Constantinopolitana

1923 ◽  
Vol 43 (2) ◽  
pp. 162-167
Author(s):  
F. W. Hasluck

Of the many resting-places assigned, by patriotic fancy, we must regretfully admit, rather than by well-authenticated traditions, to the last Greek emperor of Constantinople, none is more picturesque or more appropriate than the Golden Gate, through which, when the years are fulfilled, the victorious army of the Greeks is to enter the city and take possession once more of their ancient heritage. More than this, as Professor Polites has remarked, relatively ancient traditions of the saviour-king, who is to rise from the sleep of death at this historical moment, speak of him as dwelling ἐν τῇ πρώτῃ ἄκρᾳ τῆς Βυζαντίδος which may well enough be interpreted of the Golden Gate, standing as it does at the south-west corner of the triangular city.Despite this appropriateness, we note in the traditions a certain discrepancy as to one essential point—the identity of the sleeper at the Golden Gate. He is either the emperor Constantine Palaiologos, or his predecessor John Palaiologos, or—S. John the Evangelist! All these traditions are historically almost equally incredible. But the intrusion of S. John, who, according to mediaeval traditions, sleeps without tasting of death in his tomb at Ephesus, is at least intelligible in this setting. The figure of John Palaiologos, on the other hand, seems to be no more than a bridge effecting the transition between the deathless saint, John, and the deathless emperor, Palaiologos, of popular tradition. This hypothetical development would be explicable if we could find such a combination as the existence at the Golden Gate of a body marvellously preserved, and therefore reputed that of a saint, which was ignorantly identified first for obvious reasons with S. John, and later swept into the long cycle of local legends concerning the sleeping saviour-king. It seems possible that some, though not all, of the missing links can be supplied.

Author(s):  
Charles Bonnet

The two cities of Kerma and Dokki Gel represent the center of an independent Nubian kingdom that stood up to Egyptian hegemony over a long period of time. Archaeological research carried out in Kerma has enabled us to trace the main development phases of the capital and to identify its main institutions, often influenced by Egypt. On the other hand, the city of Dokki Gel is different in nature, and its unusual architecture, displaying oval or circular monuments, leads us to consider an external input from neighboring countries, probably from the south, like Punt or ancient powers of Darfur. One can thus suggest that the armies of neighboring kingdoms took part in the defense of the territory in the form of coalitions mentioned in some sources contemporary with the conquest of Kerma by the pharaoh’s armies. The establishment of a menenu (fortress) by Thutmose I at Dokki Gel marks a breach that lasted three centuries, and the start of the Egyptianization of the city of Pnubs.


2016 ◽  
Vol 3 (23) ◽  
pp. 43
Author(s):  
Gustavo Adolfo Marmolejo-Avenia ◽  
Lucy Yudy Guzmán ◽  
Ana Lucia Insuaty

La visualización desempeña un papel determinante en la comprensión de los fenómenos que subyacen al aprendizaje y enseñanza de las matemáticas, sin embargo, no es un asunto de constatación inmediata y simple, por el contrario, es una cuestión de tratamiento de información cuya complejidad debe ser descrita. En este artículo se explora el rol que juega la visualización asociada a las figuras geométricas en la manera en que algunos textos escolares de mayor uso en el sur-occidente colombiano introducen la enseñanza de las fracciones en los primeros ciclos de la educación básica. Se observó en los libros de texto analizados un desequilibrio entre el número de actividades que privilegian roles potentes a nivel visual y aquellas cuya potencia es moderada o inexistente.Introduction to fractions in textbook of Basic Education. Figures Dinamic or static representations?ABSTRACTVisualization plays an important role to understand the phenomena that underlie the learning and teaching of mathematics, however, it is not a matter for immediate and easy verification, on the other hand, it is a matter of information processing that describes complexity. This article explores the role that plays the visualization associated with the geometric shapes on the way in which some textbooks that are most widely used in the South-West of Colombia, are in charge of introducing the teaching of fractions during the first levels of basic education. It was observed in the analyzed textbooks an imbalance between the number of activities that promote visually powerful roles and those which power is controlled or non-existent.Introdução às frações em textos escolares da educação básica, figuras estáticas ou dinâmicas?RESUMOVisualization desempenha um papel fundamental na compreensão dos fenômenos que fundamentam a aprendizagem e ensino de matemática, no entanto, não é uma questão de observação imediata e simples, no entanto, é uma questão de processamento de informações cuja complexidade deve ser descrito. Este artigo descreve o papel desempenhado pela exposição associada às figuras geométricas sobre como alguns livros didáticos mais utilizados no sudoeste da Colômbia introduziu o ensino de frações no primeiro ciclo do ensino básico é explorado. Observou-se em livros de texto analisado um desequilíbrio entre o número de actividades que enfatizam visualmente funções potentes e aqueles cuja energia é moderada ou inexistente.


Iraq ◽  
1996 ◽  
Vol 58 ◽  
pp. 89-103
Author(s):  
Eleanor Guralnick

AbstractDuring the Spring of 1991, the Fall of 1993 and the Summer of 1994, a major effort was completed to measure all the surviving untrimmed, monolithic and essentially entirely preserved Late Assyrian sculptured slabs and figures from Khorsabad, dating to the time of Sargon II, that are now held in Western museums. The programme of measurement was undertaken as the Paris slabs were in the process of being installed in their new home in the Richelieu Wing, Musée du Louvre, Paris. The Khorsabad slabs in the British Museum, London, the Oriental Institute of the University of Chicago, and the Sargon stele in the Pergamon Museum in Berlin were also measured. In addition, a number of slabs in the British Museum from the South-West and North Palaces at Nineveh were measured. Some were carved during the reign of Sennacherib, while others, from Room 23, were decorated in the reign of Assurbanipal.The first stages in the analysis of the measurements have already led to a number of useful observations concerning the standards of measurement used in decorating Late Assyrian Palaces. Measurement of untrimmed slab widths and frieze heights from Nineveh portraying battle scenes suggest that the standard Late Assyrian cubit equalled 51.5 cm in length. Slabs from Khorsabad Façade L are cut to this same cubit. On the other hand, religio-mythological royal emblemata, or guardians of the gates, at the palace of Sargon at Khorsabad were carved in accordance with a cubit of 56.6 cm, precisely three finger-breadths longer than the standard cubit. A slab featuring King Sargon was carved to a cubit 55 cms in length, precisely two finger-breadths longer than the standard. This confirms the existence of three Late Assyrian cubits: a standard cubit, a “Big Cubit” (KÙŠ GAL-ti in the annals of Sennacherib, AS4.LUM GAL-ti in a text of Esarhaddon), and the rare “Cubit of the King” (KÙŠ LUGAL in Late Assyrian cuneiform documents), which is probably the same as the “Royal Cubit” (basileios pēchys), three finger-breadths longer than the standard cubit, mentioned by the Greek historian Herodotus (I, 178).


2021 ◽  
Vol 41 (1) ◽  
pp. 117-134
Author(s):  
Frances Clemente

When in 1834, during his Grand Tour of Europe, Hans Christian Andersen set foot in Naples, he was immediately won over by the exuberant vitality of the Neapolitan people. The Parthenopean city, where he “was exposed to sensuality as a daily temptation” (Rossel, “Hans Christian Andersen” 24 and “Do You Know the Land” 95), also awakened Andersen’s more repressed instincts. From this experience he drew material for his most autobiographical novel, Improvisatoren (1835; The Improvisatore), whose protagonist tries to and succeeds in resisting the seductions of Neapolitan sensuality. If on the one hand the Danish author underwent the typical experience of the Northern traveller visiting the South and, more specifically, Naples, enjoying its openness and gaiety, on the other hand he never completely abandoned himself to Southern allures, upholding his moral and religious beliefs against a city that continuously attempted to wholly seduce him. The present paper aims to retrace Andersen’s first journey to Naples—where, by the writer’s own account, “the blood boils” (The Diaries of Hans Christian Andersen 85)—as a voyage into a tempting sensuality, contextualizing it within the wider context of nineteenth-century travelling experience in the city by Northern travellers.


1938 ◽  
Vol 38 ◽  
pp. 134-141

The period to which the occupation of Karphi belongs is clearly the dark age which follows the end of the Bronze Age. This period is often known indiscriminately as the Sub-Minoan or as the Proto-Geometric Period, that term being used which seems to fit best the results at the particular site to which it is applied. Neither term, however, is satisfactory when applied to the period as a whole.Sub-Minoan pottery is clearly contemporary with Proto-Geometric. It would be absurd to apply the term Proto-Geometric to a city like Karphi, where only one or two sherds of the true Proto-Geometric style have appeared. On the other hand, the term Sub-Minoan takes no account of the very considerable non-Minoan elements which have crept into the architecture and other manifestations of culture. In the same way, it would be absurd to apply the term Sub-Minoan to the Early Iron Age cemeteries of Knossos. Here the term Proto-Geometric is more excusable, though it still takes no account of the many Minoan features which survived there.


Telaah Bisnis ◽  
2016 ◽  
Vol 16 (2) ◽  
Author(s):  
Kusuma Chandra Kirana

AbstractYogyakarta has been known as the city of tourism for the many culture and heritage in this region. The city of Heritage attached to it, has an impact on people’s behavior in the consumption of products or services. A demand for good tourism on the products service has encouraged the growth of industries that promote values. Hospitality, an industry engaged in social services, is growing rapidly in Yogyakarta. The industry deals with hospitality services and management of socio-religious events, such as weddings. Based on the data obtained, people of Yogyakarta are very sensitive to the appropriate product warranties. This study used descriptive statistics of Likert shari’i scale, a modified Likert scale. Data were analyzed using Fishbein formulation. The results of the above studies indicate that the overall consumers’ attitude towards hospitality marketing mix in Yogyakarta is positive with the value of Ao: + 5.1601. On the other hand, the score of partial assessments of hospitality marketing mix in Yogyakarta are as follows; product assessment Ao = +1.047025, price Ao =0.58305, location Ao = +0.980075, promotion Ao = +0.3479.


ARTic ◽  
2019 ◽  
Vol 4 ◽  
pp. 167-176
Author(s):  
Risti Puspita Sari Hunowu

This research is aimed at studying the Hunto Sultan Amay Mosque located in Gorontalo City. Hunto Sultan Amay Mosque is the oldest mosque in the city of Gorontalo The Hunto Sultan Amay Mosque was built as proof of Sultan Amay's love for a daughter and is a representation of Islam in Gorontalo. Researchers will investigate the visual form of the Hunto Sultan Amay Mosque which was originally like an ancient mosque in the archipelago. can be seen from the shape of the roof which initially used an overlapping roof and then converted into a dome as well as mosques in the world, we can be sure the Hunto Sultan Amay Mosque uses a dome roof after the arrival of Dutch Colonial. The researcher used a qualitative method by observing the existing form in detail from the building of the mosque with an aesthetic approach, reviewing objects and selecting the selected ornament giving a classification of the shapes, so that the section became a reference for the author as research material. Based on the analysis of this thesis, the form  of the Hunto Sultan Amay mosque as well as the mosques located in the archipelago and the existence of ornaments in the Hunto Sultan Amay Mosque as a decorative structure support the grandeur of a mosque. On the other hand, Hunto Mosque ornaments reveal a teaching. The form of a teaching is manifested in the form of motives and does not depict living beings in a realist or naturalist manner. the decorative forms of the Hunto Sultan Sultan Mosque in general tend to lead to a form of flora, geometric ornaments, and ornament of calligraphy dominated by the distinctive colors of Islam, namely gold, white, red, yellow and green.


GEOgraphia ◽  
2010 ◽  
Vol 7 (14) ◽  
Author(s):  
Márcio Piñon de Oliveira

A utopia do direito à cidade,  no  caso específico do Rio de Janeiro, começa, obrigatoriamente, pela  superação da visão dicotômica favela-cidade. Para isso, é preciso que os moradores da favela possam sentir-se tão cidadãos quanto os que têm moradias fora das favelas. A utopia do direito à cidade tem de levar a favela a própria utopia da cidade. Uma cidade que não se fragmente em oposições asfalto-favela, norte-sul, praia-subúrbio e onde todos tenham direito ao(s) seu(s) centro(s). Oposições que expressam muito mais do que diferenças de  localização e que  se apresentam recheadas de  segregação, estereótipos e  ideologias. Por outro  lado, o direito a cidade, como possibilidade histórica, não pode ser pensado exclusivamente a partir da  favela. Mas as populações  que aí habitam guardam uma contribuição inestimável para  a  construção prática  desse direito. Isso porque,  das  experiências vividas, emergem aprendizados e frutificam esperanças e soluções. Para que a favela seja pólo de um desejo que impulsione a busca do direito a cidade, é necessário que ela  se  pense como  parte da história da própria cidade  e sua transformação  em metrópole.Abstract The right  to the city's  utopy  specifically  in Rio de Janeiro, begins by surpassing  the dichotomy approach between favela and the city. For this purpose, it is necessary, for the favela dwellers, the feeling of citizens as well as those with home outside the favelas. The right to the city's utopy must bring to the favela  the utopy to the city in itself- a non-fragmented city in terms of oppositions like "asphalt"-favela, north-south, beach-suburb and where everybody has right to their center(s). These oppositions express much more the differences of location and present  themselves full of segregation, stereotypes and ideologies. On  the other  hand, the right to  the city, as historical possibility, can not be thought  just from the favela. People that live there have a contribution for a practical construction of this right. 


1997 ◽  
Vol 60 (1) ◽  
pp. 100-108
Author(s):  
Moshe Sharon

In the 1994 season of the excavations in Ramla, archaeologist Don Glick, digging on behalf of Israel Antiquities Authority, exposed in a field on the eastern part of the city, some 600 m. to the south east of Birkat al-ՙAnaziyya, a complex of water installations consisting of two small basins or troughs (one 1.00 × 1.50 m. and the other 0.50 × 0.62 m.), and water canals and pipes. One of the canals was covered with a slab of marble, with an Arabic inscription, in a secondary usage. In the course of fitting the stone to its new purpose, it was cut and a few lines from the top and bottom of the inscription were lost. From the contents of the inscription, as we shall soon see, it can be learnt that the field and the water installations continued to be in use, long after the inscription ceased to serve its purpose, for it was utilized in the repairs of the water installations in the field at some later date.


2004 ◽  
Vol 14 (2) ◽  
pp. 271-276
Author(s):  
Barry Kemp

The first millennium bc brought warfare to the interior of Egypt on a significant scale. We have two vivid records, one written and the other pictorial. The former is a first-person narrative of the Napatan (Sudanese) king Piankhy who, having gained control of the south of Egypt, embarked in 730 bc on a methodical subjugation of the rest of the country, then under the rule of several local families. During the seemingly irresistible northward progress of his army Piankhy makes frequent reference to walls with battlements and gates which could be countered with siege towers/battering rams and the erection of earthen ramps, although Piankhy himself preferred the tactic of direct storming. Within the circuit of these walls lay treasuries and granaries and, in the case of the city of Hermopolis in Middle Egypt, the palace of the local king Nemlut together with its stables for horses.


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