scholarly journals The Origins of the Kenneth Burke Society

2020 ◽  
pp. 195-207
Author(s):  
Clarke Rountree

The Kenneth Burke Society was founded during Burke’s lifetime by scholars in communication, literature, sociology, and other fields to promote the study and application of Burke’s copious works and fertile ideas. Burke had become the leading writer on rhetorical theory in the twentieth century, as well as a notable literary critic, fiction writer, poet, and translator. His century of scholarly publication—including posthumous works twenty-five years after his death in 1993—have provided plenty for members of the Society to analyze, debate, and elaborate upon. The Society has sponsored triennial conferences in the United States since 1990, featuring notable keynote speakers, seminars in various topics led by Burke scholars, and social events, including music performances by Burke’s talented family. The Society also has supported an online journal, a number of edited books drawn from its conferences, a listserv, and a newsletter (now discontinued). It is affiliated with a half-dozen other scholarly organizations. Most members of the Society are in the United States and Canada, where the study of rhetoric has grown in importance particularly during the latter part of the twentieth century (with Burke’s help) and up until the present. Recently, interest in rhetoric and in Burke has returned to Europe, which developed rhetorical theory and made it a central art in public education for more than 2000 years. The first “Burke” conference in Europe was held in 2013. The Kenneth Burke Society has made outreach to Europe a central goal in its future development.

2001 ◽  
Vol 35 (3) ◽  
pp. 413-431 ◽  
Author(s):  
LAURENCE COUPE

Nearly every handbook of critical theory acknowledges Kenneth Burke (1897–1993) to be the twentieth-century North American critic who was most ahead of his time. Yet he seems to have been so ambitious that we still do not know how to place him. Indeed, it would require the space of a whole book to trace the extensive but scarcely documented impact which he has had. Concepts for which many other critics became famous may be traced back to him: ‘‘the order of words’’ (Frye); ‘‘the rhetoric of fiction’’ (Booth); ‘‘blindness and insight’’ (De Man); ‘‘narrative as a socially symbolic act’’ (Jameson); ‘‘the anxiety of influence’’ (Bloom). Indeed, it may well be that very anxiety which has led so many contemporary critics to repress his memory. But there is a change in the critical climate, corresponding to the global. This article is written in the hope that Burke will shortly be recognized as the first critic systematically to analyse culture and literature from an ecological perspective. As the dating of our epigraph indicates, he initiated this project over half a century before the rise of ecocriticism in the United States. Moreover, this was no passing phase for him; his whole career may be understood as a profound experiment in green thinking.


Author(s):  
Brian Stanley

This chapter analyzes the strikingly divergent trajectories of Christian belief and practice in Scandinavia and the United States. All Scandinavian countries in the twentieth century experienced a decline in regular church attendance that appears to have been consistent throughout the century, and that may have begun as soon as religious compulsion was lifted in the nineteenth century. This protracted decline mirrored the slow waning of orthodox Christian belief, but this was not a decline from a previous golden age of faith; rather there seems every likelihood that the adherence of many Scandinavian people to Christian faith had been quite tenuous ever since the region was first evangelized. Yet the Scandinavian countries also illustrate in a pointed way the possibility that in certain conditions, stable patterns of religious belonging can exist almost independently of personal religious belief. Meanwhile, the United States in the twentieth century was by some criteria a more “secular” nation than Sweden or Denmark. The American state from its inception has refused to give any religious body privileged status before the law. In consequence, religion in the United States has always been divorced from the apparatus of government and public institutions to a much greater extent than in the Scandinavian nations, and in the course of the twentieth century, that divorce became more absolute in certain spheres, notably in the universities, public education, and the media.


Author(s):  
Franklin E. Zimring

The phenomenal growth of penal confinement in the United States in the last quarter of the twentieth century is still a public policy mystery. Why did it happen when it happened? What explains the unprecedented magnitude of prison and jail expansion? Why are the current levels of penal confinement so very close to the all-time peak rate reached in 2007? What is the likely course of levels of penal confinement in the next generation of American life? Are there changes in government or policy that can avoid the prospect of mass incarceration as a chronic element of governance in the United States? This study is organized around four major concerns: What happened in the 33 years after 1973? Why did these extraordinary changes happen in that single generation? What is likely to happen to levels of penal confinement in the next three decades? What changes in law or practice might reduce this likely penal future?


2019 ◽  
Vol 51 (2) ◽  
pp. 35-50
Author(s):  
K. Mitchell Snow

The opening decades of the twentieth century saw a passing fashion for “Aztec” dancing in the vaudeville theaters of the United States. Russian classical dancers Kosloff and Fokine tapped the orientalist currents of the Ballets Russes, adopting the Aztec as superficial signs of the American. Conversely, works by Shawn and film director Cecil B. DeMille, which served as points of reference for the Russians, represented a continuation of equally orientalist attitudes toward Mexico's past, forged during the realization of the United States’ policy of Manifest Destiny. The emergence of a cadre of trained dancers from Mexico, trained by students of Kosloff and Shawn, would bring a distinctively different perspective on the presentation of their heritage to the dance stage, one that was no longer based in the imagination of an expansionist America.


2010 ◽  
Vol 17 (4) ◽  
pp. 305-323 ◽  
Author(s):  
Zhiwei Xiao

AbstractNo serious study has been published on how Chinese filmmakers have portrayed the United States and the American people over the last century. The number of such films is not large. That fact stands in sharp contrast not only to the number of "China pictures" produced in the United States, which is not surprising, but also in contrast to the major role played by Chinese print media. This essay surveys the history of Chinese cinematic images of America from the early twentieth century to the new millennium and notes the shifts from mostly positive portrayal in the pre-1949 Chinese films, to universal condemnation during the Mao years and to a more nuanced, complex, and multi-colored presentation of the last few decades.


2013 ◽  
Vol 8 (3) ◽  
pp. 461-482 ◽  
Author(s):  
Ines Prodöhl

AbstractThis article traces the complex and shifting organization of soy's production and consumption from Northeast China to Europe and the United States. It focuses on a set of national and transnational actors with differing interests in the global and national spread of soybeans. The combination of these actors in certain spatiotemporal contexts enabled a fundamental change in soy from an Asian to an American cash crop. At the beginning of the twentieth century, soy rapidly became Northeast China's cash crop, owing to steadily increasing Western demand. However, the versatility of soy – and soy oil in particular – offered a highly successful response to the agricultural and industrial challenges that the United States faced during the Great Depression and the Second World War. By the end of the war, American farmers in the Midwest cultivated more soybeans than their Chinese counterparts.


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