scholarly journals Foucault and Sedgwick: The Repressive Hypothesis Revisited

2012 ◽  
pp. 20-40 ◽  
Author(s):  
Lynne Huffer
Keyword(s):  
Queer Theory ◽  
History Of Sexuality ◽  
Free Indirect Discourse ◽  
Indirect Discourse ◽  
The World ◽  
History Of ◽  
Eve Kosofsky Sedgwick

This essay examines the Foucauldian foundations of queer theory in the work of Eve Kosofsky Sedgwick. The essay argues that Sedgwick’s increasing disappointment with Foucault’s critique of the repressive hypothesis is in part produced by the slippery rhetoric of The History of Sexuality, Vol. 1: An Introduction. Specifically, Foucault’s use of free indirect discourse in that volume destabilizes both the theory of repression and the critique Foucault mounts against it, thereby rendering ambiguous any political promise his critique might seem to offer. Returning to the fraught relation between Foucault and Sedgwick, the essay concludes by reading Foucault and Sedgwick together through the lens of a reparative ethics in which the felt experience of knowing the world is also an experiment in new ways of living.

scholarly journals Precedent Names in the Text Field of Marina Tsvetaeva from the Perspective of Free Indirect Discourse

2017 ◽  
Vol 13 (7) ◽  
pp. 142
Author(s):  
Daniya Abuzarovna Salimova ◽  
Olga Pavlovna Puchinina
Keyword(s):  
World Wide ◽  
The Other ◽  
Specific Character ◽  
Free Indirect Discourse ◽  
Personal Names ◽  
Text Field ◽  
Indirect Discourse ◽  
Marina Tsvetaeva ◽  
The World ◽  
The One

The present study is complied with the topical theme “name in the text” and devoted to the problems of how precedent names as the text-forming elements function in the poems and prose works of Marina Tsvetaeva within the framework of free indirect discourse. The authors study various methods and functions of personal names. The authors make conclusions concerning the frequency of precedent names and the specific character of intertextual elements in Tsvetaeva’s text, which, on the one hand, complicates the perception of the text, but on the other hand, promotes including both the poet and the reader into the world-wide cultural and spiritual environment. The ways of introducing the name and the persona, especially within free indirect discourse, specifies the further existence of the name / or its absence in the text.

THE NEW OTHER VICTORIANS: THE SUCCESS (AND FAILURE) OF QUEER THEORY IN NINETEENTH-CENTURY BRITISH STUDIES

2014 ◽  
Vol 42 (4) ◽  
pp. 755-771 ◽  
Author(s):  
Richard A. Kaye
Keyword(s):  
Nineteenth Century ◽  
Queer Theory ◽  
The Other ◽  
History Of Sexuality ◽  
Sexuality Studies ◽  
Victorian Studies ◽  
Critical Writing ◽  
History Of

Much of the critical writingon Queer Theory and Sexuality Studies in a Victorian context over the last decade or so has been absorbing, exploring, complicating, and working under the burden of the influence of Michel Foucault's theoretical writings on erotic relations and identity. The first volume of Foucault'sThe History of Sexuality(1978), in fact, had begun with a gauntlet thrown down before Victorian Studies, a chapter-long critique of Steven Marcus'sThe Other Victorians(1966), a work that had offered an entirely new and at the time, quite bold avenue of exploring nineteenth-century culture – namely, through the pornographic imagination that Marcus taxonomized with precise, clinical flair as a “pornotopia” in which “all men . . . are always infinitely potent; all women fecundate with lust and flow inexhaustibly with sap or both. Everyone is always ready for everything” (276). In Foucault's telling, however, Marcus demonstrated a theoretically impoverished faith in Freudian models of “repression” in Marcus's examination of “underground” Victorian sexualities. It was Marcus's reliance on the “repressive fallacy,” his conviction that there existed a demarcated spatial and psychic Victorian counter-world thatThe History of Sexualityhad so forcefully undermined.

Introduction

2020 ◽  
pp. 1-16
Author(s):  
Melissa J. Homestead
Keyword(s):  
Twentieth Century ◽  
Queer Theory ◽  
New Hampshire ◽  
Creative Process ◽  
History Of Sexuality ◽  
History Of

Using Cather and Lewis’s shared gravesite in Jaffrey, New Hampshire, as a touchstone, the introduction describes how biographers have approached the question of Willa Cather’s sexuality, how critics have applied queer theory to readings of her work, and how Lewis’s place in Cather’s life and creative process has been repeatedly ignored or misrepresented. The introduction lays out the terms on which this volume defines Lewis’s relationship with Cather and makes her visible again: it introduces Lewis’s role as Cather’s editor and suggests how models of the history of sexuality have failed to capture the persistence of the so-called Boston marriage into the twentieth century.

How to Undo the History of Sexuality: Editing Edward Taylor’s Meditations

2018 ◽  
Vol 90 (4) ◽  
pp. 753-784 ◽  
Author(s):  
Jordan Alexander Stein
Keyword(s):  
Reception History ◽  
Literary Text ◽  
Critical Reception ◽  
The Political ◽  
History Of Sexuality ◽  
Genre Classification ◽  
Political Forces ◽  
History Of ◽  
Sexual Meaning ◽  
Eve Kosofsky Sedgwick

Abstract This essay establishes how the scholarly labors that brought Edward Taylor’s works to light in the 1930s foreclosed any understanding of them as queer. The absence of a queer critical reception history is this essay’s subject, and to trace that absence, it focuses on the material and intellectual terms of Taylor’s initial critical reception and on the political forces and critical assumptions that bear on those terms. Taylor’s devotional Meditations offer an exemplary case for understanding how many of the ordinary labors associated with recovery and publication—the scholarly acts that stand, ultimately, behind nearly any interpretation of any literary text, including genre classification, editorial presentation, and genealogical authentication—have often been versions of what Eve Kosofsky Sedgwick described in the late 1980s as “the extremely elusive and maddeningly plural ways in which cultures and their various institutions efface and alter sexual meaning.”

Etiology, Solitude, and Queer Incipience

2021 ◽  
pp. 199-222
Author(s):  
Kevin Ohi
Keyword(s):  
Queer Theory ◽  
Gay Liberation ◽  
The World ◽  
Eve Kosofsky Sedgwick

Eve Kosofsky Sedgwick spelled out reasons for queer theory to eschew the etiological questions that preoccupied early advocates of gay liberation: Etiologies of homosexuality are difficult, if not impossible, to insulate from a fantasy of eliminating gay people from the world. Sedgwick’s reparative account would seem, however, to have two objects at least nominally at odds: the proto-gay child in a state of suspension and the gayness that seeks to emerge from that potentiality, and, in emerging, to dissolve it. This chapter suggests that to dwell on queer origin might offer a way to sustain that “proto-gay” thread of potentiality, even within the actualization that makes it retrospectively legible. Carson McCullers’s Member of the Wedding, James Baldwin’s Go Tell it on the Mountain, and Su Friedrich’s film Hide and Seek offer examples of narrating the “proto-gay” from within: maintaining a relation to gay futures while remaining true to a perspective that does not resolve its present confusions (and pleasures) with reference to that horizon. To tell of proto-gay kids is also to pose the question of inception; they embody what, could we see it, remains forever unformed within us, the potentiality that is the heritage of our beginnings.

Two Paths for the Big Book: Olga Tokarczuk's Shifting Voice

Genre ◽  
2021 ◽  
Vol 54 (1) ◽  
pp. 67-87
Author(s):  
Katarzyna Bartoszyńska
Keyword(s):  
The Novel ◽  
Free Indirect Discourse ◽  
The Third ◽  
Indirect Discourse ◽  
Narrative Perspective ◽  
The World ◽  
Third Person ◽  
Single Voice ◽  
The Third Person ◽  
World Image

This essay argues for the power of free indirect discourse in the third-person narrative perspective to serve as a collective voice, encompassing a diversity of perspectives, through a reading of two novels by Olga Tokarczuk, Bieguni (Flights) and Księgi Jakubowe (Books of Jacob). Both novels investigate the challenges inherent in the project of providing an image of the world, and alongside various interventions on the level of content, each examines the kind of world-image that different approaches to narrative voice can produce. In Flights, the narrator's striving to arrive at a more expansive and synthetic knowledge of the world is accompanied by an effort to go beyond the first-person voice, to a broader perspective. The novel subtly demonstrates the impossibility of such efforts, but, the essay argues, Books of Jacob continues this project, albeit from the opposite direction, examining the affordances of the third-person voice. Its innovative use of free indirect discourse produces a perspective that, while appearing to be a single voice, contains multiple, contradictory points of view.

scholarly journals Timelessness and Precarity in Orientalist Temporality: Mehdi-Georges Lahlou’s Aesthetics of Disorientation

2019 ◽  
Vol 8 ◽  
pp. 1-22
Author(s):  
Conor Moynihan
Keyword(s):  
Twentieth Century ◽  
Queer Theory ◽  
Disability Studies ◽  
Diverse Range ◽  
The World ◽  
History Of ◽  
East And West ◽  
Hyphenated Identity

The Hourglasses (2015), by French-Moroccan artist Mehdi-Georges Lahlou, features five large hourglasses displayed artifact-like upon a table. As one would expect of an hourglass, these glass sculptures can be inverted to measure out time. This, though, is where convention ends, as these are filled with couscous, not sand. Unlike sand, couscous cannot measure time consistently and the inversion of any one of these five hourglasses results in a different measurement of time. In effect, they disorient any linear notion of temporality, raising the specter of Orientalism and its fantasy of a timeless East. Mehdi-Georges works in a diverse range of media including performance, sculpture, installation, and self-portraiture. Dealing with race, gender, sexuality, colonialism, identity, and representations of Islam and Catholicism, his work performs the instability in all these categories by critically complicating fantasies of “East” and “West” without relying on a mere binary reversal of meaning. Contextualizing his work within a larger history of Orientalism, my argument begins first with Percy Bysshe Shelley’s poem “Ozymandias,” composed in 1817, followed by an analysis of nineteenth- and twentieth-century Orientalist paintings before leading to a concise discussion of contemporary Orientalism in art and art discourse. My analysis then circles back to the artist’s work to insist that Orientalism’s fantastical invocation of the East remains a disabling presence in the contemporary imaginary. Orientalism’s temporality, as glimpsed obliquely from Mehdi-Georges Lahlou’s hyphenated identity, is likewise rendered unstable in his work. As seen in The Hourglasses, his work produces what I call “an aesthetic of disorientation,” predicated on the artist’s embodied cultural hyphenation, which renders the Orientalist fantasy of the East absurd through its own tropes of representation. By bringing queer theory and disability studies to bear on his work, I show how his practice engages with Orientalism’s temporality to open up new possibilities of perceiving the world.

scholarly journals The Queer Thing about Neoliberal Pleasure: A Foucauldian Warning

2012 ◽  
pp. 79-97 ◽  
Author(s):  
Shannon Winnubst
Keyword(s):  
Queer Theory ◽  
History Of Sexuality ◽  
History Of

Through a careful reading of Foucault’s 1979 lectures on neoliberalism alongside Volumes 1 and 2 of The History of Sexuality, I argue that scholarship on both neoliberalism and queer theory should heed Foucault’s framing of both neoliberalism and sexuality as central to biopolitics. I thus offer two correctives to these fields of scholarship: for scholarship on neoliberalism, I locate a way to address the ethical bankruptcy of neoliberalism in a manner that Marxist analyses fail to provide; for scholarship in queer theory, I warn that the longstanding embrace of non-conformity as a mode of resistance to normalization is suspiciously neoliberal. I conclude with the possibility of rehabilitating the concept of jouissance as a non-fungible limit to the enterprising rationality of neoliberalism that, if historicized and especially racialized, might offer a meaningful response to the increasing ethical collapse wrought by the neoliberalization of our lives.

A History of the World Semiconductor Industry

IEE Review ◽  
1991 ◽  
Vol 37 (10) ◽  
pp. 355
Author(s):  
D.A. Gorham
Keyword(s):  
Semiconductor Industry ◽  
The World ◽  
History Of

The problem of periodization of the history of religion

1997 ◽  
pp. 3-8
Author(s):  
Borys Lobovyk
Keyword(s):  
Religious Studies ◽  
Human Being ◽  
Religious Development ◽  
History Of Religion ◽  
The Social ◽  
The World ◽  
History Of ◽  
Role Of Religion

An important problem of religious studies, the history of religion as a branch of knowledge is the periodization process of the development of religious phenomenon. It is precisely here, as in focus, that the question of the essence and meaning of the religious development of the human being of the world, the origin of beliefs and cult, the reasons for the changes in them, the place and role of religion in the social and spiritual process, etc., are converging.

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