scholarly journals Sceneteksten som aktiv partner

2018 ◽  
pp. 156-178
Author(s):  
Ellen Foyn Bruun
Keyword(s):  
Group Dynamics ◽  
Bertolt Brecht ◽  
Main Body ◽  
Theoretical Perspectives ◽  
Theatre Production ◽  
Reflexive Practice ◽  
Physically Based ◽  
History Of ◽  
Collective Resource

This article addresses theatre production working with scripts. First, I look at the hegemonic status of the play text in the history of Western theatre and how this was challenged during the twentieth century. Then I present relevant theoretical perspectives for developing methods integrating script in ensemble theatre. These are drawn from dramaturgy today and physically based improvisation. The main body of the article is a case study of a student production of The Caucasian Chalk Circle by Bertolt Brecht. The students produced their unique version of the play in collaboration. The study demonstrates how dramaturgical competence was developed as a collective resource. The findings reveal that the dramaturgical processes of text, performance and group dynamics were interdependent in a complex system. Reflexive practice therefore stands out as an important learning point. The article is aimed at teachers, directors, facilitators and students in educational contexts, and others that use theatre production as a learning arena.

Captain Alfred Dreyfus: A case study in the group dynamics of scapegoating

2018 ◽  
Vol 51 (4) ◽  
pp. 515-530 ◽  
Author(s):  
Harold Behr
Keyword(s):  
Group Dynamics ◽  
Political Ideology ◽  
Emile Zola ◽  
Group Analysis ◽  
French Society ◽  
Far Right ◽  
Army Officer ◽  
Anti Semitism ◽  
History Of

This article explores the metaphor of the scapegoat by offering a case study taken from the history of France at the turn of the 20th-century. The case is presented of a French army officer, Captain Alfred Dreyfus, whose wrongful conviction for treason created an international sensation and tore French society apart. The author outlines the general features of the scapegoating dynamic and applies them to the Dreyfus case. He sets out the flow of events from Dreyfus’s first trial through to the official declaration of his innocence a century after his conviction, illustrating the tenacity of the scapegoating dynamic when an entire nation is caught up in the process. The view is put forward that it was the dramatic intervention by the novelist Emile Zola in the Dreyfus case which arrested the scapegoating process. The author asks what the implications of this might be for group analysis. At the centre of the Dreyfus case was the fact of his Jewishness. The author depicts anti-Semitism as a deeply rooted set of assumptions based on myths about the Jews. He touches on the origins of these myths in early monotheistic theology and in the political ideology of the Far Left and the Far Right. An explanation is offered for the persistence of these myths in our culture, which may extend to our understanding of myths surrounding other peoples and societies. The author concludes with some reflections on the recurring nature of the scapegoat phenomenon.

Conflict in collaborative musical composition: A case study

2017 ◽  
Vol 46 (2) ◽  
pp. 192-207 ◽  
Author(s):  
Matthew Hill ◽  
Barry Hill ◽  
Robert Walsh
Keyword(s):  
Group Dynamics ◽  
Musical Composition ◽  
Theoretical Perspectives ◽  
The Creation ◽  
Video And Audio ◽  
Communication Conflict ◽  
Personal Reflections ◽  
Composition Process ◽  
The Impact

In collaborative musical composition, such as those used frequently in popular music styles, conflicts between band members are commonplace. This article seeks to examine how task-based and interpersonal conflicts between band members impact on the creation of collaborative compositions, utilising a case study of a band composing music for an album recording. This paper reports on research that tracks the process of the creation of songs for a fourth album recording by a three-piece ensemble who have worked together since 1999. The composition process is marked by numerous disputes and arguments among the band personnel and the interactions between the band members move fluidly between phases of instruction, cooperation, collaboration and conflict. The authors (also the band’s members) analyse video and audio recordings of rehearsals, making observations based in grounded theory in relation to verbal and nonverbal interactions and offering personal reflections on these interactions. Drawing on theoretical perspectives in relation to communication, conflict and group dynamics such as group flow and empathetic creativity, individual and group behaviour are examined with emphasis on the impact of such behaviour on the collaborative process.

scholarly journals Being Who You Aren't; Doing What You Can't: Community Music Therapy & the Paradoxes of Performance

2005 ◽  
Vol 5 (3) ◽  
Author(s):  
Gary Ansdell
Keyword(s):  
Music Therapy ◽  
Research Study ◽  
Contemporary Music ◽  
Music Performance ◽  
Community Music ◽  
Theoretical Perspectives ◽  
Reflexive Practice ◽  
The Rich ◽  
Opening Up

This article gives some introductory thoughts on the 'paradoxes of performance' in contemporary music therapy, through the perspective of the evolving practice and discourse of Community Music Therapy—where aspects of the practice, theory and ethics of performance in music therapy are currently being debated. The article looks at these aspects in two ways: firstly, through a case study of a Community Music Therapy project in East London which is being tracked as part of a larger research study; secondly, from various interdisciplinary theoretical perspectives on music, performance, and personal and social development. It suggests that the new discourse of Community Music Therapy is usefully opening up professional and theoretical discussion within music therapy to the potentials and problems of working with clients across the full continuum of private to public music therapy, and to the rich potentials of music as a performance art within reflexive practice.

Media Psychology and Complex Modes of Entertainment Experiences

2011 ◽  
Vol 23 (1) ◽  
pp. 34-38 ◽  
Author(s):  
Christoph Klimmt
Keyword(s):  
Empirical Studies ◽  
Terror Management Theory ◽  
Death And Dying ◽  
Terror Management ◽  
Media Psychology ◽  
Mixed Emotions ◽  
Theoretical Perspectives ◽  
Complex Modes ◽  
History Of ◽  
Media Enjoyment

This comment briefly examines the history of entertainment research in media psychology and welcomes the conceptual innovations in the contribution by Oliver and Bartsch (this issue). Theoretical perspectives for improving and expanding the “appreciation” concept in entertainment psychology are outlined. These refer to more systematic links of appreciation to the psychology of mixed emotions, to positive psychology, and to the psychology of death and dying – in particular, to terror management theory. In addition, methodological challenges are discussed that entertainment research faces when appreciation and the experience of “meaning for life” need to be addressed in empirical studies of media enjoyment.

Press Propaganda and Subaltern Agents of Pan-Islamic Networks in the Muslim Mediterranean World prior to World War I

2018 ◽  
Author(s):  
Odile Moreau
Keyword(s):  
Middle East ◽  
World War I ◽  
North Africa ◽  
World War ◽  
Subaltern Studies ◽  
Resistance Movements ◽  
The Press ◽  
Mediterranean World ◽  
History Of

This chapter explores movement and circulation across the Mediterranean and seeks to contribute to a history of proto-nationalism in the Maghrib and the Middle East at a particular moment prior to World War I. The discussion is particularly concerned with the interface of two Mediterranean spaces: the Middle East (Egypt, Ottoman Empire) and North Africa (Morocco), where the latter is viewed as a case study where resistance movements sought external allies as a way of compensating for their internal weakness. Applying methods developed by Subaltern Studies, and linking macro-historical approaches, namely of a translocal movement in the Muslim Mediterranean, it explores how the Egypt-based society, al-Ittihad al-Maghribi, through its agent, Aref Taher, used the press as an instrument for political propaganda, promoting its Pan-Islamic programme and its goal of uniting North Africa.

Political psychology

2013 ◽  
Vol 154 (16) ◽  
pp. 619-626
Author(s):  
Mária Resch ◽  
Tamás Bella
Keyword(s):  
Social Sciences ◽  
Political Psychology ◽  
Group Dynamics ◽  
Political Institutions ◽  
Cognitive Mapping ◽  
Medical Sciences ◽  
Political Processes ◽  
Behavioural Patterns ◽  
Essential Components ◽  
History Of

In Hungary one can mostly find references to the psychological processes of politics in the writings of publicists, public opinion pollsters, philosophers, social psychologists, and political analysts. It would be still important if not only legal scientists focusing on political institutions or sociologist-politologists concentrating on social structures could analyse the psychological aspects of political processes; but one could also do so through the application of the methods of political psychology. The authors review the history of political psychology, its position vis-à-vis other fields of science and the essential interfaces through which this field of science, which is still to be discovered in Hungary, connects to other social sciences. As far as its methodology comprising psycho-biographical analyses, questionnaire-based queries, cognitive mapping of interviews and statements are concerned, it is identical with the psychiatric tools of medical sciences. In the next part of this paper, the focus is shifted to the essence and contents of political psychology. Group dynamics properties, voters’ attitudes, leaders’ personalities and the behavioural patterns demonstrated by them in different political situations, authoritativeness, games, and charisma are all essential components of political psychology, which mostly analyses psychological-psychiatric processes and also involves medical sciences by relying on cognitive and behavioural sciences. This paper describes political psychology, which is basically part of social sciences, still, being an interdisciplinary science, has several ties to medical sciences through psychological and psychiatric aspects. Orv. Hetil., 2013, 154, 619–626.

Turning Aliens into Socialists

2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg
Keyword(s):  
Outer Space ◽  
The United States ◽  
Second World War ◽  
World War ◽  
History Of ◽  
Swedish History ◽  
Second World ◽  
The Universe ◽  
Highly Evolved

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.

A Case Study on the Process of Creating Interests in History of History-Deokhu

2019 ◽  
Vol 58 (1) ◽  
pp. 147-159
Author(s):  
Young-Seok Seo ◽  
Bong-Seok Kim
Keyword(s):  
History Of
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