Truth Tales: Contemporary Stories by Women Writers of India. Edited by Kali for Women, Introduction by Meena Alexander. New York: The Feminist Press at the City University of New York, 1990. 179 pp. $12.95. - Women Writing in India: 600 B.C. to the Present. Volume I: 600 B.C. to the Early 20th Century. Edited by Susie Tharu and K. Lalita. New York: The Feminist Press at the City University of New York, 1991. xxxii, 537 pp. $29.95. - The Innter Courtyard: Stories by Indian Women. Edited by Lakshmi Holmstrom. London: Virago Press Limited, 1990. xix, 204 pp. $5.99.

1992 ◽  
Vol 51 (2) ◽  
pp. 427-429
Author(s):  
Carla Petievich
Keyword(s):  
New York ◽  
Women Writers ◽  
20Th Century ◽  
Early 20Th Century ◽  
Indian Women ◽  
Present Volume ◽  
Meena Alexander ◽  
Women Writing ◽  
The City

scholarly journals Lviv as the cradle of Polish independence organizations

2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Early 20Th Century ◽  
Social Activists ◽  
The Past ◽  
Independence Movement ◽  
Political Orientations ◽  
History Of ◽  
The Right ◽  
The City

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.

scholarly journals The Church Club of New York Library

2013 ◽  
Vol 6 (2) ◽  
pp. 29-33
Author(s):  
Jacqueline H. Rider
Keyword(s):  
New York ◽  
20Th Century ◽  
American Culture ◽  
Social Gospel ◽  
Early 20Th Century ◽  
Episcopal Church ◽  
The Social ◽  
The Church ◽  
Changing Society

Organized in 1887 by religious, financial, and social leaders in Manhattan, the Church Club of New York holds a library of some 1,500 volumes. It documents the religious roots and theological framework of New York’s financial elite, the birth of the Episcopal Church, and mainline American Protestantism’s reaction to the Social Gospel movement in the early 20th century. This essay discusses how titles illustrate the challenges these gentlemen confronted to their roles and their church’s identity in a rapidly changing society. Industrialization, modernization, immigration were all affecting their personal, professional, and spiritual lives.  It also reflects on how the collection as a whole mirrors the evolution of one sector of 20th century American culture.

scholarly journals Nueva York 1916. La ciudad sin límites | New York 1916. Unlimited city

ZARCH ◽  
2017 ◽  
pp. 90
Author(s):  
José Durán Fernández
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Urban Planning ◽  
20Th Century ◽  
Urban Space ◽  
York City ◽  
Planning System ◽  
Siglo Xx ◽  
The City

La Ciudad de Nueva York fue pionera en la aplicación de un sistema de planificación de control urbano que pusiera orden y concierto a una ciudad que rebasa los 5 millones de habitantes a principios del siglo XX. Tal complejo organismo urbano, inédito hasta ese momento, fue objeto del más ambicioso plan urbano sobre una ciudad construida.Este artículo se destina al estudio de este originario plan urbano de 1916, el cual sentaría las bases, unas ciertamente visionarias otras excesivas, de la construcción de la Ciudad de Nueva York en todo el siglo XX. La Building Zone Resolution se creó con dos fines: resolver los problemas de congestión humana en un espacio reducido, la ciudad del presente, y proponer una visión del espacio urbano en las décadas venideras, la ciudad del futuro.El artículo es un compendio de diez textos cortos y un epílogo, que junto a sus respectivos diez documentos gráficos, construyen el corpus de la investigación. El lector pues se enfrenta a un ensayo gráfico formado por pequeños capítulos que le sumergirán en los orígenes de la primera ciudad vertical de la historia.PALABRAS CLAVE: Nueva York; Planeamiento; Visión urbana.The city of New York was a pioneer in the implementation of an urban control planning system that set in order a city that exceeds five million people in the early twentieth century. Such complex urban organism – invaluable until that moment – was the target for the most ambitious urban planning on a built city.This paper focuses on the study of this initial urban planning from 1916, which would set the basis, certainly some visionary yet others excessive, for the building of New York City throughout the 20th century. The Building Zone Resolution was created with two purposes: to solve the issues related to the human bundle in a limited space, the city of the present, and to aim a vision of the urban space in the forthcoming decades, the city of the future.The article is a compendium of ten short texts and one epilogue, which in combination with ten graphic documents, frame the corpus of this investigation. Thus, the reader will face a graphic essay composed by a series of brief chapters that highlight the beginning of the first vertical city in history.KEYWORDS: New York; Planning; Urban vision.

Analysis of the Structure of the City Budget of the Last Third of the 19th — Early 20th Century (Based on the Materials of the Tashkent City Self-Government)

Istoriya ◽  
2021 ◽  
Vol 12 (10 (108)) ◽  
pp. 0
Author(s):  
Sabira Iusupova
Keyword(s):  
Economic Development ◽  
20Th Century ◽  
Early 20Th Century ◽  
Financial Situation ◽  
Historical Archive ◽  
Russian State ◽  
Socio Economic Development ◽  
The City

This article deals with the problem of the financial situation of Tashkent in the last third of the 19th — early 20th century on the basis of the materials of the office documentation of the Tashkent city self-government. These materials are contained in the funds of the Russian State Military Historical Archive, reflected on the pages of the pre-revolutionary local periodical. Based on the analysis of the income and expenditure estimates, the budget structure, sources of funds and their distribution are shown. The main problems in the financial sphere are identified, related to violations of the established deadline for the provision and approval of the city budget, with arrears, abuses of individual officials, which negatively affected the financial situation of the city. But despite these difficulties, some successes of the Tashkent city self-government in the socio-economic development of the city are noted.

Davis, Stuart (1892–1964)

2018 ◽  
Author(s):  
Annika Marie
Keyword(s):  
New York ◽  
20Th Century ◽  
Urban Life ◽  
Abstract Art ◽  
Early 20Th Century ◽  
Street Life ◽  
American Modernism ◽  
Urban Street ◽  
Avant Garde ◽  
Ashcan School

Stuart Davis was a painter, printmaker, muralist, and arts activist who played a prominent role in the development of American modernism in the first half of the 20th century. Visually, he brought the formal and technical experimentation of the European avant-garde to depictions of the modernity of the American metropolis. As a prolific writer and powerful spokesman, Davis was a committed cultural advocate, working to explain and defend modern abstract art, promoting artists’ rights, and arguing for the democratization of culture and art’s formative impact on society. Davis’s early style relates to the Ashcan School, an early 20th-century brand of realism that combines a direct, spontaneous, journalistic naturalism with everyday scenes of urban street life. The turning point for the young Davis was the New York Armory Show of 1913. Through the exhibit Davis was exposed to Fauvism, Expressionism, Cubism, and Dada. However, Davis’s embrace of the formal rigor of European abstraction did not lead him to purely non-objective painting. Maintaining that form and content were equally important, he argued that European modernism’s visual fragmentation, instability, and simultaneity provided the visual means by which to express contemporary American urban life.

Reich, Lilly (1885–1947)

2018 ◽  
Author(s):  
Carla Cesare
Keyword(s):  
New York ◽  
20Th Century ◽  
Modern Art ◽  
Set Design ◽  
Museum Of Modern Art ◽  
Early 20Th Century ◽  
Leading Role ◽  
Mies Van Der Rohe

Lilly Reich was a German-born designer who created interiors, displays, and exhibitions in the early to mid-20th century. She was active in the Deutscher Werkbund and in the Bauhaus, and was the first female architect to be given a retrospective at the Museum of Modern Art in New York in 1996. Reich’s career as a female designer has been said by critic Beatriz Colomina to be an example of the collaborative nature of architecture in which women have often played an unspoken role. Reich was one of the few female designers to have played a leading role in the early 20th century, yet she has gained little academic renown. As is common for female designers of the time they are often known in relation to their work with more prominent male architects or designers; for Reich, Ludwig Mies van der Rohe was both a personal and professional partner. Reich, who came from a wealthy manufacturing family, studied in 1908 at the Wiener Werkstätte and then in 1910 at the Höhere Fachschule für Dekorationskunst in Berlin. Like many women of the period she focused on textiles, needlework, and fashion as well as set design and display.

The Snapshots of A. Thomas Nelson: A Case Study in the Preservation of Early 20th-century Vernacular Albums

Collections ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 171-193
Author(s):  
Stephanie Becker
Keyword(s):  
United States ◽  
New York ◽  
20Th Century ◽  
The United States ◽  
Early 20Th Century ◽  
Single Object ◽  
Critical Questions ◽  
Selection Of

Throughout the early 20th century, A. Thomas Nelson took snapshots while traveling the United States and Canada. His wife, Catherine Nelson, made a selection of these and placed them within eight photographic albums, later acquired by the George Eastman Museum in Rochester, New York. Using one of these, “Snapshots from Travels in the United States and Canada (1904–1940),” as a case study, this article explores preservation practices for early 20th-century vernacular albums. While such albums are a valuable part of any collection, they present many complex preservation challenges due to the variety of materials contained within a single object. Critical questions about cataloging, digitizing, and rehousing methods guide decisions on how to stabilize the album's fragile condition and allow for access. This case study offers insight for collection managers and archivists who find themselves caring for similar snapshot albums.

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