scholarly journals Od czarów nad kołyską do magii językowej usieciowionej matki — ciągłość i zmienność charakteru magii języka matek

2017 ◽  
Vol 26 ◽  
pp. 245-257
Author(s):  
Julia Legomska

From spells over the cradle to linguistic magic of a networked mother — continuity and change of the nature of mothers’ language magic The essay draws attention to the fact that, since the old days, in the case of frustration connected with the child mothers have reached out for words, they have used words to affect both internal, psychic reality and the external one. Magical acts by means of language are based on the world image shared by the sender and the recipient. Polish folk culture positively valued phenomena referring to Polish Catholic symbols, therefore these symbols constitute protective and benevolent powers evoked in folk lullabies. The author suggests looking at contemporary linguistic activities performed by mothers frustrated with staying with the child, which activities are presented in the analysed website magazine Bachor as activities which also make use of the language magic. According to the author, the difference lies in changing the cultural context of linguistic behaviour and associating them in particular with the defining technology. In contemporary mediatised society the power of “obligatory existence”, which was characteristic of magical speech activities, supports and intensifies the equation of media by recipients. Therefore, the author sees Bachor as the act of blocking the language of success which makes room only for parents who are “effective” and affirm positive feelings by introducing into reality — by means of words, words in media — incapable, frustrated parents who are full of negative feelings. The subject is discussed in adescriptive and not in an evaluative way.

2019 ◽  
Vol 7 (8) ◽  
pp. 12
Author(s):  
Kunal Debnath

High culture is a collection of ideologies, beliefs, thoughts, trends, practices and works-- intellectual or creative-- that is intended for refined, cultured and educated elite people. Low culture is the culture of the common people and the mass. Popular culture is something that is always, most importantly, related to everyday average people and their experiences of the world; it is urban, changing and consumeristic in nature. Folk culture is the culture of preindustrial (premarket, precommodity) communities.


Linguistics ◽  
2021 ◽  
pp. 38-52
Author(s):  
Oksana Simovych ◽  

This article «From Ladder and Thread to Heaven: The Symbolic Meaning of the Path in a Fragment of the Linguistic World Image» explores the problem of the analysis of folk customs. These customs could be verbalized both in folk texts and in dialects. The specifics of this study lie in the linguistic analysis of the symbols which are usually interpreted as folk customs and folk objects. However, the symbolism of the objects in national customs causes the development of a symbolic meaning of the respective word that defines these objects. In this way, many symbols in folk customs become verbal, and the context of the custom creates a foundation for the development of the symbolic meaning. The verbal symbols analyzed are a «thread», a «ball of twine», a «ladder», a «bridge» and a «cross». In the national Ukrainian linguistic space, these words have the general semantics of the ‘connection between worlds’. It is stressed that the symbolic meaning of the (celestial) ladder has been discovered in the biblical context. This is also relevant for the clarification of the subject of continuity in the development of the symbolic meanings, which are also documented in the Ukrainian context. A concrete situation in linguistics and custom creates conditions under which arise symbolic co-meanings that develop in the framework of the same main symbolic archetypical meaning. All analyzed symbols belong to the archetypical ones. That is why they have been also discovered with the same semantics in other languages. This is the reason why the analysis of such symbols requires not only facts documented in the dictionaries and texts in Ukrainian, but also information about the respective symbol in other linguistic cultures. It is also pointed out that the thread is analyzed as an apotropaic symbol. This word has also been documented linguistically as a symbol of the demarcation line between one’s own world and the world of «others».


2019 ◽  
pp. 55-58
Author(s):  
Aleksandr Viktorovich Savchenko ◽  
Anna Gennadevna Bodrova

In this article, from the linguistic and ethnoculturological points of view are analyzed Ukrainian texts of epigraphs in «The Fair at Sorochyntsi» by N.V. Gogol, included in the Russian-language prose, which is an integral part of Russian literature, culture and history. Purpose of the article: This work is an attempt to interpret Ukrainian conceptual symbols, images and metaphors used by the author to create a special atmosphere of Ukrainian identity. Methods: In the study the methods of contextual-pragmatic and lexical analysis are used. In particular, the subject of our study is the Ukrainian texts of the epigraphs to each of the chapters of the above-mentioned literary work, which, due to insufficient knowledge of the Ukrainian cultural context, are far from always deeply understood by the Russian reader and do not always evoke the same associative series as the bearer of the Ukrainian worldview, although close to the Russian one, but still significantly different from it. Results: As a result of the study it is possible to state, that here we deal with the problem of the difference in the cultural perception and understanding the original significance, laid down by N. Gogol in the text and the meaning of his work. It is concluded that the analyzed text of Gogol demonstrates not only the cultural similarity of the two peoples, but, which seems to be more important, the differences in the worldview and way of life of Ukrainians and Russians. The epigraphs in Ukrainian cited by the writer at the beginning of the each chapter serve as a kind of «textual marker», which helps the reader to delve deeper into the content of the text and try to understand not only explicit meaning but also implicit senses implied by the author in its structure.


Open Theology ◽  
2015 ◽  
Vol 1 (1) ◽  
Author(s):  
Palmyre M.F. Oomen

AbstractWhitehead’s position regarding God’s power is rather unique in the philosophical and theological landscape. Whitehead rejects divine omnipotence (unlike Aquinas), yet he claims (unlike Hans Jonas) that God’s persuasive power is required for everything to exist and to occur. This intriguing position is the subject of this article. The article starts with an exploration of Aquinas’ reasoning towards God’s omnipotence. This will be followed by a close examination of Whitehead’s own position, starting with an introduction to his philosophy of organism and its two-sided concept of God. Thereupon, an analysis of Whitehead’s idiosyncratic view on God’s agency will show that, according to this conception, God and the World depend upon each other, and that God’s agency is a non-coercive but persuasive power. The difference between coercion and persuasion will be explained as well as the reason why God, according to Whitehead’s conception, cannot possibly coerce. Finally, a discussion of the issue of divine almightiness will allow for a reinterpretation of divine almightiness from a Whiteheadian perspective, which will show how despite Whitehead’s rejection of God’s omnipotence, his concept retains essential elements of God as pantokrator (and thus markedly differs from Hans Jonas’ concept).


Author(s):  
Erez Nir

In this paper I offer a critical revision of the main thematic phenomenological writings on imagination by Sartre and Edward Casey based on the following three criteria: 1. the sufficiency of their respective sui generis accounts of imagination. 2. The capacity of their respective frameworks to account for imagination’s rich affectivity. 3. Their ability to provide a coherent and purely transcendental description of the difference between imagination and perception. I argue that in both Sartre and Casey the problematic aspects of their theories derive from focusing solely on the nature of the imaginative object at the expense of the imaginative experience as a whole. Using Husserl’s transcripts on the subject, I suggest a new phenomenological analysis of imagination as the direct intuition of the experience of the object instead of an intuition of an object in a possible mode. I argue that in imagination the object is present in a marginal way and what is directly experienced is the object’s affective form, which is an intuitive aspect of the object’s value qualities. This analysis shows that the intentional presence of value qualities in objects, and the general presence of value in the world is always connected to the way we imagine objects and not the way we perceive them, and that the value of things is better to be called their imaginative structure.


2006 ◽  
Vol 57 (1) ◽  
pp. 53-66
Author(s):  
K. E. Bugge

En upåagtet dimension i Grundtvigs tanker om “Anskuelsen ”[An unnoted dimension in Grundtvig’s deliberations on “lifephilosophy”]By K. E. BuggeIn the introduction to his Northern Mythology (1832) Grundtvig outlines an ideological platform as a basis for rapport and cooperation with his contemporaries. Grundtvig suggests that a broad agreement should be possible on those elements of a life-philosophy, which in theological language are usually termed creation and fall. As far as the ideas of salvation are concerned, however, no unanimity is possible.The following study focuses on the basic assumptions of Grundtvig's argumentation. How could he be absolutely certain that his readers would readily accept his contention that every one of them, believers and non-believers alike, would agree that the ideas of the divine creation and the fall of man are basic realities of human existence? Such a presumption would certainly not be valid in the secularized cultural context of the following century. In order to answer this question attention is here directed towards the teaching aids used in Danish schools in the subject of Christian Education, especially those, which we know have been used in Grundtvig's own schooling, and which he later comments upon.The first of these books was published by Grundtvig's father, Johan Grundtvig under the title Catechismi Forklaring (1779), i.e. a thorough elucidation of Luther's catechism. Quite a number of such explanatory teaching aids were published during the centuries of Lutheran orthodoxy. Usually they were much too voluminous to be directly used by children. On this background Grundtvig's uncle, the prominent bishop N. E. Balle in 1791 published a new Lærebog i den evangelisk-christelige Religion, i.e. A textbook of evangelicalchristian religion, a booklet of 104 pages. As this book was officially authorized, it was widely distributed. By 1830 it had been reprinted ten times.In order to make the ideas of God's creation of the world evident to the children, both these books present the same argument: That just as a house is unable to build itself, in the same manner the world as such must have been built by a creator. Noteworthy is here that the argument in both cases is not rooted in holy scripture but in common sense and everyday experience.Also the argument in support of the idea of the fall of man is notable. Johan Grundtvig in his book combines biblical narrative with common sense. He raises the question, whether the sinfulness of Adam and Eve was inherited by their descendants. His answer is affirmative.Because they were unable to procreate children that were better than themselves, then, of course, their sinfulness was also inherited by their present day descendants. Balle goes directly into an argumentation based on experience and common sense: “Experience makes it clear that men are not as good, as they ought to be. All have some error.”Because of the authorization of the book, Balle's formulation gained a wide influence during the first half of the century. In the grammar schools preparing the young for university studies the dominating teaching aids in the subject were compendia of two extensive dogmatic expositions published by Ove Hoegh-Guldberg. A compendium by Mathias Galthen (1784, 2nd ed., 1793) was used at the grammar school in Aarhus, which Grundtvig attended during the years 1798-1800. Concerning creation Galthen underscores that the world cannot have created itself, and that “sound reason” convinces us that the world cannot have emerged by coincidence. On the theme of the fall of man he first reiterates the argument forwarded by Johan Grundtvig: That Adam and Eve could not have procreated children that were less sinful than themselves. He then continues: “Experience and Holy Scripture confirms that all men are imperfect”. Notable are here not only the smooth continuation from reason to scripture, but also the order of priority. Everyday experience and “sound reason” provide the intellectual basis necessary for understanding the biblical message.Arguments such as these were inculcated by merciless rote and were, therefore, firmly lodged in the minds of Grundtvig's readers. On this background he could safely assume that the ideas of creation and fall were readily at hand as preconditions for an understanding of what he had to say. The ideas were imprinted in the minds of his readers as self-evident truths based on experience and common sense and were, therefore, independent of any particular religious conviction. In this way a study of the books used in the Christian Education of his time provide a useful and hitherto unheeded tool for understanding Grundtvig's argumentation.


1970 ◽  
Vol 2 (1) ◽  
pp. 117-129
Author(s):  
Stanisław Ziemiański

Leszek Kołakowski, who was brought up in the climate of Marxist philosophy, has moved away very considerably from the Marxist position of extreme atheism, but he may not be called a convert. Of the two contrasting attitudes which may be assumed in respect of the existential problems, the attitude of the priest and the attitude of the jester, Kołakowski is closer to the latter. The priest, if he is to perform his role well, should take his duties seriously; he should be convinced of the truth of the deity that he serves. In carrying out his office he is expected to be ceremonious, formal and serious. The jester's position is more comfortable. His task is not to conduct a systematic and serious search for the truth: it is more the role of the critic. He is to observe the faults, the nonsenses, and the blunders, unconcerned for the persons at the butt-end of his critique and how they are to extricate themselves from it. The jester need not be a merry clown at all. Perhaps that is why alongside God, the sub-title of Kołakowski's book mentions things that are sad. Kołakowski is fascinated by the figure of Satan, who wants to be taken seriously but in culture, especially in the folk culture is attributed grotesque forms. Only the devil of the jasełka traditional Polish Christmas play makes audiences laugh hilariously, the real devil is deadly serious, since he is eternally thirsting for the truth and for love. Kołakowski is not pleased with his role of jester. But neither would he be any use as a priest. He has no gospel of his own which he could pass on to other people. He is trapped between two absurdities, which he briefly formulates after Pascal as: „The basic tenets of faith... are absurd, and yet the world image which excludes those tenets is even more absurd".


2019 ◽  
Vol 63 (2 (465)) ◽  
pp. 33-45
Author(s):  
Sylwia Grusza

The article is to describe an interesting phenomenon of the duplication of the literary patterns of behaviour among female protagonists created by Jane Austen. The subject of the paper is the analysis of the set books of the heroines invented by the British author in the both social and cultural context. Jane Austen’s novels can be regarded as the treasury of knowledge on the existence of the young girls at that time. The omnipresent conventions took away their right to dreams and self-fulfilment in almost every sphere of life. Lots of them found the coveted hope of improving their lives on the pages of overly aesthetic, sentimental novels. The characters from the books became inspirational among the female sex. The view of young ladies was based on their inner cultivation of the behaviour and mood which were inseparable from the girls from the popular romances. The patterns, continually given by fiction, took the place of humanistic and scientific knowledge, making the girls unaware – without the simplest information about the world. The subjects given in a wrong way by wrong teachers lowered their interest in education among youth, which also led to the popularity of sentimental, historical (especially those presenting the romance on the background of crucial events form the history of the given country) and Gothic novels. The text will concern the analysis of the attitude of the heroines created by the British author – on the basis of their set books and the position of Jane Austen in the range of literary criticism and the above-mentioned social phenomenon.


2020 ◽  
Vol 126 (1) ◽  
pp. 39-53
Author(s):  
Constance Akurugu

In this article, I examine the marginalisation and abjection of strongwilled and assertive women in Dagaaba settings in rural north-western Ghana. This is done by paying attention to a local identity category known as pog gandao—‘a woman who is more than a man’. The pog gandao, or what I gloss as the wilful woman, concept is used by men and women locally to stigmatise hard-working and assertive Dagaaba women. Drawing inspiration from the reappropriation and redeployment of queer abjection for the subversion of homophobia and the violence of compulsory heterosexuality, I demonstrate how such naming or shaming into the position of a pog gandao serves to hamper initiatives by enterprising and talented Dagaaba women. Being labelled as pog gandao, it appears, is even to lose one’s status in normative gender presentation as a woman; it means to transcend into a realm beyond the masculine. But this transcendence is not enviable due to its potential to expose the subject in question to perceived supernatural harm, a serious matter in this cultural context whereby the world of human affairs is understood as thoroughly saturated with supernatural forces that structure daily and ritual comportment. I argue that the shaming interpellation of pog gandao works as the most powerful weapon against wilful women in oppressive male-centric institutions of the Dagaaba. And yet, this stigmatised interpellation also has great emancipating potential, and I conclude by exploring ways to reclaim it for undermining female subordination, and for both empowering women and for feminist politics.


Author(s):  
David Robert Cole

This paper contends that the power of Deleuze & Guattari’s (1988) notion of assemblage as theorised in 1000 Plateaus can be normalised and reductive with reference to its application to any social-cultural context where an open system of dynamic and fluid elements are located. Rather than determining the assemblage in this way, this paper argues for an alternative conception of ‘strange assemblage’ that must be deliberately and consciously created through rigorous and focused intellectual, creative and philosophical work around what makes assemblages singular. The paper will proceed with examples of ‘strange assemblage’ taken from a film by Peter Greenaway (A Zed and 2 Noughts); the film ‘Performance’; educational research with Sudanese families in Australia; the book, Bomb Culture by Jeff Nuttall (1970); and the band Hawkwind. Fittingly, these elements are themselves chosen to demonstrate the concept of ‘strange assemblage’, and how it can be presented. How exactly the elements of a ‘strange assemblage’ come together and work in the world is unknown until they are specifically elaborated and created ‘in the moment’. Such spontaneous methodology reminds us of the 1960s ‘Happenings’, the Situationist International and Dada/Surrealism. The difference that will be opened up by this paper is that all elements of this ‘strange assemblage’ cohere in terms of a rendering of ‘the unacceptable.' 


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