scholarly journals THE FOUR-FIELD MODEL OF ANTHROPOLOGY IN THE UNITED STATES

2016 ◽  
Vol 1 (1) ◽  
Author(s):  
William Balée
Keyword(s):  
United States ◽  
20Th Century ◽  
19Th Century ◽  
Field Model ◽  
Cultural Anthropology ◽  
Rank Order ◽  
The United States ◽  
Early Years ◽  
Late 20Th Century ◽  
The Us

This paper assesses the historical and institutional origins of anthropology in the United States in order to understand the development of the four-field model, the persistence of which is considered distinctive of anthropology in the United States. An Atlantic Enlightenment saw the origins of anthropology in the United States. The four fields of anthropology can be traced to the Enlightenment. The four fields were brought together in the context of museums and learned societies in the 19th century United States. The focus of anthropology changed in the early 20th century with the placement of anthropology in the context of the university and the German concept of the defended dissertation as the principal gateway to professionalization (introduced by Boas). Four-field anthropology programs also existed in diverse countries, but did not persist except in the US beyond the early years of the 20th century. Anthropology in the US as a four-field discipline grew throughout the 1930s. After World War II, the discipline expanded greatly in the United States, partly due to the G.I. Bill as well as to increased demand for anthropology courses. Anthropology continued to grow in terms of numbers of institutions offering the PhD and numbers of new doctorates in the field into the 1970s, stabilizing around 400 per year. The usual rank order in number of doctorates per field per year continues to be the same in the early 2000s as it was thirty years ago: cultural anthropology, archaeology, physical anthropology, linguistic anthropology. The four field unity of the discipline came under critical scrutiny in the late 20th century, with the principal criticism being that the holism of the four fields appears to be a function of 19th century museum mentality, but the four fields regardless of cleavages have nevertheless remained together in the same departments in most universities. That trend appears to be continuing in general at the present time in the United States. Keywords: four fields of anthropology, history of anthropology, US university system.

The connection between the «color revolutions» and the strategic doctrines of the United States (late 20th century — 2014)

2021 ◽  
Author(s):  
Anna Igorevna Filimonova
Keyword(s):  
United States ◽  
20Th Century ◽  
American Foreign Policy ◽  
Use Of Force ◽  
The United States ◽  
Time Interval ◽  
Late 20Th Century ◽  
The Us ◽  
Color Revolutions ◽  
The Right

After the collapse of the USSR, fundamentally new phenomena appeared on the world arena, which became a watershed separating the bipolar order from the monopolar order associated with the establishment of the US global hegemony. Such phenomena were the events that are most often called «revolutions» in connection with the scale of the changes being made — «velvet revolutions» in the former Eastern Bloc, as well as revolutions of a different type, which ended in a change in the current regimes with such serious consequences that we are also talking about revolutionary transformations. These are technologies of «color revolutions» that allow organizing artificial and seemingly spontaneous mass protests leading to the removal of the legitimate government operating in the country and, in fact, to the seizure of power by a pro-American forces that ensure the Westernization of the country and the implementation of "neoliberal modernization", which essentially means the opening of national markets and the provision of natural resources for the undivided use of the Western factor (TNC and TNB). «Color revolutions» are inseparable from the strategic documents of the United States, in which, from the end of the 20th century, even before the collapse of the USSR, two main tendencies were clearly traced: the expansion of the right to unilateral use of force up to a preemptive strike, which is inextricably linked with the ideological justification of «missionary» American foreign policy, and the right to «assess» the internal state of affairs in countries and change it to a «democratic format», that is, «democratization». «Color revolutions», although they are not directly mentioned in strategic documents, but, being a «technical package of actions», straightforwardly follow from the right, assigned to itself by Washington, to unilateral use of force, which is gradually expanding from exclusively military actions to a comprehensive impact on an opponent country, i.e. essentially a hybrid war. Thus, the «color revolutions» clearly fit into the strategic concept of Washington on the use of force across the entire spectrum (conventional and unconventional war) under the pretext of «democratization». The article examines the period of registration and expansion of the US right to use force (which, according to the current international law, is a crime without a statute of limitations) in the time interval from the end of the twentieth century until 2014, filling semantic content about the need for «democratic transformations» of other states, with which the United States approached the key point of the events of the «Arab spring» and «color revolutions» in the post-Soviet space, the last and most ambitious of which was the «Euromaidan» in Ukraine in 2014. The article presents the material for the preparation of lectures and seminars in the framework of the training fields «International Relations» and «Political Science».

The Tangier American Legation Museum

2020 ◽  
Author(s):  
Diana Wylie
Keyword(s):  
United States ◽  
20Th Century ◽  
Peace Corps ◽  
State Department ◽  
The United States ◽  
Late 20Th Century ◽  
Foreign Service ◽  
Architectural Styles ◽  
The Us ◽  
Us Government

The Tangier American Legation Museum reflects the evolution of Moroccan–American relations over two centuries. Morocco, the first country to recognize the independence of the United States (1777), became the site of the first overseas American diplomatic mission in 1821 when the sultan gave the US government title to the museum’s current home—8 rue d’Amérique (zankat America)—in the old city of Tangier. The building went on to house the US consulate (1821–1905), legation (1905–1956), a State Department Foreign Service language school (1961–1970), and a Peace Corps training center (1970–1973), before becoming a museum dedicated to displaying art and artifacts about Morocco and Moroccan–American relations (1976). Despite the official story of the origin of the forty-one-room museum, its holdings and activities since the late 20th century derive more from unofficial American relationships with Morocco than from US government policy. The private actions of individual Americans and Moroccans, with some State Department support, led the museum to become in the late 20th century a research and cultural center serving academics and the broad public, including the people in its neighborhood (Beni Ider). In 1981 the US Department of the Interior put the Legation on the National Register of Historic Places, and in 1982 it became the only site outside the United States designated as a National Historic Landmark due to its past diplomatic and military significance, as well as to the building’s blend of Moroccan and Spanish architectural styles.

Sufism in the United States

2021 ◽  
Keyword(s):  
United States ◽  
New York ◽  
20Th Century ◽  
19Th Century ◽  
The United States ◽  
Muslim Identity ◽  
Late 20Th Century ◽  
Multiple Routes ◽  
Muslim Communities ◽  
The 19Th Century

Sufism in the United States is notable for its diverse origins, multiple routes of transmission, and variegated forms. West African Muslims were the first to practice Sufism in the Americas, attempting to maintain Sufi-Islamic traditions under the oppressive conditions of 17th-century plantation slavery. In the 19th century, Sufism emerged as a phenomenon with broader cultural impact in the region through American literary interest in Persian Sufi poetry. As the 19th century drew to a close, American fascination with all things occult, metaphysical, and mystical coincided with a draw toward “the wisdom of the East.” In this milieu, Sufism was embraced by small circles of seekers, frequently coming from Theosophical groups. During the 1930s and 1940s, several Black American converts to Islam joined Sufi orders and transmitted Sufi teachings to mosque communities they established in New York and Ohio. The reform of immigration laws in 1965 resulted in the establishment of immigrant Muslim communities throughout the United States. Sufi teachers from Iran, Sri Lanka, Switzerland, and Turkey, among other countries, settled in America and established Sufi groups in the following decades. The second half of the 20th century witnessed the center of gravity of academic study of Sufism shift from Europe to North America, with the proliferation of Sufi works in English translation in the following decades. By the late 20th century, Sufism had matured as a multifaceted example of American religiosity, encompassing immigrant and local Muslim practice as well as esoteric or mystical teachings functioning apart from Muslim identity. Currently, Sufism in the United States can be found as a conspicuous expression of Islamic spirituality, as a spiritual path not necessarily connected to Islam, as a niche within the broader spiritual marketplace, and as a practice with a varied online presence.

American Urban History

Urban Studies ◽  
2021 ◽  
Keyword(s):  
United States ◽  
Social History ◽  
20Th Century ◽  
Urban History ◽  
Population Distribution ◽  
The United States ◽  
Spatial Development ◽  
Late 20Th Century ◽  
Diverse Range ◽  
Historical Profession

American urban history embraces all historiography related to towns, cities, and metropolitan regions in the United States. American urban history includes the examination of places, processes, and ways of life through a broad and diverse range of themes including immigration, migration, population distribution, economic and spatial development, politics, planning, race, ethnicity, gender, and sexuality. Urban history emerged as an identifiable subfield of United States history in the mid-20th century, admittedly well after the establishment of similar areas of inquiry in other professional fields and academic disciplines, particularly sociology. Beginning in the 1930s and 1940s, a small number of academics, led by noted social historian Arthur M. Schlesinger, Sr., commenced the first wave of scholarly interest in American urban history with works on colonial seaports and select 19th-century cities. By the 1950s, urban history coalesced as a recognizable subfield around a reformulation of American history, emphasizing the establishment of towns, rather than the pursuit of agriculture, as the spearhead for the formation and growth of the nation. The 1960s and 1970s witnessed a second round of interest in American urban history, set against the backdrop of the tremendous political and social changes that swept the nation and transformed the historical profession. Through innovative models of scholarship that broke with traditional consensus history, notably pioneering quantitative research methods, a self-identified “new urban history” emerged that emphasized spatial development as well as social, economic, and political mobility, conflict, and change. Over time, this new urban history was largely subsumed within social history, given the fields’ intersecting and overlapping interests in social and political issues viewed through the lenses of race, class, and gender. Social history’s broad focus resulted in an explosion of scholarship that all but dominated the American historical profession by the late 20th century. From the mid-1970s through the 1990s, books with urban settings and themes, most of them well within the camp of social history, won an impressive number of Bancroft prizes and other prestigious awards. Urban history itself has survived—even thrived—without a widely agreed upon canon or dominant research methodology. Scholars continue to make significant contributions to urban history, whether or not they embrace the title of urbanist. Note that attendance at the biannual meetings of the Urban History Association has grown significantly over the last two decades. The sources in this article’s twenty subject headings have been arranged to illustrate the depth and breadth of each prominent theme in the field and are by no means an exhaustive list of such scholarship, but rather a sampling of the most influential and innovative examinations of America’s urban canvas.

scholarly journals Other People’s Cabins: German Inversions of Onkel Tom’s Hutte

Lateral ◽  
2015 ◽  
Vol 4 (1) ◽  
Author(s):  
Kristin Moriah
Keyword(s):  
United States ◽  
20Th Century ◽  
The United States ◽  
Early 20Th Century ◽  
The Novel ◽  
Housing Projects ◽  
Uncle Tom's Cabin ◽  
The Us ◽  
Archival Work

Kristin Moriah’s essay is rooted in extensive archival work in the US and Germany, examining the transatlantic circulation of Uncle Tom’s Cabin through markets of performance and literature in and between Germany and the United States. The essay follows the performative tropes of Uncle Tom’s Cabin from its originary political resonances to the present-day restaurants, train-stops, and housing projects named for the novel. Moriah reveals how the figurations of blackness arising from these texts are foundational to the construction of Germanness and American-German relations in the early 20th century and beyond.

scholarly journals Theater Without a Script—Improvisation and the Experimental Stage of the Early Mid-Twentieth Century in the United States

Text Matters ◽  
2019 ◽  
pp. 374-392
Author(s):  
Magdalena Szuster
Keyword(s):  
United States ◽  
Twentieth Century ◽  
20Th Century ◽  
Performing Arts ◽  
The United States ◽  
Actor Training ◽  
Experimental Theater ◽  
The Us ◽  
Look Back ◽  
Experimental Stage

It was in the mid-twentieth century that the independent theatrical form based entirely on improvisation, known now as improvisational/improvised theatre, impro or improv, came into existence and took shape. Viola Spolin, the intellectual and the logician behind the improvisational movement, first used her improvised games as a WPA worker running theater classes for underprivileged youth in Chicago in 1939. But it was not until 1955 that her son, Paul Sills, together with a college theater group, the Compass Players, used Spolin’s games on stage. In the 1970s Sills made the format famous with his other project, the Second City. Since the emergence of improv in the US coincides with the renaissance of improvisation in theater, in this paper, I will look back at what may have prepared and propelled the emergence of improvised theater in the United States. Hence, this article is an attempt to look at the use of improvisation in theater and performing arts in the United States in the second half of the 20th century in order to highlight the various roles and functions of improvisation in the experimental theater of the day by analyzing how some of the most influential experimental theaters used improvisation as a means of play development, a component of actor training and an important element of the rehearsal process.

Classical Architecture in Europe and North America since 1700

Classics ◽  
2018 ◽  
Author(s):  
Elizabeth Macaulay-Lewis
Keyword(s):  
United States ◽  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
The United States ◽  
Classical Antiquity ◽  
Early 20Th Century ◽  
Classical Architecture ◽  
Greco Roman ◽  
The 19Th Century

Since the Western Roman Empire collapsed, classical, or Greco-Roman, architecture has served as a model to articulate the cultural, artistic, political, and ideological goals of later civilizations, empires, nations, and individuals. The Renaissance marked the first major, widespread re-engagement with classical antiquity in art, literature, and architecture. Debates over classical antiquity and its relation to the modern world continued ever since. One such important debate was that of the quarrel between the Ancients and Moderns, which resulted when Charles Perrault published his Parallèles des anciens et des modernes in 1688. This dispute focused on whether the modern age could surpass antiquity, especially in literature. The Greco-Roman controversy (1750s and 1760s) was another example of Europeans engaging with the classical past; this debate focused on whether Greek or Roman art was of greater historical value; an argument has continued unabated to this day. Figures like Johann Joachim Winckelmann argued (in publications such as Winckelmann 1764, cited under Early Archaeological Publications on Greece and Classical Ruins in the Roman East, on Greek art) for the supremacy of Greek forms, while others like Giovanni Battista Piranesi (whose 1748–1778 views of Rome are reproduced in Ficacci 2011, cited under Early Archaeological Publications on Italy) advocated for Rome’s preeminence. Such debates demonstrate how classical antiquity was an essential part of the intellectual and artistic milieu of 18th-century Europe. This bibliography focuses on the appropriation of classical architecture in the creation of built forms from 1700 to the present in Europe and North America, which is typically called neoclassical or neo-classical, both of which are acceptable. Scholars often define the neoclassical period as lasting from c. 1750 to 1830, when European art and architecture predominantly appropriated classical forms and ideas. The influence of classical architecture continued in popularity throughout the 19th century and early 20th century in the United States. The early 19th century saw the flourishing of the Greek Revival, where Greek forms dominated artistic and architectural production, both in Europe and the United States. The ascendance of Queen Victoria in 1837 marked a shift toward a preference for the Gothic and Medieval forms. Neoclassical forms saw a resurgence in the second half of the 19th century, as Roman architectural forms became increasingly popular as an expression of empire. The term “Neo-classical” was coined as early as January 1872 by Robert Kerr, who used the term positively. It later took on certain negative overtones, when it was used as a derogatory epithet by an unknown writer in the Times of London in 1892. Neoclassical architecture has fared no better with the rise of modernism in the early 20th century onward and since then it has been seen as old-fashioned and derivative. Neoclassical architecture was not a mindless imitation of classical architectural forms and interiors. The interest in classical architecture and the creation of neoclassical architecture was spurred on by important archaeological discoveries in the mid-18th century, which widened the perception of Greek and Roman buildings. The remarkable flexibility of ancient architecture to embody the grandeur of an empire, as well as the principles of a nascent democracy, meant that it had great potential to be interpreted and reinterpreted by countless architects, patrons, empires, and nation states—in different ways and at different times from the 18th to the 20th century. This bibliography is organized thematically (e.g., General Overviews; Companions, Handbooks, and Theoretical Works; Reference Works; Early General Archaeological Publications; The Reception of Pompeii, Herculaneum, and the Bay of Naples; and World’s Fairs and Expositions) and then geographically, creating country- or region-specific bibliographies. While this model of organization has some flaws, it aims to avoid repetition and highlights the interconnected nature and process of the reception of classical architecture in later periods.

Late 19th-Century Periodical Print Culture in the US–Mexico Border Region

2019 ◽  
Author(s):  
Donna M. Kabalen de Bichara
Keyword(s):  
United States ◽  
19Th Century ◽  
Print Culture ◽  
The United States ◽  
Border Region ◽  
Late 19Th Century ◽  
Nuevo Leon ◽  
The Us ◽  
Mexico Border ◽  
Us Mexico Border

Hundreds of 19th-century newspapers and magazines published in the region of the US–Mexico border are housed in archival collections in Mexico and the United States, and they provide access to historical, cultural, and ideological perspectives involving two world spheres that are intimately connected. Archival collections in the following databases provide access to periodicals published in the United States as well as in Mexico: the Newspaper and Periodicals Collection at the National Autonomous University of Mexico; the Readex Collection of Hispanic American Newspapers, 1808–1980; the Nettie Lee Benson Library’s microfilmed collection of 19th-century independent newspapers; the digital collection of periodicals and magazines from the Capilla Alfonsina Biblioteca Universitaria and the Biblioteca Universitaria Raúl Rangel Frias, at the Universidad Autónoma de Nuevo León; and the EBSCO Arte Público Hispanic Historical Collections, Series 1 and 2. These collections house digitized and microfilmed newspapers that include those published in the US states of California, Arizona, Nevada, New Mexico, and Texas, as well as Mexican states such as Baja California, Sonora, Chihuahua, Coahuila, Nuevo León, and Tamaulipas. The region includes areas that share not only a physical border but also a cultural memory based on the effects of historical collisions that have contributed to the formation of new meanings regarding these world spheres that can be understood as two intersecting semiotic systems that exist as a continuum. The intersection of these spaces represents the transnational aspect of periodical print culture of the late 19th century that communicates worldviews that are semiotically and ideologically heterogeneous. Indeed, cultural spaces that exist in the borderland (or that symbolic space that forms a border or frontier in a cultural sense), are semiotic realities that unfold in unpredictable and indeterminate ways as a result of historical processes. Periodical print culture produced in the border region provides access to diverse social, cultural, political, and religious perspectives. Furthermore, the history of print culture involves a process of communication of both social and cultural history. As objects of study, borderland newspapers ultimately provide the basis for understanding the circulation of ideas.

Christianity in Hawaiʻi

2017 ◽  
Author(s):  
Ronald Williams Jr.
Keyword(s):  
United States ◽  
20Th Century ◽  
The United States ◽  
Foreign Missions ◽  
Late 20Th Century ◽  
Kanaka Maoli ◽  
American Missionaries ◽  
Protestant Church ◽  
Christian Churches ◽  
Hawaiian Kingdom

On January 17, 1893, Her Majesty Queen Liliʻuokalani, sovereign of the Hawaiian Kingdom, was overthrown in a coup de main led by a faction of business leaders comprised largely of descendants of the 1820 American Protestant mission to the “Sandwich Islands.” Rev. Charles Hyde, an officer of the ecclesiastic Papa Hawaiʻi (Hawaiian Board) declared, “Hawaii is the first Country in which the American missionaries have labored, whose political relations to the United States have been changed as a result of missionary labors.” The actions of these “Sons of the Mission” were enabled by U.S. naval forces landed from the USS Boston the evening prior. Despite blatant and significant connections between early Christian missionaries to Hawaiʻi and their entrepreneurial progeny, the 1893 usurpation of native rule was not the result of a teleological seventy-year presence in the Hawaiian Kingdom by the American Protestant Church. An 1863 transfer of authority over the Hawaiian mission from the Boston-based American Board of Commissioners for Foreign Missions (ABCFM) to the local ʻAhahui ʻEuanelio o Hawaiʻi (AEH) (Hawaiian Evangelical Association) served as a pivotal inflection point that decidedly altered the original mission, driving a political and economic agenda masked only by the professed goals of the ecclesiastic institution. Christianity, conveyed to the Hawaiian Islands initially by representatives of the ABCFM, became a contested tool of religio-political significance amidst competing foreign and native claims on leadership in both church and state. In the immediate aftermath of the January 1893 overthrow of the Hawaiian Kingdom government, this introduced religion became a central tool of the Kanaka Maoli (Native Hawaiian) struggle for a return of their queen and the continued independence of their nation. Native Christian patriots organized and conducted a broad array of political actions from within the churches of the AEH using claims on Ke Akua (God) and Christianity as a foundation for their vision of continued native rule. These efforts were instrumental in the defeat of two proposed treaties of annexation of their country—1893 and 1897—before the United States, declaring control of the archipelago a strategic necessity in fighting the Spanish/Filipino–American War, took possession of Hawaiʻi in late 1898. Widespread Americanization efforts in the islands during the early 20th century filtered into Hawaiʻi’s Christian churches, transforming many of these previous focal points of relative radicalism into conservative defenders of the American way. A late-20th-century resurgence of cultural and political activism among Kanaka Maoli, fostered by a “Hawaiian Renaissance” begun in the 1970s, has driven a public and academic reexamination of the past and present role of Christianity in this current-day American outpost in the center of the Pacific.

Race and Religion in the United States

2017 ◽  
Author(s):  
Ryan P. Jordan
Keyword(s):  
United States ◽  
20Th Century ◽  
19Th Century ◽  
Religious Identity ◽  
American History ◽  
White Supremacy ◽  
The United States ◽  
The Philippines ◽  
Racial Prejudice ◽  
Western History

For centuries before the European colonization of North America, sectarian, ethnic, and racial discrimination were interrelated. The proscription of certain groups based on their biological or other apparently ingrained characteristics, which is one definition of racism, in fact describes much religious prejudice in Western history—even as the modern term “racism” was not used until the 20th century. An early example of the similarities between religious and racial prejudice can be seen in the case of anti-Semitism, where merely possessing “Jewish blood” made one inherently unassimilable in many parts of Europe for nearly a thousand years before the initial European conquest of the New World. Throughout Western history, religious values have been mobilized to dehumanize other non-Christian groups such as Muslims, and starting in the 16th century, religious justifications of conquest played an indispensable role in the European takeover of the Americas. In the culture of the 17th- and 18th-century British colonies, still another example of religious and racial hatred existed in the anti-Catholicism of the original Protestant settlers, and this prejudice was particularly evident with the arrival of Irish immigrants in the 19th century. In contemporary language, the Irish belonged to the Celtic “race” and one of the many markers of this race’s inherent inferiority was Catholicism—a religious system that was alternatively defined as non-Western, pagan, or irrational by many Anglo-Saxon Protestants, who similarly saw themselves as a different, superior race. In addition to the Irish, many other racial groups—most notably Native Americans—were defined as inferior based on their religious beliefs. Throughout much of early American history, the normative religious culture of Anglo-Protestantism treated groups ranging from African slaves to Asian or Middle Eastern immigrants as alternatively unequal, corrupt, subversive, or civically immature by virtue of their religious identity. Historians can see many examples of the supposedly dangerous religious attributes of foreigners—such as those of the Chinese in the late 19th century—as a basis for restricting immigration. Evangelical Protestant ideas of divine chosen-ness also influenced imperial projects launched on behalf of the United States. The ideology of Manifest Destiny demonstrates how religious differences could be mobilized to excuse the conquest and monitoring of foreign subjects in places such as Mexico or the Philippines. Anglo-Protestant cultural chauvinism held sway for much of American history, though since the mid-1900s, it can be said to have lost some of its power. Throughout its history, many racial or ethnic groups—such as Hispanic Americans, African-Americans, or Asian Americans in the United States have struggled to counter the dominant ethnic or racial prejudice of the Anglo-Protestant majority by recovering alternative religious visions of nationhood or cultural solidarity. For groups such as the 20th-century Native American Church, or the African American Nation of Islam, religious expression formed an important vehicle to contest white supremacy.

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