Symphonic and Chamber Music Score and Parts Bank Thematic Catalogue of the Barry S. Brook Facsimile Archive of 18th and Early 19th Century Autographs, Manuscripts, and Printed Copies at the Ph. D. Program in Music of the Graduate School of the City University of New York

Notes ◽  
1997 ◽  
Vol 54 (1) ◽  
pp. 60
Author(s):  
Chappell White ◽  
Ruth Halle Rowen
Prospects ◽  
1988 ◽  
Vol 13 ◽  
pp. 225-248 ◽  
Author(s):  
William R. Taylor

How do we visualize our large cities? What kinds of shapes, overall, do we imagine them to have? These questions would have brought different answers in each major period of urban change in our country's development. Each period seemed to develop a favored perspective. Eighteenth and early-19th-century New Yorkers thought of the city as it looked when one approached it by sea from the harbor. Mid-19th-century viewers imagined a city seen from a bird's eye view like that provided by the Latting Observatory on 42nd Street, stretching to the north. By the end of the century, the approach to the city by rail and road began to encourage a new perspective on the city, silhouetted against the skywhat we have come to know as the skyline view. Each of these perspectives on the city reflects something about the urban culture of the period that created and favored the perspective. In the values and meaning that have become associated with it, the skyline is no exception.


Prospects ◽  
1988 ◽  
Vol 13 ◽  
pp. 225-248
Author(s):  
William R. Taylor

How do we visualize our large cities? What kinds of shapes, overall, do we imagine them to have? These questions would have brought different answers in each major period of urban change in our country's development. Each period seemed to develop a favored perspective. Eighteenth and early-19th-century New Yorkers thought of the city as it looked when one approached it by sea from the harbor. Mid-19th-century viewers imagined a city seen from a bird's eye view like that provided by the Latting Observatory on 42nd Street, stretching to the north. By the end of the century, the approach to the city by rail and road began to encourage a new perspective on the city, silhouetted against the skywhat we have come to know as the skyline view. Each of these perspectives on the city reflects something about the urban culture of the period that created and favored the perspective. In the values and meaning that have become associated with it, the skyline is no exception.


Author(s):  
Halyna Petryshyn ◽  
Roman Liubytskyy

The sphere of life of a large city includes forests as a natural resource and areas of its expansion and now they serve to implement modern eco-trends. In the evolution of Lviv we can distinguish several stages of relation to forested areas: 1 - exemption from forests of areas suitable for farming, horticulture and construction; 2 – the early 19th century. - planting of new forests for economic and rehabilitation purposes; 3 - the turn of the 19th and 20th centuries - the development of the recreational function of forests under the influence of hygienists, especially at water sources; 4 - the end of the 19th century and before 1939 - the development of the city of Lviv with new streets and compact plots according to the urban concepts of "villa in the park" and "garden city", which are wedged into the forest park areas; 5 - the second half of the 20th century. The rapid territorial development of industrial Lviv causes the emergence of large residential areas on the outskirts of the city. According to strict regulatory requirements for providing residents with green areas, part of the suburban forests were allocated for the establishment of local parks. A trade union recreation centers are developing around the city; 6 - 1980s - under the influence of the concept of a polarized landscape in conditions of state ownership of land and its resources, in suburban forests and in the city, separate plots with unique characteristics are distinguished, on the basis of which objects of nature reserve fund are created; 7 - from the 1990s and until now - the spreading of the city and the defragmentation of forests are observed. At the same time, the creation of new nature reserve facilities in Lviv and in the suburban area were performed as well as the formation of new reserves and their inclusion into European ecological networks. At the same time, the process of permanent alienation of forest areas in favor of the spread of development is intensifying. The most vulnerable are the territories of Bryukhovychi and Vynnyky forest parks, which are fully included in the united territorial community of Lviv approved in 2020.


Author(s):  
Dariusz Lorek

In the early 19th century, cartographic studies typically satisfied military or administrative needs. The idea behind drawing a map of Pleszew in 1806 was to show the condition of the city following a great fire. The plan distinguishes between the burnt down areas and ones saved from the fire. While the legend is small, including few explanations and the markings on the sheet are moderately distributed, the analyzed city map is a valuable resource of information which can be presented in the form of thematic visualizations. The article presents studies into the information provided by the map of Pleszew in terms of the scope of content and its spatial distribution; a method of arrangement thereof has also been proposed. The decision to attribute specific objects to separate layers has offered an opportunity of selecting the content according to various criteria and presenting it in the form of thematic visualizations.


Author(s):  
Kate Boehme

In India, as in much of the world, the 19th century witnessed the emergence of urban capitalist classes, effected by the rapid growth of global mercantile capitalism and, later, industrial manufacturing. As a colonial city, Bombay—like its eastern counterpart, Calcutta—developed two connected, but distinct business communities: one, a European community with foreign, imperial connections, and the other, an Indian community with roots in long-standing regional networks. In Bombay, the latter took the form of a class known as the “Merchant Princes,” who capitalized on long-standing commercial traditions in western India and their ability to command both Indian and colonial networks to establish themselves as commercial powerhouses. These commercial networks and patterns of behavior, established before the arrival of the British, had an indelible impact on the character of Indian business in colonial Bombay. The business community brought such traditions with them when they migrated to Bombay at the end of the 18th century and used them to build the famous mercantile firms of the early 19th century. The Indian business elite likewise built collaborative links within their own community to expand their business interests; when barriers erected by the colonial establishment sought to limit their expansion, Indian businessmen used the resources at their disposal (both in the Indian hinterland and within the city itself) to circumvent them. Class identity similarly began to emerge as they cooperatively campaigned for particular agendas, intended to improve the fortunes of the entire community. They fought for greater influence in the Bombay government—in line with the wealth they then commanded—and used their financial resources to mold the physical and intellectual landscape of the city in their favor.


2017 ◽  
Author(s):  
Armelle Gaulier ◽  
Denis-Constant Martin

"Cape Town's public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the research tools one needs to get a sense of any city. We have to listen to the sounds that made and make the expansive mother city. Various of its constituent parts sound different from each other [T]here is the sound of the singing men and their choirs (teams they are called) in preparation for the longstanding annual Malay choral competitions. The lyrics from the various repertoires they perform are hardly ever written down. [] There are texts of the hallowed Dutch songs but these do not circulate easily and widely. Researchers dream of finding lyrics from decades ago, not to mention a few generations ago back to the early 19th century. This work by Denis Constant Martin and Armelle Gaulier provides us with a very useful selection of these songs. More than that, it is a critical sociological reflection of the place of these songs and their performers in the context that have given rise to them and sustains their relevance. It is a necessary work and is a very important scholarly intervention about a rather neglected aspect of the history and present production of music in the city." Shamil Jeppie, Associate Professor, Department of Historical Studies, University of Cape Town


2021 ◽  
Vol 6 (3) ◽  
pp. 306-317
Author(s):  
Martijn Storms

Abstract The Trekvliet canal and the pall-mall at Leiden Pall-mall was a popular lawn game in the 17th century. The oldest pall-mall in the Netherlands was built in The Hague in 1606. Leiden was one of the universities with such a facility. In 1581, Leiden University already had several courts for ball sports. Some manuscript maps show their locations outside the city walls. The building of a pall-mall in Leiden coincided with the digging of the canal for horse-drawn boats to The Hague and Delft. The first plans for a boat canal probably date from around 1633 and the canal was completed in 1637. Alongside, between the boat canal and the Leiden city walls, a pall-mall was built, about 700 meters in length. The university bought some plots of land from the Leiden orphanage, on which the lawn was built. The history of the building of the boat canal and pall-mall is documented in several property maps and town plans that have survived. In the university’s archive, a concept of regulations of the Leiden pall-mall is kept, which gives insight in how the game had to be played and into the rules that the students had to adhere to. The pall-mall remained in use until at least the end of the 18th century. On the cadastral plan from the early 19th century (1811-1832) the strip of land is still owned by the university but indicated as ‘economic garden’ and the heyday of pall-mall was over.


2020 ◽  
pp. 101-156
Author(s):  
Alejandro Vera

This chapter studies musical life in convents and monasteries during the colonial period. Among other aspects, it shows how music represented for the nuns both a tool for entering the convent and an authentic vocation. It explores the musical links between monastic institutions, and between them and the cathedral, explaining how these frequent contacts facilitated the circulation of musicians and sacred music throughout the city. It also studies the prevailing instruments, repertoires, and musical genres, including music performed by drummers and trumpeters during the main fiestas. Finally, it also analyzes some pieces preserved in the cathedral, but linkable to religious orders, such as three lessons for the Dead by the Franciscan Cristóbal de Ajuria, some villancicos composed for the profession of nuns, and a villancico entitled “Qué hará Perote pasmado,” possibly composed for a monastery in the early 19th century. All of this contributes to situating monastic music in Santiago’s soundscape.


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