Steam and "Sanitas" in the Domestic Realm: Baths and Bathing in Southern Italy in the Middle Ages

1999 ◽  
Vol 58 (2) ◽  
pp. 170-195 ◽  
Author(s):  
Jill Caskey

This study presents five little-known bathing chambers from the region of Amalfi in southern Italy. Dating from the thirteenth century, the baths define with remarkable consistency a type of structure that has not previously been identified or considered in histories of medieval architecture in the West. The study begins with an analysis of the five bathing chambers and their specific architectural features, technological remains, and domestic contexts. The diverse antecedents of the buildings, which appear in ancient Roman, medieval Italian, Byzantine, and Islamic architecture, are explored, along with the implications of this eclecticism for the history of southern Italy. Utilizing the rich array of surviving medieval documents for the region, including episcopal charters, royal decrees, and medical treatises, the study then reconstructs the economic, social, and scientific significance of the baths within medieval Amalfi. As monuments outside the traditional contexts of art production in southern Italy, the baths challenge long-standing characterizations of southern Italy's art and architecture, and point to the existence of a Mediterranean-wide balneal culture in which Byzantine, Islamic, and southern Italian communities participated.

Author(s):  
James Morton

This book is a historical study of these manuscripts, exploring how and why the Greek Christians of medieval southern Italy persisted in using them so long after the end of Byzantine rule. Southern Italy was conquered by the Norman Hauteville dynasty in the late eleventh century after over 500 years of continuous Byzantine rule. At a stroke, the region’s Greek Christian inhabitants were cut off from their Orthodox compatriots in Byzantium and became subject to the spiritual and legal jurisdiction of the Roman Catholic popes. Nonetheless, they continued to follow the religious laws of the Byzantine church; out of thirty-six surviving manuscripts of Byzantine canon law produced between the tenth and fourteenth centuries, the majority date to the centuries after the Norman conquest. Part I provides an overview of the source material and the history of Italo-Greek Christianity. Part II examines the development of Italo-Greek canon law manuscripts from the last century of Byzantine rule to the late twelfth century, arguing that the Normans’ opposition to papal authority created a laissez faire atmosphere in which Greek Christians could continue to follow Byzantine religious law unchallenged. Finally, Part III analyses the papacy’s successful efforts to assert its jurisdiction over southern Italy in the later Middle Ages. While this brought about the end of Byzantine canon law as an effective legal system in the region, the Italo-Greeks still drew on their legal heritage to explain and justify their distinctive religious rites to their Latin neighbours.


Antiquity ◽  
2019 ◽  
Vol 93 (369) ◽  
pp. 811-813
Author(s):  
Adil Hashim Ali

Located in the Fertile Crescent and at the head of the Persian/Arabian Gulf, the city of Basra is steeped in history. Close to the heart of ancient Mesopotamia, the territory of modern Iraq was occupied variously by Achaemenids and Seleucids, Parthians, Romans and Sassanids, before the arrival of Islam in the early middle ages. In more recent history, the city's strategic position near the Gulf coast has made Basra a site of contestation and conflict. This exposure to so many different cultures and civilisations has contributed to the rich identity of Basra, a wealth of history that demands a cultural museum able to present all of the historical periods together in one place. The original Basra Museum was looted and destroyed in 1991, during the first Gulf War. The destruction and loss of so much of Iraq's history and material culture prompted official collaboration to build a new museum that would represent the city of Basrah and showcase its significance in the history of Iraq. The culmination of an eight-year collaborative project between the Iraq Ministry of Culture, the State Board of Antiquities and the Friends of Basrah Museum, the new museum was opened initially in September 2016. Already established as a cultural landmark in the city, with up to 200 visitors a day and rising, the museum was officially opened on 20 March 2019. The author was fortunate to be present for this event and able to explore the new galleries (Figure 1).


Author(s):  
Stephanie Beswick

This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of African History. Please check back later for the full article. Histories of South Sudan are rare. Indeed a pre-colonial history of what is actually, geographically, the world’s largest swamp (South Sudan) is challenging and at present impossible without the use of oral histories, along with a very few archaeological and linguistic studies. Only two scholarly accounts lend information about the obscure history of this region of Africa. Oral histories suggest that the very earliest inhabitants of South Sudan were a mound-building folk known to the Dinka as the Luel, and to archaeologists as the Turkwel. Sometime after the later Middle Ages and the fall of the 11th-century Christian kingdom of Alwa, the Western Nilotic Dinka claim to have migrated with their cattle into South Sudan from the Gezira because of fear of slave raiders. The Dinka claim to have found Bari, on the East Bank of the Nile, a historical point that is corroborated by Bari oral histories. Some decades later, the Dinka crossed the Nile following the rich soils that were most favorable to their favorite agricultural food, kec. Over time they penetrated deeply into the western swamps of Southern Sudan. Sometime around the 15th century, another Nilotic people, now known as the Shilluk, thrust northwards beyond the depths of the South Sudanese swamps, settling approximately at the junction of the Nile and the Sobat rivers. Oral histories claim the Shilluk were led to this homeland by a great leader, Nyikang, the first in a long line of kings. The last great ethnic groups to migrate into what is now the boundary of modern South Sudan were the non-Nilotic Azande. Of interest is that all of these ethnic groups were slave-holding cultures and, with the exception of the Azande, were agro-pastoralists. The Bari were prominent iron-making specialists, as were the highly martial Azande. All of these cultures had social hierarchies, and migration is a connecting theme among the larger societies; none of the present cultures of South Sudan appear to have originated in South Sudan except the Nilotic Luo. By the late 17th century, with the fall of Sultan Sanusi of the Central African Republic, numbers of non-Nilotic peoples fled into various western regions of South Sudan. Additionally, with the fall of the Islamic sultanate of Sinnar and the coming of the Turco-Egyptians in the early 19th century, much of South Sudan had been historically peopled by the Nilotic Luo, whose progeny appeared to have evolved into numerous ethnic groups of South Sudan; groups that would now include the Shilluk-Luo, the Nuer, the Atuot, Anyuak, and various Luo communities that now exist under various names.


Nuncius ◽  
2018 ◽  
Vol 33 (1) ◽  
pp. 25-55
Author(s):  
Nurit Golan

Abstract This article engages with the Creation cycle (hexaemeron) sculpted on the vault of the south portal of the choir of the Holy Cross Church at Schwäbisch Gmünd (1351–1377). Several reliefs depict the cosmological creation, which was a rather rare topic in monumental sculpture on public display during the Middle Ages. Being based on cosmological theories, taught at the universities, but not expected to be shared with the laity, it is a unique intellectual cultural phenomenon. The article seeks to interpret anew the full scientific significance of these unprecedented iconographic cosmological depictions. The choice of topic and location of the cosmological reliefs will be explained in relation to the town’s socioeconomic and political developments that brought to substantial changes in the lives of the burghers. Presenting these novel ideas to the medieval public in an ecclesiastic context suggests an important change in the intellectual history of the region in the late fourteenth century.


X ◽  
2020 ◽  
Author(s):  
Silvia Gron ◽  
Eleni Gkrimpa

The cities in the fortifications: the Ionian islands in Greece. Knowledge and enhancement of a heritage Residing in the Mediterranean Sea, Ionian islands signify the passage from the west to the east. A constantly sought-after region due to the trade routes, was for a long time garrisoned and under the authority of the Venetian Republic (fourteenth-eighteenth centuries) that hindered with its fleet the Turkish invasions. The bigger islands that constitute the cluster of the Eptanisa: Corfu, Lefkada or Santa Maura, Ithaka, Kefalonia, Kythira, Zakinthos and more, that had strategic positions with respect to the usual routes, had since the middle ages fortifications like walls, towers and castles, that over the time were expanded and restructured by the Venetians in order to defend those islands from the enemy attacks. The rich iconographic historic material, considering the Ionian Islands, allows to document the characteristics of those wide spread defensive structures and to identify each strong part of this big and unique fortification cluster. It has to be noted that every one of those structures gives us clues about the urban history of the city it resides since they were part of the urban landscape revealing this way the urban layout. The compelling story of the architectural consistency of those fortresses, as it is described in the historic documents, cannot be always verified. Many of those structures are nowadays completely destroyed and only a few remains are left. There are many ways to organize a project for saving those structures and in particular one that will be related with the cultural tourism.


Author(s):  
Riccardo Berardi

The aim of this paper is to reassess the history of the Sanseverino family, princes of Bisignano in Calabria in the Late Middle Ages; by focusing on a specific and unpublished source: the so-called “reintegre or platee” as written in the first half of the 16th century. These are public sources mostly enlisting properties and benefits; they serve the purpose of re-possessing the privileges taken from the princes themselves over the previous century. The paper will therefore focus not only on the management and character of the seigneurial landholdings but also on the reconstruction of both the local networks of power exerted on the population and the local political system. It will shed new light on the still debated historiographical issue centered on the seigneurial authority in southern Italy by assessing its local rooting and pervasiveness since the 14th century.


Author(s):  
Dirkie Smit

In this contribution the seemingly straightforward slogan espoused by Biblica, namely, “Transforming lives through God’s Word” is complicated by placing it within the context of the rich, multi-layered and complex history of Bible-reading. Fully aware that it is an impossible task to construe the history of the reading of the Bible, offers a few broad strokes describing Biblical reception and interpretation, beginning with the complex genesis of the Bible, extending through the Early Church, the Middle Ages, The Renaissance and Reformation, the time of Enlightenment and rise of Modernity, the emergence of ecumenical hermeneutics in the 20th century, and the contemporary conflicts in hermeneutic perspectives. Throughout the essay, the question is asked – in various ways and with different responses – what “Transforming lives through God’s Word” could mean.


Author(s):  
Olga A. Zheravina ◽  

The Spanish collection of the Stroganov Library reveals Spain as a country with a rich cultural heritage. The last owner of the family library, G.A. Stroganov, was the Russian ambassador to Spain, and his interest in Spanish subjects was reflected in the book collection. One of the most valuable publications is a series of engraved portraits of outstanding Spaniards, published from 1791 to 1819. As a cultural time-specific project of the Enlightenment era, this series reveals the value priorities of Spanish society, which allows us to understand its socio-cultural guidelines over a long historical period. An impressive share of the persons selected by the Spaniards among their outstanding representatives belongs to university figures. This speaks not only about the influence of the Age of Enlightenment, but also about the rich history of university tradition in Spain. The subject of our study is the figure of the Spanish humanist H. Núñez de Guzman (1475-1553). In his youth, he studied with Nebrija. In the College of St. Clement in Bologna he started studying the culture of classical Greece. After returning to Spain, he studied Hebrew and Arabic in Granada. He was invited by Cisneros to the University of Alcala to work on a project to create a multilingual Bible. At this university, which became an important center of Spanish humanism, he taught rhetoric and Greek. In 1524, he received a chair of Greek at the University of Salamanca, where he also taught Latin, rhetoric, and lectured on the "Natural History" of Pliny. In Salamanca, Núñez published commentaries on the works of Seneca (1529), Mela (1543) and Pliny (1544); he prepared a collection of proverbs in the Castilian language, which was published in 1555. A deep connoisseur of Latin and Greek, Núñez is considered the patriarch of the Spanish Hellenists. They were a cohort of humanists who, on Spanish soil, combined in their worldview the features of the outgoing Middle Ages and the ideas of the Renaissance. Núñez played a significant role in the development of the Greek language as a subject of study in Spanish universities. The Greek language, the knowledge of which nourished and developed humanistic upbringing and education, gets its spread in Spain during the life and activity of Núñez. In the series of portraits of outstanding Spaniards, the portrait of Núñez is placed in the fourteenth notebook, published in 1802.The engraved portrait is made by Esquivel according to the drawing of Engidanos. Núñez is depicted sitting in nature with an open book in his hands. In the biography attached to the portrait, it is noted that "few have more reason to be included in the list of outstanding people than Fernando Núñez de Guzman. His character, his erudition and behavior are an example of the highest honor." Núñez donated his valuable collection of books in Latin and Greek to the University of Salamanca. Núñez remains interesting for researchers today. The image and selfless devotion of the erudite continue to evoke deep respect, and the legacy left – gratitude.


2020 ◽  
Author(s):  
Gandalif Kazakova

The monograph is devoted to the literary and scientific heritage of the famous French writer, historian, philosopher, thinker, diplomat and statesman F. R. de Chateaubriand, whose scientific works were practically unknown to the Russian reader for many decades. Being the founder of French romanticism and laying the main elements of this direction of culture, F. R. de Chateaubriand nevertheless causes numerous disputes and questions. The monograph shows the process of formation of the writer's romantic worldview on the example of his early works, which still retain traces of the literature of the XVIII century and already carry new romantic trends of the XIX century. The author also presents the facts of the writer's biography and analyzes a number of his historical works devoted to medieval France. From the Renaissance until the end of the XVIII century, one of the elements of medieval architecture and Christian religion-Gothic architecture — was perceived as something negative, barbaric, rude, completely inconsistent with the aesthetics of the XVI — XVIII centuries. F. R. de Chateaubriand was one of the first researchers who discovered the beauty of Gothic churches and the color of national history to the mass reader at the turn of the XVIII—XIX centuries. The rehabilitation of Gothic architecture was accomplished by F. R. de Chateaubriand in his Treatise "the genius of Christianity". The famous "forest theory" of the origin of Gothic helped to "remove" negative assessments of the middle Ages and influenced the formation and development of romanticism both in France and in other European countries. It was F. R. de Chateaubriand's idea of the relationship between medieval architecture and Christian consciousness that influenced all the subsequent development and formation of the history of medieval art. For a wide range of readers interested in the history of literature.


1962 ◽  
Vol 13 (2) ◽  
pp. 172-185 ◽  
Author(s):  
Giles Constable

The system of compulsory tithes in the Middle Ages has long been used by protestant and liberal historians as a stick with which to beat the medieval Church. ‘This most harassing and oppressive form of taxation’, wrote H. C. Lea in his well-known History of the Inquisition, ‘had long been the cause of incurable trouble, aggravated by the rapacity with which it was enforced, even to the pitiful collections of the gleaner’. Von Inama-Sternegg remarked on the growing hatred of tithes in the tenth, eleventh, and twelfth centuries, especially among the small free landholders, ‘upon whom the burden of tithes must have fallen most heavily’. Gioacchino Volpe said that tithes were ‘the more hated because they oppressed the rich less than the poor, the dependents on seigneurial estates less than the small free proprietors to whose ruin they contributed…. At that time tithes were both an ecclesiastical and secular oppression, a double offence against religious sentiment and popular misery’. G. G. Coulton, writing before the introduction in England of an income tax at a rate of over ten per cent., proclaimed that before the Reformation tithes ‘constituted a land tax, income tax and death duty far more onerous than any known to modern times, and proportionately unpopular’.


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