scholarly journals Los de abajo. Mitificación y metalepsis

2021 ◽  
Vol 32 (2) ◽  
pp. 43-72
Author(s):  
Noé Blancas Blancas ◽  

The study of narrative resources such as free indirect discourse and narrated monologue, in Los de abajo, although it has been clearly pointed out by critics such as Mansour, Escalante and St. Ours, is scarce in comparison with the works on the Mexican Revolution and the controversy over the ideological position of its author, Mariano Azuela. In the present work, an approach to these resources is made, following the precepts of narratology, starting from the relationship between the narrative voice and the figural discourse, and between the discourses of the characters; that is, from the citation processes. Specifically, an approach is made to the way in which Demetrio Macías recounts his exploits by repeating the speech of Alberto Solís, shaped, in turn, by other anonymous speeches. The relevance of self-narrating in this way is such that it implies a radical change in the personality and destiny of Demetrio Macías.

2020 ◽  
pp. 171-209
Author(s):  
Mike Goode

The chapter contends that Austen fanfiction set within her novels’ “canonical universe” reveals how fanfiction is a design medium. The chapter analyzes how Austen prequels, sequels, and rewrites, through their medial gravitation to epistolary forms (letters and diaries), collectively render their explorations of narrative possibility a means of perceiving and undoing the medial foreclosures enacted by Austen’s narrative voice and its reliance on free indirect discourse. It further contends that, as a population, canonical-universe fanfiction collectively renders narrative a vehicle of virtual place-making, thereby aligning fanfiction more with open-source media design—for example, Software Development Kits (SDKs)—than with the documentary impulses implied by the figure of the fanfiction “archive.” Given that canonical-universe Austen fanfiction preserves the geographical centrality of Austen novels’ fictional English country estates to their canonical universes, the estates become hypermedial figures for realist Austen fanfiction’s own place-making practices and its media platforms.


(an)ecdótica ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 163-182
Author(s):  
María José Ramírez ◽  

In 1931, Nellie Campobello published Cartucho. Nine years later, in 1940, a second edition appeared, about which not much has been said. With the exception that it is usually mentioned to assert that Campobello modified it under the influence of the author of El águila y la serpiente, the 1940 edition was left somewhat erased by the third edition (1960), in the same way that each edition’s corresponding characteristics were also erased. This piece reviews some of the features that characterize both editions, with the intention of showing what was already present in the first edition, and what the author added or enhanced afterward. It also presents the context in which the second edition emerged (Campobello’s interest in history, her relationship with Austreberta Rentería, the publication of her book Las manos de mamá), and it questions the author’s motives to propose Cartucho (1940) as a set of “true tales” in opposition to the revolutionary “legend” stated in official history. In the conducted analysis, we can appreciate the expansion of some of the literary strategies present in the first edition (the multiplicity of testimonial voices and the contribution of women as witnesses to the facts) and the permanence of others that appeared in 1931 (the infantile narrative voice, the poetic images associated to the war and to the infantilization of the men that fought in the Mexican Revolution). The premise in this article is that both editions defy the concepts of truth, history, and fiction, in the way we usually conceive them, but that in 1940, Campobello expanded some of the literary strategies that she used in 1931 as a function of the emphasis that she put in the testimonials of a multitude of women and men that lived the civil war in the North and to whom, in the process of officialization and institutionalization of the Mexican Revolution, the truth of their own history had been denied, according to the author.


2019 ◽  
pp. 209-212
Author(s):  
Jeanne M. Britton

The coda explores the relationship between the framed narratives discussed in previous chapters and free indirect discourse. Fiction’s redefinition of sympathy arises from the attempt to represent, in the first person, the experience of being another person. Through grammars and structures of vicarious narrative, one character tells another’s story after a shift in perspective. Similar modifications of perspective characterize free indirect discourse, which often follows the cognitive patterns that Smith identifies in the workings of sympathetic response. The similarities between vicarious narratives and free indirect discourse betray a fundamental aspect of the novel—a pervasive interest in witnessing the attempt to uncover and inhabit another person’s present emotional state and past lived experience. Shifts in narrative levels that are indexed by strained experiences of sympathy, however, show how novelistic structures, and fiction itself, can stand in for human sympathies in their absence.


2012 ◽  
Vol 33 (4) ◽  
pp. 227-236 ◽  
Author(s):  
Agata Wytykowska

In Strelau’s theory of temperament (RTT), there are four types of temperament, differentiated according to low vs. high stimulation processing capacity and to the level of their internal harmonization. The type of temperament is considered harmonized when the constellation of all temperamental traits is internally matched to the need for stimulation, which is related to effectiveness of stimulation processing. In nonharmonized temperamental structure, an internal mismatch is observed which is linked to ineffectiveness of stimulation processing. The three studies presented here investigated the relationship between temperamental structures and the strategies of categorization. Results revealed that subjects with harmonized structures efficiently control the level of stimulation stemming from the cognitive activity, independent of the affective value of situation. The pattern of results attained for subjects with nonharmonized structures was more ambiguous: They were as good as subjects with harmonized structures at adjusting the way of information processing to their stimulation processing capacities, but they also proved to be more responsive to the affective character of stimulation (positive or negative mood).


2019 ◽  
Vol 41 (2) ◽  
pp. 67-81
Author(s):  
Douglas A. Kibbee ◽  
Alan Craig

We define prescription as any intervention in the way another person speaks. Long excluded from linguistics as unscientific, prescription is in fact a natural part of linguistic behavior. We seek to understand the logic and method of prescriptivism through the study of usage manuals: their authors, sources and audience; their social context; the categories of “errors” targeted; the justification for correction; the phrasing of prescription; the relationship between demonstrated usage and the usage prescribed; the effect of the prescription. Our corpus is a collection of about 30 usage manuals in the French tradition. Eventually we hope to create a database permitting easy comparison of these features.


Paragraph ◽  
2020 ◽  
Vol 43 (1) ◽  
pp. 98-113
Author(s):  
Michael Syrotinski

Barbara Cassin's Jacques the Sophist: Lacan, Logos, and Psychoanalysis, recently translated into English, constitutes an important rereading of Lacan, and a sustained commentary not only on his interpretation of Greek philosophers, notably the Sophists, but more broadly the relationship between psychoanalysis and sophistry. In her study, Cassin draws out the sophistic elements of Lacan's own language, or the way that Lacan ‘philosophistizes’, as she puts it. This article focuses on the relation between Cassin's text and her better-known Dictionary of Untranslatables, and aims to show how and why both ‘untranslatability’ and ‘performativity’ become keys to understanding what this book is not only saying, but also doing. It ends with a series of reflections on machine translation, and how the intersubjective dynamic as theorized by Lacan might open up the possibility of what is here termed a ‘translatorly’ mode of reading and writing.


2020 ◽  
Vol 22 (3) ◽  
pp. 341-361
Author(s):  
Gonzalo Grau-Pérez ◽  
J. Guillermo Milán

In Uruguay, Lacanian ideas arrived in the 1960s, into a context of Kleinian hegemony. Adopting a discursive approach, this study researched the initial reception of these ideas and its effects on clinical practices. We gathered a corpus of discursive data from clinical cases and theoretical-doctrinal articles (from the 1960s, 1970s and 1980s). In order to examine the effects of Lacanian ideas, we analysed the difference in the way of interpreting the clinical material before and after Lacan's reception. The results of this research illuminate some epistemological problems of psychoanalysis, especially the relationship between theory and clinical practice.


This volume is an interdisciplinary assessment of the relationship between religion and the FBI. We recount the history of the FBI’s engagement with multiple religious communities and with aspects of public or “civic” religion such as morality and respectability. The book presents new research to explain roughly the history of the FBI’s interaction with religion over approximately one century, from the pre-Hoover period to the post-9/11 era. Along the way, the book explores vexed issues that go beyond the particulars of the FBI’s history—the juxtaposition of “religion” and “cult,” the ways in which race can shape the public’s perceptions of religion (and vica versa), the challenges of mediating between a religious orientation and a secular one, and the role and limits of academic scholarship as a way of addressing the differing worldviews of the FBI and some of the religious communities it encounters.


Author(s):  
Lital Levy

A Palestinian-Israeli poet declares a new state whose language, “Homelandic,” is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a “language plague” that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. This book brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, the book presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, the book traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, the book finds writers who have boldly crossed over this divide to create literature in the language of their “other,” as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, the book introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, the book will change the way we understand literature and culture in the shadow of the Israeli–Palestinian conflict.


2019 ◽  
Vol 1 (1) ◽  
pp. 5-14
Author(s):  
Carlos Alvaréz Teijeiro

Emmanuel Lévinas, the philosopher of ethics par excellence in the twentieth century, and by own merit one of the most important ethical philosophers in the history of western philosophy, is also the philosopher of the Other. Thereby, it can be said that no thought has deepened like his in the ups and downs of the ethical relationship between subject and otherness. The general objective of this work is to expose in a simple and understandable way some ideas that tend to be quite dark in the philosophical work of the author, since his profuse religious production will not be analyzed here. It is expected to show that his ideas about the being and the Other are relevant to better understand interpersonal relationships in times of 4.0 (re)evolution. As specific objectives, this work aims to expose in chronological order the main works of the thinker, with special emphasis on his ethical implications: Of the evasion (1935), The time and the Other (1947), From the existence to the existent (1947), Totality and infinity: An essay on exteriority (1961) and, last, Otherwise than being, or beyond essence (1974). In the judgment of Lévinas, history of western philosophy starting with Greece, has shown an unusual concern for the Being, this is, it has basically been an ontology and, accordingly, it has relegated ethics to a second or third plane. On the other hand and in a clear going against the tide movement, our author supports that ethics should be considered the first philosophy and more, even previous to the proper philosophize. This novel approach implies, as it is supposed, that the essential question of the philosophy slows down its origin around the Being in order to inquire about the Other: it is a philosophy in first person. Such a radical change of perspective generates an underlying change in how we conceive interpersonal relationships, the complex framework of meanings around the relationship Me and You, which also philosopher Martin Buber had already spoken of. As Lévinas postulates that ethics is the first philosophy, this involves that the Other claims all our attention, intellectual and emotional, to the point of considering that the relationship with the Other is one of the measures of our identity. Thus, “natural” attitude –husserlian word not used by Lévinas- would be to be in permanent disposition regarding to the meeting with the Other, to be in permanent opening state to let ourselves be questioned by him. Ontology, as the author says, being worried about the Being, has been likewise concerned about the Existence, when the matter is to concern about the particular Existent that every otherness supposes for us. In conclusion it can be affirmed that levinasian ethics of the meeting with the Other, particular Face, irreducible to the assumption, can contribute with an innovative looking to (re)evolving the interpersonal relationships in a 4.0 context.


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