scholarly journals “Pushkin Dictionary” by G.A. Shengeli: The unpublished article by the author of the concordance of A.S. Pushkin’s poems

Literary Fact ◽  
2020 ◽  
pp. 458-476
Author(s):  
Nikolay Vasilyev ◽  
Dmitry Zhatkin

The publication introduces into scientific circulation an article by G.A. Shengeli (1894 – 1956), dedicated to “Pushkin's Dictionary” prepared by him in the second half of the 1930s, which was conceived as a concordance of the classic’s poetry, but remained unpublished (the manuscript was most likely lost). Dated 1955 by the authors and written by Shengeli to notify writers and scholars about the goals, structure and informational possibilities of the “Pushkin Dictionary”, the article is still relevant, being one of the few concrete testimonies of the scientist’s intention to study Pushkin’s language and linguistic poetics. The text is published according to the typescript with the author’s corrections, preserved in the fund of the journal "Oktiabr’" in the Russian State Archives of Literature and Arts. In Shengeli’s article it is noted that the very idea of compiling a dictionary to the works by Pushkin as the creator of the Russian literary language arose long ago, but the lack of scientifically reliable Pushkin editions hindered the implementation of the plan. The compilers of the Pushkin Dictionary took as a basis the texts of the 1936 six-volume Collected Works, issued by the Goslitizdat, where, according to the scientist, this problem was generally overcome. Highlighting the explanatory dictionary and the concordance dictionary as two main types of works describing the linguistic features of one or another author, Shengeli argues the choice of concordance, presented in the form of a set of dictionaries, united by a common word index, for composing the corpus of Pushkin's poetic language.

2019 ◽  
Vol 80 (1) ◽  
pp. 64-71
Author(s):  
Dmitrii A. Romanov

This article discusses the lexical and syntactic features of I.A. Krylov’s fable texts. I.A. Krylov’s literary art is analysed against the context of a creative competition between the old and new styles of Russian literature in the first third of the 19th century. A particular focus of this article is on the analysis of Krylov’s contribution to the standardisation of the Russian literary language, as well as to the outlining of the directions of its further development. The specific linguistic features of Krylov’s literary style are revealed and illustrated.


2020 ◽  
Vol 81 (5) ◽  
pp. 75-84
Author(s):  
M. A. Bondarenko

The article is dedicated to the outstanding Russian lexicographer Sergey Ivanovich Ozhegov, the creator of the famous one-volume normative «Dictionary of the Russian Language». The article reflects the life of the scholar; describes his personality; presents his work with the team of D. N. Ushakov on the preparation of the «Explanatory Dictionary of the Russian Language»; considers the main ideas of the scholar, which formed the basis of the «Small Explanatory Dictionary»; characterizes his practical activity in solving the problems of norm codification of the Russian literary language.


Author(s):  
Aleksandra A. Talanina ◽  

Functional and stylistic studies give us an idea of linguistic features of speech products, thus enabling style identification. These specific features become most recognizable when comparing styles. Discourse studies, on the contrary, are mainly focused on understanding and describing basic factors of creating a form of a literary language (style) and factors that determine the characteristics of speech products in individual situations within a socially significant sphere. This article presents an analysis of the logical and compositional organization of the lecture as a genre of academic discourse, taking a university lecture from M. Mamardashvili’s course on M. Proust as an example. The specific nature of the lecture genre in academic discourse is determined by its basic function in the teaching process implemented in direct dialogue with the audience. The research is based on the thesis that a lecture is an event that can be analysed using the concept of chronotope. The use of this concept beyond the analysis of fiction is relevant since spatiotemporal coordination is mandatory for any speech product, regardless of the sphere it is created in or the functions it performs. The main feature of the lecture chronotope is multi-level organization, since a lecture has its own internal spatiotemporal coordinates. The lecture chronotope is explicated at different levels of the text (compositional, lexical and grammatical), which are interconnected. Considering this, two interconnected frameworks of the lecture – structural and semantic – are singled out; they provide the logical and compositional organization of the material, which is important to ensure students’ understanding.


2010 ◽  
Vol 39 (2) ◽  
Author(s):  
Ben W. Dhooge

AbstractAnglo-American and Russian stylistics influenced each other substantially in the 1960s and 1970s. From the 1980s on, however, this fruitful mutual influence came to an end. The two schools started to grow apart, but despite that, they would develop almost parallel to each other, displaying many theoretical and methodological similarities. The present paper illustrates this by highlighting one such specificity – the idea of the possible reflection of one's conceptualization of the world in the use of literary language, and the possibility of reconstructing that conceptualization by means of a stylistic analysis (‘mind style’–‘kartina mira’). By comparing the Anglo-American and Russian theories on the topic, it is shown that the separately evolved conceptions are similar and even complement each other: the differences between them clarify and help solve possible theoretical and methodological gaps. Moreover, the juxtaposition of both conceptions allows us to perfect the notion of ‘mind style’ and its practical applications. A similar approach to other conceptions and tendencies in current seemingly mutually independent Anglo-American and Russian stylistics have the same potential, and may lead to a new convergence between the two schools.


2021 ◽  
pp. 82-99
Author(s):  
Nina I. Khimina ◽  

The article examines the history of collecting documentary and cultural heritage since 1917 and the participation of archives, museums and libraries in the creation of the Archival Fund of the country. In the 1920s and 1930s, archival institutions were established through the efforts of outstanding representatives of Russian culture. At the same period, the structure and activities of the museums created earlier in the Russian state in the 18th – 19th centuries were improved. The new museums that had been opened in various regions of Russia received rescued archival funds, collections and occasional papers. It is shown that during this period there was a discussion about the differentiation of the concepts of an “archive”, “library” and a “museum”. The present work reveals the difficulties in the interaction between museums, libraries and archives in the process of saving the cultural heritage of the state and arranging archival documents; the article also discusses the problems and complications in the formation of the State Archival Fund of the USSR. During this period, the development of normative and methodological documents regulating the main areas of work on the description and registration of records received by state repositories contributed to a more efficient use and publication of the documents stored in the state archives. It is noted that museums and libraries had problems connected with the description of the archival documents accepted for storage, with record keeping and the creation of the finding aids for them, as well as with the possibilities of effective use of the papers. The documents of the manuscript departments of museums and libraries have become part of the unified archival heritage of Russia and, together with the state archives, they now provide information resources for conducting various kinds of historical research.


2019 ◽  
pp. 237-249
Author(s):  
Dmitry Feldman

The article is based on the documents of the Razryadny Department (Razryadny prikaz) from the Russian State Archives of Ancient Acts dealing with the problem of taking the oath to Tsar and Grand Duke Alexey Mikhailovich and entry into the Russian citizenship of Grodno Jews (the Grand Duchy of Lithuania) during the Russian-Polish War 1654–1667.As the documents demonstrate,taking the oath to the Russian monarch by Lithuanian Jews and, accordingly, their entry into the Russian citizenship did not involve their conversion to Christianity.


Author(s):  
Sergey S. Belousov ◽  

Introduction. The article aims at analyzing the state policy regarding unauthorized fishing settlements of migrants on the Kalmyk pasturesin the period between the second half of the 18th and 19th cc. to better understand the processes of historical development of the Caspian territories of Kalmykia and of the Russian Caspian region. Accordingly, the lines of research were as follows: to examine the causes for unauthorized settlements and the dynamics of the state policies in the region, to study the migrants (settlers) in terms of the irethnicity, social class, and occupation, as well as their relationship with the authorities. Data and methods. The study was based on materials of the Russian State Historical Archives, the State Archives of the Astrakhan Region, the National Archives of the Republic of Kalmykia, and published sources. Both historical-genetic and historical-comparative methods were employed for the analysis of the data. Results. The author investigated the history of each of the unauthorized fishing settlement, the migrants’ backgrounds in terms of ethnicity, social class, and occupation, and the government’s policies in relation to the migrants. The study shows that such settlements were related to the growth of fishing industry in the region and, partly, to the government’s military and policing practices on the coast of the Caspian Sea. The authorities began to deal seriously with the problem of unauthorized fishing settlements on the Kalmyk pastures from the mid-19thcentury, with the start of transformation in the fishing industry. At the turn of the 20th century, the settlements were removed from the control of the Kalmyk authorities and were legalized, then, the process of their administrative-territorial and land structuring was started to finally complete in the second decade of the 20thcentury. Conclusions. The policy of the authorities in relation to unauthorized fishing settlements on the Kalmyk pastures differed from that in other areas of the Kalmyk steppe. In Mochagi, the authorities did not insist on the removal of such unauthorized settlements and negotiated with the settlers, and only if the latter rejected the proposed solutions for staying on the Kalmyk pastures, the question about their eviction was raised. Such policies on the problem of settlements on the coastal strip of the Caspian Sea, namely in Mochagi, were justified by the interests of the fishing industry to prevent any harmful effect in case of removal of villages and their inhabitants.


Sign in / Sign up

Export Citation Format

Share Document