The Remarkable Career of L. R. Eswari

2017 ◽  
Author(s):  
Amanda Weidman
Keyword(s):  
Public Sphere ◽  
Film Industry ◽  
Popular Cinema ◽  
Professional Career ◽  
The Public ◽  
Devotional Music ◽  
The Creation ◽  
The 1950S ◽  
The Public Sphere

Song sequences in Indian popular cinema play a central role in organizing affect and desire through imagery and sound. These songs feature the voices of “playback” singers, so named because their voices are first recorded in the studio and then lip-synced by the actors and actresses on the set during the filming process. This chapter examines how playback singing, which emerged as a professional career possibility in the 1950s, produced new forms of stardom and opportunities for women to enter the public sphere, while serving as a key site for the creation and circulation of ideologies and aesthetics of gender and voice. In particular, it will examine the career and persona of L.R. Eswari, who, although she did not start out as such, came to be branded as a “vampy” singer in the late 1960s Tamil film industry, subsequently made a name for herself in devotional music in the 1970s and 80s, and has recently re-emerged as a playback singer in the last few years.

Archiving the British Raj

2018 ◽  
Author(s):  
Sabyasachi Bhattacharya
Keyword(s):  
Public Sphere ◽  
Colonial Rule ◽  
Historical Records ◽  
The Public ◽  
British Raj ◽  
National Archives ◽  
The World ◽  
The Creation ◽  
The Public Sphere ◽  
Central Archive

The archives are generally sites where historians conduct research into our past. Seldom are they objects of research. Sabyasachi Bhattacharya traces the path that led to the creation of a central archive in India, from the setting up of the Imperial Record Department, the precursor of the National Archives of India, and the Indian Historical Records Commission, to the framing of archival policies and the change in those policies over the years. In the last two decades of colonial rule in India, there were anticipations of freedom in many areas of the public sphere. These were felt in the domain of archiving as well, chiefly in the form of reversal of earlier policies. From this perspective, Bhattacharya explores the relation between knowledge and power and discusses how the World Wars and the decline of Britain, among other factors, effected a transition from a Eurocentric and disparaging approach to India towards a more liberal and less ethnocentric one.

Pictorial Debates: The Tatar Satirical Journal Yalt-Yolt and Muslim Modernity Discourses, 1906-1917

Experiment ◽  
2013 ◽  
Vol 19 (1) ◽  
pp. 149-181
Author(s):  
Azade-Ayse Rorlich
Keyword(s):  
Public Sphere ◽  
Ottoman Empire ◽  
Russian Empire ◽  
Reform Era ◽  
The Public ◽  
The Creation ◽  
The Public Sphere ◽  
The Russian Empire

Abstract The Great Reform era in Russia, as well as the modernist movements in the Ottoman Empire and other Muslim lands represent the background against which the Muslims of the Russian Empire engaged in the scrutiny of the reasons behind the backwardness of their societies and began advocating the compatibility of Islam with modernity. After 1906, the Muslim press became the most important instrument in the creation of the public sphere where issues of tradition and modernity were debated. This essay focuses on the Tatar satirical journal Yalt-Yolt to explore its contribution to the critique of the old Muslim mentalité, as well as its role as an instrument of modernity.

scholarly journals Heiner Goebbels's Stifters Dinge and the Arendtian Public Sphere

2019 ◽  
Vol 5 (1) ◽  
pp. 109-127
Author(s):  
Luke Matthews
Keyword(s):  
Public Sphere ◽  
Participatory Democracy ◽  
The Political ◽  
The Public ◽  
Collaborative Working ◽  
The Creation ◽  
The Public Sphere ◽  
Working Processes

Heiner Goebbels’s works are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or agitation. Goebbels claims to work toward a “non-hierarchical” theatre in the contexts of his arrangement of the various theatrical elements, in fostering collaborative working processes between the artists involved, and in the creation of audience-artist relationships. In offering a reading of Goebbels’s “no-man show” Stifters Dinge, this paper seeks to situate Goebbels’s practice within a theoretical tradition that also encompasses Hannah Arendt’s deployment of the theatre as a metaphor for the public sphere. Within this analysis, I suggest, theatre can be seen to offer the possibility of a participatory democracy through its attention to disappearance and absence.

In and out of Othello

2021 ◽  
Vol 5 (1) ◽  
pp. 137-148 ◽  
Author(s):  
Poonam Trivedi
Keyword(s):  
Public Sphere ◽  
Film Industry ◽  
The State ◽  
Self Determination ◽  
Politics Of Identity ◽  
The Public ◽  
Award Winning ◽  
The Public Sphere ◽  
Indian Adaptation

Othello has been the play that seems to speak to current issues of racism and sexism for the last couple of decades. Recent Indian productions have stretched its relevancies further, particularly addressing the politics of identity, of individual and state, of belonging and othering. The 2014 award-winning Assamiya film Othello (We Too Have Our Othellos) appropriates and radicalizes the main concerns of the play to embody and critique the movements for self-determination that continue to rage in the state. The article examines this unusual Indian adaptation of Shakespeare that locates the play directly within the public sphere of the politics of the state through its singular focus on Othello as an ‘outsider’ figure paralleled by other such figures of contemporary Assamese society. It will contextualize the discussion of this film, its production and positioning within the film industry of Assam and attempt to define the nature of its adaptation. It will also glance at its similarities with the earlier film In Othello (2003), which too connected Shakespeare and Assam to illustrate the volatile configurations of the outsider/insider status in contemporary India.

scholarly journals A rua é nossa: as intervenções urbanas do coletivo lesbiano Velcro Choque (Brasil) e as subjetividades libertárias

2020 ◽  
Vol 2 (2) ◽  
pp. 68-106
Author(s):  
Débora Machado Visini
Keyword(s):  
Public Sphere ◽  
Public Space ◽  
The Public ◽  
Spatial Practice ◽  
The Creation ◽  
The Public Sphere ◽  
And Gender ◽  
The City

O presente artigo investiga as intervenções urbanas – pertencentes a um grupo composto por muitas manifestações artísticas realizadas no espaço público – que dialogam com a cidade. Compreendidas como práticas artísticas e socioespaciais, as intervenções urbanas do coletivo lesbiano Velcro Choque (Brasil) são analisadas a partir das potências que surgem com a ocupação das ruas da cidade e da esfera pública, já que tal ato coloca em cheque normas e narrativas históricas, que serão apontadas a partir do viés da crítica feminista da cultura. Conforme mostra a prática do coletivo, o artivismo associado aos feminismos e às dissidências sexuais e de gênero podem oportunizar a criação de subjetividades libertárias e formas de existência e resistência através das produções coletivas nas artes visuais.Palavras-chave: Cidade. Intervenção Urbana. Feminismos. Artivismo. AbstractThis paper investigates urban interventions – belonging to a group composed of many artistic manifestations carried out in the public space – that dialogue with the city. Understanding the urban interventions as an artistic and socio-spatial practice, the production of the lesbian collective Velcro Choque (Brazil) will be analyzed based on the potency that emerges with the occupation of the streets and the public sphere, since this act can put in check historical norms and narratives, which will be pointed out from the bias of the feminist critic of the culture. As the practice of the collective shows, artivism associated with feminism, sexual and gender dissidences can create opportunities for the creation of libertarian subjectivities and forms of existence and resistance through collective productions in the visual arts.Keywords: City. Urban Interventions. Feminisms. Artivism.

The Creation of the Femme Fatale in Egyptian Cinema

2019 ◽  
Vol 15 (3) ◽  
pp. 307-329
Author(s):  
Carolina Bracco
Keyword(s):  
Public Sphere ◽  
Femme Fatale ◽  
Fallen Woman ◽  
The Public ◽  
Women's Participation ◽  
Good Woman ◽  
The Creation ◽  
The Public Sphere ◽  
Egyptian Cinema

Abstract The appearance of the character of a femme fatale in Egyptian cinema in the mid-1950s is deeply intertwined with the new social and moral imprint made by the Nasserist regime. At a time when women’s participation in the public sphere was regulated, the portrayal of the evil woman was intended to define how the good woman should behave as well as the terrible fate in store for those who dared to flout the limits. This evil woman was embodied in the character of the Oriental dancer who was to be seen, from that time on, as a fallen woman. This article aims to discuss the mutation of the character of the dancer from a bint al balad (lit. “girl of the country”) to a femme fatale by analyzing three films starring two icons of the time, Hind Rustum and Tahia Carioca.

scholarly journals A Brief History of Incivility in Rural Postcolonial India: Caste, Religion, and Anthropology

2018 ◽  
Vol 60 (1) ◽  
pp. 58-89
Author(s):  
Edward Simpson ◽  
Alice Tilche ◽  
Tommaso Sbriccoli ◽  
Patricia Jeffery ◽  
Tina Otten
Keyword(s):  
Affirmative Action ◽  
Political Parties ◽  
Public Sphere ◽  
Madhya Pradesh ◽  
Rural Life ◽  
Rural India ◽  
The Public ◽  
History Of ◽  
The 1950S ◽  
The Public Sphere

AbstractAnthropological studies of Indian villages conducted in the 1950s and 1960s form a valuable archive of rural life soon after India's independence. We compare sections of that archive with recent fieldwork in the same villages in Gujarat, Madhya Pradesh, and Odisha. If we trust the ethnography of the 1950s, domestic and caste spheres were the locations of village incivility. It is noteworthy that there is no reference in the early work to the Partition of the subcontinent that had occurred just a few years before. Neither is there mention of discrimination or violence carried out in the name of religion in these locations. New fieldwork reveals a different story about the rise of wholesale religious incivility in the public sphere. Caste has not vanished, but inter-caste relations have taken on new forms. We suggest that the intersection of affirmative action policies, political parties, and the systematic penetration of Hindu nationalist organizations has been crucial in the remaking of rural India.

Public Hearings and Public Spheres in India: The Case of the Right to Information (RTI) Movement

2014 ◽  
Vol 152 (1) ◽  
pp. 133-142 ◽  
Author(s):  
Pradip Ninan Thomas
Keyword(s):  
Public Sphere ◽  
Public Spheres ◽  
The Public ◽  
Local Means ◽  
Public Hearings ◽  
The Face ◽  
The Creation ◽  
The Public Sphere ◽  
Right To Information ◽  
The Right

This article explores issues related to the Right to Information movement in India specifically in relation to the public sphere, a concept that is habitually invoked to describe spaces for deliberation and communication. It explores the role played by the jan sunwai (public hearings) in the creation of a counter public sphere based on the local idiom, local means of communication and performative traditions that enabled a balance between speaking, listening and actioning. The article focuses on the Right to Information movement and the jan sunwai as an important indigenous means and pedagogical device used by this movement to mobilise, radicalise and give voice to marginalised people who have traditionally been expected to remain silent, even in the face of the most atrocious atrocities committed by the forward castes and wealthy.

scholarly journals Von Braun, Tikhonravov, and Space Flight in American and Soviet Post-War Popular Media

2021 ◽  
Vol 12 (2) ◽  
Author(s):  
Natalie Jarosz
Keyword(s):  
Public Sphere ◽  
Space Flight ◽  
Popular Science ◽  
Popular Media ◽  
The Public ◽  
Science Media ◽  
The 1950S ◽  
The Public Sphere ◽  
Post War ◽  
Personal Interests

Wernher von Braun and Mikhail Tikhonravov had the nature of their scientific roles shown through their connections to popular science media in the countries where they worked during the 1950s. Von Braun’s background was reflected through the edutainment of three Disneyland episodes, and Tikhonravov was unique in his association with Soviet popular science magazines. Their personal interests in relation to their work could also be shown through their interactions with the public sphere.

scholarly journals Introduction

2021 ◽  
pp. 1-6
Author(s):  
Christian Fuchs ◽  
Klaus Unterberger
Keyword(s):  
Public Sphere ◽  
Public Service ◽  
The Internet ◽  
Dominant Form ◽  
The Public ◽  
Starting Point ◽  
The Media ◽  
The Creation ◽  
The Public Sphere

This chapter introduces the book’s context. It describes the process that led to the creation of the Public Service Media and Public Service Internet Manifesto. The basic starting point was the insight that the survival of public service media is in danger, that the dominant form of the Internet and Internet platforms undermines the democratic public sphere, and that we need new forms of the Internet and the media in order to safeguard and renew democracy and the public sphere.

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