scholarly journals The Gods die in museums

2021 ◽  
Vol 11 ◽  
pp. 1
Author(s):  
Jaime Delgado Rubio
Keyword(s):  
Mexico City ◽  
History Of ◽  
Power And Influence

Recently, Johannes Neurath’s book, titled Subdue the gods, doubt the images (2020) was published, which, among other things, warns that, in the archaeological museums of Mexico, including the National Institute of Anthropology and History of Mexico City, there has been an “ontological mistreatment” of the sacred images of the pre-Hispanic era through their removal from their original locations and indistinct placement in large and cold rooms packed with monoliths, without any consideration for the fact that some were – and continue to be – images bestowed with power and influence by many communities today.

Spanish Folklore in the Southwest: The Pioneer Studies of Aurelio M. Espinosa

1978 ◽  
Vol 35 (2) ◽  
pp. 219-237
Author(s):  
J. Manuel Espinosa
Keyword(s):  
New Mexico ◽  
Cultural History ◽  
Mexico City ◽  
Golden Age ◽  
Field Work ◽  
Spanish America ◽  
First Century ◽  
Old Spanish ◽  
Cultural Life ◽  
History Of

The centuries-old Spanish folk heritage of our Southwest, and its many faceted and enduring influence on the cultural life of the region, has been written about from various rims of observation. This article describes the pioneer studies of Aurelio M. Espinosa on Spanish folklore in the Southwest, with special emphasis on northern New Mexico. Although he made important contributions to the study of Spanish folklore of southern Colorado, Arizona, and California, and to that of Spain, Mexico, and other parts of Spanish America as well, he devoted most of his research and field work to the upper half of New Mexico which is the richest field of Spanish folklore in the Southwest.In viewing the cultural history of New Mexico, Espinosa reminded his readers that its first century as a Spanish colony, the 17th, was the second great century of Spain's Golden Age of arts and letters. With the vigor of Spain's sense of mission in those centuries, her Golden Age radiated to all parts of Spanish America via Mexico City, Lima, and the other principal colonial capitals. At the same time, from the bookshelf and the store of knowledge of the humble missionary, and the folklore of the Spanish settlers, passed down from generation to generation, the spirit of the Golden Age was reflected on the most remote settled frontiers.

Respectable Mistresses

2018 ◽  
Author(s):  
Nicole von Germeten
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Middle Class ◽  
Mexico City ◽  
Sex Work ◽  
Legal History ◽  
Gender And Sexuality ◽  
Public Order ◽  
Sexually Active ◽  
History Of

This chapter begins with a quote from the celebrated seventeenth-century Mexico City Poet, Sor Juana Ines de la Cruz, highlighting the hypocritical intersection between gender and sexuality in this era. The focus here is on the legal history of eighteenth-century middle class women who retained a degree of public honor as they took part in sex work inside their homes.The confused eighteenth-century reactions by church, state, and neighbors to sexually active women often derived from increased opportunities for permitted or at least tolerated socializing between the sexes. These new social spaces challenged official ideas of public order and permissible gender interaction.

A Social History of Suicide in Mexico City, 1900–1930

2017 ◽  
Author(s):  
Kathryn A. Sloan
Keyword(s):  
Social History ◽  
Mexico City ◽  
Time Of Day ◽  
History Of ◽  
Scientific Politics

Chapter 1 presents an overview of scientific politics and the drive to collect and record moral statistics. Extrapolating from the extant suicide inquests, the chapter also analyzes suicide by gender, time of day and year committed, method, and reasons professed by the victims.

The Modern City

2009 ◽  
Author(s):  
DIANE E. DAVIS
Keyword(s):  
Twentieth Century ◽  
Mexico City ◽  
Political Alliances ◽  
The Social ◽  
Shifting Balance ◽  
History Of ◽  
The Rich ◽  
The City ◽  
Rich History

What constitutes modern Mexico? Is there a clear distinction between the historic and modern Mexico City? And if there are, does this distinctions hold up throughout the twentieth century, when what is apparent is a mix of legacies coexisting overtime? This chapter discusses the semiotics of history and modernity. It discusses the struggle of the Mexico City to find its own image including its struggle to preserve historic buildings amidst the differing political alliances that either promote change or preserve the past. However, past is not a single entity, hence if the preservation of the rich history of Mexico is pursued, the question arises as to what periods of history represented in the city are to be favoured in its future development. In this chapter, the focus is on the paradoxes of the Torre Bicentenario and on the pressures to preserve Mexico’s past, the ways they have been juxtaposed against the plans for its future and how the balance of these views has shifted over time. It determines the key actors and the institutions who have embraced history as opposed to progress, identifies the set of forces that dominated in the city’s twentieth-century history, and assesses the long-term implications of the shifting balance for the social, spatial and built environmental character of the city. The chapter ends with a discussion on the current role played by the cultural and historical authorities in determining the fate of the city.

Kidnapping

2019 ◽  
pp. 69-100
Author(s):  
Rolando Ochoa
Keyword(s):  
Mexico City ◽  
Middle Classes ◽  
History Of ◽  
The Government

This chapter presents a first attempt at a methodologically sound history of the crime of kidnapping—in particular, its evolution from the 1970s to today in Mexico and specifically in Mexico City, from existing only as a political tool used by radical groups to promote their struggle or raise funds for their cause, to a crime that is simply economical in nature. Kidnapping has become a crime that affects mainly the working and middle classes as opposed to its traditional wealthy victims. The chapter analyses the evolution of kidnapping gangs and also how the government responded to them via a diverse set of policies. It also describes the gangs which took part in this crime.

Out of Tlatelolco’s Ruins: Patronage, Devotion, and Natural Disaster at the Shrine of Our Lady of the Angels, 1745–1781

2013 ◽  
Vol 93 (1) ◽  
pp. 33-65 ◽  
Author(s):  
Paul Ramírez ◽  
William B. Taylor
Keyword(s):  
Eighteenth Century ◽  
Mexico City ◽  
Colonial History ◽  
City Center ◽  
The Social ◽  
Promotional Efforts ◽  
History Of ◽  
Bourbon Reforms ◽  
Disease Epidemics ◽  
The City

Abstract Colonial inhabitants of Mexico City were accustomed to coping with natural disasters, including disease epidemics, droughts, floods, and earthquakes, which menaced rich and poor alike and stirred fervent devotion to miraculous images and their shrines. This article revisits the late colonial history of the shrine of Our Lady of the Angels, an image preserved miraculously on an adobe wall in the Indian quarter of Santiago Tlatelolco. The assumption has been that archiepiscopal authorities aiming to deflect public worship toward a more austere, interior spirituality suppressed activities there after 1745 because they saw the devotion as excessively Indian and Baroque. The shrine has served as a barometer of eighteenth-century Bourbon reforms even though its story has not been fully told. This article explores the politics of patronage in the years after the shrine’s closure and in the decades prior to the arrival on the scene of a new Spanish patron in 1776, revealing that Indian caretakers kept the faith well beyond the official intervention, with some help from well-placed Spanish devotees and officials. The efforts of the new patron, a Spanish tailor from the city center, to renovate the building and image and secure the necessary permissions and privileges helped transform the site into one of the most famous in the capital. Attention to earlier patterns of patronage and to the social response to a series of tremors that coincided with his promotional efforts helps to explain why a devotion so carefully managed for enlightened audiences was nevertheless cut from old cloth.

Revolutionary Exile in Postrevolutionary Mexico City

2017 ◽  
Author(s):  
Hannah Kosstrin
Keyword(s):  
North America ◽  
South America ◽  
Mexico City ◽  
Early Years ◽  
Political Values ◽  
The Third ◽  
History Of

This chapter follows the alignment of Anna Sokolow’s choreography with postrevolutionary Mexican political values within transnational communist and Jewish discourses during her early years in Mexico City. First, this chapter engages how The Exile (1939), Sokolow’s indictment of the Third Reich’s treatment of Jews, reflected the precarious position of Holocaust refugees in Mexico. It explains how Sokolow’s dance highlighted contemporary persecution of Jews that recalled a longer history of Jewish exile that connected Europe, North America, and South America. Second, the chapter argues that Mexican modernism’s reliance on indigenous elements fed Sokolow’s revolutionary modernism in the choreography she made there with the collaborative company La Paloma Azul, including Don Lindo de Almería (1940) and El renacuajo paseador [The Fable of the Wandering Frog] (1940).

History of the Torre Latinoamericana

2018 ◽  
Author(s):  
Sarah Beckhart
Keyword(s):  
Mexico City ◽  
Construction Projects ◽  
Historic District ◽  
Care Needs ◽  
Building Projects ◽  
Education And Health ◽  
History Of ◽  
New Construction ◽  
Historic City ◽  
The City

Historians have extensively explored the topic of architecture in Mexico City in the 20th century. From the relationships between politics, public patrons, new construction technologies, and new idioms of modernism, the impressive story of architecture in this megalopolis continues to astound and captivate people’s imaginations. Architecture was a channel that politicians used to address housing, education, and health care needs in a rapidly growing city. Yet scholars have not been especially concerned with private construction projects and their influence on the process of shaping and being shaped by the visual representation of Mexico City. Private building projects reveal an alternative reality of the city—one not envisioned by politicians and public institutions. Private construction projects in the historic city center are particularly interesting due to their location. These buildings are built on ancient clay lakebeds and volcanic soil on which the Aztecs first built the city. Not only are these buildings located in the heart of the city, the buildings in the rest of the historic district are also sinking. Any building in a historic district that has withstood the test of time should be an object of interest to scholars. The Torre Latinoamericana is perhaps the only building in the historic district and the entire city that ceases to sink, and instead floats! Located on the corner of Madero and San Juan de Letrán, the building sits at the heart of history, culture, and ancient Aztec clay lakebeds. The Torre Latinoamericana was built between 1948 and 1956 and is one of the most important visual symbols of resilience and modernity in Mexico City today.

Introduction to Felipe Ehrenberg's “In Search of a Model for Life”

ARTMargins ◽  
2012 ◽  
Vol 1 (1) ◽  
pp. 120-124
Author(s):  
Karen Benezra
Keyword(s):  
Mexico City ◽  
Experimental Work ◽  
Art Market ◽  
Art Practice ◽  
Experimental Art ◽  
History Of ◽  
State And Market ◽  
Role Based ◽  
The Individual ◽  
Los Grupos

“In Search of a Model for Life” traces a brief history of the autonomous, experimental art movement known as los Grupos (the Groups) in which the essay’s author, Felipe Ehrenberg, played a central role. Based mostly in Mexico City in the late 1970s, the Groups critiqued the predominant academicism as well as the burgeoning support for commercially viable experimental work in Mexico’s state-run art institutions. “In Search of a Model for Life” first appeared as one of three external appendices to the catalog for the Museo de Arte Carrillo Gil’s 1985 retrospective of the Groups, De los Grupos los individuos (From the Groups, Individuals). Ehrenberg’s essay challenges the teleological narrative that the catalog’s text traces, from a collective movement of rebellion to the individual insertion of the movement’s members into the art market. In doing so, “In Search of a Model for Life” begins to theorize the conditions for a critical and emancipatory art practice beyond the complicity of state and market.

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