scholarly journals Archiveras anarquistas: Corporal Testimony in the Work of Diamela Eltit

2013 ◽  
Vol 1 (1) ◽  
pp. 1-17
Author(s):  
Megan Corbin

Abstract: There exists a constant within the trajectory of Diamela Eltit’s contributions to New Chilean Fiction: the turn to the body’s revelatory capacity as a corporal archive of human existence. Simultaneously exploring and rejecting the confines of the traditional testimonial reliance on language, Eltit moves the reader to a re-consideration of the truth-telling function of the biological materiality of the body, placing imperfect corporalities on display as a means of speaking, even where the voice itself may falter.  This essay locates Eltit’s move to the corporal within the trajectory of feminist criticism, the traumatic realities of the Chilean dictatorship and post-dictatorship periods, and the search for the recuperation of those bodily knowledges represented by the disappeared.  Next, it turns to Eltit’s Impuesto a la carne as her most recent re-visioning of the importance of corporal textualities, whether or not the subject-matter of the body’s denunciation is connected to the dictatorship.  Lastly, this essay reconsiders the rejective power of the traditional archive, analyzing the effect set models have on those who seek to tell their stories outside of the traditional testimonial model. I argue that the case of Diamela Eltit is an example of the way writers and producers of cultural texts which actively inscribe alternative memories of the past are resisting the authoritative power of the archive and subversively inscribing narrative memory onto bodily materialities, re-orienting the view of the corporal from an evidentiary showing to an active process of re-telling the past. Eltit’s novels, inscribed with her corporal textual model, give voice to survivors, articulating an alternate historical model for the archive, embracing the biological and making it speak against the rigid abuses of authoritarianism.

1959 ◽  
Vol 12 (3) ◽  
pp. 257-276
Author(s):  
A. C. Cheyne

The subject of relations between the Anglican and Presbyterian Churches exercises a peculiarly urgent claim upon the attention of contemporary students of theology. Nevertheless many may be reluctant to allow that the task of dealing with it can profitably be undertaken by a historian–even if he be a church historian; and I suspect that some will read the words ‘a Retrospect’ with depression or alarm. Is this not a time for looking forward rather than back? Did we not read with approval the signatories' declaration in the Joint Report on Relations between Anglican and Presbyterian Churches: ‘We have renounced, and believe that the Churches concerned should renounce, the method of selecting and measuring such faults and errors in the past history of the Churches now conferring as might be judged to be responsible for our present divisions. These matters have been investigated frequently, and complete agreement on them is not to be expected at this stage in history… The time has come when the voice of mutual recrimination should be silent'? And has Bishop How not reminded us that ‘Scotland needs a purged memory’?


2019 ◽  
Vol 7 (12) ◽  
pp. 44-70
Author(s):  
Andrés Grumann

Addressing a theoretical perspective from the Theatre Studies, the writing aims to perform an analysis of the performance Zona de dolor 1 or "Maipú" by Diamela Eltit from 1980. To do this,I stop at the skin, the body, the voice and the pain as surfaces of a sensitive experience generating knowledge that are perceived from the viewing of the available video of theperformance. This performance analysis requires a historiographic rescue in which the partiality with which the concept of "escena de anvanza" (Richard) interpreted the performances Zonas de dolor (1980 and 1982) is discussed, situating a reading of the filiations and crossings of Eltit with Ronald Kay and the seminar that he dedicated to the wisdom ofAntonin Artaud in 1974. The thought about the body, the flesh and the pain of the French teatrist accompanies the following reflections and allows to present the power of the performative in the voice of Diamela Eltit in some in some scenes from the video of Zona de dolor 1.


2021 ◽  
Vol 27 ◽  
pp. 467-479
Author(s):  
Oskar Meller

Cultural texts on the subject of posthuman can be found long before the post-anthropocentric turn in humanistic research. Literary explanations of posthumanism have entered the conventional canon not only in terms of the science-fiction classics. However, a different line follows the tradition of presenting posthumanist existence in the comic book medium. Scott Jeffrey accurately notes that most comic superheroes are post- or trans-human. Therefore, the transgression of human existence into a posthumanoid being is presented. However, in the case of the less culturally recognizable character of Vision, a synthezoid from the Marvel’s Avengers team, combining the body of the android and human consciousness, the vector of transgression is reversed. This article is an attempt to analyze the way the humanization process of this hero is narrative in the Vision series of screenwriter Tom King and cartoonist Gabriel Hernandez Walta. On the one hand, King mimetic reproduces the sociological panorama of American suburbs, showing the process of adaptation of the synthesoid family to the realities of full-time work and neighborly intercourse, on the other, he emphasizes the robotic limits of Vision humanization. Ultimately, the narrative line follows the cracks between these two plans, allowing King to present, with the help of inhuman heroes, one of the most human stories in the Marvel superhero universe.


2019 ◽  
Vol 7 (12) ◽  
pp. 96-110
Author(s):  
Gonzalo Ignacio Rojas

The present article will analyze the voice of the narrator from the rhizomatic figure (Deleuze and Guattari) to determine its non-place in the construction of narrative scenes in the new performative forms of literary expression. Therefore, this condition will be reviewed from two Benjaminian notions, the allegory and the quotation to determine that the idea of the body is -centrally concentrated in L. Illuminated- a correlation between language and subject: the disappearance of the subject is the disappearance of his / her language, epistemological symmetry that gives rise in Chilean narrative to a performative writing.


Author(s):  
Constance Classen

From the softest caress to the harshest blow, touch lies at the heart of our experience of the world. Now, for the first time, this deepest of senses is the subject of an extensive historical exploration. This book fleshes out our understanding of the past with explorations of lived experiences of embodiment from the Middle Ages to modernity. This approach to history makes it possible to foreground the tactile foundations of Western culture—the ways in which feelings shaped society. This book explores a variety of tactile realms; including the feel of the medieval city; the tactile appeal of relics; the social histories of pain, pleasure, and affection; the bonds of touch between humans and animals; the strenuous excitement of sports such as wrestling and jousting; and the sensuous attractions of consumer culture. The book delves into a range of vital issues, from the uses—and prohibitions—of touch in social interaction to the disciplining of the body by the modern state, from the changing feel of the urban landscape to the technologization of touch in modernity. Through poignant descriptions of the healing power of a medieval king's hand or the grueling conditions of a nineteenth-century prison, we find that history, far from being a dry and lifeless subject, touches us to the quick.


2018 ◽  
Vol 7 ◽  
pp. 72-89
Author(s):  
Valérie Baisnée

This article examines how some contemporary autobiographies avoid narratives told from a first person viewpoint. Rejecting a philosophy of the subject that favors the first person pronoun over the other persons in language, Annie Ernaux’s impersonal autobiography The Years (2008) favors a mode of remembering that is collective rather than individual. But the narrator’s memories fall prey to a capitalist production system that denies the body while technology takes over the past, eliminating the subject as the owner of her memories.


1868 ◽  
Vol 16 ◽  
pp. 73-125

Of all the animal secretions urine is undoubtedly one of the most important. Its varying properties, in health as well as in disease, the frequency with which it is emitted, and the consequent facility with which it may be submitted to examination, render it invaluable to the physiolo­gist and pathologist as a means of throwing light on the processes, either healthy or morbid, going on within the body. Its study has therefore engaged the attention of physicians since the earliest times, and of chemists from the period when chemical analysis was first employed in the exami­nation of natural objects. Notwithstanding the labour bestowed on the subject by many eminent men during the past sixty years, it is still, how­ever, far from being exhausted. There are, indeed, portions of the chemistry of urine concerning which our ignorance is .almost complete. It is one of these obscurer parts of the subject that I have endeavoured to clear up, and I hope to succeed in showing that I have added at least a few facts to the sum of our previous knowledge. Of all the properties of urine none is more obvious, even to the ordinary observer, than its colour. The variations in tint which it exhibits at different times are striking, even to the unpractised eye, and they some­ times serve as important indications to the physician. Nevertheless con­cerning the chemical nature of the substances to which its colour is due very little is known. Our ignorance on this subject may be ascribed to various causes. In the first place, some of these substances occur in the urine only occasionally, and in very minute quantities, so that the prepa­ration of a quantity sufficient for chemical examination becomes difficult and even impossible, especially when the urine containing them is not abundant. Secondly, it has been found that some of them are very easily decomposed, so much so that the mere heat required for the evaporation of the urine seems to be sufficient to effect a change in their properties and composition. It therefore becomes doubtful, after a long process has been gone through for the purpose of separating any colouring-matter from the other constituents of the urine (a process in which, perhaps, strong chemical reagents have been employed), whether the substance procured was originally contained as such in the urine, or is not rather a product resulting from the decomposition of some other substance or substances. Thirdly, several of the bodies colouring the urine possess very few charac­teristic properties. They are amorphous and syrup-like, and they retain water with so much pertinacity that on attempting to dry them they undergo decomposition. Neither their compounds nor their products of decomposition exhibit any distinguishing characteristics. They belong to a class on which, for want of a better, the name extractive matter has been conferred. With some chemists, to call a body an extractive matter is to place it among a class which is held to he unworthy of minute examina­tion. To others the name extractive matter is merely a convenient word for a mixture, sometimes occurring in nature, of certain definite, perhaps even crystallized substances, which, by appropriate means, may be resolved into its constituents, and thus be made to disappear entirely from the list of definite chemical bodies. As regards the extractive matter of urine, this view may to some extent be justified, when we recollect that from what was considered to be extractive matter sixty years ago, such well-character­ized substances as urea, hippuric acid, and creatine have been successively eliminated; and it is therefore natural to expect that by further research it will be found to contain others of the same nature. I believe this view to be erroneous; and I shall succeed, I hope, in showing that, after having removed from the extractive matter of unne everything which can assume a definite form, there remains a residuum which cannot be further resolved without decomposition. Still, any one holding this view is not likely to undertake the investigation of extractive matters as such, unless it be for the purpose of obtaining something which may be supposed to be contained in them. Lastly, the properties of these colouring and extractive matters, however important they may be to the physiologist and pathologist, pre­sent so little that is interesting to the chemist, that the latter would pro­bably not occupy himself with their examination unless for some particular purpose. For myself, I frankly confess that, had I not had a special object in view, this investigation would not have been undertaken. The information for the sake of which it was commenced having been obtained, I should then have abandoned all further inquiry, had I not found reason to suppose, in the course of my experiments, that a more extended investigation would lead to results interesting from a physiological point of view. My endeavours have, I think, been attended with some measure of success; and should physiologists, on becoming acquainted with the results, be of the same opinion, my labour will not have been quite in vain.


2019 ◽  
pp. 503-509
Author(s):  
Anastasiia Pospolita

The research is devoted to the metaphysical motives in the poetry of Bolesław Leśmian. This is an important milestone in the history of Polish literature. The legacy of such poets determines not only the nature of national poetry, but also has a significant impact on the development of world literature. Bolesław Leśmian created his unique metaphysical world. Its structure, organization and other features and innovations are the subject of our study. The aim of the study is to show the metaphysical motives in the poetry of Bolesław Leśmian, based on the critical reception of the representatives of the Polish and Ukrainian literary studies from the past and present century. The main features of the soul topos in Lesmian’s poetry are its transcendent origin, connection to corporalness, death, individuality, permanent motion. In our study, we came to the conclusion that Man can exist only in conjunction with nature. With its help, he can know the otherworldly, God, but when he merges with it, he becomes a different form of being, but does not die. Because man can not know God, he is afraid of the unknown and the unconscious she suffers. Man seeks to know God, but he is not her guardian or ruler. The other world is a redeveloped, separate world, there are travels, the poet is constantly looking for similarities to the earth. It is fictional, therefore, M. Glovinsky calls it “represented”. B. Leśmian’s poetic world is sensational and the perception and understanding of his world is through our senses. The dream in poetry of Bolesław Leśmian is not only a leading motive but also an element of the composition and often acts as the theme of the poem. To represent his metaphysical world, Bolesław Leśmian uses the technique of installation, introduces new words, oxymorons and other artistic techniques characteristic of the epoch of modernism. According to metaphysics, the highest value is earthly existence, and vice versa: the impossibility of being, the inability to become bodily, which feels thinking, is the fundamental source of all suffering. Bolesław Leśmian seems to open the opposite world to us, the unceasing motion of that which does not exist, unmanaged in the side of existence, and realizes the painfulness of the unassembled form of existence, which is as strong as the suffering of the body.


1903 ◽  
Vol 49 (204) ◽  
pp. 52-70
Author(s):  
J. Lougheed Baskin

There has been a considerable amount of attention called to the subject of phthisis in asylums lately, and since the publication of the report of the Tuberculosis Committee the subject has appeared in a broader light. Although much is being and has been done for the prevention of phthisis by means of the Sanatorium movement, and the varieties of the technique of hygiene which are included in that treatment, yet there are still many aspects of the disease (both in the sane and insane) which require precise investigation, such as the variations in the composition of the secretions and excretions when the body is in the state of phthisical toxæmia; the relationship of the tuberculous toxæmia to other toxæmias, such as the influenzal (27), gouty, etc.; the accumulation of toxins, and its relations to recurrent forms of disease. The number of deaths from tubercle here during the past year we find to be ten; in 1900 it was nine, and 1899 it was fifteen, so that from a percentage of 1.3 in 1899 it has dropped to 0'85 in 1901. On examining the position of this asylum in the tables drawn up by the Tuberculosis Committee (1) we find it tenth in the asylums in England and Wales which are classified under Division i, which asylums have a tubercular death-rate of from 0.5 to 2.2, the county asylum at Exminster having a percentage of 1.3. This compares favourably with other asylums, some in the Division 2 having a tubercular death-rate of 5.1 and 8 per cent. respectively.


The method by which an apneustic endoparasitic insect larva obtains its oxygen and eliminates the carbon dioxide produced has long been a subject for speculation. Many parasitic larvæ are characterised by the possession of long “tails,” or other expansions of the body wall, and the tendency in the past has been to ascribe to such structures, whether in parasitic or aquatic forms, the function of gills; tracheal gills if they contain tracheæ; blood gills if they do not. Direct evidence as to the function of such structures is scarce, even concerning aquatic forms, and is almost completely lacking with regard to parasites. The work here described was undertaken in the hope of throwing some light on the matter with special reference to the two most striking instances, namely the “tail” of young endoparasitic Ichneumonid larvæ and the “caudal vesicle” of the larval Braconids. The results of similar experiments on a remarkeble Dipterous parasite, Cryptochætum iceryæ , have already been published (Thorpe, 1930). It is hardly necessary to discuss the previous work on the subject and its relation to more general problems, since Wigglesworth (1931) has recently published an excellent summary of the literature dealing with insect respiration.


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