L. A. Beaurline and the Illusion of Completeness

PMLA ◽  
1971 ◽  
Vol 86 (1) ◽  
pp. 121-127
Author(s):  
Ejner J. Jensen ◽  
L. A. Beaurline

Scholarship, like most human activities, has its fashions. One mode very much in the ascendant at the moment is that which concerns itself with the relation between literary forms and other intellectual structures in a given era ; its method might be described as a combination of the history of ideas with a sort of formalism. L. A. Beaurline's recent article on Ben Jonson, in its design and strategy, illustrates this approach.1 The overall design of such a paper may be indicated as follows: the scholar describes a concept for which he claims wide intellectual acceptance; next, he shows how this concept may be traced in certain literary works. After this initial demonstration, his strategy consists primarily of moving between specific works of literature and other manifestations of the concept to show how each class illuminates the other and how each substantiates the other's status. The end of all this activity is not merely increased understanding of the temper of an age, nor is it merely a clearer view of the works under discussion; ideally, it is both.

2019 ◽  
Author(s):  
Hanna Gekle

The history of mental development on the one and the history of his writings on the other hand form the two separate but essentially intertwined strands of an archeology of Ernst Bloch´s thought undertaken in this book. Bloch as a philosopher is peculiar in that his initial access to thought rose from the depths of early, painful experience. To give expression to this experience, he not only needed to develop new categories, but first and foremost had to find words for it: the experience of the uncanny and the abysmal, of which he tells in Spuren, is on the level of philosophical theory juxtaposed by the “Dunkel des gerade gelebten Augenblicks” (darkness of the moment just lived) and his discovery of a “Noch-nicht-Bewusstes” (not-yet-conscious), thus metaphysically undermining the classical Oedipus complex in the succession of Freud. In this book, psyche, work and the history of the 20th century appear concentrated in Ernst Bloch the philosopher and contemporary witness, who paid tribute to these supra-individual powers in his work as much as he hoped to transgress them.


2007 ◽  
Vol 6 (1) ◽  
pp. 7-41 ◽  
Author(s):  
Donna R. Gabaccia

Digitized texts open new methodologies for explorations of the history of ideas. This paper locates the invention of the term “Little Italy” in New York in the 1880s and explores its rapid spread through print and popular culture from police reporting to fictional portraits of slumming and then into adolescent dime novels and early film representations. New Yorkers invented “Little Italy” but they long disagreed with urban tourists about its exact location. Still, from the moment of its origin, both visitors and natives of New York associated Little Italy with entertainment, spectacle, and the search for “safe danger.” While the location of Little Italy changed over time, such associations with pleasure and crime have persisted, even as the neighborhood emptied of its immigrant residents.


Author(s):  
John Marenbon

‘Institutions and literary forms’ explains how the history of Latin Christian philosophy is strikingly different from the other three traditions, because so much of the best work took place in, and was shaped by, institutions dedicated to teaching and learning. In Islamic lands, the focus of teaching and learning was on the relationship between teacher and pupil. In all four traditions, medieval philosophizing centred around commentary, but there was also a tendency for thinkers to try to bring together in a single work (summa or treatise) their understanding of the whole of philosophy or theology. Dialogues and other literary forms, such as versification and novels, were also used.


PMLA ◽  
1969 ◽  
Vol 84 (1) ◽  
pp. 51-59 ◽  
Author(s):  
L. A. Beaturline

IN Our Knowledge of the External World, Bertrand Russell makes a significant distinction between two kinds of infinity. One kind is illustrated by the progression from zero to 1, 2, 3, 4, 5, on to infinity; Russell calls this an infinite progression, and it is unlimited. The other idea is illustrated by the division of an interval between, say, one and two; first divide it into halves, then divide each of those halves, and so on infinitely. This is a compact series or an infinite class, and it is limited. The infinite progression and the infinite class are quite different ideas, and they have different philosophical uses. I suggest that a similar distinction may be made concerning literary forms, and that this distinction helps us to understand what is new about Ben Jonson's dramatic method. The distinction reverberates through seventeenth-century literature, I believe, but Jonson is especially interesting because he is somewhat of a pioneer.


2013 ◽  
Vol 4 (1) ◽  
pp. 7-20
Author(s):  
Fernanda Henriques

This paper explores the thought of Paul Ricœur from a feminist point of view. My goal is to show that it is necessary to narrate differently the history of our culture – in particular, the history of philosophy – in order for wommen to attain a self-representation that is equal to that of men. I seek to show that Ricoeur’s philosophy – especially his approach to the topics of memory and history, on the one hand, and the human capacity for initiative, on the other hand– can support the idea that it is possible and legitimate to tell our history otherwise by envisioning a more accurate truth about ourselves. 


2020 ◽  
Vol 12(48) (3) ◽  
pp. 5-25
Author(s):  
Arkadiusz Jabłoński

The article is an analysis of the concept of human activities of two great Polish thinkers − Kazimierz Twardowski and Florian Znaniecki. The text is analytical and synthetic in nature, bordering on the history of ideas and methodology. The main problem of the article is to show what research approach in humanities results from the concept of human activities by Twardowski and Znaniecki. They present different ways of conceptualizing human activities, which complement each other logically and define complementary areas of description of human behavior. Twardowski strives to objectively describe human activities as logical and semiotic situations contained in human products. Such a perspective provides the basis for a scientific treatment of them, different from discovering hidden deterministic cause-and-effect relationships specific to natural phenomena. In Znanieckiʼs approach, activities are treated as a material of culture, i.e. an order of relations between all externalized human experiences. This is the basis of a humanistic understanding of human behavior that conforms to cause and effect thinking in the natural sciences.


Author(s):  
Eitan P. Fishbane

IN THIS BOOK I have studied the Zohar as a work of literature, seeking to understand the ways in which this corpus should be appreciated not only as a masterpiece of Jewish thought, theology, and exegesis but also as a great achievement of the Jewish narrative imagination. Presenting a poetics and morphology of zoharic storytelling, I have approached the text less from the vantage point of the history of ideas, and more through the phenomenology of literary forms. In short, I have set out to read the ...


2016 ◽  
Vol 63 (4) ◽  
pp. 497-512
Author(s):  
Lionel Obadia

Have we finished with superstition, from the point of view of history, of ideas and of psychology? Nothing is less certain. On the basis of some ancient or recent publications on this topic, this article attempts to pinpoint the fact that, owing to the empirical and theoretical topicality of superstition, it certainly deserves better than the ideological and intellectual disqualification it has been subjected to. Recent reflections, inspired by anthropological and psychological approaches, seem part of a new interest in beliefs and symbols previously mastered by dominant and exclusive systems of thoughts, be they religious or profane. But a close examination of the effective uses of the notion of ‘superstition’ demonstrates that the projective stigmatization of the ‘Other’ remains a relevant point of departure from which it can be rehabilitated, alongside the latest psychological approaches of belief.


2021 ◽  
Author(s):  
Schneider Filip

Roman historians developed a tradition of placing ethno graphic information into their works. The “Other” was an everyday reality of the Roman state. With its expansion more nations came into its orbit and thus to the attention of its writers. Arabs were among many others whom the Romans confronted. The position of the Arabs changed rapidly since the emergence of Islam in the 7th century. From a peripheral nation they became the major superpower in the East. The Roman/Byzantine perception did change due to various factors, such as the emergence of new religion as well as military expansion of the newly founded Arab state. It was in this period when ethnographic tradition under went a major transformation. Ethnography was in decline with snippets of information throughout literary works instead of vast descriptions of the “Other” as known in antiquity. Merging the snippets, however, a more coher ent image may occur. The aim of this paper is to look on the ethnographic information about Arabs in three literary works of the 10th century Byzantium – the Taktika, De administran do imperio and History of Leo the Deacon. Arabs will be analysed under the scope of elements that affected Byzantine perception on them – religion, military, and ethnic stereotypes. With the analysis I intend not only to gain a more coherent picture about the ethnographic perception of the Arabs in Byzantium, but also the differ ence of the perception among its various social classes.


Author(s):  
Benjamin Kohlmann

Speculative States pursues two related goals, one reconstructive and literary-historical, the other conceptual. First, the book restores to view literature’s engagements with the slow politics of reform by linking the development of the institutional forms of the state to the aesthetic forms of literary writing. In doing so, it maps out a literary prehistory of the welfare state in Britain that spans the late Victorian and modernist periods. Second, the book also makes visible an ambitious reformist idiom which insists that we think about the state as an aspirational (speculative) figure—as a form of life in its own right rather than as a set of detached administrative procedures and bureaucratic processes. Placing literary studies in dialogue with political theory, philosophy, and the history of ideas, Speculative States marks a major contribution to current debates about literature and the state, but it also centrally intervenes in conversations in critical theory by urging a fuller engagement with the critical and speculative dimensions of the dialectical imagination.


Sign in / Sign up

Export Citation Format

Share Document