Purposes, Procedures, and Outcomes of the Cooperative Research Project on Convention Delegations

1953 ◽  
Vol 47 (4) ◽  
pp. 1116-1129
Author(s):  
Paul T. David
Keyword(s):  
Political Parties ◽  
New Orleans ◽  
San Francisco ◽  
Executive Director ◽  
Field Work ◽  
The Other ◽  
Brookings Institution ◽  
Cooperative Research ◽  
Research Project ◽  
Draft Proposal

The official beginnings of the Cooperative Research Project on Convention Delegations date from the opening of the project office at the Association's headquarters in Washington on March 10, 1952. But the project had roots reaching far back into previous activities. Two committees of the Association had made suggestions for activities similar to those eventually put under way by the project: the Committee on Political Parties and the Committee for the Advancement of Teaching. In September, 1951, following the Association's meeting in San Francisco, the then chairmen of those committees, Bertram M. Gross and Claude E. Hawley, began actively seeking means of organizing field work and creating teaching materials on the forthcoming preconvention campaigns and national political conventions of 1952. For a time it appeared that a project along those lines might be organized under the auspices of the Brookings Institution; and the director of the present project became involved in the conversations. Later it became clear that if the project were to be organized at all, it would probably need to be under the Association's own auspices, although the cooperation of the Brookings Institution was an important factor in early planning.By November, 1951 the Executive Director of the Association had cleared a draft proposal with the other officers and began negotiations with several foundations. One of those foundations, although uninterested itself, passed on the proposal to Dr. Will W. Alexander, an adviser of a newly established family foundation in New Orleans.

When “You” Become One of “Them”

2010 ◽  
Vol 3 (3) ◽  
pp. 315-329 ◽  
Author(s):  
Allison Padilla-Goodman
Keyword(s):  
New Orleans ◽  
Research Project ◽  
Working Through

Negotiating and utilizing the researcher's stance and agenda is always an important, yet tricky, process. This process is even more complicated when researching within one's own community, especially when you and that community are working through a recent trauma. In this paper, I reveal some of my own anxieties in doing so as I am preparing to design my research project in post-Katrina New Orleans, my hometown.

Folk-Inspired Neoclassical vs Folk-Inspired Compositions

2021 ◽  
Author(s):  
Kendra Klages
Keyword(s):  
Detailed Analysis ◽  
Folk Music ◽  
The Other ◽  
Research Project ◽  
The World ◽  
Applied Lessons ◽  
Over Time

My research project focuses on folk inspired music of Poland, England, China, and Ireland. In my applied lessons on clarinet, I studied two neoclassical Polish folk pieces, so the question answered in the research is how the two neoclassical Polish pieces compare to folk inspired pieces from other countries. The pieces chosen for this study are mainly pieces that I have heard before. Therefore, I chose the pieces based upon my familiarity with them. Folk music expresses the sounds and rhythms that represent countries all over the world. Over time these sounds and rhythms evolve to reflect the country at that moment. This study will reflect how folk music was implemented into different pieces with a focus on Polish neoclassical folk pieces versus English, Chinese, and Irish folk pieces. There is a detailed analysis focused on two Polish compositions. While the focus of the other global pieces is to allow one to understand how folk music was being used in compositions specific to the country being studied. The purpose of this study is to understand how folk tunes and characteristics can be expressed through larger compositions, and how the different countries and genres approached that. Furthermore, the study compares Polish folk music to the folk music of other countries and where Polish folk composers stand in originality and experimentalism with the composers of England, China, and Ireland.

Lay Brothers: The Other Men in the Mendicant Orders of New Spain

2015 ◽  
Vol 72 (3) ◽  
pp. 411-438 ◽  
Author(s):  
Asunción Lavrin
Keyword(s):  
San Francisco ◽  
New Spain ◽  
Remote Area ◽  
The Other ◽  
The City ◽  
Mendicant Orders

In 1556 Franciscan missionaries from the city of Mexico arrived in the then remote area of Zacatecas to begin what was expected to be a crucial but difficult evangelization of the area. They had been preceded by several other brothers who had not settled there despite having spent several years in catechizing the indigenous. The intention of these four missionaries was to stay and found a convent. Along with Fr. Pedro de Espinareda and Fr. Diego de la Cadena came one lay brother, Fr. Jacinto de San Francisco, and onedonadosimply called Lucas. Fr. Joseph Arlegui, chronicler of the order, assumed the presence of those friars would lay the foundation for the difficult task of evangelizing such distant lands and such unwilling peoples.

Attitudes to reform: political parties in Ulster and the Irish land bill of 1881

1985 ◽  
Vol 24 (95) ◽  
pp. 327-340
Author(s):  
Francis Thompson
Keyword(s):  
Political Parties ◽  
Detailed Examination ◽  
The Other ◽  
The South ◽  
The North ◽  
Other Hand ◽  
Previous Decade ◽  
History Of

The Irish land act of 1881, it is generally agreed, was a victory for the Land League and Parnell, and nationalist policy with regard to the act and the attitude of southern tenants towards it have been many times subjected to detailed examination by historians of this period. In these analyses of the events of 1880–81, however, little reference is normally made to the part played by the different parties and interests in the north of the country. It is often assumed, for example, that the Ulster tenants held aloof from the campaign for reform, lending no more than occasional vocal support to the agitational efforts of tenants in the south and west. Indeed, they were later excoriated by William O'Brien, Michael Davitt and others not only for giving no support to the land movement but also for sabotaging Parnell's policy of testing the 1881 act by precipitately rushing into the land courts to take advantage of the new legislation: ‘that hard-fisted body of men, having done nothing themselves to win the act, thought of nothing but turning it to their own immediate use, and repudiating any solidarity with the southern and western rebels to whom they really owed it’. If, however, northern tenants were harshly judged by nationalist politicians in the years after 1881, the part played by the northern political parties in the history of the land bill has been either ignored or misunderstood by historians since that time. The Ulster liberals, for example, are rarely mentioned, the implication being that they made no contribution to the act even though it implemented almost exactly the programme on which they had been campaigning for much of the previous decade. The northern conservatives, on the other hand, are commonly seen as leading opponents of the bill, more intransigent than their party colleagues in the south, ‘quick to denounce any weakening of the opposition’ to reform, and ‘determined to keep the tory party up to the mark in defending the landlord interest’

scholarly journals Orí (Head) as an Expression of Yorùbá Aesthetic Philosophy

2018 ◽  
Vol 9 (4) ◽  
pp. 59-70
Author(s):  
Olusegun Ajíbóyè ◽  
Stephen Fọlárànmí ◽  
Nanashaitu Umoru-Ọkẹ
Keyword(s):  
Field Work ◽  
Aesthetic Judgment ◽  
The Other ◽  
Southwestern Nigeria ◽  
Black Africa ◽  
Biological Importance ◽  
Works Of Art ◽  
Art And Language ◽  
Aesthetic Values ◽  
Visual Illustrations

Abstract Aesthetics was never a subject or a separate philosophy in the traditional philosophies of black Africa. This is however not a justification to conclude that it is nonexistent. Indeed, aesthetics is a day to day affair among Africans. There are criteria for aesthetic judgment among African societies which vary from one society to the other. The Yorùbá of Southwestern Nigeria are not different. This study sets out to examine how the Yorùbá make their aesthetic judgments and demonstrate their aesthetic philosophy in decorating their orí, which means head among the Yorùbá. The head receives special aesthetic attention because of its spiritual and biological importance. It is an expression of the practicalities of Yorùbá aesthetic values. Literature and field work has been of paramount aid to this study. The study uses photographs, works of art and visual illustrations to show the various ways the head is adorned and cared for among the Yoruba. It relied on Yoruba art and language as a tool of investigating the concept of ori and aesthetics. Yorùbá aesthetic values are practically demonstrable and deeply located in the Yorùbá societal, moral and ethical idealisms. It concludes that the spiritual importance of orí or its aesthetics has a connection which has been demonstratively established by the Yorùbá as epressed in the images and illustrations used in this paper.

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