scholarly journals Ambivalensi Identitas dalam Novel Black Bazar karya Alain Mabanckou

2021 ◽  
Vol 9 (2) ◽  
pp. 79
Author(s):  
Afifah Faizah
Keyword(s):  
Roland Barthes ◽  
Stuart Hall ◽  
Gerard Genette

Black Bazar merupakan salah satu novel karya penulis frankofon yang berasal dari Republik Kongo, yaitu Alain Mabanckou. Novel ini bercerita tentang kehidupan tokoh Fessologue di Paris sebagai seorang pria imigran kulit hitam yang berasal dari Republik Kongo. Lingkungan sosial yang baru membuatnya harus meniru perilaku orang Prancis agar dapat berintegrasi di sana. Artikel ini membahas pencarian identitas Fessologue melalui peniruan yang menyebabkan keadaan ambivalen. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan kajian naratologi Gérard Genette dan analisis struktur naratif Roland Barthes dengan diperdalam menggunakan teori representasi dan identitas Stuart Hall, serta teori hibriditas budaya Homi K. Bhabha. Hasil penelitian menunjukkan bahwa penokohan dan latar cerita menggambarkan ambivalensi identitas budaya tokoh Fessologue. Peniruan-peniruan yang dilakukan Fessologue tercermin dalam gaya berpakaian, gaya hidup, dan cara berpikirnya agar sama dengan orang Prancis. Proses peniruannya tersebut tidak terus berlanjut sehingga timbul ambivalensi dalam dirinya karena berada di antara dua budaya, yaitu budaya Prancis dan Kongo. Keadaan ambivalen menyadarkannya bahwa tidak ada budaya yang murni sehingga tidak perlu mengagungkan kemurnian suatu identitas budaya.

scholarly journals REPRESENTASI CYBER SOCIETY DALAM FILM “SEARCHING”

2020 ◽  
Vol 3 (2) ◽  
pp. 250-272
Author(s):  
Rikha Ayu Minda Kharisma ◽  
Rahmawati Zulfiningrum
Keyword(s):  
Positive Impact ◽  
Roland Barthes ◽  
Analysis Model ◽  
The Public ◽  
Track Record ◽  
Stuart Hall ◽  
Information And Communication ◽  
Qualitative Descriptive ◽  
Impact Of Technology ◽  
Media Applications

AbstrakMasyarakat  cyber merupakan  salah satu bentuk penciptaan  budaya baru yang disebabkan  oleh perkembangan  teknologi informasi dan komunikasi. Teknologi saat ini memiliki banyak manfaat untuk membantu masyarakat dalam menyelesaikan  aktivitas  rutinnya,  dimana  digitalisasi  telah  terjadi  di  berbagai bidang dan menjadi kebiasaan baru masyarakat. Searching, salah satu film yang diproduksi tahun 2018 ini mengisahkan fenomena teknologi. Film tersebut menggambarkan bahwa menemukan orang hilang dengan rekam jejak digital adalah mungkin dan bisa menjadi jalan keluarnya. Lebih jauh, film ini tidak hanya menampilkan dampak positif dari teknologi tetapi juga menyuguhkan sisi negatifnya.  Penelitian  ini bertujuan  untuk mengetahui representasi  masyarakat cyber dalam film Searching. Peneliti menggunakan  metode penelitian deskriptif kualitatif dengan model analisis semiotika Roland Barthes. Teori dalam penelitian ini menggunakan  Teori Representasi  Stuart  Hall. Hasil penelitian  menunjukkan bahwa terdapat lima representasi  dari masyarakat cyber. Pertama,  komunikasi yang menggunakan  media aplikasi. Kedua, menciptakan  identitas baru di dunia maya.   Ketiga,   menggunakan  website   untuk   mencari   informasi.   Keempat, kebebasan berpendapat di dunia maya, dan yang terakhir adalah kecanduan internet. Masyarakat  perlu meningkatkan  kesadaran  akan dampak penggunaan teknologi agar bisa hidup bijak di era digital.  Kata kunci: Film searching, Masyarakat cyber, Representasi, Semiotika, Teknologi AbstractThe cyber society is a form of creating a new culture caused by the development of information and communication technology. Nowadays, technology bring the advantages to help people accomplished  their routine activities, where digitalization  has  occurred  in  various  fields  and  has  become a new  habit  for society. Searching, one of the movies that produce in 2018 is portray the phenomenon  of technology.  The film described  that finding the missing people with a digital track record is possible and could be the way out. Furthermore, this film not only show the positive impact of technology but also state the negative side. This study aims to determine the representations of cyber society in film title Searching. The researcher uses qualitative descriptive method research with semiotics of Roland  Barthes  analysis  model.  The theory  in  this  study uses the theory  representation  of  Stuart  Hall.  The  results  showed  that  there  are  five representations of cyber society. First, communication  using media applications. Second,  creating  a new  identity  in cyberspace.  Third,  use  the  website  to  find information.  Fourth,  freedom  of speech  in cyberspace,  and the last is internet addiction.   The  public  needs  to  increase  the  awareness  for  the  impacts  of technology uses in order to live wisely in the digital era.Keywords: Cyber society, Representation, Searching movie, Semiotic, Technology

scholarly journals Codificación y decodificación del mensaje periodístico. Una experiencia didáctica

2021 ◽  
Vol 7 ◽  
pp. 1-9
Author(s):  
Estrella Martínez-Rodrigo ◽  
Pura Raya González
Keyword(s):  
Roland Barthes ◽  
Umberto Eco ◽  
Stuart Hall ◽  
Medios De Comunicacion

Este artículo pretende aplicar la teoría de Stuart Hall ‘Encoding and Decoding’ (apoyándose también en la semiótica de Charles S. Peirce, Roland Barthes y Umberto Eco) a una propuesta educativa para alumnos de cuarto curso de las licenciaturas de Periodismo y Comunicación Audiovisual. El objetivo es que estos estudiantes no sólo construyan un mensaje textual y audiovisual y a continuación analicen qué mecanismos de codificación se han llevado a cabo en dicho proceso, sino que, en un papel de consumidores, desgranen los elementos de descodificación utilizados durante el tiempo de recepción. Con ello se persigue despertar en el alumnado una actitud crítica y dotarlo de útiles herramientas que le permitan llevar a cabo un consumo más racional y reflexivo de los Medios de comunicación de masas y ejercer su profesión con mayor eficiencia y rigor.

scholarly journals Til sammenligning

2019 ◽  
Vol 47 (127) ◽  
pp. 111-130
Author(s):  
Rikke Andersen Kraglund
Keyword(s):  
Literary Theory ◽  
Julia Kristeva ◽  
Roland Barthes ◽  
Literary Texts ◽  
Middle Ground ◽  
Discursive Space ◽  
Broad Concept ◽  
Universal Feature ◽  
The One ◽  
Gerard Genette

Generally, the conception of intertextual references in literary theory has been either very broad or very narrow and detail-oriented. On the one hand, Roland Barthes and Julia Kristeva conceive of intertext as a universal feature of all texts. No text is original and made by itself isolated from those existing before it. All texts, in short, are intertexts because they refer to other texts, conventions, and presuppositions beyond authors’ intentions. But this broad concept is difficult to work with in analyzing works of literature. It poses problems of identification and does not mark out a manageable area of investigation or object of attention with the undefined and infinite discursive space it designates and its idea about anonymous citations. Generally, the conception of intertextual references in literary theory has been either very broad or very narrow and detail-oriented. On the one hand, Roland Barthes and Julia Kristeva conceive of intertext as a universal feature of all texts. No text is original and made by itself isolated from those existing before it. All texts, in short, are intertexts because they refer to other texts, conventions, and presuppositions beyond authors’ intentions. But this broad concept is difficult to work with in analyzing works of literature. It poses problems of identification and does not mark out a manageable area of investigation or object of attention with the undefined and infinite discursive space it designates and its idea about anonymous citations.  On the other hand, we have the more restricted view that focuses on specific, readily recognized signs of intertextual relations between literary texts. Gérard Genette offers a vocabulary to describe the interaction between only two identifiable texts. In this article, I shall propose a third alternative that takes the middle ground and investigate what a rhetorical approach to intertextuality means for the understanding of the concept of comparison.

scholarly journals The possibility of an island; or, The double bind of Houellebecq’s apocalypse: when the end is not the end

Literator ◽  
2008 ◽  
Vol 29 (2) ◽  
pp. 25-46 ◽  
Author(s):  
E. Snyman
Keyword(s):  
Science Fiction ◽  
Scientific Research ◽  
Roland Barthes ◽  
Future Generations ◽  
Double Bind ◽  
New Order ◽  
Michel Houellebecq ◽  
French Author ◽  
Gerard Genette ◽  
New Millennium

The purpose of this article is to demonstrate that “The possibility of an island” (2005), the latest novel by the controversial French author Michel Houellebecq, utilises a variety of so-called marginal genres such as millennial, apocalyptic, Utopian writing and science fiction to question and to continue the millennial project he elaborated in “Atomised” (2001). The latter novel, first published in French in 1998, explores the idea of a new order that would gradually come into existence during the new millennium, namely that of a neo-humanity produced through cloning. In “The possibility of an island” this Utopian construction turns unequivocally into a dystopia. This novel thus adds a double bind to the Apocalypse foreseen in “Atomised”: the end was not the end, but just the beginning of an intermediary phase.This analysis of Houellebecq’s novelistic techniques is based on theoretical descriptions of the genres on which the two novels draw, as well as narratological concepts formulated by Roland Barthes and Gérard Genette. The conclusion of the article points out that Houellebecq’s utilisation of marginal genres enables him to question contemporary civilisation and to investigate the consequences of scientific research on future generations.

scholarly journals Studying the Place of Intertextuality in Iranian Painting (Case Samples: Qajar Era)

2016 ◽  
Vol 10 (12) ◽  
pp. 156 ◽  
Author(s):  
Panahi Siamak ◽  
Farazjou Forough ◽  
Majdi Shima
Keyword(s):  
Art History ◽  
Julia Kristeva ◽  
Roland Barthes ◽  
Community Art ◽  
First Time ◽  
Gerard Genette

Intertextuality studies are as one of the significant approaches in literature and art. This term for the first time was proposed by Julia Kristeva 60s and later it was expanded by persons such as Roland Barthes, Gerard Genette & et al. Nowadays we are living in a world which is full of texts and these texts are born in it, grow and finally give their place to other texts but they aren’t disappeared. These texts are knotted to each other with intertextuality rules and they have interaction with each other. They sometimes deny or confirm each other but any way they influence on each other. In fact existence of sign world and existing texts and their effects in creation of each artistic effect are inevitable.This paper intends to consider the applicable studies of intertextuality in Iranian community art by concentrating on Qajar era painting. And it refers to the role of intertextuality in producing and reading the works by studying the case samples.The methodology in this research with review of art history and due to the analyses done on the works (sample to sample) will be analytic-descriptive according to the allegorical method.

scholarly journals Como fazer um Livro do Desassossego

2021 ◽  
Vol 31 (1) ◽  
pp. 55-78
Author(s):  
Marcelo Cordeiro de Mello
Keyword(s):  
Roland Barthes ◽  
Fernando Pessoa ◽  
Gerard Genette

O Livro do Desassossego, obra que Fernando Pessoa não terminou nem organizou, deixa a quaisquer editores uma série de dilemas que decorrem de sua própria natureza fragmentária e irregular: é uma obra assinada por diferentes heterônimos, composta em diferentes momentos e enfim deixada de lado pelo autor. O presente artigo procura comparar e analisar diferentes edições do Livro do Desassossego, desde as mais antigas e tradicionais até as mais modernas e experimentais. Para tanto, procura entender o Livro do Desassossego dentro do contexto da produção pessoana, e faz referência a obras de autores da Teoria Literária, como Gérard Genette e Roland Barthes, que refletiram sobre a natureza do objeto livro. A ideia é propor uma reflexão sobre a tarefa do editor e as possibilidades que a ele se apresentam diante de uma obra de tão problemática organização.

scholarly journals O tempo no terceiro mundo de Glauber Rocha: o roteiro cinematográfico como gênero literário

2017 ◽  
Vol 18 (2) ◽  
pp. 204-224
Author(s):  
Rafaela Rogério Cruz
Keyword(s):  
Roland Barthes ◽  
Tzvetan Todorov ◽  
Gerard Genette

Glauber Rocha, numa carta a Augusto Carlos Calil expressou vontade de reunir em antologia uma série de roteiros seus. O diretor baiano e toda a sua obra cinematográfica já gozam do respeito tanto da crítica quanto do público, tendo reconhecida a sua importância na produção artístico/cultura brasileira do século XX, contudo seus roteiros, base literária dos filmes, estão ainda para ser descobertos como obra literária independente. Este artigo, através da análise da categoria tempo, tem como objetivo entender como o roteiro articula conceitos de ficção e narratividade em comparação com o romance e o drama, gêneros literários já bem estabelecidos. Com o intuito de cavar para o roteiro um lugar nos estudos literários, nossa leitura é guiada por teóricos cuja preocupação com a narrativa literária é um grande legado para a teoria e crítica, sendo alguns deles: Roland Barthes (1972), Gerárd Genette (1979) e Tzvetan Todorov (2006).

Splendor and Misery: Semiotics and the End of Rhetoric

2006 ◽  
Vol 24 (3) ◽  
pp. 303-323 ◽  
Author(s):  
Don Paul Abbott
Keyword(s):  
Present State ◽  
Paul Ricoeur ◽  
Roland Barthes ◽  
History Of Rhetoric ◽  
Paul Ricœur ◽  
History Of ◽  
Theory Of Language ◽  
Gerard Genette

Abstract Beginning with Roland Barthes' “The Old Rhetoric: an aide-mémoire” (1964–65), semioticians have shown a remarkable interest in the history of rhetoric. Writers like Barthes, Tzevtan Todorov, Gérard Genette, and Paul Ricoeur have offered accounts of rhetoric's past that invariably concluded with rhetoric's demise and its replacement with semiotics. These writers typically portray rhetoric's history as one of a brief rise followed by a very long decline, a pattern, says Todorov, of “splendor and misery.” This essay examines the semioticians' predictions of rhetoric's demise as well as semiotics' attempt to claim elements of rhetoric as its own. The essay concludes by considering the present state of semiotics' aspiration to supersede rhetoric as a theory of language and human affairs.

scholarly journals A donzela estereotipada: um estudo de recepção do Grupo Iron Maiden nos portais G1 e R7

2017 ◽  
Vol 16 (31) ◽  
Author(s):  
Fábio Cruz ◽  
Estevan Garcia ◽  
Roberto Ramos
Keyword(s):  
Roland Barthes ◽  
Stuart Hall

Neste trabalho, apresentamos um estudo de recepção acerca de duas reportagens exibidas pelos portais de notícia G1e R7 sobre o grupo inglês de rock Iron Maiden. Lançando mão de uma postura crítica, histórica e dialética, adotamos como marcos teórico-metodológicos os pressupostos de Guillermo Orozco Gómez (2000; 2003), Stuart Hall (2003), Douglas Kellner (2001), Roland Barthes (1993) e John Thompson (1995). O corpus analítico cobre a vinda da banda ao Brasil, em março de 2016, para realizar shows de lançamento do seu mais novo trabalho, The book of souls, lançado em setembro de 2015.

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