Nationals and Liberals, 1904/1906

2020 ◽  
pp. 201-226
Author(s):  
Chelsea Stieber
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Cultural Policy ◽  
Atlantic World ◽  
Turn Of The Century ◽  
New Approaches

This chapter traces the continued civil war in Haiti that manifested itself along these newly formed post-1869 divides: between Liberals and Nationals in politics, divergent approaches to education and cultural policy, and new approaches to commemorating Haiti’s foundational 1804/1806 division at the turn of the new century. Yet these new divides are not invented out of whole cloth: they draw heavily upon Haitian history while responding to ever-changing Atlantic currents of thought. That is, the post-1869 divides are marked by both the divides that shaped Haiti’s first fifty years of civil war and the ideological debates that marked the nineteenth-century Atlantic world—specifically, France’s Third Republican debates on nationhood and imperial republicanism and the rise of a new US hemispheric imperialism at the turn of the century. Thus, the divides between government forms that had driven the first fifty years of Haitian civil war gave way to a new set of factions that reactivated and adapted these earlier divisions.

The Mansana Collection. A Treasury of Japanese Art in Barcelona at the Turn of the Twentieth Century

2020 ◽  
Vol 5 (2) ◽  
pp. 180-209
Author(s):  
Ricard Bru
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Civil War ◽  
Spanish Civil War ◽  
Turn Of The Century ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
Japanese Art ◽  
Late Nineteenth

Abstract Josep Mansana Dordan, a well-known Catalan late-nineteenth-century businessman, founded what is considered the finest collection of Japanese art established in Catalonia and in Spain at the turn of the century. In the early twentieth century, the Mansana Collection, as it was known, enjoyed popularity and prestige in Barcelona thanks to its constant expansion driven by the founder’s son, Josep Mansana Terrés, also an entrepreneur. The collection was well known at the time, but fell into oblivion after the outbreak of the Spanish Civil War in 1936. It was not until 2013 that, on the occasion of the exhibition Japonisme. La fascinació per l’art japonès, the collection began to be rediscovered and studied. This article aims to present a first complete overview of the history and characteristics of the old Mansana Collection and its impact on Barcelona at and immediately after the turn of the twentieth century.

Epilogue

Abolitionism ◽  
2018 ◽  
pp. 128-134
Author(s):  
Richard S. Newman
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Latin American ◽  
Atlantic World ◽  
Lost Cause ◽  
American Slavery ◽  
War Memory ◽  
Civil War Memory ◽  
The U.S

In the final decades of the nineteenth century, American abolitionists began writing memoirs, histories, and reminiscences of the grand struggle for freedom. Part of a battle over Civil War memory, they sought not only to claim a piece of history but also to combat Lost Cause narratives that already denigrated emancipation. Even though American slavery was history, abolitionist battles continued. The epilogue describes how across the Atlantic world abolitionists realized that their struggle was not over. British abolitionists focused on the perils of illegal slave trading while Iberian and Latin American abolitionists renewed their struggle against bondage itself. In the U.S. South, abolitionists fought against new forms of discrimination that seemed very much like slavery.

The Spanish Reception of Le Sacre du Printemps (1913–1936)

2018 ◽  
Vol 36 (1) ◽  
pp. 48-66
Author(s):  
Idoia Murga Castro
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Spanish Civil War ◽  
Original Work ◽  
Silver Age ◽  
Avant Garde ◽  
Ballets Russes ◽  
Rite Of Spring ◽  
Le Sacre Du Printemps ◽  
Cultural Expansion

Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a complete ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War.

The Identification and Study of Indian Shell Middens in Eastern North America: 1643–1861

1986 ◽  
Vol 6 (3) ◽  
pp. 227-243 ◽  
Author(s):  
Andrew L. Christenson
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
North America ◽  
East Coast ◽  
Eastern North America ◽  
Shell Midden ◽  
Shell Middens ◽  
Work Done

Although the interest in shell middens in North America is often traced to reports of the discoveries in Danish kjoekkenmoeddings in the mid-nineteenth century, extensive shell midden studies were already occurring on the East Coast by that time. This article reviews selected examples of this early work done by geologists and naturalists, which served as a foundation for shell midden studies by archaeologists after the Civil War.

Prologue

2018 ◽  
Author(s):  
Jason Phillips
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Antebellum America ◽  
Women Slaves ◽  
Military Planning ◽  
The Future ◽  
Future War

This introduction explains that looming, a nineteenth-century term for a superior mirage, shows us how visions of the future war affected antebellum America. First, some spark, an event or object, captured people’s attention. Second, a unique atmosphere elevated and enlarged that spark, making it loom greater than reality. Before the Civil War was fought or remembered, it was imagined by thousands of Americans who peered at the horizon through an apocalyptic atmosphere. Third, observers focused on it and reported what appeared to be beyond the horizon. Popular forecasts rose from leaders but also women, slaves, immigrants, and common soldiers. These imaginings shaped politics, military planning, and the economy. The prologue identifies the two prevailing temporalities of antebellum America, anticipations and expectations, and calls for more historical attention to the diverse temporalities of past people.

Epilogue

2018 ◽  
Author(s):  
Cassandra L. Yacovazzi
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
Civil War ◽  
Popular Media ◽  
The Public ◽  
Monastic Life ◽  
The Common ◽  
Public Imagination ◽  
Maria Monk ◽  
People Today

Nuns in popular media today are a staple of kitsch culture, evident in the common appearance of bobble-head nuns, nun costumes, and nun caricatures on TV, movies, and the stage. Nun stereotypes include the sexy vixen, the naïve innocent, and the scary nun. These types were forged in nineteenth-century convent narratives. While people today may not recognize the name “Maria Monk,” her legacy lives on in the public imagination. There may be no demands to search convents, but nuns and monastic life are nevertheless generally not taken seriously. This epilogue traces opposition to nuns from the Civil War to the present, analyzing the various images of nuns in popular culture as they relate to the antebellum campaign against convents. It argues that the source of the misunderstanding about nuns is rooted in the inability to categorize these women either as traditional wives and mothers or as secular, career-driven singles.

The Roman Aura in Henry James’s Daisy Miller: A Study (1878)

2018 ◽  
Author(s):  
John Carlos Rowe
Keyword(s):  
Nineteenth Century ◽  
Roman Empire ◽  
Civil War ◽  
Global Power ◽  
Anglo American ◽  
And Gender ◽  
Classical Culture

Concentrating on Henry James’s Daisy Miller, this chapter reveals its author engaging in arguments over the decline and fall of the Roman Empire among nineteenth-century Anglo-American writers and over the best means of using Rome’s example as a warning to contemporaries. The novella’s Roman setting and frequent references to classical culture both extend Anglo-American Romantics’ emphasis on the Roman failure to develop a comprehensive democracy and allow James to pursue his own interest in post-Civil War America as an emerging global power. Departing from earlier interpretations of Rome’s importance within Daisy Miller, this chapter argues that James employs the character of Daisy to reconceive Rome’s relevance to central issues of class and gender. If James rejects aspects of contemporary American feminism embodied by such classically inspired artists as Harriet Hosmer and Maria Louisa Lander, he nevertheless makes his unsophisticated heroine, Daisy, into a means of expressing his democratic vision.

Who Was This Man?

2017 ◽  
Author(s):  
Mitch Kachun
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Social Order ◽  
Atlantic World ◽  
Life Experiences ◽  
Broad Context ◽  
Military Power ◽  
The Social ◽  
The Revolution

Chapter 1 introduces the broad context of the eighteenth-century Atlantic world in which Crispus Attucks lived, describes the events of the Boston Massacre, and assesses what we know about Attucks’s life. It also addresses some of the most widely known speculations and unsupported stories about Attucks’s life, experiences, and family. Much of what is assumed about Attucks today is drawn from a fictionalized juvenile biography from 1965, which was based largely on research in nineteenth-century sources. Attucks’s characterization as an unsavory outsider and a threat to the social order emerged during the soldiers’ trial. Subsequently, American Revolutionaries in Boston began the construction of a heroic Attucks as they used the memory of the massacre and all its victims to serve their own political agendas during the Revolution by portraying the victims as respectable, innocent citizens struck down by a tyrannical military power.

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