Polybius and Rome's Eastern Policy

1963 ◽  
Vol 53 (1-2) ◽  
pp. 1-13 ◽  
Author(s):  
F. W. Walbank

Any discussion of the policy of the Roman Senate towards the Hellenistic world at the end of the third century B.C. must inevitably take account of the work of two men who wrote their most important books around this topic. One is, of course, Polybius, the other Maurice Holleaux. Holleaux's book on Rome, Greece and the Hellenistic monarchies appeared in 1921; but it came as the culmination of several studies on this subject, which had been exercising his attention particularly since 1913. Today, then, we stand virtually at the fiftieth anniversary of Holleaux's thesis, and we can appropriately consider how far it has stood the test of time. However, that is not my main purpose in this paper, which will be concerned much more with what Polybius has to say on the subject. As everyone knows, it is the evidence of Polybius that stands behind Holleaux's remarkable reconstruction of Roman policy; and Holleaux's problem is quite central to Polybius' interests—indeed it is very close to, though not identical with, his main theme. ‘Who,’ he asks, ‘is so worthless and so indolent as not to want to know by what means and under what constitutional system the Romans in less than fifty-three years have succeeded in subjecting nearly the whole inhabited world to their sole government—a thing unique in history?’ It is perhaps not unfair to judge a historian by the degree of success he attains in tackling his main theme. If that seems a reasonable proposition, we may ask ourselves: Does Polybius in fact offer a satisfactory answer to the question he has raised?

2018 ◽  
Vol 4 (1) ◽  
pp. 365-372
Author(s):  
Coriolan Horatiu Oprean

Abstract The author is dealing with the tile-stamps found in the Roman auxiliary fort at Porolissum attempting to establish which of the many units recorded on tile-stamps stayed in garrison at Porolissum. The author of the present article is arguing his own hypothesis on the subject, based on his own excavations at Porolissum and on all the data gathered from the scientific literature. He finally proposes two tables and a graph that correlate all the information on the troops known from the tile-stamps and stone inscriptions, establishing which of them were in garrison at Porolissum and which were only temporarily attached for building activity. At the same time he sets in chronological order the tile-stamps, demonstrating that the three units which built the headquarters building and the gates of the fort (coh III, L VII GF, L III G) were brought to the Porolissum area late in Hadrian‘s reign, to build in stone the fort and other military facilities in the limes area of Porolissum. The permanent garrison of the fort was composed during the 2nd century AD of two infantry auxiliary units, cohors I Brittonum and cohors V Lingonum, while a third one, numerus Palmyrenorum was probably lodged in a smaller fort situated 500 m away, on the Citera Hill. In the third century, cohors V Lingonum was still there, cohors I Brittonum also for Caracalla‘s time (even not recorded by any later inscription, but, at the same time, not attested in another fort), while the smaller Citera Hill fort was out of use and the numerus Palmyrenorum Porolissensium was moved inside the big fort from Pomet Hill. The author is concluding that the garrison of the military site Porolissum was not changed during the Roman rule in Dacia, all the other tile-stamps found belonging to units brought mainly during the 2nd century to built the military facilities of this strengthened sector of the frontier.


1924 ◽  
Vol 44 (2) ◽  
pp. 141-157 ◽  
Author(s):  
W. W. Tarn

In this paper I am considering two things; the position of Delos as a ‘holy place,’ and the rules of the practice among Greek cities with regard to the grant of a τόπος or site for a stele. From these it follows automatically that the somewhat fashionable dogma of the ‘neutrality’ of Delos is not only (on our present materials) untrue, but is impossible,—it has no chance whatever of being true. It is strange that it should have gained the acceptance it has without any examination of its foundations ever having been made; however, this is so, and it presents rather a striking instance of the effect of mere repetition. Its importance, of course, consists in this, that, if it were true, then the festivals, etc., at Delos can never have any political meaning and we lose our only sure basis for the chronology of the middle of the third century. If this were necessary, one would naturally accept the consequences; the necessity, however, is in fact the other way. I am not going through what others have written; but I have borne in mind Professor Kolbe's argument for Delian neutrality in his drastic reconstruction of this period, a reconstruction which is ingenious, but is unfortunately based on other unsound hypotheses beside the Delian; and I shall notice in their place the four inscriptions with regard to the grant of a site on which he relied as exceptional, but which are really simple illustrations of well-established practice. I am dealing with that practice at some length, as I hope it may possess some interest of its own apart from the theme of this paper, seeing that the rules have never been formulated; but I was glad to find that Professor Wilhelm, who has done so much to elucidate the machinery of setting up decrees, in the two pages which he has incidentally given to the subject, at once noticed what I take to be the important matter, viz. that a question of interstate courtesy is involved.


Britannia ◽  
2006 ◽  
Vol 37 ◽  
pp. 295-336 ◽  
Author(s):  
R.J.A. Wilson

ABSTRACTThe fourth-century Rudston ‘aquatic’ mosaic is likely to show Oceanus at the centre rather than Neptune, and the dominant position of the head on the floor suggests that the inspiration for it derives, however remotely, from North African models where the scene was common. This is made more plausible by the fact that African influence, as is well known, is also detectable on the famous Venus mosaic by the same mosaicist in an adjacent room in the same building. At Brading, the central figure in the main reception room – a half-naked man with stick, globe and sundial – is identified, not just as a generic ‘philosopher’ type, but specifically as the third-century B.C. astronomer and poet, Aratus, on the basis of comparanda on mosaics, tapestry, silverware and in an illustrated manuscript of his work, thePhaenomena. It is further suggested that the key to reading the damaged larger part of the Brading floor above Aratus might be a Latin translation of his work, possibly that by Avienusc.A.D. 350, if the mosaic is indeed approximately of that date rather than earlier, and that the subject-matter of the panels alluded to constellations described in the poem. A very tentative attempt is made to identify what might have been depicted in the panels, on the basis of the mythology behind the constellations as explained in Latin adaptations of the poem: those of Perseus and Andromeda are illustrated in the surviving panel, and possibly Phaethon and Eridanus, Hercules and the serpent in the Garden of the Hesperides, and conceivably Pegasus at a spring were shown in the other three. It is also suggested that these unusual scenes might have been based on an illustrated manuscript of the work in the possession of thedominusat Brading. Be that as it may, the mosaic does appear to provide further evidence of the depth of classical learning displayed by at least some members of the Romano-British rural élite in the fourth century A.D.


Transfers ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 115-119 ◽  
Author(s):  
Susan E. Bell ◽  
Kathy Davis

Translocation – Transformation is an ambitious contribution to the subject of mobility. Materially, it interlinks seemingly disparate objects into a surprisingly unified exhibition on mobile histories and heritages: twelve bronze zodiac heads, silk and bamboo creatures, worn life vests, pressed Pu-erh tea, thousands of broken antique teapot spouts, and an ancestral wooden temple from the Ming dynasty (1368–1644) used by a tea-trading family. Historically and politically, the exhibition engages Chinese stories from the third century BCE, empires in eighteenth-century Austria and China, the Second Opium War in the nineteenth century, the Chinese Cultural Revolution of the mid-twentieth century, and today’s global refugee crisis.


2021 ◽  
pp. 095269512098224
Author(s):  
Chakravarthi Ram-Prasad

The Caraka Saṃhitā (ca. first century BCE–third century CE), the first classical Indian medical compendium, covers a wide variety of pharmacological and therapeutic treatment, while also sketching out a philosophical anthropology of the human subject who is the patient of the physicians for whom this text was composed. In this article, I outline some of the relevant aspects of this anthropology – in particular, its understanding of ‘mind’ and other elements that constitute the subject – before exploring two ways in which it approaches ‘psychiatric’ disorder: one as ‘mental illness’ ( mānasa-roga), the other as ‘madness’ ( unmāda). I focus on two aspects of this approach. One concerns the moral relationship between the virtuous and the well life, or the moral and the medical dimensions of a patient’s subjectivity. The other is about the phenomenological relationship between the patient and the ecology within which the patient’s disturbance occurs. The aetiology of and responses to such disturbances helps us think more carefully about the very contours of subjectivity, about who we are and how we should understand ourselves. I locate this interpretation within a larger programme on the interpretation of the whole human being, which I have elsewhere called ‘ecological phenomenology’.


1976 ◽  
Vol 56 (2) ◽  
pp. 198-216 ◽  
Author(s):  
Barry Cunliffe

SummaryThe results of five seasons of excavation (1971–5) are summarized. A continuous strip 30–40 m. wide extending across the centre of the fort from one side to the other was completely excavated revealing pits, gullies, circular stake-built houses, rectangular buildings, and 2-, 4-, and 6-post structures, belonging to the period from the sixth to the end of the second century B.C. The types of structures are discussed. A sequence of development, based largely upon the stratification preserved behind the ramparts, is presented: in the sixth–fifth century the hill was occupied by small four-post ‘granaries’ possibly enclosed by a palisade. The first hill-fort rampart was built in the fifth century protecting houses, an area of storage pits, and a zone of 4-and 6-post buildings laid out in rows along streets. The rampart was heightened in the third century, after which pits continued to be dug and rows of circular houses were built. About 100 B.C. rectangular buildings, possibly of a religious nature, were erected, after which the site was virtually abandoned. Social and economic matters are considered. The excavation will continue.


2021 ◽  
pp. 30-76
Author(s):  
Catriona Kelly

In 1961, the government bodies responsible for film production (the Ministries of Culture of the USSR and RSFSR) forcibly imposed on a reluctant Lenfilm the complete reorganization of production planning. The old Scripts Department was shut down and three “creative units” set up. This change was pushed through by Lenfilm’s energetic and flamboyant new general director, Ilya Kiselev, who had begun his career as an actor. Of the creative units, the earliest to emerge was the Third Creative Unit, which soon had a role as the flagship of contemporary cinema, a genre heavily promoted during the Thaw. However, the Third Creative Unit ran into increasing trouble as political control tightened after Khrushchev was forced to resign, and in 1969, it was closed down altogether. Yet life was not always calmer in the other units, as witnessed in particular by the difficulties that gripped the Second Creative Unit’s efforts to produce movies commemorating the fiftieth anniversary of the October Revolution in 1967, and by the problems of the First Creative Unit in establishing its own character and repertoire. At the same time, the general political line at this period, while unpredictable, was not uniformly harsh, as manifested in the conclusion of Leningrad’s Party leader that audiences could “make up their own mind” about a film he disliked.


Britannia ◽  
2012 ◽  
Vol 43 ◽  
pp. 427-430
Author(s):  
François Baratte

Over recent years the question of ancient hoards, in particular of precious metal, coins, plate or jewellery, has been the subject of numerous considerations (notably S. Gelichi and C. La Rocca (eds), Tesori. Forme di accumulazione della richezza nell'alto medioevo (secoli V–XI) (Rome, 2004)) in order to try to grasp the characteristics of a complex phenomenon that relates to multiple aspects of society in whatever period is under consideration: the economy, social organisation, the possible role of the images … The difficulties encountered by researchers when addressing these problems are illustrated by the ambivalence, indeed the ambiguity in many languages of the term ‘trésor/hoard’. Richard Hobbs has thus chosen, very judiciously, to take as his subject here ‘deposits of precious metal’, which defines the topic perfectly. On the other hand, one could question the descriptor ‘late Roman’ when applied to the period covered here, five centuries, from a.d. 200 to 700. There could be discussion over whether the third century should be included in Late Antiquity; others will challenge whether the sixth century still belongs to that same world. But from the first page H. effectively corrects his title by stating that it also covers the early Byzantine period, something I would feel is a better definition. It may certainly be felt that these are just questions of nomenclature, but they do have their importance for the topic of this study. All the same, the important thing is that H. wanted to study an extended period, as stated by the book's sub-title. One cannot but approve of his choice.


1883 ◽  
Vol 4 ◽  
pp. 156-157
Author(s):  
P. G.

Among the objects brought from Tarentum by the Rev. G. J. Chester are certain disks of clay of some interest, though not of artistic value. They are circular and flat or cheese-like in form, with a diameter of 3½ to 3¾ inches, and a thickness of about ¾ of an inch. The inscriptions are impressed in the clay by means of a stamp, and run thus:The order in date is that followed in the list. No. 1 is oldest, and the shape of the м seems to indicate that it may date from the fourth century B.C.; the other three are probably not earlier than the third century. Later they can scarcely be, for after that time the obol gave way to the Roman denarius and sestertius as a measure of value at Tarentum.


Augustinianum ◽  
2014 ◽  
Vol 54 (2) ◽  
pp. 341-374
Author(s):  
Clementina Mazzucco ◽  

The article deals with the views of the Fathers of the Church on relations between husband and wife between the end of the first century and the end of the third century, an age that is less studied in this respect, even though it offers good documentation concerning the subject (particularly in the case of Tertullian and Clement of Alexandria). Four themes are considered: 1. adultery and separation; 2. the conjugal debt; 3. the division of tasks between husband and wife; 4. the faith life of the couple. Different opinions and often original points of view are presented in regard to the lawfulness of the second marriage, the culpability of adultery, the value of sexuality in the marriage and the wife’s subordination to her husband.


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