Professionalism, Feminism, and Gender Roles: A Comparative Study of Nineteenth-Century Medical Therapeutics

1980 ◽  
Vol 67 (3) ◽  
pp. 568 ◽  
Author(s):  
Regina Markell Morantz ◽  
Sue Zschoche
2021 ◽  
Vol 15 (3) ◽  
pp. 305-320
Author(s):  
Julia J. Chybowski

AbstractThis article explores blackface minstrelsy in the context of Elizabeth Taylor Greenfield's singing career of the 1850s–1870s. Although Greenfield performed a version of African American musicality that was distinct from minstrel caricatures, minstrelsy nonetheless impacted her reception. The ubiquity of minstrel tropes greatly influenced audience perceptions of Greenfield's creative and powerful transgressions of expected race and gender roles, as well as the alignment of race with mid-nineteenth-century notions of social class. Minstrel caricatures and stereotypes appeared in both praise and ridicule of Greenfield's performances from her debut onward, and after successful US and transatlantic tours established her notoriety, minstrel companies actually began staging parody versions of Greenfield, using her sobriquet, “Black Swan.” These “Black Swan” acts are evidence that Greenfield's achievements were perceived as threats to established social hierarchies.


2013 ◽  
Vol 46 (1-2) ◽  
pp. 65-80
Author(s):  
Caterina Novák

The aim of this article is to explore the parallels between two late-nineteenth-century utopias,William Henry Hudsons A Crystal Age (1882) and William Morriss News from Nowhere (1891). Itaims to explore how these two works respond to the transition from a kinetic to a static conception ofutopia that under pressure from evolutionary and feminist discourses took place during the period.Particular focus lies on the way in which this is negotiated through the depiction of evolution, sexuality,and gender roles in the respective novels, and how the depiction of these disruptive elements may workas a means of ensuring the readers active engagement in political, intellectual and emotional terms.


2020 ◽  
pp. 221-226
Author(s):  
Sara E. Lampert

The conclusion returns to actress Josephine Clifton, whose legacy underscores starring women’s negotiation of new entertainment opportunities in U.S. theater, celebrity culture, and gender roles in the early nineteenth century chronicled in this book. Neither their marginalized social status nor their cultural power liberated women stars from the patriarchal expectations governing family and entertainment. Navigating the shifting publics and address of American theater required the appearance of conformity to gendered scripts, as well as sometimes a disavowal of the very real cultural power and, in rare cases, personal autonomy that some achieved.


2020 ◽  
Vol V (I) ◽  
pp. 269-286
Author(s):  
Muhammad Ahsan ◽  
Tahira Asgher ◽  
Noshaba Younus

The present study is an effort to examine and compare the way socio-ideological practices are projected in the Oxford English Textbook Grade 5 and the English Textbook 5 published by the Punjab (Pakistan) Textbook Board (PTB) prescribed for the government, semi-government and private schools of the Punjab province. The content analysis was employed to find out the percentages of categories and subcategories of reading passages and exercises of the prescribed English textbooks. Socio-Ideological statements were analyzed through the representation of patriotic values and gender roles in the context of local and foreign EFL textbooks. The research findings and results make it visible from the current instructional materials or prescribed English textbooks that the Oxford English textbook is superficial and shallow with respect to its treatment of the target (Pakistani) culture. The textbook is therefore inadequate to the task of teaching and transmitting socio-ideological practices in the deeper sense. Contrary to it, the PTB English textbook offers a limited ground for learning English at length.


2010 ◽  
Vol 31 (1) ◽  
pp. 223-229
Author(s):  
John Dolis

In 1835, Alexis de Tocquevdle (1805-1859) published Volume One of his Democracy in America in France; Volume Two followed in 1840. Translated into English, the work received critical acclaim in the States, and substantial passages were printed in American schoolbooks of the period. In 1868, Louisa May Alcott (1832-1888) published Tittle Women, a sentimental novel exploring feminist dimensions of both subject and citizen identity in light of family relationships and gender roles as each of the four March daughters— Meg, Jo, Beth, and Amy—strives, in her own way, to meet parental and societal expectations regarding the duties of mothers, sisters, wives, and citizens. The récit centers around Jo (Josephine) March, a bold, frank, and passionate tomboy, whose ardor for writing situates her at troublesome odds with the constraints that nineteenth-century American society placed on women. Excluded from fighting as a soldier (during the Civil War) and attending college, Jo tenaciously rebels against familial and societal pressures to find a suitable husband and settle down.


2001 ◽  
Vol 10 (2) ◽  
pp. 13-32
Author(s):  
Marilyn Cohen

The cultural formation of citizens and the hegemony of the ‘ethical state’ in England emerged in the mid-nineteenth century, a period when capitalist social relations were consolidating, operating through the processes of bourgeois institutional differentiation and the regulation of culture and social space from above. This paper employs the methods of historical ethnography to address the historical vertities of these cultural processes in colonial Ireland. It focuses on one institution—education—in one north of Ireland parish to explore how class and gender mediated the process and experience of the institutional separation of education in the second half of the nineteenth century. The rigid ‘culture of control’ orchestrating gender roles and material survival in working-class households framed distinctions in the attainment of schooled knowledges and created divergent uses and functions for such knowledge in the broader social context.


2020 ◽  
Vol 17 (4) ◽  
pp. 499-509
Author(s):  
Ágnes Erőss ◽  
Monika Mária Váradi ◽  
Doris Wastl-Walter

In post-Socialist countries, cross-border labour migration has become a common individual and family livelihood strategy. The paper is based on the analysis of semi-structured interviews conducted with two ethnic Hungarian women whose lives have been significantly reshaped by cross-border migration. Focusing on the interplay of gender and cross-border migration, our aim is to reveal how gender roles and boundaries are reinforced and repositioned by labour migration in the post-socialist context where both the socialist dual-earner model and conventional ideas of family and gender roles simultaneously prevail. We found that cross-border migration challenged these women to pursue diverse strategies to balance their roles of breadwinner, wife, and mother responsible for reproductive work. Nevertheless, the boundaries between female and male work or status were neither discursively nor in practice transgressed. Thus, the effect of cross-border migration on altering gender boundaries in post-socialist peripheries is limited.


Author(s):  
Marilyn Booth

This chapter demonstrates that inscriptions of female images in Cairo’s late nineteenth-century nationalist press were part of a discursive economy shaping debates on how gender roles and gendered expectations should shift as Egyptians struggled for independence. The chapter investigates content and placement of ‘news from the street’ in al-Mu’ayyad in the 1890s, examining how these terse local reports – equivalent to faits divers in the French press – contributed to the construction of an ideal national political trajectory with representations of women serving as the primary example in shaping a politics of newspaper intervention on the national scene. In this, an emerging advocacy role of newspaper correspondents makes the newspaper a mediator in the construction of activist reader-citizens.


Sign in / Sign up

Export Citation Format

Share Document