scholarly journals What To Do When The Dead Linger: First Response

Author(s):  
Neville Morley

The connections between archaeology and haunting – the intrusion of the dead into the world of the living, breaking down the barriers between past and present – are a familiar trope of contemporary culture, firmly established in the fiction of the early twentieth century. Archaeologists and antiquarians delve recklessly in graveyards and abandoned churches and abandoned villages and shuttered rooms, they read forbidden texts and open doors and unseal barriers, and they find more than they bargained for.

2018 ◽  
Vol 54 ◽  
pp. 374-392
Author(s):  
Jane Shaw

This article looks at the ways in which the Panacea Society – a heterodox, millenarian group based in Bedford during the inter-war years – spread its ideas: through personal, familial and shared belief networks across the British empire; by building new modes of attracting adherents, in particular a global healing ministry; and by shipping its publications widely. It then examines how the society appealed to its (white) members in the empire in three ways: through its theology, which put Britain at the centre of the world; by presuming the necessity and existence of a ‘Greater Britain’ and the British empire, while in so many other quarters these entities were being questioned in the wake of World War I; and by a deliberately cultivated and nostalgic notion of ‘Englishness’. The Panacea Society continued and developed the idea of the British empire as providential at a time when the idea no longer held currency in most circles. The article draws on the rich resource of letters in the Panacea Society archive to contribute to an emerging area of scholarship on migrants’ experience in the early twentieth-century British empire (especially the dominions) and their sense of identity, in this case both religious and British.


Author(s):  
E.A. Radaeva ◽  

The purpose of this study is to present a model for the development of the expressionist method in the genre of the novel using the example of the evolution of the novelistic work of the Austrian writer of the early twentieth century L. Perutz. The results obtained: the creative method of the Austrian writer is moving from scientific knowledge to mysticism; in the center of all novels created with a large interval, there is always a confused hero, broken by what is happening (in other words, the absurdity of the world), whose state is often conveyed through gestures; the author finally moves away from linear narration to dividing the plot into almost autonomous stories, thematically gravitating more and more to the distant historical past. Scientific novelty: the novels of L. Perutz are for the first time examined in relative detail through the prism of the aesthetics of expressionism.


1969 ◽  
Vol 40 (2) ◽  
pp. 231-234
Author(s):  
María Liliana Franco ◽  
Natalia Acosta ◽  
Lilian Chuaire

Emil Theodor Kocher is considered along with Frank Lahey, Theodor Billroth, William Halsted, Charles Mayo, George Crile and Thomas Dunhill as one of the «Magnificent Seven», referring to the group of surgeons who managed thyroidectomy to make it a safe and efficient intervention that it is now practiced throughout the world. He was author of numerous contributions towards medicine. One of his most important contributions was to elucidate the function of the thyroid gland, through the observation and study of thyroidectomyzed patients, for which he was recognized by the academic and scientific community during the early twentieth century.


Author(s):  
Anthony Ossa-Richardson

This chapter discusses the Old Rhetoric, sketching the long persistence in the West—from Aristotle to the early twentieth century—of a ‘single meaning model’ of language, one that takes ambiguity for granted as an obstacle to persuasive speech and clear philosophical analysis. In Aristotle's works are the seeds of three closely related traditions of Western thought on ambiguity: the logicosemantic, the rhetorical, and the hermeneutic. The first seeks to eliminate ambiguity from philosophy because it hinders a clear analysis of the world. The second seeks to eliminate ambiguity from speech because it hinders the clear and persuasive communication of argument. The third, an extension of the second, seeks to resolve textual ambiguity because it hinders the reader's ability to grasp the writer's intention. The chapter then considers Aristotle's two types of verbal ambiguity: homonym and amphiboly. The solution to both—whether their presence in a discussion is accidental or deliberate—is what Aristotle calls diairesis or distinction, that is, the explicit clarification of the different meanings involved.


Author(s):  
Michael Allan

This chapter examines the provincialism of a literary world in early twentieth-century Egypt and France by focusing on two scenes of epistolary exchange: the letters exchanged between André Gide and Taha Hussein in 1939, and a series of imagined letters exchanged in the context of Hussein's 1935 novella Adīb (A Man of Letters). It first considers the transformation of theological questions into literature in the correspondence between Gide and Hussein before asking about the world that literature makes thinkable. It then analyzes the imaginary correspondence staged in Adīb that recounts the story of a friendship between two intellectuals from the same village. The Gide–Hussein correspondence invites us to contemplate on the circulation and dissemination of literary writing—the sorts of transnational exchanges by now integral to discourses of world literature and access to texts across languages and nationalities.


Author(s):  
April Pierce

In the middle of the twentieth century, British idealist philosophy was facing a slow but unmistakable decline in popularity. It would be replaced with a hard-nosed, literalist form of language philosophy. One could no longer take The Idea for granted; an analysis of form was required to defend metaphysical claims. Early twentieth-century philosophy had circumnavigated questions of form: How did language attach itself to the world? How did meaning ...


Author(s):  
John M. Coggeshall

This chapter presents the story of Liberia during the early twentieth century, through the Depression and the world wars. As the nation’s economy changes, African Americans continue to abandon the region for better economic opportunities as they are also forced out by restrictive Jim Crow segregation and racialized attacks. Both Soapstone Baptist Church and Soapstone School continue, critical anchors for community identity. Some residents return to care for aging relatives. The story of Liberia is presented through the memories of elderly residents and some local historical sources, including obituaries.


Author(s):  
Finn Fordham

As a queer bildungsroman, Maurice has a particular way of managing the relation between the body and the soul. Forster's exploration of the queer relationship between body and soul took place at a time when there was a battle over the nature of the soul, often defensive against materialism: concepts of identity and selfhood were undergoing radical contestations and the word 'soul' is a resonant term in modernist novels. How did emerging discourses, such as those of Havelock Ellis, Edward Carpenter, and many others, about homosexual orientation relate to these contemporary discourses around the self? The chapter focuses on two passages about body and soul, whose textual genesis reveals problems of phrasing, as Forster’s unprecedented investigation of sexuality takes him to the edge of identity. It then examines how certain spaces, such as windows and thresholds, become symbolic zones of transgressive encounters between inner and outer, soul and body. It concludes by showing how Forster avoids drawing up any consistent ‘doctrine’ of body and soul. As a work of fiction in which different visions of the world come into conflict with each other, Maurice is a unique and vital witness of transforming discourses about homosexuality in the early twentieth century.


2017 ◽  
Vol 86 (4) ◽  
pp. 632-660 ◽  
Author(s):  
Anne Rees

Australian women travelers in early twentieth-century New York often recoiled from the frenetic pace of the city, which surpassed anything encountered in either Britain or Australia. This article employs their travel accounts to lend support to the growing recognition that modernity took different forms throughout the world and to contribute to the project of mapping those differences. I argue that “hustle” was a defining feature of the New York modern, comparatively little evident in Australia, and I propose that the southern continent had developed a model of modern life that privileged pleasure-seeking above productivity. At a deeper level, this line of thinking suggests that modernization should not be conflated with the relentless acceleration of daily life; it thus complicates the ingrained assumption that speed and modernity go hand-in-hand.


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