scholarly journals Voice and Silence in Jacqueline Woodson’s Brown Girl Dreaming

2021 ◽  
Vol 10 ◽  
pp. BB102-BB118
Author(s):  
Helma Van Lierop-Debrauwer
Keyword(s):  
Young Adult ◽  
Civil Rights ◽  
Identity Formation ◽  
Civil Rights Movement ◽  
Young Adult Literature ◽  
Coming Of Age ◽  
The United States ◽  
The Novel ◽  
The 1960S ◽  
Voice And Silence

In 2014, the American writer Jacqueline Woodson published Brown Girl Dreaming, the story of her childhood in free verse, which was classified as young adult literature. Most US reviewers characterized and appreciated the book both as a human rights narrative of a young brown girl’s coming of age against the socio-political background of racism and the Civil Rights Movement in the United States of the 1960s, and as a personal history of her development as a writer. In this article the major focus will be on how Brown Girl Dreaming as both a political memoir and an autobiographical narrative of identity formation is fleshed out. On the basis of my analysis of these two plot lines, I will further argue that its categorization as young adult literature disguises that the novel addresses a dual audience of adult and young readers. In my argumentation related to the political and personal character of the novel, as well as in my discussion of the crossover potential of Brown Girl Dreaming, I will focus on the presence of voice and silence.

Racial Realities

2020 ◽  
pp. 9-24
Author(s):  
Natsu Taylor Saito
Keyword(s):  
United States ◽  
Structural Change ◽  
Civil Rights ◽  
Racial Disparities ◽  
Civil Rights Movement ◽  
White Supremacy ◽  
The United States ◽  
Community Empowerment ◽  
American Indian Movement ◽  
The 1960S

In the 1960s, global decolonization and the civil rights movement inspired hope for structural change in the United States, but more than fifty years later, racial disparities in income and wealth, education, employment, health, housing, and incarceration remain entrenched. In addition, we have seen a resurgence of overt White supremacy following the election of President Trump. This chapter considers the potential of movements like Black Lives Matter and the Standing Rock water protectors in light of the experiences of the Black Panther Party, the American Indian Movement, and other efforts at community empowerment in the “long sixties.”

Introduction

Troublemakers ◽  
2019 ◽  
pp. 1-10
Author(s):  
Kathryn Schumaker
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
The United States ◽  
Board Of Education ◽  
Chicano Movement ◽  
Legal Principles ◽  
History Of ◽  
The 1960S ◽  
Relationship Of ◽  
The Relationship

The introductionexplains how and why student protest became common in the United States in the late 1960s and places these protests in the context of shifts in the history of education and in broader social movements, including the civil rights movement, the Chicano Movement, and black power activism. The introduction also situates students’ rights within the context of children’s rights more broadly, explaining the legal principles that justified age discrimination and excluded children and students from the basic protections of American constitutional law. The introduction identifies the two decades between the 1960s and 1980s as a constitutional moment that revolutionized the relationship of students to the state. It also connects students’ rights litigation to the issue of school desegregation and the legacy of Brown v. Board of Education.

scholarly journals W. E. B. Du Bois on Brown v. Board of Education

2004 ◽  
Vol 27 (1) ◽  
pp. 23-31
Author(s):  
Stanley O. Gaines
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
Ethnic Studies ◽  
Supreme Court Decision ◽  
The United States ◽  
Board Of Education ◽  
Political Contributions ◽  
Civil Rights Era ◽  
Du Bois ◽  
The 1960S

The 1960s have been described as the “civil rights decade” in American history. Few scholar-activists have been identified as strongly with the legal, social, economic, and political changes culminating in the 1960s as has African American historian, sociologist, psychologist W. E. B. Du Bois. Inexplicably, in 2003, the 100-year anniversary of Du Bois' classic, The Souls of Black Folk (1903), came and went with little fanfare within or outside of academia. However, in 2004, the 50-year anniversary of the initial U. S. Supreme Court decision in Brown v. Board of Education (1954) presents an opportunity for ethnic studies in general, and Black studies in particular, to acknowledge the intellectual and political contributions of Du Bois to the civil rights movement in the United States. In the post-Civil Rights Era, some authors have suggested that Du Bois opposed the initial Brown v. Board of Education (1954) ruling. In contrast, I observe in the present paper that Du Bois (1957) opposed the U. S. Supreme Court's subsequent (1955) ruling that invoked the much-criticized term “with all deliberate speed,” rather than the initial (1954) ruling that rendered the “separate but equal” doctrine unconstitutional. Moreover, I contend that Du Bois' own values and attitudes were fully consistent with his position on the (1954, 1955) decisions.

Conceptual Art and identity politics: from the 1960s to the 1990s

2017 ◽  
Author(s):  
Nizan Shaked
Keyword(s):  
Civil Rights ◽  
Identity Formation ◽  
Identity Politics ◽  
Conceptual Art ◽  
New Left ◽  
The United States ◽  
Gay Liberation ◽  
Alternative Spaces ◽  
The 1960S ◽  
Action Groups

This chapter asks how a precisely articulated set of practices, defined by artists in the 1960s as Conceptual Art, evolve into a broad notion of conceptualism, and how the latter had expanded into its present forms. It shows how, in the United States context, some of the most important strategies of conceptualism developed through the influence of contemporaneous politics, more specifically the transition from Civil Rights into Black Power, the New Left, the anti-war movement, feminism, and gay liberation, as well as what later came to be collectively named “identity politics” in the 1970s. A range of artists who have self-defined as conceptualists synthesised Conceptual analytic approaches with an outlook on identity formation as a means of political agency, and not as a representation of the self, a strategy that significantly expanded in the 1970s. Two major aspects of identity politics have impacted the field. The first, activist and administrative, consisted of protests against existing institutions, the developments of action groups and collectives, and the subsequent formulation of alternative spaces. The second was the bearing that it had on artistic strategy, form, and subject matter. This chapter focuses on practices that took a critical outlook on identity formation.

Latinxs and the US Census

2021 ◽  
Author(s):  
G. Cristina Mora
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
Census Data ◽  
The United States ◽  
Census Bureau ◽  
Census Count ◽  
Advocacy Groups ◽  
Size Growth ◽  
The Government ◽  
The 1960S

The question of how to classify and count Latinxs has perplexed citizens and state officials alike for decades. Although Latinxs in the United States have been counted in every census the nation has conducted, it was not until the 1930s that the issue of race came to the fore as the politics of who Latinxs were and whether the government should simply classify them as White became contested. These issues were amplified in the 1960s when Chicano and Boricua—Puerto Rican—activists, inspired by the Black civil rights movement, demanded that their communities be counted as distinct from Anglos. Decades of racial terror, community denigration, and colonialism, they contended, had made the Latinx experience distinct from that of Whites. A separate classification, activists argued, would allow them to have data on the state of their communities and make claims on government resources. Having census data on Hispanic/Latino poverty, for example, would allow Latinx advocacy groups to lobby for anti-poverty programs in their communities. Yet the issue of race and Latinxs continued to be thorny as the Census Bureau struggled with how to create a classification broad enough to encompass the immense racial, social, and cultural diversity of Latinxs. As of 2020, the issue remains unresolved as the Bureau continues to officially classify Latinxs as ethnically Hispanic/Latino but racially White, even though the bulk of research shows that about half of Latinxs consistently check the “some other race” box on census forms. More recent Latinx census politics centers on the issue of whether the Census Bureau should include a citizenship question on census forms. Latinx advocacy groups and academics have long argued that such a question would dampen Latinx census participation and effect the usefulness of census data for making claims about the size, growth, and future of the Latinx community. These politics came to a head in the months leading up to the 2020 census count as the Trump administration attempted to overturn decades of protocol and add a citizenship question to the decennial census form.

THE HISTORY AND PROGRESS OF BLACK CITIZENSHIP

2019 ◽  
Vol 16 (1) ◽  
pp. 267-277
Author(s):  
Leah Wright Rigueur ◽  
Anna Beshlian
Keyword(s):  
United States ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Black People ◽  
Economic Status ◽  
The United States ◽  
Equal Rights ◽  
Strategic Approach ◽  
Black Life ◽  
The 1960S

AbstractThis paper offers a broad overview of Black citizenship within the United States, concentrating on the major shifts in Black life that have transpired since the classical phase of the Civil Rights Movement of the 1960s. We examine several critical aspects of Black citizenship including economic status, education, criminal justice and mass incarceration, and political participation. Our report reveals that Black progress toward equal citizenship is inconsistent at best; at worst, it is stagnant and at times, regressive. As such, we conclude that dramatic solutions beyond traditional reformist approaches are needed in order to realize genuine citizenship and equal rights for Black people within the United States. In closing, we briefly highlight a specific example of a strategic approach to advancing substantive social and political change.

scholarly journals Music of the 1960s: The Praxis of Ideological Change

2019 ◽  
Vol 11 (1) ◽  
Author(s):  
Philip Poe ◽  
Melody Fisher ◽  
Stephen Brandon ◽  
Darvelle Hutchins ◽  
Mark Goodman
Keyword(s):  
United States ◽  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Cultural Change ◽  
The United States ◽  
The World ◽  
The 1960S ◽  
Ideological Change

In this article, we consider music as the praxis of ideology in the 1960s within the framework of Burke’s rhetoric of transformation. The 1960s were a period of cultural change in the United States and around the world—the civil rights movement, protests against the Vietnam War, challenges to communism in Eastern Europe, liberation politics around the world. The role of music as a unifying element among those people advocating change is well established in scholarship. We take that consideration of the role of music into a discussion of how music became the praxis of ideology, providing a place where millions of people could advocate for change and be part of the change by interacting with the music.

The Civil Rights Movement. Million Man March. Black Lives Matter

2021 ◽  
Vol 13 (1) ◽  
pp. 33-40 ◽  
Author(s):  
Anthony J. Harris
Keyword(s):  
United States ◽  
Civil Rights ◽  
Black Men ◽  
Civil Rights Movement ◽  
Direct Action ◽  
The United States ◽  
The South ◽  
Black Lives Matter ◽  
Million Man March ◽  
The 1960S

The author discusses three historical civil rights movements in the United States—Civil Rights Movement of the 1960s; the Million Man March; and the Black Lives Matter Movement (BLM). The author compares and contrasts each movement and event from his perspective as a participant in each and identifies similarities and differences among them. The Civil Rights Movement of the 1960s was born out of a desire and need to end legalized segregation, better known as Jim Crowism, in the south. Strategies included direct action, passive resistance, and redress of grievances through the judicial system. The Million Man March, which occurred in 1995 in Washington D.C., brought together more than a million Black men from across the United States. Moreover, it was an extension of the Civil Rights Movement of the 60s. Whereas the latter was established as a response to legalized racial segregation in the south, the former was designed to instill a sense of responsibility and accountability among Black men as leaders in their communities. In addition, the Million Man March attempted to bring greater awareness of the unkept promise of racial equality. The BLM Movement provided an opportunity for multiple generations from multiple ethnic, cultural, and racial groups to coalesce around the issue of police brutality. Following the death of Trayvon Martin in 2013 and continuing to the present time, the BLM platform has become the principal venue through which outrage is expressed over the deaths of innocent, unarmed Black men and women by law enforcement and White vigilantes.

The Patriots' Pushkin

Slavic Review ◽  
1999 ◽  
Vol 58 (2) ◽  
pp. 407-427 ◽  
Author(s):  
Wendy Slater
Keyword(s):  
United States ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
The United States ◽  
Literary Canon ◽  
Correct Interpretation ◽  
Imagined Community ◽  
White Males ◽  
Shared Culture ◽  
The 1960S

A nation's shared culture reflects its status as an "imagined community."1 Different sections of the imagined community, however, have their own ideas about what the shared culture should include and what ought to be excluded from it, and this incessant debate over the cultural canon affects the nation's sense of identity. The rise of the civil rights movement and feminism in the United States in the 1960s, for example, challenged the dominance of "dead white males" in the American literary canon. Political as much as aesthetic considerations, then, dictate what the canon of works that constitute any shared culture should include. Similarly, political circumstances often determine the "correct" interpretation of these works.

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