  
Robert Mielhorski ◽  

The paper problematises the literary image of childhood in poetry in relation to external historical and socio-political events. The material analysed covers Polish poetry from 1939 – 1989 (a clearly distinguished segment of the historical-literary process). The choice and ordering of the case studies results from the application of two research paradigms: (i) the paradigm concerned with autobiographical motifs, which refers to such topics of 20th century writings as exile (poetry of return by Łobodowski, Wierzyński etc.) immigration (nostalgic [pansentimentalism] and emotionally neutral motifs), Holocaust (motifs of fear, division between now and then, the role of imagination) and (ii) a generation-related paradigm, which allows us to follow the topos of childhood viewed from the perspective of history according to the order of generations entering Polish literature (from the 1920 Generation to the New Wave Groups) up to the succession of consecutive literary trends in the second half of the 20th century (e.g. soc-realism and soc-plans). Poetic texts concerning childhood in the light of history are viewed as records of “rites of passage” operating from the child’s phase of the pre-personalisation area – the child’s sense of being one with the world, experiencing the harmony of being – to the period of personalisation – when history leaves its mark on this period; characterised by the sense of one’s distinctiveness from reality, individual alienation, the need for rationalisation of one’s own existence and the existence of the surrounding reality. The role of history is to lead the child from the pre-personalistic period to the experience of personalisation.


2021 ◽  
Vol 50 ◽  
pp. 1-11
Author(s):  
Andrzej Kiepas ◽  

The article addresses selected problems related to the perspective on the development of Industry 4.0 and social and cultural changes that accompany this development and lead toward the so-called post-digital society. In the field of industry, the changes concern, among others, the functioning of various organizations, and in the perspective of post-digital society – human beings and their relations with the world of technology. These changes lead to an increase in the role of technological factors, hence the current revival of technological determinism, and this, in turn, has to do with questions regarding human subjectivity. In this context, questions regarding humans also revolve around the need to acknowledge their increasing capabilities and scope of freedom, and on the other hand, their loss of autonomy in relation to the world of technology.


2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Akiti Glory Alamu

It is heart-warming to assert that 21st century has witnessed unprecedented breakthroughs in information and communication technology. Thus, this astronomical breakthrough has brought unhindered privileges and accessibilities to virtually all the countries where information technology is entrenched. Evidently, technology has linked societies with global information and it makes it possible for capital to shift instantly across borders. Thus, this technological engagement has reduced the world to one „global village‟. Equally, religion is not indifferent to this global advancement. Within the province of religion, information and communication technology has graciously and tremendously helped to reduce religious messages to a sizeable level whereby human beings do not need to travel many kilometres and distances to deliver religious messages. In the same vein, this information and communication technology has also created a gamut of religious problems like human indignity, un-chastity, terrorism and immorality. Again, it has also brought many miseries at its wake. The result is the emergence of a hedonistic culture, sensuality and promiscuity. This paper adopted historical and analytical approach. However, the paper concludes by advocating that efforts should be made to equally promote morality, spirituality and human development.


2015 ◽  
Vol 1 (1) ◽  
pp. 27-36
Author(s):  
Saman Salah ◽  
Yus’Aiman Jusoh Yusoff

This study examines Shelley's idealism with respect to his concept of love and the role of nature played in his love poems. The study describes Shelley's believe in the force of love to transform the world into a better place where freedom and justice prevails. The ideal imaginary world of Shelley's mind shows how love dominates, while contempt achieves devastation. As a poet of the romantic era, he strongly believes in the power of nature, which ultimately reforms the world into a new order of peace, freedom and justice. His optimism, love and freedom longs to bring betterment in society for the perfectibility of human beings. His optimism depends upon the eradication of a wide range of oppression and persecution to lead to a compassionate universe. It can be seen that the world of Shelley's imagination is administered with equity and affection, therefore, kindness triumphs over malice when man's heart is ruled by the power of love.


Author(s):  
Olha Petrenko

The article deals with the role of musical images in the poetry of Dmitry Kremen. The subject of study is the music code, which is present in many works of the poet. Musical signs, symbols, links play a significant role in vocabulary, phraseology and other ways of poetic expressiveness. Familiarity with the subject world of D. Kremin's poetic texts includes a wide range of concepts related to the world of sounds. The additional accents of a musical-conceptual thesaurus arise when musical cues form certain speech turns that acquire the meaning of metaphors. Musical signs in the lyrics of Dmitry Kremin imply awareness of a wide range of sound associations, which the poet interprets from the standpoint of his own value attitude to them. Beethoven, Chopin, Mozart are the names-symbols of the world music culture, which occupy a significant place in the thesaurus of Dmitry Kremin's poetic texts. Behind these subject designations lies the vast world of artistic and figurative generalization and lyrical and philosophical reflections that are gaining coded meaning. Familiarity with the poetry of Dmitry Kremin proves that the leitmotif of many of his texts is the image of a violin, which acquires different semantic shades. Thus, in Beethoven's poetry, the poet emphasizes the value of music as a special language, devoid of words, but empowered to embody emotional and semantic richness, and therefore capable of being the language of angels. Music code the poetry of Dmitry Kremen is a multidimensional system in which the concept of "music" acts as a concept as a set of meaningful characters and their semantic meanings. In the process of decoding Dmitry Kremin's poetry, one can discover the deep semantic loads of the musical code, on the one hand – as the embodiment of the categories of high, sublime, valuable and eternal in the human sense, on the other – as a symbol of the extra-material, mystical, language of which the angels speak. Decoding the poet's texts is the process of extracting recognition codes and perception codes. The codes of perception in the poetry of Dmitry Kremenya are meaningful loads of texts, its semantic components, which highlight the deep meanings of texts. Through the musical code, the poet embodies the content of the categories of the sublime and the beautiful. The music code shows the understanding of poetry of Dmitry Kremenin a deeply metaphorical sense.


Author(s):  
Синхуа Ван

Введение. Эпоха глобализации и расширения межкультурной коммуникации формирует новые вызовы и ставит их на разрешение ученым, осуществляющим свои изыскания в различных научных областях. Актуальной проблемой гуманитаристики является описание национальных картин мира посредством моделирования их фрагментов. В лингвистике особую значимость сегодня имеет изучение вербальных средств объективации концептуальных смыслов. В числе последних выделяются поэтические тексты. Их эстетическая направленность позволяет исследовать в качестве лингвокультурологических и когнитивных средств образы, присутствующие в этих текстах. Цель – исследовать роль образных символических средств в интерпретации фрагмента китайской картины мира, связанного с осмыслением образа бамбука в древних поэтических текстах. Материал и методы. Материалом исследования послужили поэтические тексты древних китайских авторов. В качестве единиц выступили языковые средства, воплощающие один из наиболее распространенных в китайской лингвокультуре образов ‒ образ бамбука. Основные методы исследования ‒ контекстологический и лексико-семантический. Результаты и обсуждение. Особенности биологического строения бамбука и разноаспектные возможности его применения в жизни носителей китайского языка определяют богатейший образный потенциал лексемы-номината. Включенность данной лексемы в широкий контекст значительно обогащает процесс смыслопорождения. Языковые средства, объективирующие толкование образа бамбука в китайской лингвокультуре, в текстовой перспективе получают возможность своей концептуальной интерпретации. Последняя развертывается на основании рассмотрения символических компонентов смысла, вписанных в национальную картину мира на уровне ее фрагментов. Направления символизации значения языковых единиц, номинирующих образ бамбука, выявляются путем рассмотрения речевой структуры древних поэтических текстов китайских авторов. Заключение. Ключевыми проявлениями символичного значения образа бамбука в китайской лингвокультуре можно назвать варианты интерпретации данного образа как символа высокой нравственности, чистоты, покоя, гармонии и умиротворенности. Такое символичное толкование не противоречит основным догмам китайской философии, в его основе лежит ассоциативная перекличка, возникающая в сознании носителей языка, как результат сопоставления свойств растения и характеристик человека. Introduction. The modern era of globalization and the expansion of intercultural communication creates new challenges and puts them to the solution of scientists carrying out their research in various scientific fields. The actual problem of the humanities is the description of national pictures of the world by modeling their fragments. In linguistics, the study of verbal means of objectifying conceptual meanings is of particular importance today. Among the latter, poetic texts stand out, the aesthetic orientation of which makes it possible to investigate the images present in these texts as linguoculturological and cognitive means. Aim and objectives. Explore the role of figurative symbolic means in the interpretation of a fragment of the Chinese picture of the world associated with the interpretation of the image of bamboo in ancient poetic texts. Material and methods. The material of the research is poetic texts of ancient Chinese authors. The units are linguistic means that embody one of the most common images in Chinese linguoculture – the image of a bamboo. The main research methods are contextological and lexical-semantic. Results and discussion. The peculiarities of the biological structure of bamboo and the diverse possibilities of its use in the life of native Chinese speakers determine the richest figurative potential of the nominated lexeme. The inclusion of this lexeme in a broad context significantly enriches the process of generating meaning. Linguistic means that objectify the interpretation of the image of bamboo in Chinese linguistic culture, in the textual perspective, get the possibility of their conceptual interpretation. The latter unfolds on the basis of considering the symbolic components of meaning inscribed in the national picture of the world at the level of its fragments. The directions of symbolizing the meaning of linguistic units nominating the image of a bamboo are revealed by considering the speech structure of ancient poetic texts of Chinese authors. Conclusion. The key manifestations of the symbolic meaning of the image of bamboo in Chinese linguistic culture, judging by the results obtained, can be called the options for interpreting the image of bamboo as a symbol of high morality, purity, peace, harmony and serenity. Such a symbolic interpretation does not contradict the basic dogmas of Chinese philosophy; it is based on an associative roll call that arises in the minds of native speakers as a result of a comparison of plant properties and human characteristics. Keywords: linguistic picture of the world, symbolic image, Chinese linguoculture, poetic text, bamboo image, lexical means, linguocultural analysis.


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