The Holocaust and Genocide

2011 ◽  
Author(s):  
Kristen Renwick Monroe
Keyword(s):  
World War Ii ◽  
World War ◽  
Human Psychology ◽  
Data Section ◽  
The Holocaust ◽  
Human Psyche ◽  
Political Behaviors ◽  
Insight Into

This chapter reviews the literature on genocide to define it, asks what scholars already know about it, and provides a context within which the stories that constitute the heart of the data section of this volume can be analyzed. While the Holocaust and World War II is often considered as so horrific that they become unique, the chapter argues that is not the case. Moreover, it remains conscious of the extent to which understanding the human psychology surrounding the Holocaust can lend insight into a far wider range of related, important, and ongoing political behaviors that emanate in forces deep-seated within the human psyche: prejudice; discrimination; ethnic, sectarian, religious hatred and violence.

scholarly journals Nathalie Skowronek « a la recherche de Max » : Construction litteraire et autometatextualite dans les ouvrages de la 3e generation de la Shoah

2021 ◽  
Vol 18 ◽  
pp. 187-208
Author(s):  
José Luis Arráez
Keyword(s):  
World War Ii ◽  
Literary Texts ◽  
Historical Event ◽  
World War ◽  
The Third ◽  
The Social ◽  
The Holocaust ◽  
Scientific Papers ◽  
Moral Narrative ◽  
Insight Into

The third generation survivors of the World War II genocide of the European Jews withstand, analyse and create literary texts about the Holocaust, a historical event, which was not endured by them directly but experienced through scientific papers and creative literature. Thanks to Nathalie Skowronek, a novelist living in Brussels, and her publication of Max en apparence (2013) and La Shoah de Monsieur Durand (2015), we can gain some insight into the social and literary reality of Jewish genocide memory and into its intergenerational transmission. Firstly, we will carefully analyse the approach used by this author in the composition of a biographical text about her grandfather’s reconstruction of events. After that, using an intertextual approach, we will analyse formal and moral narrative considerations of the authoress which govern the literary reconstruction grandfather’s biography.

"This Is Your Life": Telling a Holocaust Survivor's Life Story on Early American Television

1994 ◽  
Vol 4 (1-2) ◽  
pp. 41-68 ◽  
Author(s):  
Jeffrey Shandler
Keyword(s):  
World War Ii ◽  
Public Discourse ◽  
Life Story ◽  
Personal History ◽  
World War ◽  
Early American ◽  
American Television ◽  
The Social ◽  
The Holocaust ◽  
Insight Into

Abstract The appearance of Hanna Bloch Kohner on a 1953 episode of the series This Is Your Life is among the earliest presentations of a Holocaust survivor's personal history on American television. Analysis of the program explores how television—a collaborative, corporate medium—shapes the telling of an individual's life story, and how the program relates the story of the Holocaust in terms of personal history. The article also examines how the program's producers employed television's distinctive characteristics to enable, limit, or otherwise shape the presentation of the Holocaust, and how the episode indicates that its creators understood its subject as being somehow singular, even as the conceptualization of the Holocaust was emerging, before the term Holocaust entered American public discourse. The article also considers how the program reflects the social and political context of post-World War II America in general and postwar American Jewish life in particular. Finally, the article considers how analysis of this program offers insight into other, later presentations of the Holocaust on American television, especially those dealing with the life story of an individual survivor. (Yiddish Studies/Jewish ethnology)

scholarly journals Surviving to Tell the Tale: 'No One is Here Except All of Us'

Linguaculture ◽  
2018 ◽  
Vol 9 (2) ◽  
pp. 41-50
Author(s):  
Cristina Chevereșan
Keyword(s):  
World War Ii ◽  
The United States ◽  
World War ◽  
Trauma Narratives ◽  
Creation Myths ◽  
Generation Immigrant ◽  
The Holocaust ◽  
Unique Approach ◽  
Awareness Raising ◽  
Insight Into

The article focuses on Romanian-American Ramona Ausubel’s 2012 No One Is Here Except All of Us. Written in English by a second-generation immigrant to the United States, the World War II story unfolds dramatically as a fable that relies upon community, memory and imagination. It revolves around the protagonists’ shared belief that by erasing and reinventing their past, by starting their lives anew via reshuffled creation myths, their small assembly of forgotten individuals might survive in an enclave of its own, fantastic. This makes Ausubel’s unique approach to the Holocaust and its pogroms part of a compelling series of trauma narratives, as a biographically-informed fictional account of factual circumstances. By emphasizing the crucial, cathartic dimension of storytelling and employing it textually and meta-textually, the book blurs the boundaries between genres. The author’s mediated insight into community stereotyping, persecution, solidarity and, ultimately, migration, and its skillful integration into a postmodern (counter) fairytale, will be scrutinized as valuable and effective contemporary awareness-raising tools.

Painted Memories

2007 ◽  
Vol 7 (4) ◽  
pp. 26-29
Author(s):  
mayer kirshenblatt ◽  
barbara kirshenblatt-gimblett
Keyword(s):  
World War Ii ◽  
World War ◽  
Daily Diet ◽  
The Holocaust ◽  
Yom Kippur ◽  
Root Vegetables

Mayer Kirshenblatt remembers in words and paintings the daily diet of Jews in Poland before the Holocaust. Born in 1916 in Opatóów (Apt in Yiddish), a small Polish city, this self-taught artist describes and paints how women bought chickens from the peasants and brought them to the shoykhet (ritual slaughterer), where they plucked the feathers; the custom of shlogn kapores (transferring one's sins to a chicken) before Yom Kippur; and the role of herring and root vegetables in the diet, especially during the winter. Mayer describes how his family planted and harvested potatoes on leased land, stored them in a root cellar, and the variety of dishes prepared from this important staple, as well as how to make a kratsborsht or scratch borsht from the milt (semen sack) of a herring. In the course of a forty-year conversation with his daughter, Barbara Kirshenblatt-Gimblett, who also interviewed Mayer's mother, a picture emerges of the daily, weekly, seasonal, and holiday cuisine of Jews who lived in southeastern Poland before World War II.

“The heart above the ruins”: Miriam Waddington’s Poetry, the Spanish Civil War, and Jewish Canadian Literature

1969 ◽  
Vol 26 ◽  
Author(s):  
Emily Robins Sharpe
Keyword(s):  
Human Rights ◽  
World War Ii ◽  
Civil War ◽  
Spanish Civil War ◽  
World War ◽  
Canadian Literature ◽  
The Earth ◽  
The Holocaust ◽  
The Subject ◽  
War Consequences

The Jewish Canadian writer Miriam Waddington returned repeatedly to the subject of the Spanish Civil War, searching for hope amid the ruins of Spanish democracy. The conflict, a prelude to World War II, inspired an outpouring of literature and volunteerism. My paper argues for Waddington’s unique poetic perspective, in which she represents the Holocaust as the Spanish Civil War’s outgrowth while highlighting the deeply personal repercussions of the war – consequences for women, for the earth, and for community. Waddington’s poetry connects women’s rights to human rights, Canadian peace to European war, and Jewish persecution to Spanish carnage.

Fragments of the Holocaust

2018 ◽  
Author(s):  
David Duindam
Keyword(s):  
World War Ii ◽  
Critical Analysis ◽  
Museum Studies ◽  
Historical Study ◽  
World War ◽  
Holocaust Memory ◽  
Holocaust Memorial ◽  
Memorial Museum ◽  
The Holocaust ◽  
A Site

Why do we attach so much value to sites of Holocaust memory, if all we ever encounter are fragments of a past that can never be fully comprehended? David Duindam examines how the Hollandsche Schouwburg, a former theater in Amsterdam used for the registration and deportation of nearly 50,000 Jews, fell into disrepair after World War II before it became the first Holocaust memorial museum of the Netherlands. Fragments of the Holocaust: The Amsterdam Hollandsche Schouwburg as a Site of Memory combines a detailed historical study of the postwar period of this site with a critical analysis of its contemporary presentation by placing it within international debates concerning memory, emotionally fraught heritage and museum studies. A case is made for the continued importance of the Hollandsche Schouwburg and other comparable sites, arguing that these will remain important in the future as indexical fragments where new generations can engage with the memory of the Holocaust on a personal and affective level.

scholarly journals The Context of the Marxist-Leninist View of Slovak Literature 1945-1969

1986 ◽  
pp. 36
Author(s):  
Norma Rudinsky
Keyword(s):  
World War Ii ◽  
Literary Criticism ◽  
Aesthetic Appreciation ◽  
World War ◽  
Liberal Democratic ◽  
Democratic Aesthetic ◽  
Insight Into

This paper resulted from an attempt to explore factors determining or underlying the "Marxificalion" of Slovak literature after 1945-- an attempt motivated by a hunch that certain Marxisl-Leninisl principles had provided a different insight into Slovak literature from that provided by the liberal, democratic "aesthetic appreciation" school of criticism in prewar Czechoslovakia. The idea that Slovak literary criticism has thrived, relatively, since World War II is by no means new and was advanced, for example, by emigre crilics.

Remediation and hypermediacy: Ezekiel’s World as a case in point

2018 ◽  
Vol 19 (2) ◽  
pp. 199-229
Author(s):  
Ayelet Kohn ◽  
Rachel Weissbrod
Keyword(s):  
World War Ii ◽  
Original Work ◽  
Second Generation ◽  
Holocaust Survivors ◽  
World War ◽  
Graphic Narrative ◽  
The Holocaust ◽  
Graphic Narratives ◽  
Jewish Resistance ◽  
Resistance Movement

This article deals with Kovner’s graphic narrative Ezekiel’s World (2015) as a case of remediation and hypermediacy. The term ‘remediation’ refers to adaptations which involve the transformation of the original work into another medium. While some adaptations strive to eliminate the marks of the previous medium, others highlight the interplay between different media, resulting in ‘hypermediacy’. The latter approach characterizes Ezekiel’s World due to its unique blend of artistic materials adapted from different media. The author, Michael Kovner, uses his paintings to depict the story of Ezekiel – an imaginary figure based on his father, the poet Abba Kovner who was one of the leaders of the Jewish resistance movement during World War II. While employing the conventions of comics and graphic narratives, the author also makes use of readymade objects such as maps and photos, simulates the works of famous artists and quotes Abba Kovner’s poems. These are indirect ways of confronting the traumas of Holocaust survivors and ‘the second generation’. Dealing with the Holocaust in comics and graphic narratives (as in Spiegelman’s Maus: A Survivor’s Tale, 1986) is no longer an innovation, nor is their use as a means to deal with trauma; what makes this graphic narrative unique is the encounter between the works of the poet and the painter, which combine to create an exceptionally complex work integrating poetry, art and graphic narration.

Sign in / Sign up

Export Citation Format

Share Document