Building Small Worlds in Urban Spaces

2020 ◽  
pp. 260-282
Author(s):  
Barbara Bennett Woodhouse

Chapter twelve calls for a renewal of the “small is beautiful” movement and explores how the benefits of growing up in a village can be recreated in urban settings. The author presents E. F. Schumacher’s 1973 book Small is Beautiful: Economics as if People Mattered, and its relationship to contemporary concepts, such as sustainability and the circular economy. that focus on sustaining human-scaled communities rather than on growing the GDP. The author describes and compares two initiatives that mobilize the strength of collaborative community to benefit at risk children and youth. The first is set in the city of Naples, in southern Italy, where a parish priest named Antonio Loffredo tapped the energy and aspirations of young people to build a collaborative community cooperative in an inner city neighbourhood called La Sanita’, as an alternative to the lure of organized crime. The second is the Harlem Children’s Zone (HCZ), founded in the historically black neighbourhood of New York City by Geoffrey Canada, to prove that black children, given a fair start, could achieve the American dream. While similar in many ways, each initiative was shaped by and reflects the macrosystemic values of the surrounding culture.

2021 ◽  
Author(s):  
Stephanie Power

My roots are showing: as a girl from out around the bay who “idolized New York all out of proportion” – to quote Woody Allen’s Isaac in Manhattan – a sense of aspiration informs this project. Growing up in Newfoundland, I had two tenuous connections to New York: my mother voraciously read the american society bible “Town and Country” and my father travelled to New York twice in the 1960’s to visit his sisters, Mary and Bride, who as young women moved to Brooklyn from Chapel Arm, Newfoundland in the 1940’s. As a child ever envious that my aunts had unlimited access to such a cosmopolitan place, I was drawn to the idealistic notion of New York as a “magic city.” I idolized Mary, a fierce woman who was my template for what I imagined was the archetypal New Yorker: brash, quick-witted, uncompromising. As a child, I witnessed her throw the “chin flick” and it thrilled me. It was such a brazenly profane gesture from an old school God-fearing Catholic. And it was so New York! She remained close to my father until he died from complications due to Alzheimers in 2000. Now 95, and also with Alzheimers, she lives in an old age home in the same Newfoundland town where I drifted through the pre-fab hallways of my high school and plotted my escape to the magic city. But I would never have the cojones to move to New York like Mary and Bride, even though opportunities presented themselves to me. To this day, I remain an outsider: roaming the city with a camera, often strolling by Robert Frank’s house on the slim chance I might find him sitting outside – I hear it’s a habit of his. Frank, Garry Winogrand, Diane Arbus, Helen Levitt and Saul Leiter: I worship them in the same way I worshipped Aunt Mary. Their traces remain on the streets I walk: ghosts that whisper sweetly while I look forward and backward through my lens, caught in a temporal loop, searching for a city that I’m not sure exists, except in my head. New York looms large in the collective imagination and we all have our versions of it. This is mine.


2009 ◽  
Vol 15 (3) ◽  
pp. 150
Author(s):  
Harry F. Recher

When i was growing up in New York City during the 1940s, people (ordinary people anyway) assumed responsibility for their own actions. That was back when falling on an icy sidewalk meant being careless and not that the City had failed in its duty of care; when you could go fishing in the local park without first climbing a chain link fence designed to stop kids from falling into the water and their parents suing the County for negligence; or, when you could ride a bicycle without a helmet and there were see-saws in the park alongside slippery-dips higher than the shoulders of a five year old. I am sure it was the same in Australia. Maybe some of the changes in social attitudes and the proliferation of rules and regulations are good things. Maybe it is good to wear a helmet when riding a bike; it certainly makes sense to use the seat belt when driving in a car and maybe kids should not be allowed to risk life and limb sliding down a 2.5 metre high slippery-dip. What is not good is the increasing refusal to assume responsibility, to be litigious, and the growth of the Nanny State where individuals are denied responsibility for their own actions and we are all dumbed down by the expectation of authorities that we will all behave and respond like the least intelligent, least educated, most anti-social and most physically inept member of society. I find this trend to state control of my freedom to choose what I do, how I do it and when I do it frustrating and annoying; for example, I am not allowed to carry a pocket knife so I can eat an apple for lunch or open a bag of crisps because of an irrational fear of youth violence in Sydney and politicians needing to appear ?tough? on crime. But not wanting to assign or assume responsibility for individual actions has more serious implications; ones that impact significantly on the future of global biodiversity and human survival.


2021 ◽  
Author(s):  
Stephanie Power

My roots are showing: as a girl from out around the bay who “idolized New York all out of proportion” – to quote Woody Allen’s Isaac in Manhattan – a sense of aspiration informs this project. Growing up in Newfoundland, I had two tenuous connections to New York: my mother voraciously read the american society bible “Town and Country” and my father travelled to New York twice in the 1960’s to visit his sisters, Mary and Bride, who as young women moved to Brooklyn from Chapel Arm, Newfoundland in the 1940’s. As a child ever envious that my aunts had unlimited access to such a cosmopolitan place, I was drawn to the idealistic notion of New York as a “magic city.” I idolized Mary, a fierce woman who was my template for what I imagined was the archetypal New Yorker: brash, quick-witted, uncompromising. As a child, I witnessed her throw the “chin flick” and it thrilled me. It was such a brazenly profane gesture from an old school God-fearing Catholic. And it was so New York! She remained close to my father until he died from complications due to Alzheimers in 2000. Now 95, and also with Alzheimers, she lives in an old age home in the same Newfoundland town where I drifted through the pre-fab hallways of my high school and plotted my escape to the magic city. But I would never have the cojones to move to New York like Mary and Bride, even though opportunities presented themselves to me. To this day, I remain an outsider: roaming the city with a camera, often strolling by Robert Frank’s house on the slim chance I might find him sitting outside – I hear it’s a habit of his. Frank, Garry Winogrand, Diane Arbus, Helen Levitt and Saul Leiter: I worship them in the same way I worshipped Aunt Mary. Their traces remain on the streets I walk: ghosts that whisper sweetly while I look forward and backward through my lens, caught in a temporal loop, searching for a city that I’m not sure exists, except in my head. New York looms large in the collective imagination and we all have our versions of it. This is mine.


2015 ◽  
Vol 1 (1) ◽  
pp. 91-111
Author(s):  
Emma Cleary

The skyline of New York projects a dominant presence in the works of James Baldwin—even those set elsewhere. This essay analyzes the socio-spatial relationships and cognitive maps delineated in Baldwin’s writing, and suggests that some of the most compelling and intense portrayals of New York’s psychogeographic landscape vibrate Baldwin’s text. In The Price of the Ticket (1985), Baldwin’s highly personalized accounts of growing up in Harlem and living in New York map the socio-spatial relationships at play in domestic, street, and blended urban spaces, particularly in the title essay, “Dark Days,” and “Here Be Dragons.” Baldwin’s third novel, Another Country (1962), outlines a multistriated vision of New York City; its occupants traverse the cold urban territory and struggle beneath the jagged silhouette of skyscrapers. This essay examines the ways in which Baldwin composes the urban scene in these works through complex image schemas and intricate geometries, the city’s levels, planes, and perspectives directing the movements of its citizens. Further, I argue that Baldwin’s dynamic use of visual rhythms, light, and sound in his depiction of black life in the city, creates a vivid cartography of New York’s psychogeographic terrain. This essay connects Baldwin’s mappings of Harlem to an imbricated visual and sonic conception of urban subjectivity, that is, how the subject is constructed through a simultaneous and synaesthetic visual/scopic and aural/sonic relation to the city, with a focus on the movement of the body through city space.


2011 ◽  
Vol 7 (3) ◽  
pp. 55 ◽  
Author(s):  
Arup K. Sen

Supporting micro enterprises within inner-city communities is a viable strategy to promote economic development, combat poverty, and alleviate social costs. Some authors suggest that micro entrepreneurship is essential to maintain a healthy economy within low-income communities. This paper is aimed at highlighting the profile and functioning of micro enterprises in inner-city Buffalo, New York with regards to aspects such as size, financial and non-financial assistance, goals and barriers experienced by micro entrepreneurs. Data from an exploratory survey of 100 micro enterprises suggest that micro entrepreneurs encounter several problems that impact negatively on their profitability and viability. The data also suggests that these entrepreneurs are constrained not only by financial factors but also non-controllable factors such as the economy of the city, availability of reliable labor, and insurance requirements. This paper concludes with a brief discussion of the implications of the survey findings for developing strategies to address issues facing micro enterprises in inner-city communities


1999 ◽  
Vol 27 (2) ◽  
pp. 202-203
Author(s):  
Robert Chatham

The Court of Appeals of New York held, in Council of the City of New York u. Giuliani, slip op. 02634, 1999 WL 179257 (N.Y. Mar. 30, 1999), that New York City may not privatize a public city hospital without state statutory authorization. The court found invalid a sublease of a municipal hospital operated by a public benefit corporation to a private, for-profit entity. The court reasoned that the controlling statute prescribed the operation of a municipal hospital as a government function that must be fulfilled by the public benefit corporation as long as it exists, and nothing short of legislative action could put an end to the corporation's existence.In 1969, the New York State legislature enacted the Health and Hospitals Corporation Act (HHCA), establishing the New York City Health and Hospitals Corporation (HHC) as an attempt to improve the New York City public health system. Thirty years later, on a renewed perception that the public health system was once again lacking, the city administration approved a sublease of Coney Island Hospital from HHC to PHS New York, Inc. (PHS), a private, for-profit entity.


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