“Of the Brown-Skin Type”
This chapter explores three brown-skin types that arose as a dynamic visual and literary repertoire in Harlem Renaissance print culture. The first image of the “brown Madonna” is studied as one representation at odds with modern gendered identities; the second trope, the “brown-skin mulatta,” is studied as a popular device that conveyed a series of anxious distortions onto the “mixed-race” body. Lastly, the more nuanced and diverse image of modern brown womanhood appears as an uneven eruption of class, race, and national identifiers of African-descended and “other” women of color not born in the United States. All three tropes are interpreted as separate and distinctly powerful manifestations of New Negro womanhood to highlight the differently sexed, classed, and gendered meanings accorded to brown complexions in the modern environment.