Der Fall des Philosophen

2019 ◽  
Author(s):  
Hanna Gekle
Keyword(s):  
20Th Century ◽  
Oedipus Complex ◽  
The Other ◽  
Philosophical Theory ◽  
Ernst Bloch ◽  
The Uncanny ◽  
History Of ◽  
Painful Experience ◽  
The Moment ◽  
The One

The history of mental development on the one and the history of his writings on the other hand form the two separate but essentially intertwined strands of an archeology of Ernst Bloch´s thought undertaken in this book. Bloch as a philosopher is peculiar in that his initial access to thought rose from the depths of early, painful experience. To give expression to this experience, he not only needed to develop new categories, but first and foremost had to find words for it: the experience of the uncanny and the abysmal, of which he tells in Spuren, is on the level of philosophical theory juxtaposed by the “Dunkel des gerade gelebten Augenblicks” (darkness of the moment just lived) and his discovery of a “Noch-nicht-Bewusstes” (not-yet-conscious), thus metaphysically undermining the classical Oedipus complex in the succession of Freud. In this book, psyche, work and the history of the 20th century appear concentrated in Ernst Bloch the philosopher and contemporary witness, who paid tribute to these supra-individual powers in his work as much as he hoped to transgress them.

scholarly journals The Orderliness of Music from the Perspective of Complex Information Systems

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang
Keyword(s):  
Information Systems ◽  
20Th Century ◽  
Natural Science ◽  
The Other ◽  
Western Music ◽  
Classical Period ◽  
20Th Century Music ◽  
Complex Information ◽  
History Of ◽  
The One

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.

Spiritual Crisis of the Beginning of the 20th Century: From Philosophical to Religious Interpretations

2021 ◽  
pp. 79-88
Author(s):  
Alexander V. Koltsov ◽  
Keyword(s):  
20Th Century ◽  
History Of Philosophy ◽  
The Other ◽  
German Philosophy ◽  
Religious Consciousness ◽  
Religious Context ◽  
Spiritual Crisis ◽  
History Of ◽  
History Of Culture ◽  
The One

The paper is an attempt to narrow down the notion of spiritual crisis which is now widely applied in research on history of culture of the 19th–20th centuries, with respect to history of German philosophy and observation of modern reli­giosity. The shift from the history of philosophy to the religious context is ful­filled through analysis of texts of two religious thinkers, A. Reinach and S. Frank, whose thought clearly demonstrates strong interconnection between the both fields. Analysis of contemporary studies on history of phenomenological philos­ophy (C. Möckel and W. Gleixner) lets firstly observe ways of application of Koselleck’s notion of crisis to investigations in the history of philosophy. Sec­ondly it discovers two possibilities of philosophical contextualization of the con­cept of spiritual crisis – on the one hand, as a constituent rhetorical element of the philosophical statement (Möckel), on the other hand, as a term which de­scribes the uniqueness of an intellectual situation of the beginning of the 20thcentury (Gleixner). Then these aspects of the rhetoric of crisis are applied to reli­gious philosophy of Reinach and Frank, what leads to interpretation of their works as a particular statement discovering the divine (or the holy) as a new cat­egory of religious consciousness.

THE INFLUENCE OF ABSINTHE ON WORLD CULTURE

2021 ◽  
pp. 5-11
Author(s):  
Beloglazov I.A. ◽  
Biryukova N.V. ◽  
Nesterova N.V.
Keyword(s):  
Side Effects ◽  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
Early 20Th Century ◽  
World Culture ◽  
Artemisia Absinthium ◽  
History Of ◽  
The One ◽  
The 19Th Century

The authors of the work analyzed the sources that characterize the influence of absinthe on human culture. Absinthe, an alcoholic drink containing wormwood (Artemisia absinthium L.), was banned in the early 20th century due to unusual properties attributed to the side effects of drinking this alcohol. This review contains information about the history of the drink. On the one hand, absinthe left its mark in the culture as a “muse” for the creators, remaining forever imprinted in the works of various types of art, on the other hand, it became the main enemy for the most part of society because of the harmful properties that was characterized by researchers of the 19th century.

scholarly journals Researching the History of Chinese Logic

Asian Studies ◽  
2021 ◽  
Vol 9 (2) ◽  
pp. 105-120
Author(s):  
Qingtian Cui
Keyword(s):  
Present Article ◽  
20Th Century ◽  
Chinese Philosophy ◽  
The Other ◽  
Chinese Society ◽  
The Qing Dynasty ◽  
History Of ◽  
The One ◽  
Chinese Logic ◽  
Short Presentation

During the Qing dynasty (1644–1911), the progressive intellectuals, who were confronted with the all-embracing crisis of Chinese society, yearned to find the new truth within the Western ideas on the one hand, and the works of the classical Chinese philosophy of the pre-Qin era on the other. These social and historical circumstances started the research into the history of Chinese logic. In the process of these investigations, it soon became clear that more appropriate methodologies were needed to explore Chinese logic, as those used for researching Western logic were not suitable for the task. The revival and modernization of such methods took place in the latter half of the 20th century, and one of the most important figures in these processes was Professor Wen Gongyi, who was hence one of the pioneers of modern research into the history of Chinese logic. Therefore, the present article also offers a short presentation of his biography and his contributions to the development of the research into traditional Chinese logic.

Autonomie und Unheimlichkeit

2020 ◽  
Keyword(s):  
20Th Century ◽  
The Other ◽  
Modern World ◽  
The Uncanny ◽  
Technological Control ◽  
The World ◽  
Technical Systems ◽  
The One ◽  
Self Learning ◽  
Radical Transformation

Is technological control taking the place of what appeared uncannily uncontrollable? Or is it itself becoming uncanny? Two seemingly contradictory narratives have shaped the history and theory of technology. The narrative of disenchantment describes how nature, experienced as something foreign and dangerous, was tamed by becoming scientific and mechanised. Secondly, the narrative of (re-)enchantment recounts how artefacts and technological possibilities become uncanny, especially by way of their seeming independence and by confronting us with an ‘autonomous’ logic of their own. In today's debates about self-learning, ubiquitous, invisible and opaque technologies, the uncanny moment resonates of a technology with ‘a life of its own’. Following up on the mechanisation and automation discourses of the 20th century, this contributes to the ‘demonisation’ of technology. On the one hand, technology makes the world familiar and comprehensible, e.g. by equating understanding with technical reconstruction. On the other hand, the technical reproduction of the world – or its radical transformation into an alienated one – is experienced as something disturbing. When artefacts appear to do ‘what they want’ or when large technical systems shape the world according to their ‘own logic’, a limit is reached that was already mentioned by Freud – we become uncertain whether we are still living in the modern world at all.

scholarly journals To the history of the formation of the Iranian collections in the Russian Ethnographic Museum fund

2020 ◽  
pp. 18-21
Author(s):  
L. S. Gushchian ◽  
Keyword(s):  
20Th Century ◽  
Russian Empire ◽  
The Other ◽  
High Status ◽  
Ethnic Culture ◽  
Wide Range ◽  
Mechanisms Of Formation ◽  
History Of ◽  
The Russian Empire ◽  
The One

The mechanisms of formation of the Iranian funds of the Russian Ethnographic Museum are analyzed in the article. The series of collections acquired at the beginning of the 20th century for this collection, indicates the relevant interest towards the multi-ethnic culture of Iran, in which female images, with an outstandingly exotic character for Europeans, have a special place. The accompanying archival materials of the collections, in particular, the correspondence between expeditionist-collector S.  Ter-Avetisyan, a student of the Imperial St. Petersburg university, and the curator of the museum K. Inostrantsev, demonstrate, on the one hand, the wide range of research programs of the orientalist s tudents at the beginning of the last century, and on the other, a researcher’s high status in the Russian Empire

scholarly journals CLASSICISM AND NEO-CLASSICISMS IN THE HISTORY OF MUSIC

2021 ◽  
Vol 5 (1) ◽  
pp. 115-122
Author(s):  
Gabriel BULANCEA ◽  
Keyword(s):  
20Th Century ◽  
Point Of View ◽  
The Other ◽  
The Past ◽  
Creative Identity ◽  
History Of ◽  
The One ◽  
Rudimentary Form ◽  
The 19Th Century ◽  
Looking Back

In one of his articles, Octavian Paler draws attention in a metaphorical-mythologizing manner upon one of the risks taken by those who chose tradition as their source of inspiration. The epigonic spirit, because this is what he refers to, cannot escape idolatrising tradition, phenomenon that happens within an alterity of the creative identity, within the pettiness of controlling the artistic means, within the infatuation of his own image which is placed under the protection of the great creative figures. The epigone masters in an embryonic form some techniques which, for various reasons, he cannot manipulate creatively. He is somehow suspended between two sensibilities, hence his failure. On the one hand, he is not aware of the risk of assuming past sensibilities, and on the other, he does not assume his contemporariness. Giving in to the temptation of looking too much into the past, the epigonic artist loses his identifying sensibility. “The mistake of neo-classicism, with its statues painted or sculpted based and antique models, is Orpheus’ mistake. As we no longer have the soul of the ancient Greeks, imitating their art is useless because in art too, looking back kills if there is no conscience of the irreversibility. From this point of view, there is no turning back unless in order to desolate everything” (Paler, 2016, pp. 189-190). This quote refers to neo-classicism perceived in its most rudimentary form, in which it would identify itself with the epigonic phenomenon. Of course, no relation of equality can be claimed between an epigone and a neo-classicist. If we are to give a brief definition in which to establish a relationship between these two terms, the epigone is a neo-classicist that lacks fantasy. Neo-classicism means to creatively take over technical means, past sensibilities in order to anchor them in the tumultuousness of contemporary times. Neo-classicism represents the happiest mixture between past and present, that form of artistic reverberation in which modernity still makes room for the seal of the past. Not servility, not obedience, not anachronism which denote the incapacity to assimilate new composing techniques or the lack of vigour of creative energies, but the power to adapt to new sensibilities through restorative interventions. Starting from here, we will trace a re-echeloning line of various types of neo-classic sensibilities specific to the end of the 19th century and to the entire 20th century

The Orderliness of Music from the Perspective of Complex Information Systems

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang
Keyword(s):  
Information Systems ◽  
20Th Century ◽  
Natural Science ◽  
The Other ◽  
Western Music ◽  
Classical Period ◽  
20Th Century Music ◽  
Complex Information ◽  
History Of ◽  
The One

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.

scholarly journals The Uncanny and the Unspoken Element of Speech in Kazantzakis and Terzakis

2020 ◽  
pp. 70-87
Author(s):  
A. Alexopoulou
Keyword(s):  
20Th Century ◽  
The Other ◽  
Death Drive ◽  
Structural Element ◽  
Common Component ◽  
Modern Greek ◽  
The Uncanny ◽  
The Subject ◽  
The One ◽  
The Erotic

This study investigates the theme of Uncanny in the Modern Greek roman of the 20th century and in particular in Terzakis’ Secret life and Kazantzakis’ Christ Recrucifi ed. The unspoken element of speech is a common component of the romans and a structural element of their poetics to the extent that it refl ects the divided consciousness of the characters. The encounter with the erotic Other becomes the occasion for the subjective division to emerge, to the point where the only escape is death drive. The cancellation of the love aff air brings the characters in confrontation with the diametrically opposed poles of their own subjectivity, the impulse of death on the one hand and life on the other. The depersonalisation of speech and the phenomena of xenopathy appear as a consequence of the extinction of the subject. Their doppelgängers emerge as a response to their desperate desire, up to the point where they eventually crush their living existence.

scholarly journals CORPORATISM AND THE BRITISH CONSTITUTIONAL HERITAGE: EVIDENCES FROM THE HISTORY OF IDEAS

2018 ◽  
Vol 31 (64) ◽  
pp. 151-172
Author(s):  
Valerio Torreggiani
Keyword(s):  
20Th Century ◽  
History Of Ideas ◽  
The Other ◽  
Other Hand ◽  
Time Period ◽  
History Of ◽  
The One ◽  
The Given ◽  
And Diffusion

Abstract This article challenges a historiographical understanding of corporatism as an appendix of fascist ideology by examining the elaboration and diffusion of corporatist cultures in Britain during the first half of the 20th century. The case study seeks, on the one hand, to highlight the changing nature of corporatism by showing the different forms - fascist and non-fascist - that it took in Britain in the given time period. On the other hand, the article connects British corporatism with the European corporatist movement, as well as with the British constitutional heritage, underlining the close entangling of national and transnational issues.

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