scholarly journals INTERPRETAÇÃO E SUBJETIVIDADE EM PAUL RICOEUR

2010 ◽  
Vol 31 (101) ◽  
pp. 375
Author(s):  
Stefan Bulawski
Keyword(s):  
Paul Ricoeur ◽  
Paul Ricœur ◽  
Definition Of

O homem é um ser (ente) cujo ser consiste em interpretar. Sobre esta relação, presente na definição do homem em Paul Ricoeur, gostaria de falar neste artigo.Abstract: Humans are beings whose being consists in interpreting. This article aims at discussing this relationship which appears in Paul Ricoeur’s definition of man.

scholarly journals Aesthetic Experience, Mimesis and Testimony

2012 ◽  
Vol 3 (1) ◽  
pp. 172-193 ◽  
Author(s):  
Roger W. H. Savage
Keyword(s):  
Aesthetic Experience ◽  
Paul Ricoeur ◽  
Work Of Art ◽  
The Real ◽  
Paul Ricœur ◽  
Music Literature ◽  
Definition Of ◽  
The Way

In this article, I relate the demand that Paul Ricoeur suggests mimesis places on the way we think about truth to the idea that the work of art is a model for thinking about testimony. By attributing a work’s epoché of reality to the work of imagination, I resolve the impasse that arises from attributing music, literature, and art’s distance from the real to their social emancipation. Examining the conjunction, in aesthetic experience, of the communicability and the exemplarity of a work reveals how Ricoeur’s definition of mimesis as refiguration relates to the “rule” that the work summons. This “rule” constitutes the solution to a problem or question for which the work is the answer. In conclusion, as a model for thinking about testimony, the claims that works make have a counterpart in the injunctions that issue from exemplary moral and political acts. 

scholarly journals Arendt and Ricœur on Ideology and Authority.

2014 ◽  
Vol 5 (2) ◽  
pp. 64-80
Author(s):  
Carlos Alfonso Garduño Comparán
Keyword(s):  
Free Action ◽  
Paul Ricoeur ◽  
The Political ◽  
Political Dimension ◽  
The Social ◽  
Paul Ricœur ◽  
Sens Commun ◽  
Basic Concepts ◽  
Definition Of ◽  
Power And Authority

AbstractHannah Arendt’s work is an important reference for Paul Ricœur. Her definition of power as the free action in concert of individuals within a community of equals, guaranteed by institutions, allows Ricœur to ground his reflection on the political dimension of recognition and justice. However, as I will show in this paper, such a definition is problematic, particularly because of the relation that Arendt establishes between power and authority, her decision to separate the social and the political, and her understanding of ideology, philosophy, and common sense in politics.After describing Arendt’s account of the relation between power and authority, I argue that, without rejecting the spirit of her political thought or her basic concepts, Ricœur’s reflections on the functions of ideology in his Lectures on Ideology and Utopia offer a broader but complementary vision that allows us to understand the issues that remain obscure in Arendt’s approach.Keywords: Arendt, Ideology, Authority, Power, Social.RésuméL’œuvre de Hannah Arendt constitue une référence importante pour Paul Ricœur. La définition arendtienne du pouvoir comme agir ensemble des individus au sein d’une communauté d’égaux garantie par des institutions, fournit en effet à Ricœur les bases de sa réflexion sur la dimension politique de la reconnaissance et de la justice. Cependant, cet article s’efforce de montrer qu’une telle définition est problématique, non seulement en raison de la relation qu’Arendt établit entre le pouvoir et l’autorité, mais aussi en ce qui concerne sa distinction du social et du politique, sa compréhension de l’idéologie, ainsi que sa conception de la philosophie et du sens commun dans le domaine politique.Après une analyse des thèses d’Arendt sur la relation entre le pouvoir et l’autorité, cet article soutient que, sans rejeter l’esprit de la pensée politique arendtienne et ses concepts de base, la conception ricœurienne des fonctions de l’idéologie développée dans L’idéologie et l’utopie offre une vision plus ample et plus complète qui permet d’éclairer les questions qui demeurent obscures dans l’approche de Hannah Arendt.Mots-clés: Arendt, idéologie, autorité, pouvoir, social.

scholarly journals La durée dans la dureté: Espaces de la mémoire et mémoires de l’espace chez Paul Ricœur

2019 ◽  
Vol 10 (1) ◽  
pp. 58-72
Author(s):  
Francesca D'Alessandris
Keyword(s):  
Collective Memory ◽  
Paul Ricoeur ◽  
Clear Definition ◽  
Paul Ricœur ◽  
Conditions Of Possibility ◽  
Definition Of ◽  
First Time

In Memory, History, Forgetting, Ricœur does not provide us with a clear definition of collective memory. In this article, we will try to show how it could nevertheless be described, based on the same text, as the capacity for recognition, by way of reciprocal attribution, memories that are engraved in temporal spaces and are shared with our neighbors and, through them, with strangers. To verify this hypothesis, we will analyse Ricœur’s reflection on architecture as public memory’s engraving into space, presented for the first time in the text “Architecture et narrativité.” Lastly, we will consider imagination and bodily memory, i.e. habit emanating from the act of inhabiting, as the conditions of possibility for the crystallization of memories in shared places.

Literature and the Philosophy of Paul Ricœur

2010 ◽  
Vol 7 (2-3) ◽  
pp. 203-210
Author(s):  
Valdés Mario J.
Keyword(s):  
Paul Ricoeur ◽  
Paul Ricœur

PAUL RICOEUR (1913-2005)

2013 ◽  
Vol 34 (109) ◽  
pp. 3
Author(s):  
Jorge Enrique González
Keyword(s):  
Paul Ricoeur ◽  
Paul Ricœur ◽  
Siglo Xx

<p>Hace cien años nació en Valence (Francia) el filósofo Paul Ricoeur. Su obra ha sido objeto de variados análisis, y ha sido el origen de una gran cantidad de estudios filosóficos así como propios del ámbito las ciencias humanas y sociales contemporáneas. En estas breves líneas, se quiere rendir homenaje a uno de los pensadores más importantes del siglo XX y comienzos del XXI, destacando no solo su trabajo estrictamente filosófico, sino una peculiaridad de su trabajo que lo aproxima de manera decisiva a algunas de las disciplinas de las ciencias humanas y sociales.</p>

Los criterios de textualidad en la hermenéutica de Paul Ricoeur. Un análisis crítico

2008 ◽  
Vol 14 ◽  
Author(s):  
Adrián Bertorello
Keyword(s):  
Structural Analysis ◽  
Reading Strategies ◽  
Paul Ricoeur ◽  
Material Base ◽  
The World ◽  
Paul Ricœur ◽  
Text Writing ◽  
The Way

RESUMENEl trabajo examina críticamente la afirmación central de la hermenéutica de Paul Ricoeur, a saber, que el soporte material de la escritura es el rasgo determinante para que una secuencia discursiva sea considerada como un texto. La escritura cancela las condiciones fácticas de la enunciación y crea, de este modo, un ámbito de sentido estable en el que se puede validar una concepción de la subjetividad que está implicada en las dos estrategias de lecturas (el análisis estructural y la apropiación), esto es, un sujeto pasivo que se constituye por la idealidad del significado. Asimismo, el trabajo intentará precisar una serie de ambigüedades en el uso que Ricoeur hace del «ser en el mundo» para sostener la referencialidad del discurso.PALABRAS CLAVETEXTO, ESCRITURA, REFERENCIA, SUBJETIVIDAD, MUNDOABSTRACTThis paper critically examines the main assertion of Paul Ricoeur´s hermeneutics, i.e., that the material base of writing is the determining feature to consider a discursive sequence as a text. Writing cancels the factual conditions of enunciation and creates, in this way, a background of stable meaning where it is possible to validate a conception of subjectivity implicated in the two reading strategies (the structural analysis and the appropriation), i.e., a passive subject constituted by the ideality of meaning. Likewise, this paper aims to clarify some ambiguities in the way Ricoeur uses the «beings in the world» to support the discourse referentiality.KEY WORDSTEXT, WRITING, REFERENCE, SUBJECTIVITY, WORLD

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