scholarly journals O malandro no cinema: atualização da figura do malandro em Madame Satã, de Karim Aïnouz

2021 ◽  
Vol 15 (3) ◽  
pp. 255-276
Author(s):  
Iago Porfírio ◽  
Márcia Gomes Marques
Keyword(s):  
Giorgio Agamben ◽  
Michel De Certeau

Neste trabalho se discute a representação do malandro em diferentes movimentos do cinema nacional, a fim de indagar sobre a relação dessa representação com a marginalização e a resistência de personagens com corpos negros. Utilizamos as contribuições de Michel de Certeau (2007) e de Giorgio Agamben (1993) acerca do ser qualquer, de modo a identificar as situações que compelem às formas de vida do malandro, como sobrevivência nos espaços sociais. Com a identificação desse tipo social em filmes de diferentes períodos, e de elementos do malandro na vida cotidiana e como sintoma da comunidade que vem, analisamos Madame Satã (2002) como atualização do personagem no Brasil contemporâneo.

scholarly journals materia de la voz: umbrales y figuras

2021 ◽  
Vol 26 ◽  
pp. 01-12
Author(s):  
María Gabriela Milone
Keyword(s):  
Jacques Derrida ◽  
Roland Barthes ◽  
Giorgio Agamben ◽  
Michel De Certeau

En el presente ensayo exponemos algunas líneas de reflexión contemporáneas sobre la voz, sus insistencias en la pregunta por el habla y su enlace con la cuestión de la voz como materia de la lengua. En este marco, una escena se repite: Babel, figura recuperada por diversos autores del pensamiento contemporáneo para reflexionar sobre la voz y su vinculación con la capacidad de hablar y donde la lengua se revitaliza en la vibración de su materia. Desde Giorgio Agamben, Roland Barthes, Jacques Derrida, Michel de Certeau, Daniel Heller-Roazen, Jean-Luc Nancy, entre otros, analizaremos la voz en el umbral del sonido, del sentido, de la letra, del habla, de la lengua. En estas reflexiones, la voz, como materia y como figura, expondrá su complejidad, su singularidad, su extensión, sus insistencias. De este modo, estas páginas se situarán en una zona liminal del pensamiento contemporáneo, donde algunas categorías se ven socavadas por la materia inclasificable de la voz. 

PENSAMENTO POLÍTICO EM GIORGIO AGAMBEN

Professare ◽  
2018 ◽  
Vol 7 (1) ◽  
pp. 109
Author(s):  
Claudemir Aparecido Lopes
Keyword(s):  
Political Freedom ◽  
State Of Exception ◽  
The Political ◽  
State Control ◽  
Giorgio Agamben ◽  
Modern Democracy ◽  
Social Fabric ◽  
Contemporary Politics ◽  
Political Implications ◽  
The Social

<p class="resumoabstract">O professor Giorgio Agamben tem elaborado críticas à engenhosa estrutura política ocidental moderna. Avalia os mecanismos de controle estatal, nos quais os denomina ‘dispositivos’, cuja força está na imbricação às normas jurídico-teológicas com seus similares ritos e liturgias. Suas ocorrências e legitimidade preponderam no tecido social cuja organização sistêmica se põe quase como elemento natural e não cultural. O texto tem por objetivo explorar a concepção política de Agamben sobre a política contemporânea, especialmente considerando seu livro: ‘Estado de Exceção’, cuja investigação apresenta a possibilidade de atenuação dos direitos de cidadania e o enfraquecimento da prática da liberdade política e o processo de relação dos indivíduos no meio social através da redução das subjetividades ‘autênticas’. Analisamos ainda a transferência do mundo sacro elaborado pelos teólogos católicos presente na modernidade à política cuja democracia moderna faz do homem (sujeito) tornar-se objeto do poder político. Faz também, reflexão dos conceitos de subjetivação e dessubjetivação relacionando-os às implicações políticas do homem moderno. A pesquisa é bibliográfica com ênfase na análise dos conceitos elaborados por Agamben, especialmente quanto ao ‘dispositivo’. Conclui que o indivíduo ocidental, de modo geral, sofre o processo de dessubjetivação e está ‘nu’, indefeso e alienado politicamente. Ele precisa voltar-se ao processo de ‘profanação’ dos dispositivos para libertar-se das vinculações orientadoras que forçosamente o descaracteriza enquanto ser ativo e livre.</p><p class="resumoabstract"><strong>Palavras-chave</strong>: Política. Liberdade. Subjetivação.</p><h3>ABSTRACT</h3><p class="resumoabstract">Professor Giorgio Agamben has been criticizing the ingenious modern Western political structure. It evaluates the mechanisms of state control, in which it calls them 'devices', whose strength lies in the overlap with legal-theological norms with their similar rites and liturgies. Its occurrences and legitimacy preponderate in the social fabric whose systemic organization is almost as a natural and not a cultural element. The text aims to explore Agamben's political conception of contemporary politics, especially considering his book 'State of Exception', whose research presents the possibility of attenuating citizenship rights and weakening the practice of political freedom and the individuals in the social environment through the reduction of 'authentic' subjectivities. We also analyze the transfer of the sacred world elaborated by the Catholic theologians present in the modernity to the politics whose modern democracy makes of the man - subject - to become object of the political power. It also reflects on the concepts of subjectivation and desubjectivation, relating them to the political implications of modern man. The research is bibliographical with emphasis in the analysis of the concepts elaborated by Agamben, especially with regard to the 'device'. He concludes that the Western individual, in general, suffers the process of desubjectivation and is 'naked', defenseless and politically alienated. He must turn to the process of 'desecration' of devices to free himself from the guiding bindings that forcibly demeanes him while being active and free.</p><p class="resumoabstract"><strong>Keywords</strong>: Politics. Freedom. Subjectivity. </p><p> </p>

The Time of Indifference: Mandelstam's Age, Badiou's Event, and Agamben's Contemporary

CounterText ◽  
2016 ◽  
Vol 2 (1) ◽  
pp. 85-99
Author(s):  
William Watkin
Keyword(s):  
Modern Time ◽  
Giorgio Agamben ◽  
Alain Badiou

There has been little direct discussion between perhaps the two leading philosophers of our age: Alain Badiou and Giorgio Agamben. Yet both men have written about the same poem by Osip Mandelstam, ‘The Age’, around the topic of time. Significantly, Agamben's response, written after Badiou's, is a subtle and damning critique of Badiou's conceptualisation of time, in particular extended across the categories of the modern, the contemporary, and the now or the event – although it never actually mentions Badiou by name. In this paper the lens of the central role of indifference in the work of both is used to present alternating and competing views as to the nature of modern, contemporary, and ‘now’ time. Specifically, a contrast is drawn between Badiou's use of indifference as both quality-neutral and absolutely non-relational, and Agamben's application of the indifferent suspension of the temporal signature as such. The paper concludes that while Badiou uses temporal indifference to question and problematise the idea of modern time as ‘now’, through a theory of the event, Agamben appears to go further. Rather than analyse the nature of modern time, the contemporary and the now through his reading of Mandelstam, Agamben uses Mandelstam's poem to suspend the Western conception of time as a line composed of points in its entirety.

Kevin Attell, Giorgio Agamben: Beyond the Threshold of Deconstruction

Derrida Today ◽  
2017 ◽  
Vol 10 (2) ◽  
pp. 237-243
Author(s):  
Elia R.G. Pusterla
Keyword(s):  
Giorgio Agamben

Friedrich Nietzsche

2018 ◽  
Author(s):  
Vanessa Lemm
Keyword(s):  
Friedrich Nietzsche ◽  
Michel Foucault ◽  
Gilles Deleuze ◽  
Georges Bataille ◽  
Giorgio Agamben ◽  
Eternal Recurrence ◽  
German Philosopher ◽  
Point Of Reference

Readers of Giorgio Agamben would agree that the German philosopher Friedrich Nietzsche (1844–1900) is not one of his primary interlocutors. As such, Agamben’s engagement with Nietzsche is different from the French reception of Nietzsche’s philosophy in Michel Foucault, Gilles Deleuze and Georges Bataille, as well as in his contemporary Italian colleague Roberto Esposito, for whom Nietzsche’s philosophy is a key point of reference in their thinking of politics beyond sovereignty. Agamben’s stance towards the thought of Nietzsche may seem ambiguous to some readers, in particular with regard to his shifting position on Nietzsche’s much-debated vision of the eternal recurrence of the same.

Dante Alighieri

2018 ◽  
Author(s):  
Paolo Bartoloni
Keyword(s):  
Dante Alighieri ◽  
The Political ◽  
Giorgio Agamben ◽  
Artistic Process ◽  
Body And Soul ◽  
Forms Of Life ◽  
The Aesthetic

The Italian poet Dante Alighieri (1265–1321) is invoked several times in the work of Giorgio Agamben, often in passing to stress a point, as when discussing the political relevance of désoeuvrement (KG 246); to develop a thought, as in the articulation of the medieval idea of imagination as the medium between body and soul (S, especially 127–9); or to explain an idea, as in the case of the artistic process understood as the meeting of contradictory forces such as inspiration and critical control (FR, especially 48–50). So while Agamben does not engage with Dante systematically, he refers to him constantly, treating the Florentine poet as an auctoritas whose presence adds critical rigour and credibility. Identifying and relating the instances of these encounters is useful since they highlight central aspects of Agamben’s thought and its development over the years, from the first writings, such as Stanzas, to more recent texts, such as Il fuoco e il racconto and The Use of Bodies. The significance of Agamben’s reliance on Dante can be divided into two categories: the aesthetic and the political. The following discussion will address each of these categories separately, but will also emphasise the philosophical continuity that links the discussion of the aesthetic with that of the political. While in the first instance Dante is offered as an example of poetic innovation, especially in relation to the use of language and imagination, in the second he is invoked as a forerunner of new forms of life. Mediality and potentiality are the two pivots connecting the aesthetic and the political.

The Possession at Loudun by Michel de Certeau

2004 ◽  
Vol 6 (2) ◽  
pp. 269-271
Author(s):  
Naomi Segal
Keyword(s):  
Michel De Certeau

Personal Discernment and Dialogue. Learning from ‘the Other’

2020 ◽  
Vol 12 (4) ◽  
pp. 27
Author(s):  
Michael Barnes SJ
Keyword(s):  
The Other ◽  
Local Culture ◽  
Society Of Jesus ◽  
Spiritual Exercises ◽  
The South ◽  
Ignatian Spirituality ◽  
Michel De Certeau ◽  
Personal Interactions ◽  
Ignatius Of Loyola

This article considers the theme of discernment in the tradition of Ignatian spirituality emanating from the Spiritual Exercises of St Ignatius of Loyola (1491-1556), the founder of the Society of Jesus (Jesuits). After a brief introduction which addresses the central problematic of bad influences that manifest themselves as good, the article turns to the life and work of two Jesuits, the 16th C English missionary to India, Thomas Stephens and the 20th C French historian and cultural critic, Michel de Certeau. Both kept up a constant dialogue with local culture in which they sought authenticity in their response to ‘events’, whether a hideous massacre which shaped the pastoral commitment and writing of Stephens in the south of the Portuguese enclave of Goa or the 1968 student-led protests in Paris that so much affected the thinking of de Certeau. Very different in terms of personal background and contemporary experience, they both share in a tradition of discernment as a virtuous response to what both would understand as the ‘wisdom of the Spirit’ revealed in their personal interactions with ‘the other’.

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