scholarly journals Fanthorp Inn State Historical Park (41GM79), Grimes County, Texas: Archeological Excavations, 1983-1989

1998 ◽  
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
African American ◽  
Religious Practices ◽  
Septic System ◽  
Parking Lot ◽  
Communication Center ◽  
Architectural Restoration ◽  
Tableware Glass

This report summarizes archeological investigations conducted by the Texas Parks and Wildlife Department at Fanthorp Inn State Historical Park from 1983 to 1989. This work was necessary to accompany architectural restoration of the inn as it appeared during the period between 1850 and 1867. Since restoration was completed, Fanthorp Inn State Historical Park in Anderson, Grimes County, has been run as an interpretive site representing a transportation and communication center of the mid-nineteenth century. The archeological excavations were intended to evaluate the areas impacted by the architectural restoration and to determine the appearance of the grounds during the mid-nineteenth century. Attempts were made to locate and identify several outbuildings shown on an 1850 map of the inn, but only the kitchen was located in this manner. Also, areas of ground disturbance such as the locations of the septic system and utility trenches were investigated archeologically. As currently configured, the grounds are made up of the L-shaped inn building, a barn that houses restrooms and a display, a parking lot, fences and paths, the kitchen as represented by a stabilized foundation, and one cistern that has been rebuilt to its original appearance. This report, by Prewitt and Associates, Inc., summarizes the excavations from 1983 through 1989 and provides analyses of diagnostic artifacts (i.e., bottles and jars, pressed glass, other tableware glass, lamp chimney rim sherds, flaked glass, transfer-printed ceramics, marked ceramics, smoking pipes, marked spoons, coins, arms and ammunition, dolls, marbles, and artifacts believed to be associated with African American religious practices). In general, the assemblage reflects a typical nineteenth- and twentieth century site in southeastern Texas.

Recycling Fantasies: Whitman, Clifton, and the Dream of Compost

2020 ◽  
pp. 21-50
Author(s):  
Michelle C. Neely
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
African American ◽  
Leaves Of Grass ◽  
Human Waste ◽  
Material Recycling ◽  
Ecological Vision ◽  
Lucille Clifton ◽  
Antebellum Period ◽  
Common Practices

Chapter one takes up the paradigm of recycling in Walt Whitman’s first two editions of Leaves of Grass (1855 and 1856). While scarcity of materials meant scavenging and reuse were common practices in the nineteenth century, organic material recycling first emerged as a scientific principle during the antebellum period. Whitman’s documented journalistic and poetic interest in “compost” has led scholars to elevate the once-overlooked Whitman into the ecopoetic pantheon. Chapter one challenges this increasingly standard reading by placing Whitman’s interest in compost and organic recycling alongside his even more famous poetic investment in an indiscriminate, “omnivorous” consumption. Compost emerges as the twin of appetite in Whitman’s poetic environment, which reveals how recycling authorizes consumption without limits and yields a fundamentally static, and therefore nonegalitarian and anti-ecological vision of community. The last part of the chapter explores resistance to this paradigm in the poetry of Lucille Clifton, a twentieth-century African American poet self-consciously rewriting Whitman’s vision of democratic and environmental community. Ultimately, chapter one suggests that while Clifton resists the dream of cyclical, effortless material recycling and consequence-free consumption, it is nineteenth-century Whitman’s fantasy of the earth endlessly recycling and renewing human waste that remains more characteristic of contemporary U.S. life.

The Legacy of Anna E. Hall, African American Missionary to Liberia

2021 ◽  
Vol 46 (1) ◽  
pp. 92-103
Author(s):  
Jenny McGill
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
African American ◽  
African Americans ◽  
Life Story ◽  
Methodist Episcopal ◽  
The Us ◽  
Methodist Episcopal Church ◽  
Missionary Service ◽  
Free African Americans

This article, which tells the life story of Anna E. Hall, highlights the significant role that this African American missionary played in Liberia for the US Methodist Episcopal Church in the early twentieth century. The latter half of the nineteenth century saw increased migration of free African Americans as ministers . . . and missionaries overseas, especially to Africa. Standing as a paragon in missionary ventures, Anna E. Hall represents one of many who were responsible for the resurgence of Christianity in Africa and provides an exemplar for missionary service.

Early Black Chicago Entrepreneurial and Business Activities from the Frontier Era to the Great Migration

2017 ◽  
Author(s):  
Christopher Robert Reed
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
African American ◽  
Late Nineteenth Century ◽  
Great Migration ◽  
World War One ◽  
Early Twentieth Century ◽  
Black Entrepreneurs ◽  
The Great Migration ◽  
White Clients

This chapter surveys the evolution of African American-owned businesses in Chicago from the mid-to-late nineteenth century until the early twentieth century. During the nineteenth century, the most successful black entrepreneurs, such as tailor John Jones and caterer Charles H. Smiley, primarily served white clients. By the early twentieth century, as Chicago’s African American population grew, a new breed of black entrepreneur emerged. Even before the World War One “Great Migration,” persons such as newspaper editor Robert Abbott, real estate professional and banker Jesse Binga and personal care products manufacturer Anthony Overton saw the enormous profit potential associated with catering to the needs of the city’s burgeoning “Black Belt.”

Catholics, Communism, and African Americans

2019 ◽  
pp. 240-263
Author(s):  
Cecilia A. Moore
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
African American ◽  
African Americans ◽  
Communist Party ◽  
Late Nineteenth Century ◽  
Body Of Christ ◽  
Ethnic Communities ◽  
Racial Solidarity ◽  
Late Nineteenth

This chapter demonstrates how the integrity of “integral Catholics” was put to a stern test by the American church's willingness to countenance racism in the early and middle decades of the twentieth century. Although white ethnic communities had been provided with national parishes of their own since the late nineteenth century, expressions of African American ethnic/racial solidarity were widely viewed as an affront to the all-encompassing theology of the mystical body of Christ. The chapter shows how this patronizing racial ideology was shaken only after the Communist Party won substantial numbers of black converts in the 1930s and beyond.

“Motherwork”

2011 ◽  
Vol 5 (2) ◽  
pp. 205-218
Author(s):  
Jean T. Corey
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
African American ◽  
Biblical Text ◽  
Frances Ellen Watkins Harper ◽  
The Bible ◽  
To Come ◽  
Interpretive Strategies

Born in 1825, a free African American in Baltimore, Maryland, author Frances Ellen Watkins Harper devoted her life to the struggle for freedom. An abolitionist, and suffragist, the Bible figured prominently in Harper’s poetry, fiction, essays, and speeches. This essay considers how Harper’s poetry particularly challenged her nineteenth century reader to engage in more meaningful biblical interpretive strategies. Anticipating twentieth century Womanist interpretations, Harper disrupts and revises interpretive strategies that had been used to read against the biblical narrative’s message of liberation. Rereading commonly known texts with a different perspective or highlighting lesser known biblical stories, Harper’s biblical interpretations give voice to the voiceless women in the biblical text. Whether writing about women found in the biblical text or women in her own nineteenth century context, Harper’s poetry testifies to the mothers and “othermothers” who have struggled to ensure the dignity and rights of all people, in their own generations, as well as for generations to come.

Epilogue

2020 ◽  
pp. 233-238
Author(s):  
Aston Gonzalez
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Twentieth Century ◽  
African American ◽  
Black People ◽  
The United States ◽  
Expanded Access ◽  
Du Bois ◽  
Black Life ◽  
Visual Technologies

The epilogue shows how the democratization of photography allowed black people to produce images of themselves and their communities when a massive wave of racial caricatures flooded homes in the United States at the turn of the twentieth century. Visual technologies of the nineteenth century vastly expanded access to cameras which enabled more people to record African American communities and challenge racist ideas. W. E. B. Du Bois exhibited hundreds of photographs taken by Thomas Askew, the African photographer, at the Paris Exposition of 1900. These scenes of black life in Georgia conveyed the power of the ordinary and Du Bois himself wrote that they challenged “conventional American ideas” of black people.

Songs of the spirit from Dufftown

2019 ◽  
Vol 70 (1) ◽  
pp. 36-54
Author(s):  
Shelagh Noden
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Church Music ◽  
Early Years ◽  
Liturgical Music

Following the Scottish Catholic Relief Act of 1793, Scottish Catholics were at last free to break the silence imposed by the harsh penal laws, and attempt to reintroduce singing into their worship. At first opposed by Bishop George Hay, the enthusiasm for liturgical music took hold in the early years of the nineteenth century, but the fledgling choirs were hampered both by a lack of any tradition upon which to draw, and by the absence of suitable resources. To the rescue came the priest-musician, George Gordon, a graduate of the Royal Scots College in Valladolid. After his ordination and return to Scotland he worked tirelessly in forming choirs, training organists and advising on all aspects of church music. His crowning achievement was the production, at his own expense, of a two-volume collection of church music for the use of small choirs, which remained in use well into the twentieth century.

Scottish Missionaries, ‘Protestant Hinduism’ and the Scottish Sense of Empire in Nineteenth- and Early Twentieth-century India

2007 ◽  
Vol 86 (2) ◽  
pp. 278-313 ◽  
Author(s):  
Philip Constable
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Western India ◽  
Early Nineteenth Century ◽  
Church Of Scotland ◽  
Free Church ◽  
Intellectual Engagement ◽  
Late Nineteenth ◽  
The Church

This article examines the Scottish missionary contribution to a Scottish sense of empire in India in the nineteenth and early twentieth centuries. Initially, the article reviews general historiographical interpretations which have in recent years been developed to explain the Scottish relationship with British imperial development in India. Subsequently the article analyses in detail the religious contributions of Scottish Presbyterian missionaries of the Church of Scotland and the Free Church Missions to a Scottish sense of empire with a focus on their interaction with Hindu socioreligious thought in nineteenth-century western India. Previous missionary historiography has tended to focus substantially on the emergence of Scottish evangelical missionary activity in India in the early nineteenth century and most notably on Alexander Duff (1806–78). Relatively little has been written on Scottish Presbyterian missions in India in the later nineteenth century, and even less on the significance of their missionary thought to a Scottish sense of Indian empire. Through an analysis of Scottish Presbyterian missionary critiques in both vernacular Marathi and English, this article outlines the orientalist engagement of Scottish Presbyterian missionary thought with late nineteenth-century popular Hinduism. In conclusion this article demonstrates how this intellectual engagement contributed to and helped define a Scottish missionary sense of empire in India.

Trey Ellis's Platitudes: Redefining Black Voices

2009 ◽  
Vol 32 (1) ◽  
pp. 55-76
Author(s):  
Quan Manh Ha
Keyword(s):  
Twentieth Century ◽  
African American ◽  
American Literature ◽  
African American Literature ◽  
Black Experience ◽  
Racial Issues ◽  
Black Voices ◽  
Late Twentieth ◽  
One Year ◽  
Late Twentieth Century

Trey Ellis has emerged as a prominent African American writer of the late-twentieth century, despite the small number of his published works. “The New Black Aesthetic,” an essay that he first published in CaUaloo in 1989, one year after the publication of his first novel, Platitudes, stands as a manifesto that defines and articulates his perspective on the emerging black literary voices and culture of the time, and on “the future of African American artistic expression” in the postmodern era.1 According to Eric Lott, Ellis's novel parodies the literary and cultural conflict between such male experimental writers as lshmael Reed and such female realist writers as Alice Walker.2 Thus, Ellis's primary purpose in writing Platitudes is to redefine how African Americans should be represented in fiction, implying that neither of the dominant approaches can completely articulate late-twentieth-century black experience when practiced in isolation. In its final passages, Platitudes represents a synthesis of the two literary modes or styles, and it embodies quite fully the diversity of black cultural identities at the end of the twentieth century as it extends African American literature beyond racial issues. In this way, the novel exemplifies the literary agenda that Ellis suggests in his theoretical essay.

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