scholarly journals The Influence of Scandinavian Furniture Design in the Development of Modern Rattan Furniture in Indonesia

2018 ◽  
Vol 7 (3) ◽  
pp. 19
Author(s):  
Mr. Jamaludin ◽  
Boyke Arief Taufik Firdaus ◽  
Anwar Subkiman
Keyword(s):  
Upper Class ◽  
Traditional Model ◽  
Furniture Design ◽  
Modern Design ◽  
Design Concepts ◽  
Home Furnishings ◽  
Result Show ◽  
Academic Influence ◽  
The Comparative Study ◽  
Scandinavian Design

<p>In Indonesia, rattan is one of the natural resources used for furniture materials such as wood. Therefore, rattan furniture has grown has long been developed since the traditional model and developed rapidly in the era of modern design. In the period of traditional furniture, rattan furniture was viewed as cheap furniture, quickly damaged and therefore rarely used for middle-class home furnishings. With the efforts of several design lecturers who are also furniture designers, rattan furniture was then developed with a modern design approach with influence from Scandinavian furniture design. As a result, modern rattan furniture can be accepted into middle-upper class. This study aim is to examine the influence of Scandinavian furniture design particularly Danish furniture design in the early development of modern rattan furniture design in Indonesia.  The influence will be describe in two ways those are product design concepts acquired from Scandinavian design media and academic influence from Indonesian designer who study in Scandinavian countries and develop the rattan furniture in Indonesia. This paper uses the comparative study method to gain an understanding and description of Indonesian rattan furniture design with the influence of Scandinavian furniture design especially Denmark. The result show that Indonesian furniture designers are able to adopt the characteristics of mdoern Scandinavian furniture design that is generally made of wood into the modern design of rattan furniture.</p><p> </p><p> </p>

Study on Low Carbon Product Design from the Perspective of New Lifestyle

2013 ◽  
Vol 734-737 ◽  
pp. 2031-2034
Author(s):  
Gui Ming Huang ◽  
Ling Ling Liu
Keyword(s):  
Industrial Design ◽  
Design Method ◽  
Low Carbon ◽  
Washing Machine ◽  
Carbon Product ◽  
Innovative Design ◽  
Design Concepts ◽  
Result Show ◽  
Definition Of ◽  
Consumer Habits

Taking new lifestyle as a breakthrough perspective for innovative design, ways to merge the Low carbon concept into industrial design method are studied in terms of the design investigation, design orientation, design concepts, and the modeling design and so on. A clear definition of Lifestyle was proposed, then, the method of measuring Lifestyle model was constructed by VIO scale. As a very typical representative, the post-80's the lifestyle was analyzed who proved the main small-household electrical appliances consumer groups. Mi-sa washing machine design as an example verified the effectiveness, practicality and innovativeness of the method. The result show that the low-carbon industrial design in the true sense should depend on the modern lifestyle and consumer habits.

Application of Traditional Chinese Decorative Patterns in Ceramics Design

2014 ◽  
Vol 936 ◽  
pp. 2329-2334
Author(s):  
Chao Ying Ouyang ◽  
Ya Jie Xiong ◽  
Lin Li
Keyword(s):  
Chinese Culture ◽  
Added Value ◽  
Use Value ◽  
Aesthetic Value ◽  
Modern Design ◽  
Design Concepts ◽  
Traditional Chinese Culture

As an important part of traditional Chinese culture, traditional Chinese decorative patterns, to a great extent, symbolise local customs as well as social, political and economic circumstances of China. Ceramics is of both use value and aesthetic value. Decorative patterns facilitate the latter of the two as a main means. Nowadays, designers are facing a great challenge of how to inherit the aesthetics and the spirit of traditional Chinese decorative patterns and how to apply modern design concepts to contemporary ceramics design. This paper investigates the origins, implications, categorizations and application examples of traditional Chinese decorative patterns in both ancient and modern ceramics designs. Based on the investigation, the paper strives to demonstrate the essence of traditional Chinese decorative patterns, enhance the charm of modern ceramics design, as well as to explore new cultural added value of traditional Chinese decorative patterns.

Classifiers’ Environmental Friendly (Green) Re-Design

2012 ◽  
Vol 468-471 ◽  
pp. 658-662
Author(s):  
Kun Shan Li
Keyword(s):  
High Efficiency ◽  
Design Methods ◽  
Modern Design ◽  
Design Concepts ◽  
Environmental Friendly ◽  
Traditional Design

In this paper, the author redesigned the high efficiency rotor classifier under the premise of the environmentally green theory using the traditional design concepts with modern design methods; combined with years of experiences in classifier designing and integrated practical ideas from expertise in the profession.

Capturing Creativity: Using a Design Repository to Drive Concept Innovation

2005 ◽  
Author(s):  
Matt R. Bohm ◽  
Jayson P. Vucovich ◽  
Robert B. Stone
Keyword(s):  
Component Analysis ◽  
Design Knowledge ◽  
Concept Generation ◽  
Original Design ◽  
Modern Design ◽  
Design Project ◽  
Design Concepts ◽  
Design Methodologies ◽  
Search Feature ◽  
Original Concept

This paper describes how a design repository can be used as a concept generation tool by drawing upon archived function-based design knowledge. Modern design methodologies include several types of activities to formally generate design concepts. Typical concept generation methods range from open-ended creative brainstorming activities to quantitative function-component analysis. A combination of two such methods—the Chi Matrix and Morphological Matrix techniques—is the basis for this work. Building on existing functionality of the design repository, desired product functions can be specified in a search of stored design knowledge, returning a Morphological Matrix of artifacts solving the specified functions. Such a search is termed a Morphological Search. The repository Morphological Search feature is evaluated against concepts generated in a previous original design project. Results of the Morphological Search return are then compared to ten of the original concept variants generated during the design project. This comparison shows that 76% of the specified subfunctions return results and that, on average, 61.35% of the components used in the hand-generated concepts can be derived by using the Morphological Search feature.

Comparative study on seismic design and check of piers by Chinese and European Codes

2021 ◽  
Author(s):  
Bruno Briseghella ◽  
Junzhen Chen ◽  
Junqing Xue ◽  
Davide Lavorato ◽  
Camillo Nuti
Keyword(s):  
Comparative Study ◽  
Seismic Design ◽  
Shear Capacity ◽  
Seismic Action ◽  
Behaviour Factor ◽  
Design Concepts ◽  
Importance Factor ◽  
European Code ◽  
Steel Weight ◽  
The Comparative Study

<p>The function of bridges would be significantly influenced by the damage of piers during the earthquake, which would affect the rescue and reconstruction after the earthquake. Therefore, it is of great significance to carry out the comparative study on the seismic design and check of piers by the Chinese and European codes. The results show that the seismic design concepts of piers in the Chinese and European codes are the same. The behaviour factor and the seismic importance factor are used to reduce the seismic action in the European code and the Chinese code, respectively. For the check of shear capacity, the contributions of stirrups and concrete are separately considered in the European code, while they are simultaneously considered in the Chinese code. The steel weight of the pier designing by using Chinese codes is lower than that using European codes. The requirement on the minimum transverse reinforcement ratio in the European code is higher than that in the Chinese code.</p>

scholarly journals ALLUSIVE ELEMENTS IN JULIAN FELLOWES’S PAST IMPERFECT AND AMOR TOWLES’S RULES OF CIVILITY (SOCIOLINGUISTIC AND COMPARATIVE APPROACHES)

2019 ◽  
Vol 19 (3) ◽  
pp. 74-82
Author(s):  
T. A. Ivushkina
Keyword(s):  
Social Background ◽  
Historical Background ◽  
Upper Class ◽  
Culturally Specific ◽  
Classical Education ◽  
American Novels ◽  
Different Types ◽  
Sweeping Processes ◽  
Points Of View ◽  
The Comparative Study

In the focus of the article are allusive elements (allusions and quotations) in two novels − Past Imperfect by Julian Fellowes (Great Britain) and Rules of Civility by Amor Towles (USA) which are studied from sociolinguistic and comparative points of view in order to determine correlation between allusive elements used in the text and social status of an author/personage, common “core” of allusions in both novels and culturally specific types of allusive elements serving as signs of identity. Both contemporary writers have classical education at the best universities and socially belong to the classes depicted in their novels. On the material of two novels it has been revealed that allusive elements are proper to upper class speech, and literature abounding in allusions is aimed at the reader of the same social background. There were singled out different types of allusions common for both British and American novels and culturally specific allusive elements signaling the identity of the speaker. The comparative study allows one to see historical background underpinning culturally specific varieties of allusions as well as the results of sweeping processes of globalization.

scholarly journals FEATURES OF APPLICATION OF THE NATIONAL ORNAMENT IN MODERN FURNITURE DESIGN: AFRICAN TREND

2021 ◽  
Vol 3 (2) ◽  
pp. 5-13
Author(s):  
K. Bandorina
Keyword(s):  
Human Perception ◽  
Social Changes ◽  
Furniture Design ◽  
Modern Design ◽  
Objective World ◽  
Traditional Art ◽  
Cultural Aspects ◽  
Unique Product ◽  
Rigid Framework ◽  
New Consumer

Politics and marketing and socio-cultural aspects manipulate the evolution of design. The objective world of a person, created by designers, leads to changes in human perception of reality, reflecting social changes. The development of modern design, which is within the rigid framework of globalization, is looking for ways to regenerate the humanistic world, experimenting with ethnocultural identity. Elements of national and traditional art, in particular, ornament, become one of the instruments of the designer, who forms a new aesthetic. Using national and ethnic traditions with the help of images, ornaments, color palettes, and materials, the goal of modern design is to find new ways to meet the new consumer paradigm - creating a unique product that reflects local, personal, and emotional components, thus avoiding the globalization processes

Using a Design Repository to Drive Concept Generation

2008 ◽  
Vol 8 (1) ◽  
Author(s):  
Matt R. Bohm ◽  
Jayson P. Vucovich ◽  
Robert B. Stone
Keyword(s):  
Component Analysis ◽  
Design Knowledge ◽  
Concept Generation ◽  
Original Design ◽  
Modern Design ◽  
Design Project ◽  
Design Concepts ◽  
Design Methodologies ◽  
Search Feature ◽  
Original Concept

This paper describes how a design repository can be used as a concept generation tool by drawing upon archived function-based design knowledge. Modern design methodologies include several types of activities to formally generate design concepts. Typical concept generation methods range from open-ended creative brainstorming activities to quantitative function-component analysis. A combination of two such methods—the chi-matrix and morphological matrix techniques—is the basis for this work. Building on existing functionality of the design repository, desired product functions can be specified in a search of stored design knowledge, returning a morphological matrix of artifacts solving the specified functions. Such a search is termed a morphological search. The repository morphological search feature is evaluated against concepts generated in a previous original design project. Results of the morphological search return are then compared to ten of the original concept variants generated during the design project. This comparison shows that 89% of the specified subfunctions return results and that, on average, 77% of the components used in the hand-generated concepts can be derived by using the morphological search feature.

scholarly journals POLA PERJALANAN WISATAWAN TIMUR TENGAH BERDASARKAN PROFIL WISATAWAN DAN MOTIVASI POLA PERGERAKAN DI BANDUNG

2018 ◽  
Author(s):  
Nukeu Novia Andriani. S ◽  
Aji Prasetya Hadi
Keyword(s):  
Middle East ◽  
Movement Patterns ◽  
Upper Class ◽  
Tourist Attraction ◽  
Travel Patterns ◽  
Travel Pattern ◽  
Multiple Sources ◽  
Result Show ◽  
Service Sectors ◽  
Tourism Service

<p>ABSTRACT This study analyses how the Middle East tourists travel patterns in Bandung based on tourist profile and motivation movement patterns. The purpose of this studies to investigate how Middle East tourist travel patterns based on tourist profile and motivation movement patterns in Bandung. This research used descriptive with qualitative approach, involving 3 Middle East tourists as informants. The data were analyses by assigning codes to categorize information, identifying patterns and connection between categories, and interpreting the data from the multiple sources. This result show that the Middle East tourist profiles belonging to middle and upper class tourist and based on the tourist typology, Middle East tourist include into the category of near phischocentric and tend to approach the Mid-centric. Middle East tourist very interested to explore tourist attraction in Bandung. However Bandung still need to be improved, especially some points related to the limitation of professional expertise in several tourism service sectors who able to perform and speak Arabic well.</p><p>Keywords: Travel pattern, Tourist profile, Travel pattern motivation, Middle East Tourist</p>

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