scholarly journals A Day with Yayah by N. Campbell

2018 ◽  
Vol 8 (1) ◽  
Author(s):  
Lydia Thorne

Campbell, Nicola. A Day with Yayah. Illustrated by Julie Flett. Tradewind Books, 2017. A Day with Yayah is a story that portrays a close relationship between a grandmother and her grandchildren. In A Day with Yayah, an Indigenous family makes a trip to British Columbia’s Nicola Valley to collect wild herbs and mushrooms. Along the way, the grandmother, Yayah, takes the opportunity to teach her grandchildren their language and to pass down her knowledge of edible plants and herbs. Yayah and her family are         Nle?képmx (Interior Salish peoples), who are often referred to as People of the Creeks. Campbell draws on her own background for this story, having grown up in the same valley where the story is set. Illustrator and award winning Cree-Métis artist, Julie Flett, provides stunning, brightly coloured full-page illustrations. Flett’s detailed drawings complement the narrative, and her folk-style characters, with their jubilant expressions and bright clothing, emphasize the importance of knowledge transfer from one generation to the next. Over the years, the language of the Interior Salisham people has become endangered and Campbell introduces her readers to twelve words in the Salish language. These words appear within the dialogue of the story several times, giving children the chance to identify and connect with these words. The glossary at the end of the book is a very helpful addition and aids readers with pronouncing and translating the terms that are used throughout the story. The phrasing of the sentences and the inclusion of Salish words makes this a more appropriate read-aloud to younger readers, but it would also be suitable for independent reading for students in elementary school. This book is highly recommended for both school and public libraries.  Highly recommended: 4 out of 4 stars Reviewer: Lydia Thorne Lydia Thorne is a Public Services Librarian at the University of Alberta. She obtained a BA and an MA degree in English Literature before deciding to pursue her MLIS. Lydia’s favourite part about reading is that it allows her to travel all over the world - without ever having to leave her chair.

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
John Huck

Thompson, Holly. Orchards, New York: Delacorte Press, 2011. Print. Orchards is a poetic novel written by Holly Thompson. It tells the story of Kana Goldberg, an American girl, half-Jewish and half-Japanese, who is sent to spend the summer with her mother’s family in Japan working on their mikan farm. (Mikan is a type of Japanese orange.) A school-mate, Ruth, has committed suicide and Kana is a member of the group of girls who had excluded and locked horns with the girl over a boy, not realizing at the time that she suffered from bi-polar disease and that she was reaching out to the boy for support. The book is less about Kana accepting responsibility for her involvement in the confrontation with Ruth than it is about mending relationships and the process of Kana overcoming her anger and feelings of guilt. The book challenges us to set aside our own pre-conceived notions about bullying and consider the idea that everyone is vulnerable to depression, and that what gets sensationalized in the media as bullying is not always a black and white case of cruelty, but is sometimes a case of misunderstanding that escalates in dramatic fashion when emotions are mixed in. Kana’s fixation on Ruth and the pressure of a community that blames her and the other girls constitute an invisible burden that puts her at risk of the unthinkable, too. “Suicide can spread like a virus,” Kana’s grandmother warns. Kana’s ‘exile’ to a strange country turns out to be a chance to ground herself amongst her family, make peace with the presence of death in life, find confidence in who she is, and learn how to make a difference in the world of the living. Readers expecting a remorseful narrative may feel unsatisfied, but because the book reads quickly and the language is pleasurable, they may also decide to re-read it for a second impression. The reason it reads quickly is that Thompson has chosen to tell the story in a kind of free-flowing verse. Stanzas of varying lengths define sentence-like sequences, with the breaks between stanzas replacing the conventional sentence demarcators of full stops and capitalized first words. Line breaks play the role of commas, controlling the flow without impeding it. These syntactic arrangements complement the imagistic and uncluttered style of the writing, giving an inward, contemplative feel to the story. Because it is a subtle book, it would be most suitable for an older teen who is perceptive and has literary sensibilities. Recommended: 3 out of 4 starsReviewer: John HuckJohn Huck is a metadata and cataloguing librarian at the University of Alberta. He holds an undergraduate degree in English literature and maintains a special interest in the spoken word. He is also a classical musician and has sung semi-professionally for many years.


2018 ◽  
Vol 8 (2) ◽  
Author(s):  
Arwen Thysse

Magras, Diane. The Mad Wolf’s Daughter. Kathy Dawson Books, 2018. The Mad Wolf’s Daughter is a children’s novel set in thirteenth-century Scotland that tells the story of Drest, a young girl who goes on an adventure to save her father and brothers after they are captured by invading forces. Diane Magras tells an engaging adventure story that sweeps you along with Drest as she tries to navigate a frightening world without her family—learning whom she can and cannot trust, and coming into her own as a young girl who can best adults through both her strength and her intelligence. Written for children, particularly girls of around the same age as Drest (12 years old), this story provides many insights into life, family, and friendship that both children and adults might find extremely powerful. For example, over the course of the story, Drest comes to understand that “you can’t always control your legend”—an important lesson in our modern world where rumour can spread so fast. The story emphasizes that you have to be true to yourself despite what people may be saying around you, and that it is this belief in one’s own self that can guide you through the roughest of times. As details around the lives of Drest’s family and the families of Drest’s friends are revealed in the story, Magras builds another powerful message about how it is ok to differ from and, indeed, disagree with people you love. Magras, aware that certain aspects of the medieval world in which she places her story may be unfamiliar to her audience, includes a glossary of terms as well as an author’s note that discusses the historical setting in greater detail. In particular, Magras does a good job of indicating that gender roles were not as fixed in the Middle Ages as is often assumed, and introduces the reader to the great variety of roles and indeed agency that women could have in the medieval period. Despite these positive traits, Magras’ story does seem to lack some depth to its world and only scratches the surface of the medieval context that she researched for the story. However, the exciting plot and vivacious characters satisfactorily carry the novel’s interest. Overall, this is a good adventure book which also offers a point of departure for readers to explore the medieval world in more detail. Therefore, this book would be a good addition to school and public libraries. Recommended: 3 out of 4 starsReviewer:  Arwen Thysse Arwen Thysse is a graduate of the University of Alberta Bachelor of Arts program and graduate of the University of Toronto’s Master of Medieval Studies program. She is also an avid musician, and enjoys children’s books.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Tami Oliphant

Shapiro, Sheryl, and Simon Shapiro. Better Together. Illus. Dušan Petričić. Toronto: Annick Press, 2011. Print. This concept book is infused with a cheerful, slightly mischievous spirit as the authors and illustrator explore a wide variety of, and a broad notion of, mixes. Kids might be familiar with many of the mixes—mixing cinnamon and sugar to spread on toast, mixing water and dirt to create mud, mixing blue and yellow to make green or mixing water and flour to create glue. Other mixes are more abstract—mixing up each team member’s different skills to make a great soccer team or mixing up musical instruments to make raucous music. Each mix is explained by a playful, rhyming poem that is easy-to-read and delightful to read aloud. The writers themselves decided to mix things up—the book is this husband-and-wife’s first collaborative effort and their obvious pleasure in wordplay is apparent. For example, the first poem, which explains what mixes are, contains the line “You stir and squoosh them, squish and moosh them” to create a brand new thing. The lively text is supported by the equally zippy illustrations. The first illustration is a highlight as Petričić shows how mixing the separate ingredients of ideas, paper, and drawings can produce a wonderful new thing: a picture book. The mix of vivid illustrations and energetic text has created a fun book that both kids and parents will enjoy. The book is recommended for children ages 4-7. Recommended: 3 out of 4 stars Reviewer: Tami Oliphant Tami works as a research librarian at the University of Alberta Libraries and for the School of Library and Information Studies at the University of Alberta. She earned her Master of Library and Information Studies from the University of Alberta and her doctorate from the University of Western Ontario. She has worked in academic libraries, public libraries, communications and planning, and as a sessional lecturer and researcher at the University of Alberta and the University of Western Ontario. 


2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Sandy Campbell

Joyce, Gare.  Northern Dancer: King of the Racetrack.  Markham, ON:  Fitzhenry & Whiteside, 2012. Print.It is not often that you find a biography of an animal, but in this case, the animal was a national icon.  According to Gare Joyce, Northern Dancer, the great racehorse “made more money as an accomplished racehorse and sire than any Canadian athlete in history – even more than Wayne Gretzky ”.  The book begins with a genealogical chart that shows that of the 19 horses starting in the 2011 Kentucky Derby, 18 were descended from Northern Dancer.This book chronicles Northern Dancer from his birth through to his wins and standing at stud until his death at age 29.  Through his story, the reader also learns about the world of North American thoroughbred racing.  We meet the great jockeys:  Ron Turcotte, Willie Shoemaker and Bill Hardtack who all rode Northern Dancer to victories. We learn about the development of racehorses and the major races:  The Preakness, The Belmont, The Kentucky Derby and the Queen’s Plate.   Joyce writes informally and conversationally, as though he is telling one long story.  For example, he tells us that Northern Dancer “became unruly around his stall…At least once he ripped the shirt off his trainer.” Later we are told that a trainer inadvertently let Northern Dancer run hard the day before a race and people thought that no thoroughbred could “run the equivalent of two races on two consecutive days.   As it turned out, the only ones hurting after the Florida Derby were those who hadn’t bet on the heavily favoured Northern Dancer.”  The text is accompanied by many photos of Northern Dancer, including archival images of horse and jockey in races, at the wire and in the winners’ circle.           Overall, this is an enjoyable story of a remarkable horse.  Northern Dancer: King of the Racetrack is highly recommended for junior high school libraries and public libraries everywhere.  Highly recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell

Pelletier, Mia.  A Children’s Guide to Arctic Birds.  Iqaluit, NV:  Inhabit Media Inc., 2014. PrintMia Pelletier is an ecologist who, since 2010, has worked with seabird populations in Nunavut.  In this children’s field guide, she introduces fourteen species of Arctic birds.  Each bird is introduced in two pages. One full page displays Danny Christopher’s illustrations of the birds and the facing page provides the natural history of the species.  Each description includes both English and Inuktitut names, though notably, not the standard Latin name.  The text is broken into easy to read paragraphs for:  physical description, where to look for the birds, what they eat, the sounds they make, nests, eggs, chicks and where the birds winter.  In addition to the species descriptions, Pelletier has supplied helpful sections including a coloured chart of the birds’ eggs, a size comparison chart, and comparative descriptions of the birds’ feathers, bills and feet.   In addition to her own knowledge, Pelletier has based her work on research, including visiting a museum in Iceland to view species and eggs that she had not seen in the wild.Danny Christopher’s watercolours are excellent representations of the birds.  Every species could easily be identified from the paintings.  Each image page also contains a “Feathered Fact” that tells the reader something special about the bird.  For example:  “Long-tailed ducks like to sneak their eggs into the nests of other long-tailed ducks”.Overall, this is an excellent introduction to common Arctic birds, which could be used to learn about the birds or as a guide for field identification.  This work is highly recommended for public libraries and elementary school libraries.Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2011 ◽  
Vol 1 (2) ◽  
Author(s):  
Sandy Campbell

Coffelt, Nancy.  Catch That Baby! Toronto: Aladdin, 2011. Print. There comes a point in every toddler’s life when he or she just needs to make a break for it and run away from Mom; if naked, after a bath, so much the better.  Nancy Coffelt captures that moment in this delightful book.  Rudy tosses his towel at the dog, shouts, “No dressed” and the romp begins.  Mom chases, clothing in hand, and is joined in successive panels by other family members all of whom try, but not too hard, to “catch that naked baby”. This is primarily a picture book.  Award-winning illustrator Scott Nash has drawn cartoon style illustrations, with large blocks of bright colour, little visual detail and speech bubbles.   The simple presentation is perfect for toddlers, who will be able to completely relate to “Nudie Rudy” pelting around the house in the buff, although most pre-readers will not end up swinging from vines in the conservatory. Young children will enjoy the repetition in the little bit of text on each page and will love finding Rudy on each page, particularly on pages where those silly adults cannot see him, even though he is so obviously in plain sight that a baby could find him. Catch That Baby! is a gem that will become a favourite read aloud book in many families.  It would make an excellent gift for a toddler and belongs in every public library collection. Highly recommended:  4 out of 4 stars Reviewer: Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Nicole Dalmer

Martin, Emily Winfield. Oddfellow's Orphanage. New York: Random House Children’s Books, 2012. Print. Emily Winfield Martin crafts a whimsical, imaginative read in her debut novel, Oddfellow’s Orphanage, that is sure to delight readers of all ages. As Delia, the newest member of the Oddfellow’s Orphanage quickly discovers, the members living at the orphanage are anything but ordinary. Under the guidance of Headmaster Oddfellow Bluebeard, her new family includes an onion-headed boy, a blue tattooed girl, a child-sized hedgehog, and a family of three dancing bears. While Delia is unable to speak and must instead write to communicate, she is immediately accepted into her new family. The oddities and peculiarities of each of the children residing at the orphanage are matched in the school classes they take, including Professor Flockheart’s F. T. Studies (fairy tales and folktales) and Professor Silas’ cryptozoology class. In this rather unorthodox orphanage, the school year passes with one quirky adventure after another. Each bizarre yet entertaining escapade allows the author to develop each character’s personality as well as friendships between the children, endearing the reader to each of the orphans. With Haircut Day, a grand picnic, a fieldtrip to see the Great Comet and an expedition to locate lake M.O.N.S.T.E.R.S. (Mysterious or Nonexistent Subjects Thoroughly Examined Really Scientifically), nothing is ever ordinary at Oddfellow’s Orphanage. While comical and curious, the story, at times, appears to unfold in isolated vignettes, with each chapter a discrete event, making for less-than-smooth plot continuity. Quite impressively, the author manages to pepper the story with an appropriate amount of bizarre and peculiar elements, never once does the plot appear to be overly outlandish. While the writing itself is sweet and simple with perfectly proportioned chapters, lending itself to a fantastic first reader or a read-aloud story, it is Martin’s illustrations that accentuate the writing and highlight the whimsy found within the pages. The soft, sepia-coloured pencil drawings that appear on nearly every page give off a vintage aesthetic and confer just the right amount of detail to the story, allowing the reader to invent and imagine the rest. With overarching themes of acceptance and perseverance, both girls and boys will fall in love with the charming and unique characters and the impressive illustrations. Highly recommended for elementary school libraries as well as public libraries. Highly recommended: 4 out of 4 starsReviewer: Nicole Dalmer Nicole Dalmer is a Public Services Librarian at H.T. Coutts Education & Physical Education Library at the University of Alberta. She is interested in health literacy, pinball, and finding the perfect cup of coffee to accompany a good read.


2015 ◽  
Vol 5 (2) ◽  
Author(s):  
Sandy Campbell

Hainnu, Rebecca.  The Spirit of the Sea. Illus. Hwei Lim. Iqualuit, NU:  Inhabit Media, Inc., 2014.  Print.This volume is another of Inhabit Media’s fine productions of Inuit legends.  It tells an old story, which exists in many variations. This version comes from Rebecca Hainnu, who lives in Clyde River, Nunavut.  While Hainnu’s previous works have been non-fiction including children’s books on mathematics and tundra plants, she does a fine job of storytelling, as well.   Arnaq is a beautiful young woman who is tricked into marrying a fulmar (a kind of bird) when he appears in human form.  When her father tries to rescue her, he ends up sacrificing her to the fulmars to save his own life. She sinks to the bottom and becomes the Spirit of the Sea.  As Nuliajuq, she controls the sea animals and hunters must appease her to have good hunting and calm seas.Throughout the volume, text appears on one page and an image on the facing page.  The text, which is appropriate for upper elementary readers and above, is meant to be read aloud and generally has the sound of a traditional storyteller’s voice.  However, there are occasional modern phrases that are incongruous and break the flow.   “Eventually, Arnaq succumbed to complete depression”.  The text contains some Inuktitut words, which are italicized and listed in the pronunciation guide at the end of the volume.The watercolours by Hwei Lim are beautiful and ethereal.  The colours are mainly blues and browns, reflecting the marine environment.  The underwater image of Arnaq looking up at the bottom of a boat is particularly effective.The Spirit of the Sea is highly recommended for elementary school libraries, public libraries and libraries specializing in Canadian Indigenous materials. Highly Recommended:  4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2012 ◽  
Vol 2 (1) ◽  
Author(s):  
Sandy Campbell

Springett, Martin. Breakfast on a Dragon’s Tail: and Other Book Bites. Markham, ON: Fitzhenry and Whiteside, 2011. Print. This unusual volume by award-winning illustrator/author Martin Springett takes the “choose your own ending” idea to a whole new level by not providing an ending at all. In fact the whole book is made up of thirteen beginnings of stories, each accompanied by a full-page illustration, which might have served as a book cover. The book is designed to promote creative activities.  Springett tells children that each story “should have a beginning, a middle and an end” and that he has provided the beginning. He encourages children to finish the stories in any way they like, through creative endeavors ranging from poetry to a “chalk drawing on the sidewalk”. Children are also encouraged to post their stories to publisher Fitzhenry and Whiteside’s website, where “teachers and parents will also find useful information and classroom activities”. Springett’s art-work depicts the fantastic in each story. The first image, accompanying Breakfast on a Dragon’s Tail, is bordered by patterns that recall a medieval illuminated manuscript. In the same vein, the letter “O” which begins the story is embellished with a dragon curled around it. The others are more cartoon-like. Springett’s writing is very good . His story beginnings are engaging. In the Twelve Dancing Crocodiles the reader finds out that a magician and twelve dancing princesses have disappeared.   Are they the twelve dancing crocodiles? They are if you want them to be.  In The Nattering Tree, people sit under a tree and listen as the tree talks to itself. There are also lots of good one-line jokes in the story beginnings. In the Dithering Ducks of Deptford, one of the ducks says, “Never listen to a gnome! They are born naughty!” Another story, which has nothing to do with computers, is called Chip and Pin. In Dracula and Son, Springett irreverently refers to the characters as “Papa Drac” and “Drac Junior”. It would have been entertaining to read Springett’s versions of the endings. In fact, some children may be put off by the fact that they have to think up their own endings and entertain themselves. Because of that, this book will probably work best in a structured environment, where children have a reason to stay on track and complete the stories. Overall this book is an interesting concept, that is probably best suited to the classroom environment, so it is recommended with that reservation.Recommendation:  3 stars out of 4 Reviewer:  Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


2016 ◽  
Vol 5 (3) ◽  
Author(s):  
Sandy Campbell

Kalluk, Celina.  Sweetest Kulu. Illus. Alexandria Neonakis.  Iqaluit, NU:  Inhabit Media Inc., 2014.  Print.“Kulu” is an Inuktitut term of endearment for babies and small children.  In this work, traditional throat singer and author, Celina Kalluk, shows all of the gifts that nature brings to a newborn baby.  The images show the baby cradled and adored by many creatures.  Each creature brings a character trait as a gift for the baby.  “Caribou chose patience for you, cutest Kulu.  He gave you the ability to look to the stars, so that you will always know where you are and may gently lead the way”.  With each gift, Kalluk uses a different adjective to describe the baby – happy Kulu, admired Kulu, beloved Kulu. Illustrator, Alexandria Neonakis has created an image for each animal in rich and deep colours.  The images spread over two facing pages with text over-printed. Each image is gentle and tender.  The baby is shown nestled between the front hooves of a musk-ox, curled up against a polar bear or snuggled up in the paws of an Arctic hare.  The baby is reflected in the water when the Arctic char brings a gift of tenderness.This book is a beautiful representation of a mother’s love for her baby reflected in the traditional Inuit connection to the land and nature.  It is a calming and peaceful book, which will become a bedtime read-aloud favourite. Highly recommended for elementary school libraries, public libraries and babies’ rooms everywhere.Highly Recommended:   4 stars out of 4Reviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give.


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