scholarly journals Antynomie religii mitologicznej. Kilka uwag na marginesie Traktatu teologicznego Czesława Miłosza

2011 ◽  
Vol 11 (2) ◽  
pp. 15
Author(s):  
Krzysztof Koehler

The Noble Prize winner, Czeslaw Milosz in the last years of his life wrote a religious poem „The theological treatise”. In my paperI try to understand a religious dimension of a person who is the narrator of the poem. This is the voice of an experienced person who tries to find his way between two oppositions: the so called Polish catholicism (which is stereotypised as „mass” catholicism, unreflective, superficial etc) and a religion of a modern intellectual (with his religious hesitations, opposition to the catholic „mob” etc).I try to throw some light on a narrator’s perspective going back to some Molosz’s texts from the past. I hope the paper will be interesting to the scholars and others who are trying to solve the fascinating problem of the religious dimenssion of Czeslaw Milosz’s poetry.


Modern Italy ◽  
2021 ◽  
pp. 1-22
Author(s):  
Gianmarco Mancosu

This article aims to expose the political and cultural processes that contributed to the eradication of problematic memories of the Italian colonial period during the national reconstruction following the Second World War. It offers a systematic examination of newsreels and documentaries about the Italian former colonies that were produced between 1946 and 1960, a film corpus that has largely been neglected by previous scholarship. The article first dissects the ambiguous political scenario that characterised the production of this footage through the study of original archival findings. The footage configured a particular form of self-exculpatory memory, which obstructed a thorough critique of the colonial period while articulating a new discourse about the future presence of Italy in the former colonies. This seems to be a case of aphasia rather than amnesia, insofar as the films addressed not an absence, but an inability to comprehend and articulate a critical discourse about the past. This aphasic configuration of colonial memories will be tackled through a close reading of the voice-over and commentary. In so doing, this work suggests that the footage actively contributed to spread un-problematised narratives and memories about the colonial period, whose results still infiltrate Italian contemporary society, politics and culture.



2021 ◽  
Vol 77 (2) ◽  
Author(s):  
Johann-Albrecht Meylahn

It has been argued that most countries that had been exposed to European colonialism have inherited a Western Christianity thanks to the mission societies from Europe and North America. In such colonial and post-colonial (countries where the political administration is no longer in European hands, but the effects of colonialism are still in place) contexts, together with Western contexts facing the ever-growing impact of migrants coming from the previous colonies, there is a need to reflect on the possibility of what a non-colonial liturgy, rather than a decolonial or postcolonial liturgy, would look like. For many, postcolonial or decolonial liturgies are those that specifically create spaces for the voice of a particular identified other. The other is identified and categorised as a particular voice from the margins, or a specific voice from the borders, or the voices of particular identified previously silenced voices from, for example, the indigenous backyards. A question that this context raises is as follows: Is consciously creating such social justice spaces – that is determined spaces by identifying particular voices that someone or a specific group decides to need to be heard and even making these particular voiceless (previously voiceless) voices central to any worship experience – really that different to the colonial liturgies of the past? To give voice to another voice, is maybe only a change of voice, which certainly has tremendous historical value, but is it truly a transformation? Such a determined ethical space is certainly a step towards greater multiculturalism and can therefore be interpreted as a celebration of greater diversity and inclusivity in the dominant ontology. Yet, this ontology remains policed, either by the state-maintaining police or by the moral (social justice) police.Contribution: In this article, a non-colonial liturgy will be sought that goes beyond the binary of the dominant voice and the voice of the other, as the voice of the other too often becomes the voice of a particular identified and thus determined victim – in other words, beyond the binary of master and slave, perpetrator and victim, good and evil, and justice and injustice, as these binaries hardly ever bring about transformation, but only a change in the face of master and the face of the slave, yet remaining in the same policed ontology.



2013 ◽  
Vol 1 (1) ◽  
pp. 1-17
Author(s):  
Megan Corbin

Abstract: There exists a constant within the trajectory of Diamela Eltit’s contributions to New Chilean Fiction: the turn to the body’s revelatory capacity as a corporal archive of human existence. Simultaneously exploring and rejecting the confines of the traditional testimonial reliance on language, Eltit moves the reader to a re-consideration of the truth-telling function of the biological materiality of the body, placing imperfect corporalities on display as a means of speaking, even where the voice itself may falter.  This essay locates Eltit’s move to the corporal within the trajectory of feminist criticism, the traumatic realities of the Chilean dictatorship and post-dictatorship periods, and the search for the recuperation of those bodily knowledges represented by the disappeared.  Next, it turns to Eltit’s Impuesto a la carne as her most recent re-visioning of the importance of corporal textualities, whether or not the subject-matter of the body’s denunciation is connected to the dictatorship.  Lastly, this essay reconsiders the rejective power of the traditional archive, analyzing the effect set models have on those who seek to tell their stories outside of the traditional testimonial model. I argue that the case of Diamela Eltit is an example of the way writers and producers of cultural texts which actively inscribe alternative memories of the past are resisting the authoritative power of the archive and subversively inscribing narrative memory onto bodily materialities, re-orienting the view of the corporal from an evidentiary showing to an active process of re-telling the past. Eltit’s novels, inscribed with her corporal textual model, give voice to survivors, articulating an alternate historical model for the archive, embracing the biological and making it speak against the rigid abuses of authoritarianism.



Resonance ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 25-46
Author(s):  
Judy Dunaway

Over the past 40 years “sound art” has been hailed as a new artistic category in numerous writings, yet one of its first significant exhibitions is mentioned only in passing, if at all. The first instance of the hybrid term sound art used as the title of an exhibition at a major museum was Sound Art at the Museum of Modern Art in New York (MoMA), shown from 25 June to 5 August 1979. Although this was not marketed as a feminist exhibition, curator Barbara London selected three women to exemplify the new form. Maggi Payne created multi-speaker works that utilized space in a sculptural fashion; Connie Beckley combined language and sounding sculptural objects, showing sound in both a conceptual and physical manifestation; and Julia Heyward’s work used aspects of feminist performance art including music, narrative, and the voice in order to buck abstract aesthetics of the time. This paper uses archival research, interviews, and analysis of work presented to reconstruct the exhibition and describe the obstacles both the artists and the curator encountered. The paper further provides context in the lives of the artists and the curator as well as the surrounding artistic scene, and ultimately exposes the discriminatory reasons this important exhibition has been marginalized in the current discourse.



2018 ◽  
Vol 40 (1) ◽  
pp. 178-181
Author(s):  
Donald A. Ritchie


1959 ◽  
Vol 12 (3) ◽  
pp. 257-276
Author(s):  
A. C. Cheyne

The subject of relations between the Anglican and Presbyterian Churches exercises a peculiarly urgent claim upon the attention of contemporary students of theology. Nevertheless many may be reluctant to allow that the task of dealing with it can profitably be undertaken by a historian–even if he be a church historian; and I suspect that some will read the words ‘a Retrospect’ with depression or alarm. Is this not a time for looking forward rather than back? Did we not read with approval the signatories' declaration in the Joint Report on Relations between Anglican and Presbyterian Churches: ‘We have renounced, and believe that the Churches concerned should renounce, the method of selecting and measuring such faults and errors in the past history of the Churches now conferring as might be judged to be responsible for our present divisions. These matters have been investigated frequently, and complete agreement on them is not to be expected at this stage in history… The time has come when the voice of mutual recrimination should be silent'? And has Bishop How not reminded us that ‘Scotland needs a purged memory’?



1980 ◽  
Vol 14 (1) ◽  
pp. 148
Author(s):  
Thomas L. Charlton ◽  
Paul Thompson
Keyword(s):  
The Past ◽  


2008 ◽  
Vol 42 (1) ◽  
pp. 4-30 ◽  
Author(s):  
Adam Przeworski

Participation in electoral politics is not a fully voluntary act. Suffrage rules regulate who can participate, whereas institutional arrangements affect incentives to vote by shaping the consequences of the voting act. The secular increase of electoral participation in the world during the past two centuries was largely due to extensions of suffrage rather than to increased turnout of those eligible. The relation between voting and electing, as manifested in institutional arrangements, had a strong effect on individual decisions to vote. In the end, the voice of the people is inescapably structured by the ideas and the institutional frameworks that relate voting to electing.



1940 ◽  
Vol 33 (2) ◽  
pp. 151-154
Author(s):  
Robert M. Grant

Various views have been held in the past concerning the purpose of the sixfold chronology in Luke. “The breaking of this oppressive silence [since the time of Malachi] by the voice of the Baptist caused a thrill through the whole Jewish population throughout the world. Lk. shows his appreciation of the magnitude of the crisis by the sixfold attempt to give it an exact date.” From this we may pass to a somewhat calmer later view. “The evangelist is using here a form which he has taken over from an alien sphere. … It is derived from secular historiography, which has the habit of making prominent important events, especially those with which the principal narrative begins, by means of circumstantial datings and synchronisms.”



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