The World of Musical Comedy

1983 ◽  
Vol 1 (3) ◽  
pp. 87
Author(s):  
Richard Kislan ◽  
Stanley Green
Keyword(s):  
Author(s):  
Jonas Westover

This chapter addresses the early stage adaptations of several of Baum’s books. The first musical comedy in 1902–1903 generated huge excitement, and inspired Baum to continue with his second novel in 1904. The following two decades were full of interchange between novels, stage productions, and films, with each iteration fueling interest in the world of Oz and its fantastic characters. The chapter examines several of these productions, including basic information about their contributions, but the focus is on the relationship between the stars chosen for the roles and the talents (dancing, singing, comedy, drama) they brought to the version they starred in. For example, Montgomery and Stone, a comedy duo popular in vaudeville and on Broadway, were the stars of the first show. Thus, it was the Tin Woodman and the Scarecrow who were the focus. Other performers, such as Charles Ruggles and Charlotte Greenwood, were the main attractions to their specific productions, too. In the end, the most successful Oz productions found clever ways to allow star players to shine and showcase their talents while maintaining some element of the narrative. It is this formula that would, in part, lead directly to the powerful impact of the 1939 film musical.


Author(s):  
Anne Robinson

The career of the English "creative" dancer, choreographer, teacher, and dance writer Penelope Spencer spanned the period between the World Wars. Spencer’s versatile training and career encompassed diverse British theater genres, including ballet, drama, mime, modern dance, musical comedy, opera, pantomime, and revue. She practiced consecutively as a freelance artist and under the auspices of enlightened cultural institutions, including the Arts Theatre Club, British Broadcasting Corporation, British National Opera Company, Camargo Society, Glastonbury Festival, Royal Academy of Dramatic Art, and Royal College of Music. Her published articles explored the relationship between dance and music, the importance of dance to actors and musicians, and dance as a collaborative art form, promoting the Wagnerian concept of Gesamtkunstwerk. During the interwar period, Spencer made significant and pioneering contributions to British theater dance and wider cultural heritage, while incorporating progressive philosophies into her choreography and teaching.


2021 ◽  
pp. 90-106
Author(s):  
Ethan Mordden
Keyword(s):  
The West ◽  

This chapter looks at the work of Noël Coward, and presents a list of his musicals. Perusing the list, we can note that Bitter Sweet (1929) is the only classic. This is so more for its superb score than its functional book, which was full of snobby folk fussing over etiquette. The elements that are most memorable about Coward's musicals, are the songs, especially the witty lyrics. This chapter argues that no one in the world of the West End theatre besides W. S. Gilbert rivals Coward for his lyrics. Ironically, there is little wit in the scripts of Coward's musicals, the wit is to be found only in the lyrics and some of the revue sketches. Coward's revue songs emphasize his musical-comedy side, while his story shows tilt toward operetta in whole or part. This irony could be a result of Coward's musical illiteracy: he composed but could not write anything down. For most of his career, he used hired secretaries to help organize the music.


2018 ◽  
Vol 41 ◽  
Author(s):  
Ana Gantman ◽  
Robin Gomila ◽  
Joel E. Martinez ◽  
J. Nathan Matias ◽  
Elizabeth Levy Paluck ◽  
...  

AbstractA pragmatist philosophy of psychological science offers to the direct replication debate concrete recommendations and novel benefits that are not discussed in Zwaan et al. This philosophy guides our work as field experimentalists interested in behavioral measurement. Furthermore, all psychologists can relate to its ultimate aim set out by William James: to study mental processes that provide explanations for why people behave as they do in the world.


2020 ◽  
Vol 43 ◽  
Author(s):  
Michael Lifshitz ◽  
T. M. Luhrmann

Abstract Culture shapes our basic sensory experience of the world. This is particularly striking in the study of religion and psychosis, where we and others have shown that cultural context determines both the structure and content of hallucination-like events. The cultural shaping of hallucinations may provide a rich case-study for linking cultural learning with emerging prediction-based models of perception.


2019 ◽  
Vol 42 ◽  
Author(s):  
Nazim Keven

Abstract Hoerl & McCormack argue that animals cannot represent past situations and subsume animals’ memory-like representations within a model of the world. I suggest calling these memory-like representations as what they are without beating around the bush. I refer to them as event memories and explain how they are different from episodic memory and how they can guide action in animal cognition.


1994 ◽  
Vol 144 ◽  
pp. 139-141 ◽  
Author(s):  
J. Rybák ◽  
V. Rušin ◽  
M. Rybanský

AbstractFe XIV 530.3 nm coronal emission line observations have been used for the estimation of the green solar corona rotation. A homogeneous data set, created from measurements of the world-wide coronagraphic network, has been examined with a help of correlation analysis to reveal the averaged synodic rotation period as a function of latitude and time over the epoch from 1947 to 1991.The values of the synodic rotation period obtained for this epoch for the whole range of latitudes and a latitude band ±30° are 27.52±0.12 days and 26.95±0.21 days, resp. A differential rotation of green solar corona, with local period maxima around ±60° and minimum of the rotation period at the equator, was confirmed. No clear cyclic variation of the rotation has been found for examinated epoch but some monotonic trends for some time intervals are presented.A detailed investigation of the original data and their correlation functions has shown that an existence of sufficiently reliable tracers is not evident for the whole set of examinated data. This should be taken into account in future more precise estimations of the green corona rotation period.


Popular Music ◽  
2003 ◽  
Vol 22 (2) ◽  
pp. 241-245
Author(s):  
Inez H. Templeton
Keyword(s):  
Hip Hop ◽  

Author(s):  
O. Faroon ◽  
F. Al-Bagdadi ◽  
T. G. Snider ◽  
C. Titkemeyer

The lymphatic system is very important in the immunological activities of the body. Clinicians confirm the diagnosis of infectious diseases by palpating the involved cutaneous lymph node for changes in size, heat, and consistency. Clinical pathologists diagnose systemic diseases through biopsies of superficial lymph nodes. In many parts of the world the goat is considered as an important source of milk and meat products.The lymphatic system has been studied extensively. These studies lack precise information on the natural morphology of the lymph nodes and their vascular and cellular constituent. This is due to using improper technique for such studies. A few studies used the SEM, conducted by cutting the lymph node with a blade. The morphological data collected by this method are artificial and do not reflect the normal three dimensional surface of the examined area of the lymph node. SEM has been used to study the lymph vessels and lymph nodes of different animals. No information on the cutaneous lymph nodes of the goat has ever been collected using the scanning electron microscope.


Author(s):  
W. L. Steffens ◽  
Nancy B. Roberts ◽  
J. M. Bowen

The canine heartworm is a common and serious nematode parasite of domestic dogs in many parts of the world. Although nematode neuroanatomy is fairly well documented, the emphasis has been on sensory anatomy and primarily in free-living soil species and ascarids. Lee and Miller reported on the muscular anatomy in the heartworm, but provided little insight into the peripheral nervous system or myoneural relationships. The classical fine-structural description of nematode muscle innervation is Rosenbluth's earlier work in Ascaris. Since the pharmacological effects of some nematacides currently being developed are neuromuscular in nature, a better understanding of heartworm myoneural anatomy, particularly in reference to the synaptic region is warranted.


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