De bestraffing van de collaboratie na de Tweede Wereldoorlog: mild in Vlaanderen en streng in Franstalig België? Een pleidooi voor een sociale geschiedenis van de Tweede Wereldoorlog

2014 ◽  
Vol 73 (1) ◽  
pp. 34-65
Author(s):  
Koen Aerts

De bestraffing van de collaboratie na de Tweede Wereldoorlog is één van de meest gepolitiseerde gebeurtenissen uit het Belgisch nationaal verleden. In Vlaanderen werd de repressie al gauw afgeschilderd als een Belgische, zelfs francofone, wraakoefening om de Vlaamse beweging te breken. Die beeldvorming vindt nog steeds bijval bij het brede publiek. Nochtans heeft de wetenschappelijke geschiedschrijving de zogenaamde anti-Vlaamse repressie al lange tijd ontmaskerd als een mythe. Op basis van de uitkomst van de repressierechtspraak wordt er geconcludeerd dat er in Vlaanderen meer en in Franstalig België zwaarder is gestraft. Dat verschil zou te wijten zijn aan het succes van de politieke collaboratie in het Vlaams landsgedeelte en een meer apolitieke, gemeenrechtelijke samenwerking met de Duitse vijand in Franstalig België. Deze bijdrage stelt vraagtekens bij de gegrondheid van die veronderstelde verklaring vanuit de stelling dat de repressie in Franstalig België simpelweg strenger was. De resultaten van het repressief apparaat zeggen immers meer over het karakter van de bestraffing dan over de aard van de collaboratie. Om die reden is er nood aan een sociale geschiedenis van de Tweede Wereldoorlog die rekening houdt met het mens- en maatschappijbeeld van alle betrokkenen, aan welke kant van de beklaagdenbank ook. ________ The prosecution of collaboration after the Second World War: mild in Flanders and severe in French-speaking Belgium? An argument for a social history of the Second World War.The prosecution of collaboration after the Second World War is one of the most politicised events from the Belgian national history. In Flanders the repression would soon be described as a Belgian or even French-speaking revenge intended to destroy the Flemish movement. The public at large still supports that representation of the issue. However, scientific historiography disclosed a long time ago that the so-called anti-Flemish repression was a myth. Based on the results of the repression jurisprudence it has been concluded that prosecution took place more often in Flanders, and that it was more severe in French-speaking Belgium. The difference could be explained by the success of political collaboration in the Flemish part of the country and a more a-political common law-based collaboration with the German enemy in French-speaking Belgium. This contribution questions the merits of that supposed explanation, based on the theory that repression in French-speaking Belgium was simply more severe. After all, the results of the repressive system are more indicative of the character of the prosecution than the nature of the collaboration. For that reason, we need a social history of the Second World War, which takes account of the concept of man and society of all those involved, no matter on which side of the dock they stood.

Author(s):  
Alexander Sukhodolov ◽  
Tuvd Dorj ◽  
Yuriy Kuzmin ◽  
Mikhail Rachkov

For the first time in Russian historiography, the article draws attention to the connection of the War of Khalkhin Gol in 1939 and the conclusion of the German-Soviet Nonaggression Pact of 1939. For a long time, historical science considered these two major events in the history of the USSR and history of the world individually, without their historic relationship. The authors made an attempt to provide evidence of this relationship, showing the role that surrounding and defeating the Japanese army at Khalkhin Gol in August 1939 and signing in Moscow of the German-Soviet Nonaggression Pact played in the history of the world. The study analyzes the foreign policy of the USSR in Europe, the reasons for the failure in the conclusion of the Anglo-Franco-Soviet military union in 1939 and the circumstances of the Pact. It shows the interrelation between the defeat of the Japanese troops at Khalkhin Gol and the need for the Soviet-German treaty. The authors describe the historic consequences of the conclusion of the pact for the further development of the Japanese-German relations and the course of the Second World War. They also present the characteristics of the views of these historical events in the Russian historiography.


2021 ◽  
Vol 34 (1) ◽  
pp. 180-199
Author(s):  
Regina M. Frey

At present, there is no societally relevant political newspaper in Germany that is based on a Christian worldview. The Rheinischer Merkur, founded in 1946 shortly after the end of the Second World War and shut down by the German Bishops’ Conference in 2010, was a newspaper of this kind. It went beyond the Christian milieu in the fulfilment of its mission in the public arena. The closure of the Rheinischer Merkur obscures even today the decisive role it played in the elaboration of the Constitution of the Federal Republic of Germany and the substantial quality of the paper. This essay sketches the history of the Rheinischer Merkur and its self-understanding, as well as its decline, locating these in the context of the journalistic autonomies and media-ethical tensions to which every journalistic medium is subject.


2010 ◽  
Vol 69 (3) ◽  
pp. 406-429 ◽  
Author(s):  
Andrew M. Shanken

Breaking the Taboo: Architects and Advertising in Depression and War chronicles the fall of a professional interdiction in architecture, precipitated by the Second World War. For much of the history of their profession in the United States, architects——unlike builders and engineers, their main competition——faced censure from the American Institute of Architects if they advertised their services. Architects established models of professional behavior intended to hold them apart from the commercial realm. Andrew M. Shanken explores how the Great Depression and the Second World War strained this outdated model of practice, placing architects within consumer culture in more conspicuous ways, redefining the architect's role in society and making public relations an essential part of presenting the profession to the public. Only with the unification of the AIA after the war would architects conduct a modern public relations campaign, but the taboo had begun to erode in the 1930s and early 1940s, setting the stage for the emergence of the modern profession.


1978 ◽  
Vol 10 (3) ◽  
pp. 264-286 ◽  
Author(s):  
Richard Allen Soloway

Recent studies of the social history of birth control in America have noted the importance of eugenics in securing the acceptance of family planning between the two world wars. Similarly in England the endorsement of contraception as a method of “race improvement” by eugenists in the scientific, medical, academic and ecclesiastical communities greatly enhanced the credence and respectability of the birth control movement. In the anti-racist, genetically more sophisticated climate since the Second World War it is often forgotten how pervasive eugenic assumptions about human inheritance were in learned and socially elevated circles in the early twentieth century. Belief in the inheritability of myriad physical, psychological and behavioral characteristics, identifiable, even quantifiable, in particular ethnic groups and social classes was reinforced by expert scientific testimony, and, perhaps equally important, middle and upper class prejudices.Birth control leaders, whose respectability was always in some doubt, were for the most part no exception and readily mingled with the estimable worthies who adorned the ranks of the elitist Eugenics Education Society founded in 1907. Several officers of the old Malthusian League, including its last president, Charles Vickery Drysdale, and his wife, Bessie, were early if troublesome recruits to the Society, while Marie Stopes, the most dynamic promoter of birth control in England in the inter-war years, joined in 1912, and eventually became a Life Fellow who left the organization a financial legacy, her famous clinic and much of her library, upon her death in 1958.


2021 ◽  
Vol 39 ◽  
pp. 49-73
Author(s):  
Michael Antolović

This paper analyzes the development of the historiography in the former socialist Yugoslavia (1945–1991). Starting with the revolutionary changes after the Second World War and the establishment of the «dictatorship of the proletariat», the paper considers the ideological surveillance imposed on historiography entailing its reconceptualization on the Marxist grounds. Despite the existence of common Yugoslav institutions, Yugoslav historiography was constituted by six historiographies focusing their research programs on the history of their own nation, i.e. the republic. Therefore, many joint historiographical projects were either left unfinished or courted controversies between historians over a number of phenomena from the Yugoslav history. Yugoslav historiography emancipated from Marxist dogmatism, and modernized itself following various forms of social history due to a gradual weakening of ideological surveillance from the 1960s onwards. However, the modernization of Yugoslav historiography was carried out only partially because of the growing social and political crises which eventually led to the dissolution of Yugoslavia.


2021 ◽  
pp. 519-520

This chapter provides the obituary for Jerzy Wyrozumski, who died in Kraków in early November 2018 at the age of 88. It talks about Wyrozumski as a professor of history at the Jagiellonian University and an outstanding scholar of the Middle Ages for many years. He was born in Trembowla in East Galicia and was resettled with his family in Kozle in Silesia, which was incorporated into Poland after the Second World War. Wyrozumski's particular interest was the economic and social history of Poland during the Middle Ages, the functioning of the medieval political system, and medieval religious movements in Europe. The chapter mentions Wyrozumski's active involvement in the organization of the Conference on Jewish Autonomy in Poland that was held at the Jagiellonian University in September 1986.


Popular Music ◽  
2006 ◽  
Vol 25 (3) ◽  
pp. 347-368 ◽  
Author(s):  
CHRISTINA BAADE

This paper offers a case history of the BBC's ambivalent engagement with dance music during the Second World War. It examines what ‘dance music’ meant to the BBC, musicians, and the public, and how they contested and performed those meanings in the context of new social dance practices and the growing popularity of what became known as ‘swing’ in Britain. Although broadcasting in effect disembodied music closely associated with the physical, the BBC was a primary way for people to access dance music which supported their bodily acts of leisure and regimentation. The BBC's study and regulation of dance music centred around two goals: pleasing important groups in national service and broadcasting morale-boosting music. The problem of whether these goals were congruent lay at the heart of the issue, for the youth active in national service emerged as the primary audience for the two genres – ‘swing’ and ‘sentimentality’ – about which the BBC felt most dubious.


2020 ◽  
Vol 6 (1) ◽  
pp. 4-14
Author(s):  
Andrzej Grzegorczyk

The Kulmhof extermination camp in Chełmno nad Nerem was the first camp set up by the Nazis to exterminate Jews during the Second World War. The history of Kulmhof has long been an area of interest for academics, but despite thorough research it remains one of the least-known places of its kind among the public. Studies of the role of archaeology in acquiring knowledge about the functioning of the camp have been particularly compelling. The excavations carried out intermittently over a thirty-year period (1986–2016), which constitute the subject of this article, have played a key role in the rise in public interest in the history of the camp.


2014 ◽  
Vol 18 (2) ◽  
pp. 139-168
Author(s):  
Maxim Kantor

The essay contrasts two recurring phenomena of European culture: renaissance and avant-garde. The author discusses the paradigmatic Renaissance of 15th and 16th centuries and the paradigmatic Avant-Garde of early 20th century from the point of view of a practicing artist, interested in philosophical, social, religious, and political involvements of artists and their creation. The author shows the artistic and social history of 20th century as a struggle between the Avant-Garde and the Renaissance ideals, which, as he points out, found a fertile ground in in the 20 years that followed immediately the Second World War.


ARCHALP ◽  
2018 ◽  
pp. 54-65
Author(s):  
Corrado Binel

The text traces the history of Aosta Valley architecture from the Second World War to the present day. The first part focuses on the evolution of architecture in the fifties and sixties, on modern architecture and on the international influences in a long phase of great economic growth. In the central part it focuses rather on the regionalist and sometimes folkloristic evolution of the following decades. He then tried to analyse, starting from the 2000s, the profound transformations generated by the economic crisis but also by the extraordinary occupation of land that over the course of about 50 years has saturated most of the territory of a small Alpine region. Finally, it attempts an analysis of the most recent development, of relations with the rest of the Alpine world and of the not easy attempt to combine history, environment, aesthetics and rationality. The text is accompanied by the choice of eight architectures from 2010 in the last eight years. As you can see only two are public works, two of collective interest and four are private homes and this choice wants to focus your attention to the fact that in the near future, in all likelihood, will no longer be the public commission to be at the center of possible experiments with new architectural languages.


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