scholarly journals Carducci y Gutiérrez Nájera: dos ejemplos de lectura de Horacio en la tradición clásica del siglo XIX

(an)ecdótica ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 147-161
Author(s):  
Néstor Elián Manríquez Lozano ◽  
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Classical Tradition ◽  
Manuel Gutierrez Najera ◽  
French Poetry ◽  
Siglo Xix ◽  
Giosuè Carducci

Manuel Gutiérrez Nájera and Giosuè Carducci are two of the most important authors of Mexico and Italy respectively. Both were inspired by the French poetry of their time and shared a literary ideal of definition and construction of their national identity. Among the different ways to do this work, the use of Classical tradition, and specifically in the presence of Horace, allows us to recognize the differences and similarities of the nineteenth-century ideas of both authors.

scholarly journals Multiculturalidad en folletines chilenos de filiación “indiana” del siglo XIX

2022 ◽  
Vol 9 (17) ◽  
pp. 252-267
Author(s):  
Eduardo Barraza
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Cultural Condition ◽  
Happy Ending ◽  
Christian Doctrine ◽  
Working Hypothesis ◽  
Cultural Plurality ◽  
Siglo Xix

A singular corpus of the Chilean narrative of the nineteenth century develops the topic of prevented love between Spaniards and Mapuche, according to which the happy ending only be possible through the civilization of the indigenous or thanks to their submission to Christian doctrine. For this reason, these are texts nor alien to the debate that is currently present in the theses regarding categories such as multiculturalism, interculturality, cultural plurality, among other approaches and exposes interculturality as “conflictivity” (Fornet-Betancourt, 1998, Dussel, 2005; García Canclini, 2011) according to the hybrid, precarious and inharmonious condition. It is, in fact, a “culturizing” narrative that gives way to paroxysmal outcomes typical of the folletin which at the time were called as typical of an “indian novel” by Zorobabel Rodriguez (1873). Our working hypothesis proposes that these transgressions end up being transferred from the melodramatic imaginary to a historiographical and cultural condition that does not attend to the conflictive but to the hegemonic with respect the conformation of our national identity.

scholarly journals O IHGB E A NOÇÃO TROPICAL DO BRASIL: a busca pelos “Alegres Trópicos”

2020 ◽  
Vol 14 (01) ◽  
pp. 30-57
Author(s):  
Luis Fernando Tosta Barbato
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Tropical Climate ◽  
Positive Element ◽  
National Pride ◽  
Identidad Nacional ◽  
Palabras Clave ◽  
Siglo Xix ◽  
The Tropics

O que pretendemos neste artigo é mostrar como os trópicos foram tratados pelos membros do Instituto Histórico e Geográfico Brasileiro de maneira a configurarem como elemento positivo, e assim, integrar-se como uma das bases da construção da identidade nacional brasileira. A partir da análise dos artigos publicados nas revistas do IHGB do século XIX, poderemos observar como o clima tropical, mesmo sendo objeto de detração na Europa, foi ressaltado como elemento capaz de despertar o orgulho nacional brasileiro. Palavras-chave: Clima Tropical; IHGB; Historiografia.   THE IHGB AND TROPICAL NOTION OF BRAZIL: the search for the "Alegres Trópicos" Abstract Our intention in this article is to show how the tropics have been treated by members of the Instituto Histórico e Geográfico Brasileiro in order to be configured as a positive element, and thus be integrated as one of the bases of the construction of Brazilian national identity. From the analysis of articles published in journals from IHGB the nineteenth century, we can observe how the tropical climate, even though detraction object in Europe, was highlighted as an element capable of awakening the Brazilian national pride. Keywords: Tropical Climate; IHGB; Historiography.   EL IHGB Y LA NOCIÓN TROPICAL DE BRASIL: la búsqueda por los "Alegres Trópicos" Resumen Nuestra intención en este artículo es mostrar cómo los trópicos han sido tratados por los miembros del Instituto Histórico e Geográfico Brasileiro, con el fin de ser tratado como un elemento positivo, y por lo tanto, ser integrado como una de las bases de la construcción de la identidad nacional brasileña. A partir del análisis de los artículos publicados en las revistas del IHGB el siglo XIX, podemos observar cómo el clima tropical, a pesar de la detracción en Europa, se destacó como un elemento capaz de despertar el orgullo nacional brasileño. Palabras-clave: Clima Tropical; IHGB; Historiografía. 

Remembering the Past in Nineteenth-Century Scotland

2014 ◽  
Author(s):  
James J. Coleman
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
19Th Century ◽  
21St Century ◽  
Collective Memories ◽  
The Past ◽  
Prevailing View ◽  
The Way

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry

Capital californiano, necesidad presupuestal y cambio político: Juan Temple y el arrendamiento de la Casa de Moneda de México, 1827–1857

2019 ◽  
Vol 35 (3) ◽  
pp. 327-351
Author(s):  
Omar Velasco Herrera
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Mexico City ◽  
Economic Conditions ◽  
The Political ◽  
Las Casas ◽  
Siglo Xix ◽  
The Government

Durante la primera mitad del siglo xix, las necesidades presupuestales del erario mexicano obligaron al gobierno a recurrir al endeudamiento y al arrendamiento de algunas de las casas de moneda más importantes del país. Este artículo examina las condiciones políticas y económicas que hicieron posible el relevo del capital británico por el estadounidense—en estricto sentido, californiano—como arrendatario de la Casa de Moneda de México en 1857. Asimismo, explora el desarrollo empresarial de Juan Temple para explicar la coyuntura política que hizo posible su llegada, y la de sus descendientes, a la administración de la ceca de la capital mexicana. During the first half of the nineteenth century, the budgetary needs of the Mexican treasury forced the government to resort to borrowing and leasing some of the most important mints in the country. This article examines the political and economic conditions that allowed for the replacement of British capital by United States capital—specifically, Californian—as the lessee of the Mexican National Mint in 1857. It also explores the development of Juan Temple’s entrepreneurship to explain the political circumstances that facilitated his admission, and that of his descendants, into the administration of the National Mint in Mexico City.

scholarly journals ‘A Most Select Gathering’. Mexican National Pilgrimages to Rome during the Papacy of Leo XIII

Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 475
Author(s):  
Francisco Javier Ramón Solans
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Global Dimension ◽  
National Identities ◽  
Primary Sources ◽  
Holy See

The objective of this article is to analyse Mexican national pilgrimages to Rome that took place during the pontificate of Leo XIII (1878–1903). These pilgrimages occurred in the context of a global Catholic mobilisation in support of the papacy, during the so-called Roman Question. This paper’s analysis of these pilgrimages draws from historiography about national pilgrimages, as well as studies on Catholic mobilisation in support of the pope in the second half of the nineteenth century. It is fundamentally based on primary sources of an official nature, such as reports and other printed documents produced on the occasion of the pilgrimage. The study’s primary conclusion is that national pilgrimages to Rome had a polysemic character since they brought together various religious and national identities. The pilgrimages contributed simultaneously to reinforcing the link between Catholicism and Mexican national identity and the global dimension of Catholicism and allegiance to the Holy See.

Commentary: A Stroll in the Piazza and a Night at the Opera

2006 ◽  
Vol 36 (4) ◽  
pp. 621-628
Author(s):  
Mary Ann Smart
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Civil Society ◽  
Social Engagement ◽  
Early Nineteenth Century ◽  
National Discourse ◽  
Music Journalism ◽  
The Subject ◽  
Giacomo Leopardi

Giacomo Leopardi was convinced that the willingness of Italians to wallow passively in operatic spectacle was an important reason for Italy's lack of a civil society based on debate and the exchange of opinions. Despite recent proposals that opera and opera going constituted signiªcant means of social engagement and contributed to regional and/or national identity, the preoccupations of early nineteenth-century music journalism suggest that opera existed outside the mainstream of both political and aesthetic debate, and was not yet the subject of a truly vibrant national discourse.

Polin: Studies in Polish Jewry Volume 32

2020 ◽  
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Popular Culture ◽  
National Identity ◽  
Final Section ◽  
Classical Music ◽  
Religious Practice ◽  
Jewish Music ◽  
The Holocaust ◽  
Jewish Involvement

With its five thematic sections covering genres from cantorial to classical to klezmer, this pioneering multi-disciplinary volume presents rich coverage of the work of musicians of Jewish origin in the Polish lands. It opens with the musical consequences of developments in Jewish religious practice: the spread of hasidism in the eighteenth century meant that popular melodies replaced traditional cantorial music, while the greater acculturation of Jews in the nineteenth century brought with it synagogue choirs. Jewish involvement in popular culture included performances for the wider public, Yiddish songs and the Yiddish theatre, and contributions of many different sorts in the interwar years. Chapters on the classical music scene cover Jewish musical institutions, organizations, and education; individual composers and musicians; and a consideration of music and Jewish national identity. One section is devoted to the Holocaust as reflected in Jewish music, and the final section deals with the afterlife of Jewish musical creativity in Poland, particularly the resurgence of interest in klezmer music. The chapters do not attempt to define what may well be undefinable—what “Jewish music” is. Rather, they provide an original and much-needed exploration of the activities and creativity of “musicians of the Jewish faith.“

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