scholarly journals Because of You: A Book of Kindness by B. G. Hennessy

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
John Huck
Keyword(s):  
Personal Responsibility ◽  
English Literature ◽  
Effective Means ◽  
Young Reader ◽  
World Peace ◽  
Single Individual ◽  
University Of Alberta ◽  
Compact Size ◽  
The University ◽  
The Impact

Hennessy, B G. Because of You: A Book of Kindness. Illus. Hiroe Nakata. Somerville, Mass: Candlewick Press, 2011. Print. Because Of You was originally published in 2005 and was the second collaboration between author B. G. Hennessy and illustrator Hiroe Nakata. The popular book has now been issued in a smaller hardcover edition that preserves the layout of the original in a compact size that would be useful to parents who want to stow the book in a bag for use on the go. The book uses simple but effective means to introduce the idea of kindness and link it to the related concepts of friendship, world peace and personal responsibility. Watercolour illustrations by Nakata convey a gentleness and warmth that match the message of the text. The first half of the book enumerates different ways of showing kindness: loving, caring, learning, sharing and helping. The text follows a pattern for each example that asks the young reader first to consider the benefits he or she has received from that type of kindness, and then to imagine the opportunity he or she has to reciprocate. The second half of the book begins by summing up the examples in order to define them as kindness, and then figures friendship as mutual kindness between two people, and world peace as a species of friendship. The book concludes by linking the enormous task of achieving world peace to the power of "something small and precious" that the young reader can contribute. In the final illustration, a child, holding a globe, literally has 'the whole world in his hands.' The text does a good job of presenting abstract concepts like kindness and world peace in terms that a child can understand. Throughout the book, the repeated phrase "because of you" is used to address the young reader and personalize the message, while the phrase "there is one more person who can..." emphasizes the impact a single individual can have. Kindness is never characterized as an imperative or a responsibility, but rather as a choice one is free to make. The subtext is that kindness means more because it is chosen. Kindness may be the currency of friendship, but it relies on personal commitment, not on debts and accounts. Once or twice the text feels a bit laboured, such as the phrase "and there is one more person who can share feelings and ideas, as well as things," which mixes the abstract and the concrete, or metaphorical and literal sharing. The patterns of repetition in the text do not achieve the regularity of a meter, so each sentence relies on its own internal structure for rhythm. In spite of the linear, cumulative nature of the message, the text works best aurally when spoken at a slow pace that sets off each sentence and gives individual words ample room. Unfortunately, the smaller size of the reissued text does not naturally lead the reader to choose that pace, at least not quite like the larger format edition does. This is, however, a small complaint of an otherwise excellent book. Interested libraries might consider acquiring the original edition.   Reviewer: John Huck Recommended: 3 out of 4 stars John is a metadata and cataloguing librarian at the University of Alberta. He holds an undergraduate degree in English literature and maintains a special interest in the spoken word. He is also a classical musician and has sung semi-professionally for many years. 

scholarly journals Dead Time by C. Conlin / Shelter by J. S. Lee

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sarah Mead-Willis
Keyword(s):  
Dead Time ◽  
English Literature ◽  
Young Reader ◽  
Rare Book ◽  
Intended Audience ◽  
University Of Alberta ◽  
Special Collections ◽  
Single Voice ◽  
To Come ◽  
The University

Conlin, Christy A. Dead Time. / Lee, Jen S. Shelter. Single Voice Series. Toronto: Annick Press, 2011. Print. It is difficult to say which of these brief cold showers will leave you feeling happier to leap back into the warmth of the everyday. Presented back-to-back in a single volume, both novellas share an unhappy preoccupation: picking apart the threads of the past in order to untangle – or at least understand – the enmeshments the present. The narrator of Dead Time is Isabella, a teen awaiting trial for a crime which, she repeatedly insists, she did not commit. It was her boyfriend who murdered the interloping Lulu; as soon as he confesses his guilt, Isabella will be released from the grim “youth center” where she awaits trial. Author Christy Ann Conlin deploys the first-person voice masterfully— Isabella’s rage beats palpably from the page, and we are righteously indignant on her behalf. Yet the further she beckons us into her memory, recounting the events antecedent to Lulu’s murder, the uglier and less justifiable her anger becomes. So gradually is the reader’s sympathy eroded that the story’s final twist – though dimly visible all along – still manages to come as a surprise. Though more straightforward than its companion novel, Jen Sookfong Lee’s Shelter is no less dispiriting in its outcome. We begin at the unhappy end: our narrator, Abby, weeps alone on a park bench. Even before her latest catastrophe, it would seem she has plenty to cry about: maimed by debt, her parents abide in private misery, leaving Abby to run a singularly thankless household. Her only solace is a volunteer job at the local animal shelter, where she meets a beguiling young man named Sean. We know Abby’s infatuation with Sean will end badly, but the form and flavour of this badness is not revealed until Abby fully unspools her dismal yarn. Though hampered by some awkward turns of phrase- “… it feels like he’s always been part of me, like an elbow” - the story succeeds as a meditation on the blurred line between the security of a shelter – be it a house, a family, or a lover — and the confinement of a trap. Pitched at mature but not necessarily avid readers, Annick Press’s Single Voice Series entices with the promise of gritty, fast-moving narratives packaged in a clever two-for-one reversible format. Both Dead Time and Shelter are certainly gritty and, at less than 100 pages a pop, fast enough to read in one go. It is unclear, however, what the effect on their intended audience might be. Comfortless in their brevity, joyless in their details, these novels do little to stir the imagination or assuage the loneliness of the young reader. At best, they offer a frisson of discomfort, a chilling affirmation of vague adolescent unease: the world is indeed out to get you.Recommended: 3 out of 4 stars Reviewer: Sarah Mead-Willis Sarah is the Rare Book Cataloguer at the University of Alberta's Bruce Peel Special Collections Library. She holds a BA and an MLIS from the University of Alberta and an MA in English Literature from the University of Victoria. 

Touched by Fire by I. N. Watts

2014 ◽  
Vol 3 (4) ◽  
Author(s):  
Hanne Pearce
Keyword(s):  
New York ◽  
Minor Characters ◽  
Her Family ◽  
University Of Alberta ◽  
Young Readers ◽  
Anti Semitism ◽  
Time Period ◽  
The Family ◽  
The University ◽  
The Impact

Watts, Irene N., Touched by Fire. Toronto: Tundra Books, 2013. Print.In the first decade of the 20th century, Miriam Markovitz and her family have fled their small town in the country to live in Kiev. She and her family are Jewish and the Tsar does not favor Jews. After narrowly escaping the pogroms, Miriam’s father Sam dreams of taking the whole family to America. Known as the “Golden Land”, in America Jews are free of persecution.     Over the next few years the family relocates to Berlin where Miriam’s parents and grandparents work hard to save enough money. The plan is for Sam to travel to New York ahead of the family. Miriam is fourteen years old when the first set of tickets to America arrives in the mail from her father. Leaving on the adventure of their lives, the Markovitz family must endure illnesses, family quarrels, and filth. For Miriam it seems crossing the ocean is the hardest thing she has very done, but she is destined to witness an even worse tragedy in her new country.     Touched By Fire is an enlightening story that brings to light many of the injustices Jews were forced to face, long before the anti-Semitism of the Nazis’ era. It is easy to form an attachment to the characters, and I found myself hoping and worrying for the Markovitz family. Miriam is especially vivid and comes out clearly as a strong and self-sacrificing heroine.These positive points aside, there were some peculiarities about this book that stood out in my mind. Firstly, Miriam’s journey is relatively tame, especially when you consider how graphic young adult literature has become. While there is a fair share of danger and hardship in the journey, Watts has left the harsher struggles to be faced by minor characters, leaving Miriam as merely a witness. I would also have liked more development of the characters Miriam met along the way. Leaving these characters underdeveloped reduced the impact of their struggles and made Miriam’s feelings about them somewhat flat. Finally, I must admit to some puzzlement as to why Watts chose to give the book the title Touched By Fire, as it refers strictly to the tragedy detailed in the conclusion, when most of the book’s focus is on Miriam’s journey and her maturation.In considering these criticisms alongside the overall story, I found myself divided as to how I felt about the book. I have to conclude that younger readers may not be drawn to these inconsistences and nuances, but would rather enjoy the story for the picture it paints of the time period. I have therefore given the book three out four stars. Touched by Fire is most suitable for children ages 9-13 and would be enjoyed by young readers that enjoy historical fiction.Recommended: 3 out of 4 starsReviewer: Hanne PearceHanne Pearce has worked at the University of Alberta Libraries in various support staff positions since 2004 and is currently a Public Service Assistant at the Rutherford Humanities and Social Sciences Library. In 2010 she completed her MLIS at the University of Alberta. Aside from being an avid reader she has continuing interests in writing, photography, graphic design and knitting.

Polar Bear Morning by L. Thompson

2014 ◽  
Vol 3 (3) ◽  
Author(s):  
Robert Desmarais
Keyword(s):  
New York ◽  
Polar Bear ◽  
Book History ◽  
Picture Book ◽  
English Literature ◽  
New York Times ◽  
The Arctic ◽  
University Of Alberta ◽  
Special Collections ◽  
The University

Thompson, Lauren. Polar Bear Morning. Illus. Stephen Savage. New York: Scholastic Press, 2013. Print.Ten years ago, Lauren Thompson and Stephen Savage collaborated on “Polar Bear Night”, which was a splendid picture book that swiftly became a New York Times best seller. “Polar Bear Morning” follows up on the simple story of a polar bear cub that ventures out onto the arctic tundra for an adventure, but this time our favourite cub meets a new friend. The story begins when the cub emerges from her dark den, peeks out at the clear blue sky, and follows the sound of seagulls. Soon after heading out into the snow and ice, she notices something tumbling down a snow hill. It’s a snow cub! The moment when the cubs first meet is beautifully portrayed in a two-page spread that shows two furry faces in profile looking at each other without words on the pages, which perfectly captures a child’s speechless, wide-eyed bliss upon meeting a new friend.The story continues with several charming scenes that show how the friendship develops: they climb the snow hill and tumble down together; they sprint beside the sea; they race past seals, walruses and whales; they pause at the ice’s edge; and finally, they jump into the sea together. It’s a delightful portrayal of a budding friendship, with simple, yet charming illustrations rendered in a gentle palette of soft blues, greys, pinks, and browns. This picture book is a joy to read and has all the makings of a beloved classic, including frolicsome illustrations, thoughtful design, and a captivating story. It’s a wholly satisfying picture book that will be a pleasure to read again and again.Recommendation: 4 stars out of 4Reviewer: Robert DesmaraisRobert Desmarais is Head of Special Collections at the University of Alberta and Managing Editor of The Deakin Review of Children’s Literature. A graduate of the University of Toronto’s Faculty of Information Studies, with a Book History and Print Culture designation, he also has university degrees in English literature and publishing. He has been collecting and enjoying children’s books for as long as he can remember.

scholarly journals On the Shoulder of a Giant: an Inuit Folktale by N. Christopher

2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Sandy Campbell
Keyword(s):  
Public Libraries ◽  
Picture Book ◽  
Bowhead Whale ◽  
The Arctic ◽  
Quality Work ◽  
University Of Alberta ◽  
The Difference ◽  
The University ◽  
The Impact

Christopher, Neil.  On the Shoulder of a Giant:  an Inuit Folktale. Iqualuit:  Inhabit Media, 2015. Print.This is another in a series of works designed by Neil Christopher, one of the founders of Inhabit Media, to preserve traditional Inuit stories.  In this book he retells a story, which is known in various forms all across the Arctic, of a giant who adopts a hunter as his son.  This giant, named Inukpak,  is one of the inukpasugjuit or “great giants” of Inuit stories.  Inukpak is so big that he can walk across the Arctic in “just a few days” and when he stands in the sea the water "never come[s] up past his knees". He is so big that he thinks that the hunter is a lost child, so he adopts him and carries him on his shoulder.This is a simple retelling, designed to teach about the mythical giants and to explain why the story is found in many cultures across the Canadian Arctic.  However, it also models a big person/small person relationship in which small people do not correct or talk back to big people.  Children will relate to the hunter, who is treated as a child and because the story is told from the hunter's perspective.  The giant sometimes doesn't recognize the impact of his own actions.  For example when he runs back to shore, he creates waves that swamp the hunter, but the giant thinks the hunter has been playing in the water.  "The hunter wanted to tell the giant that he had not been playing in the water.  He also wanted to explain to Inukpak that he had caught a bowhead whale, not a sculpin.  But, once again, the little hunter did not want to argue with a giant, so he just said, 'Okay.' "This is mainly a picture book. The illustrations run over two-page spreads with text over-printed on them.  Jim Nelson does a good job of presenting the difference in size between the giant and the human.  Inukpak is presented as a happy fellow, with black shaggy hair and a full beard.  Children will be amused by the giant picking up a polar bear by the scruff of its neck, like a kitten. The images are realistic and the backgrounds are lovely representations of Arctic landscapes. Overall, this is an enjoyable and high-quality work that should be included in elementary school libraries, public libraries and libraries specializing in Arctic children’s books.Highly Recommended:  4 out of 4 starsReviewer:  Sandy CampbellSandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 

scholarly journals Orchards by H. Thompson

2013 ◽  
Vol 2 (4) ◽  
Author(s):  
John Huck
Keyword(s):  
New York ◽  
English Literature ◽  
Spoken Word ◽  
American Girl ◽  
Her Family ◽  
University Of Alberta ◽  
Black And White ◽  
The Media ◽  
The University

Thompson, Holly. Orchards, New York: Delacorte Press, 2011. Print. Orchards is a poetic novel written by Holly Thompson. It tells the story of Kana Goldberg, an American girl, half-Jewish and half-Japanese, who is sent to spend the summer with her mother’s family in Japan working on their mikan farm. (Mikan is a type of Japanese orange.) A school-mate, Ruth, has committed suicide and Kana is a member of the group of girls who had excluded and locked horns with the girl over a boy, not realizing at the time that she suffered from bi-polar disease and that she was reaching out to the boy for support. The book is less about Kana accepting responsibility for her involvement in the confrontation with Ruth than it is about mending relationships and the process of Kana overcoming her anger and feelings of guilt. The book challenges us to set aside our own pre-conceived notions about bullying and consider the idea that everyone is vulnerable to depression, and that what gets sensationalized in the media as bullying is not always a black and white case of cruelty, but is sometimes a case of misunderstanding that escalates in dramatic fashion when emotions are mixed in. Kana’s fixation on Ruth and the pressure of a community that blames her and the other girls constitute an invisible burden that puts her at risk of the unthinkable, too. “Suicide can spread like a virus,” Kana’s grandmother warns. Kana’s ‘exile’ to a strange country turns out to be a chance to ground herself amongst her family, make peace with the presence of death in life, find confidence in who she is, and learn how to make a difference in the world of the living. Readers expecting a remorseful narrative may feel unsatisfied, but because the book reads quickly and the language is pleasurable, they may also decide to re-read it for a second impression. The reason it reads quickly is that Thompson has chosen to tell the story in a kind of free-flowing verse. Stanzas of varying lengths define sentence-like sequences, with the breaks between stanzas replacing the conventional sentence demarcators of full stops and capitalized first words. Line breaks play the role of commas, controlling the flow without impeding it. These syntactic arrangements complement the imagistic and uncluttered style of the writing, giving an inward, contemplative feel to the story. Because it is a subtle book, it would be most suitable for an older teen who is perceptive and has literary sensibilities. Recommended: 3 out of 4 starsReviewer: John HuckJohn Huck is a metadata and cataloguing librarian at the University of Alberta. He holds an undergraduate degree in English literature and maintains a special interest in the spoken word. He is also a classical musician and has sung semi-professionally for many years.

scholarly journals The Honeybee Man by L. Nargi

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sarah Mead-Willis
Keyword(s):  
New York ◽  
Picture Book ◽  
English Literature ◽  
Rare Book ◽  
University Of Alberta ◽  
Special Collections ◽  
Spare Time ◽  
The University ◽  
Local Ecology ◽  
Wild Blueberry

Nargi, Lela. The Honeybee Man. Illus. Kyrsten Brooker. New York: Schwartz & Wade, 2011. Print. This charming picture book chronicles the unconventional cottage industry of Fred, a Brooklynite who spends his spare time tending three colonies of honeybees housed on the roof of his townhouse. As the day unfolds, we follow Fred’s bees as they fan out across the borough, bringing back nectar from the herb gardens, flower pots, and even wild blueberry bushes flowering therein. Fred then harvests the honey and distributes jars of it to his neighbours. With this growing popularity of urban agriculture (and urban apiculture), Nargi’s story is a timely one, clearly aimed at progressive young families interested in the connection between local ecology and human community. The book is transparently but not disagreeably didactic: bee behaviour is examined and explained (both within the context of the story and in a two-page appendix), and the processes of beekeeping and honeymaking are illuminated through Fred’s perambulations within his apartment-cum-apiary. Brooker’s illustrations, a combination of gestural painting and collage, have a patchwork, handmade quality well suited to the book’s overarching preoccupation with all things organic and homespun. Her renderings of Brooklyn’s brownstone vistas are simple in their bright, flat planes of colour, but also satisfyingly dense with decoupaged texture and detail. Like the honey made by Fred’s “tireless Brooklyn bees,” her artwork is both a concentration - and a sweetening - of the teeming heterogeneity of urban life.Highly recommended: 4 out of 4 stars Reviewer: Sarah Mead-Willis Sarah is the Rare Book Cataloguer at the University of Alberta's Bruce Peel Special Collections Library. She holds a BA and an MLIS from the University of Alberta and an MA in English Literature from the University of Victoria. 

scholarly journals Apparition by G. Gallant

2015 ◽  
Vol 5 (1) ◽  
Author(s):  
Colette Leung
Keyword(s):  
Young Adult ◽  
Information Science ◽  
Library And Information Science ◽  
Humanities Computing ◽  
University Of Alberta ◽  
Canadian Youth ◽  
Young Adult Novel ◽  
To Come ◽  
The University ◽  
The Impact

Gallant, Gail. Apparition. Toronto: Doubleday Canada, 2013. Print.This Young Adult mystery-ghost story tells the story of seventeen year-old clairvoyant, Amelia MacKenzie. Amelia has seen ghosts since she was a little girl, and after her mother passed away from cancer, Amelia saw her mother’s ghost too. Until recently, Amelia thought she was imagining these visions, but that all changes when her best friend and crush Matthew dies.Amelia lives near the small city of Owen Sound, Ontario, with her grandmother Joyce, and her two brothers Ethan and Jack. Amelia struggled with depression after her mother’s death, but her friendship with Matthew helped her through the hardest time of her life, and leads to burgeoning romantic feelings. After Amelia gathers the strength to express her feelings to him, Matthew is flustered. The next time she meets him, however, Matthew is acting strangely, and while giving Amelia a ride home, begins to talk about a mysterious girl. Amelia finds out the next day that Matthew apparently killed himself in a nearby barn. Although devastated, Amelia feels something is off about Matthew’s death.At Matthew’s funeral, Amelia meets a local journalist named Morris Dyson. Morris investigates paranormal occurrences, as he believes ghosts travel along specific geographic routes, and sometimes become stuck or cause trouble. Morris also believes Amelia can see ghosts, just like he knew her mother could. Morris suspects Matthew’s death is linked to similar deaths that happened in the same barn - all young men who committed suicide after heart-break surrounding a mysterious woman named Dot. Morris theorizes a ghost is in the barn and causing all these problems.With the help of Morris’ handsome and charming son, Kip, Amelia and Morris begin to unravel the mystery of the barn, the ghosts who still haunt it (including Matthew), and the impact for those who come into contact with the barn. At the same time, Amelia learns to come to terms with her gift, her grief, and to explore her own identity.Gail Gallant conveys the stark beauty of the Canadian landscape throughout her novel, and captures the unique and realistic culture of small town Ontario. The setting will strike home with many Canadian youth. Even with its supernatural elements, Gallant’s characters are interesting and realistic, especially for a young adult novel. Amelia makes a notable heroine not because of her clairvoyance, but from how she learns to understand her own feelings as an ordinary teenager. Amelia cares deeply for her brothers, and her stern, no-nonsense grandmother, but can at times find them aggravating. She also navigates realistic issues, such as family, friendship, and integrity in relationships. Gallant presents these themes with sophistication and empathy.Apparition tackles mature issues including depression, grief, death, romance, the afterlife, and murder. Young readers may find some content scary, although the novel is more suspenseful than frightening. The book stands complete on its own, but has a sequel, Absolution.Recommended: 4 out of 4 starsReviewer: Colette LeungColette Leung is a graduate student at the University of Alberta, working in the fields of Library and Information science and Humanities Computing who loves reading, cats, and tea. Her research interests focus around how digital tools can be used to explore fields such as literature, language, and history in new and innovative ways.

scholarly journals The Gentleman Bug by J. Hector

2011 ◽  
Vol 1 (1) ◽  
Author(s):  
John Huck
Keyword(s):  
New York ◽  
English Literature ◽  
Spoken Word ◽  
Text And Image ◽  
University Of Alberta ◽  
Social Club ◽  
Young Readers ◽  
The Many ◽  
The University ◽  
The Town

Hector, Julian. The Gentleman Bug. New York: Atheneum Books for Young Readers, 2010. Print. The Gentleman Bug is a charming book written and illustrated by Julian Hector and recommended for children aged 2 to 5. The story takes place in an urban, nineteenth-century locale called the Garden, which is inhabited by bugs, beetles and bees. The setting must be described as pan-European, since the Garden includes both Bugadilly Circus and something resembling the Moulin Rouge. The Gentleman Bug is a bespectacled bibliophile, who teaches a small class of younger bugs from the Garden. He may not be a stylish dresser, but his students are as devoted to him as he is to them. The Gentleman Bug is opposed by a group of four rivals that includes such churlish figures as Boss Beetle and Mayer de Mothschild. These bully bugs poke fun at the Gentleman Bug for his bookish ways. He is content to ignore them until the day the Lady Bug arrives in the Garden. Alas, she is befriended by his rivals, and so the Gentleman Bug attends the Pollen Hill social club dressed to the nines in a bid to win her attention. An embarrassing mishap with a waiter dashes his plans, but the Lady Bug notices the book he drops (surely bringing a book to a formal event is the sign of a hopeless bookworm) and secretly invites him to the opening of a new building – which turns out to be the town library – where she introduces herself as the new librarian. The entire town has assembled to admire the new library, and even Boss Beetle & co. discovers a newfound love of books. Meanwhile, the Gentleman Bug and the Lady Bug become fast friends, reading together on picnics. This is a book about the pleasures of reading and about finding friends who also enjoy reading: surely a fine message to deliver to budding young readers. The deeper lesson is that you will find true friends if you stay true to yourself and your true interests. When the Gentleman Bug's rivals are converted to reading, the book suggests that distractions will fall by the wayside when you find your purpose; either that or else that people who scoff at book lovers just haven't discovered what they are missing yet. The story is told as much through the illustrations as the text. The text is generally brief and understated, while the illustrations contain the specifics of the plot. The interplay between text and image achieves soft, humorous effects: when the protagonist crashes into a waiter, the text reads: "the rest of the evening didn't go quite as planned." Because of the many clever details that the author has included in the illustrations, he clearly expects readers to stop, interpret the pictures, and then take up the text again. He has managed to differentiate a cast of ten named characters, primarily through the illustrations, with the assistance of a guide to the characters printed on the endpapers. All of this will increase the potential for repeat reads. Although the protagonist is a gentleman bug, the book will appeal to female readers too, because the Lady Bug is a strong character and because girls and boys are portrayed as equals, both as readers and in gender roles. For example, the Gentleman Bug's students work together to sew him a suit. Likewise, it is refreshing to see that the Lady Bug is not overly feminized with long lashes or lipstick, for instance. The fact that she is a librarian might strike some as a cliché, but it does not seem out of place given the story, and the portrayal is free of the usual stereotypes of librarians. Finally, the book shows admirable restraint by eschewing a wedding bell ending, showing instead the beginning of a simple friendship between a gentleman and a lady.   Highly recommended: 4 out of 4 stars Reviewer: John Huck John is a metadata and cataloguing librarian at the University of Alberta. He holds an undergraduate degree in English literature and maintains a special interest in the spoken word. He is also a classical musician and has sung semi-professionally for many years. 

scholarly journals The Lonely Book by K. Bernheimer

2013 ◽  
Vol 3 (2) ◽  
Author(s):  
Robert Desmarais
Keyword(s):  
New York ◽  
Book History ◽  
Picture Book ◽  
English Literature ◽  
Public Library ◽  
University Of Alberta ◽  
The Public ◽  
Special Collections ◽  
Information Studies ◽  
The University

Bernheimer, Kate. The Lonely Book. Illus. Chris Sheban. New York: Random House, 2012. Print.This charming story about a well-loved book will not easily be forgotten. It’s the sort of picture book I would have loved to discover during my childhood visits to the public library. The tale begins in a classic fairytale style, “Once there was a brand-new book that arrived at the library.” As the story unfolds, young readers learn all sorts of details about the inner workings of a public library, including the custom that many of the newest books are placed on a special shelf in a high traffic area.The “lonely book” of this story initially had a popular and fulfilling life on the new book shelf but eventually it is relegated to the children’s section, along with countless other well-loved titles. Years pass, the book becomes a little tattered and worn, and is now checked out all too infrequently. Then, one morning, a little girl named Alice discovers it and falls in love with the story about the girl and her life under a toadstool, and so she takes it home. “The book had never felt so beloved.” Readers will discover how lonely it becomes when Alice forgets to renew her old book, and especially so when it begins a new life in the library’s storage basement. In time, Alice longs for her favourite book and despairs that she may never see it again. The story ends on a cheerful note, however, when Alice is reunited with her once cherished book at the library’s big book sale.For those of us who understand what it is like to cherish a book from our childhood, this book will bring back fond memories. The soft watercolour illustrations complement the story beautifully and they evoke a magical time when children fall in love with books, read them late into the night, fall asleep with them under their pillows, and dream sweet dreams about favourite characters and events.Highly recommended: 4 out of 4 starsReviewer: Robert DesmaraisRobert Desmarais is Head of Special Collections at the University of Alberta and Managing Editor of The Deakin Review of Children’s Literature. A graduate of the University of Toronto’s Faculty of Information Studies, with a Book History and Print Culture designation, he also has university degrees in English literature and publishing. He has been collecting and enjoying children’s books for as long as he can remember.

scholarly journals Hedge Hog! by A. Anstee

2018 ◽  
Vol 7 (4) ◽  
Author(s):  
Adam Cohen
Keyword(s):  
Reading Level ◽  
The Other ◽  
Young Reader ◽  
University Of Alberta ◽  
Strong Point ◽  
Political Allegory ◽  
Library And Information Studies ◽  
Information Studies ◽  
Cover Art ◽  
The University

Anstee, Ashlyn. Hedge Hog! Illustrated by Ashlyn Anstee. Tundra Books, 2018.After Are We There, Yeti? and No, No, Gnome!, Canadian born author/illustrator/animator Ashlyn Anstee presents us with the delightfully punny Hedge Hog!. In this story, our titular main character Hedgehog tries to keep all the other yard animals away from his hedge. Can the other animals convince him to open up his doors before winter comes? Not if Hedgehog has anything to say about it. The author tells a simple, yet charming story that can be used to teach a young reader about the importance of sharing and caring for your neighbours or as a political allegory dealing with immigration. Some readers will also enjoy the tale for what it is, a fun and entertaining story. The art is the real strong point of this story. The charming and pleasant looking characters, and the world of the yard that the author creates are sure to appeal to anyone reading through this book. Just the cover art alone is likely to pique anyone's interest. The illustrations are not only cute, but they also do a wonderful job of conveying the story. Regardless of the reader's reading level, they are sure to get something out of this tale.With strong, yet easily digestible writing and charming illustrations, this story is perfect for new readers. Whether they are reading by themselves or along with their parents, there is lots to fall in love with here.Highly Recommended: 4 out of 4 starsReviewer: Adam CohenAdam has his BSc in archaeology from the University of Calgary and is a current graduate student in the University of Alberta’s Masters of Library and Information Studies program. He is also a member of Future Librarians for Intellectual Freedom, and works as a metadata assistant at the University of Alberta Libraries. 

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