That Which Survives

2018 ◽  
Author(s):  
Bob Rehak
Keyword(s):  
Reference Materials ◽  
Star Trek ◽  
The Creation ◽  
The 1960S

This chapter explores the creation of Star Trek in the 1960s, tracing its history from preproduction to cancelation and through the subsequent decade, as the series evolved into both a fan phenomenon and a nascent film franchise. Arguing that both paths were facilitated by the emergence of a “blueprint culture” oriented around the creation of reference materials, the chapter suggests that franchises such as Trek are built on a “design network” allowing both fans and producers to extend the fictional storyworld infinitely yet systematically. The chapter concludes with a discussion of fan films and copyright legislation around contemporary Trek productions, suggesting the continued copresence of fannish and authorial interests in the technical dimensions of Trek’s future history.

scholarly journals Star Trek and Gene Roddenberry’s “Vision of the Future”: The Creation of an Early Television Auteur

2012 ◽  
Vol 5 (2) ◽  
Author(s):  
Michael Kmet
Keyword(s):  
Star Trek ◽  
The Future ◽  
Gene Roddenberry ◽  
The Creation ◽  
The 1960S ◽  
Primary Author

Gene Roddenberry propagated a narrative of himself as a “visionary” writer-producer and the primary author of Star Trek in the 1960s.  From the 1970s onwards, Paramount Pictures (and later, CBS) co-opted that narrative to market what would become the Star Trek franchise.  This paper will examine to what extent this narrative can be substantiated, and to what extent certain aspects can be contested.

Zoya Il'inichna Glezer – life and scientific achievements

2019 ◽  
pp. 318-323
Author(s):  
Zinaida V. Pushina ◽  
Galina V. Stepanova ◽  
Ekaterina L. Grundan
Keyword(s):  
Western Siberia ◽  
Kara Sea ◽  
European Russia ◽  
Great Contribution ◽  
The South ◽  
The Creation ◽  
The 1960S ◽  
Scientific Achievements ◽  
South Of European Russia

Zoya Ilyinichna Glezer is the largest Russian micropaleontologist, a specialist in siliceous microfossils — Cenozoic diatoms and silicoflagellates. Since the 1960s, she systematically studied Paleogene siliceous microfossils from various regions of the country and therefore was an indispensable participant in the development of unified stratigraphic schemes for Paleogene siliceous plankton of various regions of the USSR. She made a great contribution to the creation of the newest Paleogene schemes in the south of European Russia and Western Siberia, to the correlations of the Paleogene deposits of the Kara Sea.

Native Americans and the Third World Strike at UC Berkeley

2019 ◽  
Vol 42 (2) ◽  
pp. 32-39
Author(s):  
LaNada War Jack
Keyword(s):  
Native American ◽  
Native Americans ◽  
Personal Experience ◽  
Third World ◽  
Leadership Roles ◽  
The Third ◽  
The Creation ◽  
The 1960S ◽  
The Third World ◽  
The University

The author reflects on her personal experience as a Native American at UC Berkeley in the 1960s as well as on her activism and important leadership roles in the 1969 Third World Liberation Front student strike, which had as its goal the creation of an interdisciplinary Third World College at the university.

"Nécessité d'une orientation esthétique": Techniques of Development in the Music of Boulez

2019 ◽  
Vol 6 (1) ◽  
pp. 87-129
Author(s):  
Catherine Losada
Keyword(s):  
Significant Influence ◽  
Major Change ◽  
Compositional Process ◽  
Base Materials ◽  
Compositional Approach ◽  
The Creation ◽  
Open Work ◽  
Additional Level ◽  
New Perspective ◽  
The 1960S

The latter part of the 1950s saw a major change in Boulez's compositional approach: Instead of creating extensive pre-compositional sketches, he increasingly reused previously composed materials as the basis for new works. The shifting aesthetics that characterized this period had a significant influence on Boulez. His works from the late 1950s explore the ideas of mobility embedded in the open work. Balancing the concept of mobility with the ideals of control that form the basis of his compositional ideology led to an economy of means and an associated emphasis on the concept of development in his compositional process. Both facilitated the creation of new works from a more limited array of base materials.<br/> Tracing the concept of development in a sample of Boulez's sketches and works from the late 1950s through the 1960s, this essay presents a preliminary typology of recurring pitch and temporal developmental techniques. By taking a bird's-eye view, I add an additional level of interpretation, emphasizing their formal function, association with aspects of middleground structure and studying their implications in terms of perception. In this way, I present a new perspective on the association between these techniques and the practice of derivation from a limited amount of material that characterizes these works.

The Formation of the Soviet Bloc's Council for Mutual Economic Assistance: Romania's Involvement

2012 ◽  
Vol 14 (1) ◽  
pp. 34-47 ◽  
Author(s):  
Elena Dragomir
Keyword(s):  
Division Of Labor ◽  
Soviet Bloc ◽  
Economic Assistance ◽  
Mutual Economic ◽  
Mutual Economic Assistance ◽  
The Creation ◽  
1960S And 1970S ◽  
The 1960S

This article discusses Romania's role in the creation of the Soviet bloc's Council for Mutual Economic Assistance (CMEA) in January 1949. The article explains why Romanian leaders, with Soviet approval, proposed the creation of the CMEA and why the proposal was adopted. An analysis of Romania's support for the creation of the CMEA sheds interesting light on the stance taken by Romania in the 1960s and 1970s against the Soviet Union's attempts to use the CMEA in forging a supranational division of labor in the Soviet bloc. Romania's opposition was largely in accord with the objectives originally envisaged by Romanian leaders when the CMEA was formed.

HISTORY AND OPERATION OF THE DOCUMENTALISTICS COMMISSION

2021 ◽  
pp. 147-159
Author(s):  
Nataliya G. Surovtseva ◽  
Keyword(s):  
New Technologies ◽  
Complex Problem ◽  
Scientific Discipline ◽  
Records Management ◽  
Archival Studies ◽  
Automated Control ◽  
Information Classification ◽  
Huge Impact ◽  
The Creation ◽  
The 1960S

The article deals with the history of the creation and activity of the Documentalistics Commission which functioned between the 1960s and 1980s under the Scientific Council on the Complex Problem of Cybernetics. The Commission’s activities are related to the formation of documentalistics as an independent scientific discipline, its object is presented by large documentary systems, the use of new technologies in the processes of collecting, processing, searching, storing and using information. The author focuses on the transformation of the Commission’s research directions throughout the entire period of its existence. In the first years of the Commission’s work, the issues of the information classification and the use of new technological solutions in working with documents (punch cards and microphotoreproduction) were prevalent. The heyday of the Commission’s activities is associated with the work on the creation of the unified documentation systems and all-Union classifiers of information for the automated control systems. The interdisciplinary nature of the Commission’s activities influenced the subject of documentalistics and the organizational form of its existence. Despite the fact that by the end of the 1980s the Documentalistics Commission had virtually ceased to exist, documentalistics as a scientific direction had a huge impact on the development of records management and archival studies in Russia.

scholarly journals Fashion’s Final Frontier": The Correlation of Gender Roles and Fashion in Star Trek

2013 ◽  
Vol 5 (4) ◽  
pp. 639-649
Author(s):  
Katharina Andres
Keyword(s):  
Gender Roles ◽  
Pop Art ◽  
Mirror Image ◽  
Star Trek ◽  
Original Series ◽  
Gene Roddenberry ◽  
American Society ◽  
The 1960S ◽  
Female Officers ◽  
Dominant Part

Since its creation in 1966, Star Trek has been a dominant part of popular culture and as thus served as the source for many cultural references. Star Trek’s creator Gene Roddenberry wanted to realize his vision of a utopia but at the same time, he used the futuristic setting of the show to comment on the present time, on ac-tual social and political circumstances. This means that each series can be regarded as a mirror image of the time in which it was created. The clothing of the characters in the different series is one part of that image. The uniforms of The Original Series show influences of the 1960s pop art movement as well as the mini-skirt trend that experienced its peak in that decade. In the course of almost 40 years, however, many things changed. In the 1990s, in Deep Space Nine and Voyager, a unisex uniform replaced the mini-dresses, with few exceptions; the colorful shirts gave way to ones that were mostly black. This trend continues into the new century. This essay interprets the evolution of the female officers’ uniforms from femi-nized dresses to androgynous clothing over the development of the series as a reflection of the change of gender roles in contemporary American society. The general functions of the female characters’ uniforms are the central object of its analysis while the few, but noteworthy exceptions to this pattern are given specific attention. Finally, one of the most intriguing lines of enquiry is, how the prequel series Enterprise, supposed to be set before The Original Series, but produced and aired from 2001 to 2005, fits in the picture.

Japanese Commemorations of World War II in the Mariana Islands

2017 ◽  
Author(s):  
Keith L. Camacho
Keyword(s):  
United States ◽  
World War Ii ◽  
The United States ◽  
Mariana Islands ◽  
World War ◽  
War Memories ◽  
The Creation ◽  
The 1960S ◽  
A Site

This chapter examines the creation and contestation of Japanese commemorations of World War II in the Mariana Islands. As an archipelago colonized by Japan and the United States, the Mariana Islands have become a site through which war memories have developed in distinct and shared ways. With respect to Japanese commemorations, the analysis demonstrates why and how they inform and are informed by Chamorro and American remembrances of the war in the Mariana Islands. By analyzing government, media, and tourist accounts of the war from the 1960s to the present, I thus show how we can gain an understanding and appreciation for the complex ways by which Japanese of various generations reckon with a violent past.

Used Universes and Immaculate Realities

2018 ◽  
Author(s):  
Bob Rehak
Keyword(s):  
Pop Culture ◽  
Star Trek ◽  
Digital Tools ◽  
Special Effects ◽  
Star Wars ◽  
George Lucas ◽  
The Creation ◽  
Mind Set

One of the biggest changes in franchise building has been the refinement of digital tools for previsualizing special effects. This chapter explores the creation of the original Star Wars (1977), focusing on George Lucas as a techno-auteur whose use of animatics was central to creating the film’s world. Beyond production design, however, previz enabled Lucas to extend his authorial brand to encompass the contributions of other artists and pop-culture influences, minting originality out of appropriation. The chapter considers Lucas’s “Special Editions” of the late 1990s as examples of the previz mind-set, noting parallels with the design networks and creative fan productions around Star Trek.

Joanna Russ and the New Wave

Joanna Russ ◽  
2019 ◽  
pp. 20-38
Author(s):  
Gwyneth Jones
Keyword(s):  
Science Fiction ◽  
Star Trek ◽  
New Wave ◽  
Protest Movements ◽  
Joanna Russ ◽  
Modernist Novel ◽  
The 1960S

“Experiment and Experience” covers Joanna’s first years as a reviewer for the Magazine of Fantasy and Science Fiction, under the editorship of Judith Merril, and her first post as a university teacher at Cornell, and discusses modernism in sf, Joanna’s role as interpreter of the British “New Worlds” writers and the American New Wave and her response to the protest movements and cultural revolutions of the 1960s (in the psychedelic “Modernist novel by a Star Trek fan”) And Chaos Died. Essays and stories (1968-1971) examined include the important “The Wearing Out of Genre Materials,” and autobiographical short fictions that foreshadow The Female Man and illuminate And Chaos Died.

Sign in / Sign up

Export Citation Format

Share Document