scholarly journals Uretfærdighedssymboler og sociale bevægelser

2015 ◽  
Vol 26 (4) ◽  
pp. 53-69
Author(s):  
Thomas Olesen
Keyword(s):  
Social Movements ◽  
New Media ◽  
Collective Memory ◽  
Point Of View ◽  
Media Ecology ◽  
Media Technologies ◽  
Collective Actors ◽  
The World ◽  
Form Part ◽  
The One

Formålet med artiklen er at tilbyde en teoretisk og konceptuel ramme for forskning i uretfærdighedssymboler og sociale bevægelser. Uretfærdighedssymboler forstås som symboler, der for et kollektiv kondenserer og udstiller en generel uretfærdig tilstand i samfundet/verden. Studiet af uretfærdighedssymboler fremstår underbelyst i den politiske sociologi. Artiklen arbejder i to spor. På den ene side argumenteres det, at den nuværende samfundstype med globale kommunikationsstrømme og nye medieteknologier promoverer betydningen af uretfærdighedssymboler i de sociale bevægelsers aktiviteter. På den anden side pointeres det, at relationen mellem symboler og sociale bevægelser på ingen måde er historisk ny. Tværtimod er grundpåstanden, ikke mindst inspireret af den sene Durkheim, at symboler er et grundlæggende element i reproduktionen af menneskelige samfund. En udforskning af dynamikken mellem uretfærdighedssymboler og sociale bevægelser er sociologisk interessant af to grunde. For det første er uretfærdighedssymboler resultatet af politiske menings- og værdiprocesser, hvor kollektive aktører tillægger begivenheder, personer og andre objekter en universaliserende betydning. For det andet indgår uretfærdighedssymboler som en del af vores kollektive erindring og optræder derfor som idemæssige ressourcer, der kan mobiliseres uden for deres rumlige og tidslige forankring. Sociale bevægelser har med andre ord en social og politisk dobbeltrolle, hvor de både er skabere og ”forbrugere” af symboler. ENGELSK ABSTRACT: Thomas Olesen: Injustice Symbols and Social Movements The purpose of the article is to offer a theoretical and conceptual framework for research on injustice symbols and social movements. Injustice symbols are understood as symbols that condense and expose an overall unjust situation in society/the world. The study of these symbols appears somewhat neglected in political sociology. The article pursues two tracks. On the one hand, it argues that the present type of society with global currents of communication and new media technologies is promoting the significance of injustice symbols in the activities of social movements. On the other hand, it stresses that the relation between these symbols and social movements is by no means historically new. On the contrary, not least inspired by Durkheim, the basic argument is that symbols constitute a fundamental element in the reproduction of human societies. An investigation into the dynamics between injustice symbols and social movements is interesting from a sociological point of view for two reasons. First, injustice symbols are the result of political opinion- and value processes whereby collective actors ascribe a universalizing meaning to events, individuals and other objects. Second, these symbols form part of our collective memory. Consequently, they act as ideational resources that can be mobilized outside their spatial and time-related framework. In sum, social movements have a social and political double role where they are both creators and users of symbols. Keywords: social movements, symbols, new media ecology, Durkheim, injustice.

Coda: The Rosetta Stone

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
Twentieth Century ◽  
New Media ◽  
Digital Media ◽  
The Novel ◽  
Digital Code ◽  
Media Technologies ◽  
Rosetta Stone ◽  
The World ◽  
Western Imagination ◽  
Origin Point

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....

Defending the Difference

2017 ◽  
Keyword(s):  
Social Sciences ◽  
Natural Sciences ◽  
Point Of View ◽  
True Nature ◽  
Natural Entities ◽  
The Social ◽  
The World ◽  
Methodological Difference ◽  
The Difference ◽  
The One

Dreyfus argues that there is a basic methodological difference between the natural sciences and the social sciences, a difference that derives from the different goals and practices of each. He goes on to argue that being a realist about natural entities is compatible with pluralism or, as he calls it, “plural realism.” If intelligibility is always grounded in our practices, Dreyfus points out, then there is no point of view from which one can ask about or provide an answer to the one true nature of ultimate reality. But that is consistent with believing that the natural sciences can still reveal the way the world is independent of our theories and practices.

scholarly journals Media Literacy in the Lifeworlds of Malaysian Children

2013 ◽  
Vol 3 (1) ◽  
pp. 72-85 ◽  
Author(s):  
Shanthi Balraj Baboo
Keyword(s):  
New Media ◽  
Media Literacy ◽  
Meaning Making ◽  
User Experiences ◽  
Childhood Experiences ◽  
Media Technologies ◽  
School Settings ◽  
The World ◽  
The Media ◽  
Home And School

Many children grow up in contemporary Malaysia with an array of new media. These include television, video games, mobile phones, computers, Internet, tablets, iPads and iPods. In using these new media technologies, children are able to produce texts and images that shape their childhood experiences and their views of the world. This article presents some selected findings and snapshots of the media lifeworlds of children aged 10 in Malaysia. This article is concerned with media literacy and puts a focus on the use, forms of engagement and ways that children are able to make sense of media technologies in their lives. The study reveals that children participate in many different media activities in their homes. However, the multimodal competencies, user experiences and meaning-making actions that the children construct are not engaged with in productive ways in their schooling literacies. It is argued that media literacy should be more widely acknowledged within home and school settings.

scholarly journals Internet Control and Auto-regulation in Singapore

2002 ◽  
Vol 3 (1) ◽  
Author(s):  
Terence Lee
Keyword(s):  
New Media ◽  
The Internet ◽  
Contested Space ◽  
Media Technologies ◽  
Liberal Democratic ◽  
Internet Control ◽  
The World ◽  
City State ◽  
The City ◽  
Economic Development Strategies

This paper sets out to consider the use of new media technologies in the city-state of Singapore, widely acknowledged as one of the most technologically-advanced and networked societies in the world. Singapore is well-known as a politically censorious and highly-regulated society, which has been subjected to frequent and fierce insults and criticisms by those hailing from liberal democratic traditions. Indeed, much has been said about how the Singapore polity resonates with a climate of fear, which gives rise to the prevalent practice of self-censorship. This paper examines how certain groups in Singapore attempt to employ the Internet to find their voice and seek their desired social, cultural and political ends, and how the regulatory devices adopted by the highly pervasive People Action's Party (PAP) government respond to and set limits to these online ventures whilst concomitantly pursuing national technological cum economic development strategies. It concludes that the Internet in Singapore is a highly contested space where the art of governmentality, in the forms of information controls and 'automatic' modes of regulation, is tried, tested, and subsequently perfected.

Cinema and New Media Possibilities in the Pandemic

2021 ◽  
Author(s):  
Burcu Kavas
Keyword(s):  
New Media ◽  
21St Century ◽  
Digital Publishing ◽  
Screening Process ◽  
Movie Theaters ◽  
Media Technologies ◽  
Global Cinema ◽  
The World ◽  
Digital Broadcasting ◽  
Collective Production

Cinema, which started to digitalize in the 20th century, continues to be integrated with digital publishing platforms that emerged with the development of new media technologies in the 21st century. With the coronavirus pandemic that affected the whole world in 2019, digital broadcasting platforms became popular as an alternative cinema event in the quarantine process. Various precautions have been taken around the world for the coronavirus pandemic. As a result of the quarantine precaution, the local and global cinema industry was negatively affected. Cinema industry which is a collective production and screening process, has been interrupted by the suspension of the filming and the closing of the movie theaters during the quarantine. New media created a movement area for the cinema industry in this process. In this sense, the aim of this study is examining the researches on the effect of the coronavirus pandemic on the cinema and the effect of new media tools and opportunities on the cinema sector.

Granite Coasts

2006 ◽  
Author(s):  
Piotr Migon
Keyword(s):  
Structural Adjustment ◽  
Regional Scale ◽  
Significant Proportion ◽  
Point Of View ◽  
Coastal Geomorphology ◽  
Coastal Morphology ◽  
The World ◽  
Coastal Landscapes ◽  
Coastal Scenery ◽  
The One

Although no estimate of the aggregate length of granite rock coasts around the world is available, they surely make up quite a significant proportion of the total, especially around the Fennoscandian and Canadian Shield (Bird and Schwartz, 1985). However, in contrast to the vast amount of literature about inland granite landforms, granite coastal scenery has attracted significantly less attention, in spite of the fact that some of the most spectacular coastal landscapes are supported by granite (Plate 6.1). Detailed studies of granite coastal geomorphology are surprisingly few, although the structural adjustment of the coastline in plan at the regional scale is a recurrent observation (Bird and Schwartz, 1985). One probable reason for this discrepancy between the length of granite coasts, their scenic values, and scientific knowledge are the low rates of geomorphic change expected along them. Therefore they are poor candidates for any process-oriented studies, which dominate contemporary coastal geomorphology. It is probably because of this scarcity of information that contrasting opinions have been expressed about the specifics of granite coasts. Whereas Twidale (1982: 2) asserts that: ‘In coastal contexts, too, the gross assemblage of forms is due to the processes operating there and not to properties peculiar to granites. . . . Orthogonal fracture sets also find marked expression but, with few exceptions, granite coasts are much the same as most others’; Trenhaile (1987: 173) goes on to say: ‘Igneous coasts are usually quite different from other rock coasts’. On the one hand, many granite coasts consist of an all-too-familiar assemblage of cliffs, coves, joint-aligned inlets, stacks, and sea arches. From this point of view, no components of coastal morphology are likely to be demonstrated to be unique to granite. But this is also true for granite landforms in general, as was indicated in the introduction to this book. On the other hand, there seems to be enough observational material to claim that certain granite coastal landforms have developed specific characteristics, different from those supported by other rocks, as well as that there exist certain very specific sections of granite coasts which hardly have parallels in other lithologies.

Contemporary Social Movements in a Hybrid Media Environment

2020 ◽  
Vol 46 (1) ◽  
pp. 443-465
Author(s):  
Neal Caren ◽  
Kenneth T. Andrews ◽  
Todd Lu
Keyword(s):  
Social Movements ◽  
New Media ◽  
Organizational Forms ◽  
Media Environment ◽  
Media Technologies ◽  
Analytical Skills ◽  
The Media ◽  
Media And Communication ◽  
New Media Technologies

Media are central to the dynamics of protest and social movements. Contemporary social movements face a shifting environment composed of new media technologies and platforms that enable new identities, organizational forms, and practices. We review recent research focusing on the ways in which movements shape and are shaped by the media environment and the ways in which changes in the media environment have reshaped participation, mobilization, and impacts of activism. We conclude with the following recommendations for scholarship in this burgeoning area: move toward a broader conception of media in movements; expand engagement with scholarship in neighboring disciplines that study politics, media, and communication; develop new methodological and analytical skills for emerging forms of media; and investigate the ways in which media are enhancing, altering, or undermining the ability of movements to mobilize support, shape broader identities and attitudes, and secure new advantages from targets and authorities.

Melissus And His Opponents: The Argument of DK 30 B 8

Phronesis ◽  
2005 ◽  
Vol 50 (4) ◽  
pp. 263-288 ◽  
Author(s):  
Stephen Makin
Keyword(s):  
Prima Facie ◽  
Point Of View ◽  
The Other ◽  
Good Argument ◽  
Orthodox Interpretation ◽  
Realist Position ◽  
The World ◽  
New Interpretation ◽  
The One

AbstractIn this paper I offer a new interpretation of Melissus' argument at DK 30 B8.In this passage Melissus uses an Eleatic argument against change to challenge an opponent who appeals to the authority of perception in order to support the view that there are a plurality of items in the world. I identify an orthodox type of approach to this passage, but argue that it cannot give a charitable interpretation of Melissus' strategy. In order to assess Melissus' overall argument we have to identify the opponent at whom it is aimed. The orthodox interpretation of the argument faces a dilemma: Melissus' argument is either a poor argument against a plausible opponent or a good argument against an implausible opponent.My interpretation turns on identifying a new target for Melissus' argument. I explain the position I call Bluff Realism (contrasting it with two other views: the Pig Headed and the Fully Engaged). These are positions concerning the dialectical relation between perception on the one hand, and arguments to counter-perceptual conclusions on the other. I argue that Bluff Realism represents a serious threat from an Eleatic point of view, and is prima facie an attractive position in its own right.I then give a charitable interpretation of Melissus' argument in DK 30 B8, showing how he produces a strong and incisive argument against the Bluff Realist position I have identified. Melissus emerges as an innovative and astute philosopher.

scholarly journals Between art and information: communicating world health, 1948–70

2018 ◽  
Vol 13 (1) ◽  
pp. 94-120 ◽  
Author(s):  
Alexander Medcalf
Keyword(s):  
New Media ◽  
Public Information ◽  
World Health ◽  
Central Position ◽  
Media Technologies ◽  
The World ◽  
Public Health Officials ◽  
Health Organization ◽  
Health Situation ◽  
The Impact

AbstractWith the advent of new media technologies and approaches in the twentieth century, public health officials became convinced that health needed mass media support. The World Health Organization believed that educating people, as well as informing them about the health situation around the world, could assist in the enduring fight against disease. Yet in an increasingly competitive media landscape, the agency recognized the need to persuade people and hold their attention through attractive presentation. Public information, the name given to the multiple strategies used to communicate with the public, was rarely straightforward and required the agency not only to monitor the impact of its own efforts but also to identify opportunities to further enhance its reputation, especially when this was in danger of damage or misappropriation. The WHO’s understanding of public information provides insights into the development of international information, communication, and education networks and practices after 1945, as well as the increasingly central position of these processes in generating support for and evincing the value of international organizations.

scholarly journals Post-City (III): Co-spatiality Politics and New Mediality

2020 ◽  
Vol 19 (3) ◽  
pp. 232-266
Author(s):  
Dmitri Zamiatin
Keyword(s):  
New Media ◽  
Urban Communities ◽  
Political Action ◽  
Basic Element ◽  
Point Of View ◽  
Urban Spaces ◽  
Political Ontology ◽  
Municipal Policies ◽  
The One ◽  
Urban Media

One of the most significant factors influencing the co-spatialities regimes of post-urban communities is the development of new urban media. On the one hand, new urban media symbolizes the complex transition to new post-urban communities and new spatial regimes of their existence; on the other hand, they are the basic element of the newly emerging policies of co-spatialities. From the phenomenological point of view, post-politics is treated as the growing dominance of flat communicative ontologies in post-urban spaces, characterized by the disintegration of the traditional modern methods of communication. A post-urban locality is defined as a medial co-being, centering the next here-and-now cartography of imagination, which can be considered as a post-political action. The de-territorialization of post-urban communities takes place through the “smoothing” of urban spaces, turning them into mostly “smooth spaces” with the help of the new media. Specific local geo-cultures, a new, “rhizomatic” type whose development is based on the post-political transcription of socialization and medialization of urban spaces, are formed. The affectivity of post-urban co-spatialities is manifested in the gradual increase in the number of new specific urban actors that herald the slipping away of traditional state and municipal policies. The post-political can be considered as a sphere of geo-semiotic violence aimed at the over-coding of co-spatial situations. The mapping of co-spatialities reproduces the Earth as a total chora of post-political ontology. The post-city nomos constantly forms a communicative periphery with the missing center, where any message can signal the transactions of imagination aimed at the devaluation of “center–periphery” systems.

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