Transforming Precarity at International All-Grrl Jams
This chapter considers the precarity of graffiti grrlz’ social and subcultural status. Graffiti subculture thrives on social relation; in this economy, aesthetics and peer recognition have value, but who gets to spend or accrue this value through their artistic labor differs based on gender conventions. Graffiti grrlz are vulnerable within this economy because their aesthetics and their bodies (thus, their peer recognition) are valued differently—often, their contributions do not “count.” By way of a comparative analysis of two annual, international all-grrl events—Ladie Killerz (Australia) and Femme Fierce (United Kingdom)—the chapter asks what the public collective performance of feminine identity markers does within spaces where heterosexist male masculinity is the valued convention. Through the strategic public performance of an undervalued gender identity, these “ladiez” and “femmes” claim their subcultural ownership, transform their precarious social belongings, and activate the social and political power of feminist collectivity.