scholarly journals PSYCHOLOGICAL APPROACH TO THE CHARACTERS OF E-LITERATURE FINAL FANTASY TACTICS: THE WAR OF THE LIONS

LINGUISTICA ◽  
2018 ◽  
Vol 7 (1) ◽  
Author(s):  
Jauza Munirah And Amrin Saragih

The aim of this study is to investigate the structures of personalities, the driving forces behind behaviors, the interweaving roles of the characters in a videogame titled Final Fantasy Tactics: The War of the Lions and how those roles affect the overall literary works. The type of this research is qualitative. The .iso, script as well as the documentation videos of Final Fantasy Tactics: The War of the Lions are the sources of the data. The data are the utterances and actions which conveys the characters’ perceptions in a particular physical and social environments, their needs, wishes, intentions, memories of past events and their imagining about future, their ways to overcome inferiority, the future they envision, their goals and expectations. The writer finds that the seemingly opposite characters actually share similar goals: to fight the imbalances, particularly the social disparity between noble and commoner and to make the world a better place. Both characters start to differ because of their differences in backgrounds which lead one to seek power while the other one abandoned power. Each characters have their own assigned roles based on the application of Jung’s archetypes, and they share similar roles. But, while most a character’s roles changes to the shadow sides (the negative sides) because of the situations that occured, the other character retains the positive qualities of the archetypes. Both characters become the antithesis of each others and their interweaving roles lead to a deeper and complex interpersonal conflicts, a more interesting story, as well as a great emotional impacts.

LINGUISTICA ◽  
2018 ◽  
Vol 7 (1) ◽  
Author(s):  
Jauza Munirah And Amrin Saragih

The aim of this study is to investigate the structures of personalities, the driving forces behind behaviors, the interweaving roles of the characters in a videogame titled Final Fantasy Tactics: The War of the Lions and how those roles affect the overall literary works. The type of this research is qualitative. The .iso, script as well as the documentation videos of Final Fantasy Tactics: The War of the Lions are the sources of the data. The data are the utterances and actions which conveys the characters’ perceptions in a particular physical and social environments, their needs, wishes, intentions, memories of past events and their imagining about future, their ways to overcome inferiority, the future they envision, their goals and expectations. The writer finds that the seemingly opposite characters actually share similar goals: to fight the imbalances, particularly the social disparity between noble and commoner and to make the world a better place. Both characters start to differ because of their differences in backgrounds which lead one to seek power while the other one abandoned power. Each characters have their own assigned roles based on the application of Jung’s archetypes, and they share similar roles. But, while most a character’s roles changes to the shadow sides (the negative sides) because of the situations that occured, the other character retains the positive qualities of the archetypes. Both characters become the antithesis of each others and their interweaving roles lead to a deeper and complex interpersonal conflicts, a more interesting story, as well as a great emotional impacts.


LINGUISTICA ◽  
2018 ◽  
Vol 7 (4) ◽  
Author(s):  
Jauza Munirah ◽  
Amrin Saragih ◽  
Elisa Betty Manullang

The aim of this study is to investigate the structures of personalities, the driving forces behind behaviors, the interweaving roles of the characters in a videogame titled Final Fantasy Tactics: The War of the Lions and how those roles affect the overall literary works. The type of this research is qualitative. The .iso, script as well as the documentation videos of Final Fantasy Tactics: The War of the Lions are the sources of the data. The data are the utterances and actions which conveys the characters’ perceptions in a particular physical and social environments, their needs, wishes, intentions, memories of past events and their imagining about future, their ways to overcome inferiority, the future they envision, their goals and expectations. The writer finds that the seemingly opposite characters actually share similar goals: to fight the imbalances, particularly the social disparity between noble and commoner and to make the world a better place. Both characters start to differ because of their differences in backgrounds which lead one to seek power while the other one abandoned power. Each characters have their own assigned roles based on the application of Jung’s archetypes, and they share similar roles. But, while most a character’s roles changes to the shadow sides (the negative sides) because of the situations that occured, the other character retains the positive qualities of the archetypes. Both characters become the antithesis of each others and their interweaving roles lead to a deeper and complex interpersonal conflicts, a more interesting story, as well as a great emotional impacts.Keywords: Archetypes, Characters, Characterizations, Driving Forces, Electronic Literature,  Final Fantasy, Literary Works, Psychological Approach, Structure of Personality, Videogame


Thesis Eleven ◽  
2018 ◽  
Vol 145 (1) ◽  
pp. 77-98 ◽  
Author(s):  
Jose Jowel Canuday

In popular imagery, the littorals of Sulu and Zamboanga conjure visions of pirates, terrorists, and bandits marauding its rough seas, open shores, and rugged mountains. These bleak accounts render the region nothing but a violent and peripheral southern Philippine backdoor inconspicuous to the sophisticated constituencies of the world’s metropolitan centres. Obscured from these imageries are the lasting cosmopolitan traits of openness, flexibility, and reception of local folk to trans-local cultural streams that marked Sulu and Zamboanga as a globalised space across the ages and oceans. The distinctive features of these cosmopolitan sensibilities are strikingly discernible in inter-generationally shared narratives, artefacts, and performances that were continually renewed from the days when Sulu and Zamboanga served as a borderless trading and cultural enclave nestled at the crossroads of the Pacific and the Indian Oceans. These enduring cosmopolitan sensibilities are embodied in the blending, among others, of the time-honoured dance of pangalay and the pop-musical dance genre celebrated on actual, analogue, and digitally-mediated spaces of the contemporary world. Furthermore, these embodied sensibilities are evident in song compositions that proclaim the humanistic themes of hope, peace, and prosperity to their place and the world in ways that exemplify the local people’s broader sense of connections beyond the narrow association of family, community, ethnicity, religion, and identity. This mixed bag of age-old and recent imaginaries and cultural traffic evoke a sociality that link the social spaces of the troubled but once and current globalised region to continuing acts of transcendence in history, memory, and visions of the future. In these marginalized places, we can see an unyielding tradition of cultural re-adaptation and creativity made up of myriad everyday acts that are down-to-earth, pragmatic, interstitial, and practical cosmopolitanism.


1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.


2014 ◽  
Vol 28 (2) ◽  
pp. 239-250 ◽  
Author(s):  
Andrew Gilmour

Ever since the Charter of the United Nations was signed in 1945, human rights have constituted one of its three pillars, along with peace and development. As noted in a dictum coined during the World Summit of 2005: “There can be no peace without development, no development without peace, and neither without respect for human rights.” But while progress has been made in all three domains, it is with respect to human rights that the organization's performance has experienced some of its greatest shortcomings. Not coincidentally, the human rights pillar receives only a fraction of the resources enjoyed by the other two—a mere 3 percent of the general budget.


2018 ◽  
Vol 14 (1) ◽  
pp. 101-118
Author(s):  
Milan Orlić

Post-Yugoslav literature and culture came out of the stylistic formations of Yugoslav modernism and postmodernism, in the context of European cultural discourse. Yugoslav literature, which spans the existence of “two” Yugoslavias, the “first” Yugoslavia (1928–1941) and the “second” socialist Yugoslavia (1945–1990), is the foundation of various national literary and cultural paradigms, which shared the same or similar historical, philosophical and aesthetic roots. These were fed, on the one hand, by a phenomenological understanding of the world, language, style and culture, and on the other, by an acceptance of or resistance to the socialist realist aesthetics and ideological values of socialist Yugoslav society. In selected examples of contemporary Serbian prose, the author explores the social context, which has shaped contemporary Serbian literature, focusing on its roots in Serbian and Yugoslav 20th century (post)modernism.


2014 ◽  
Vol 43 (2) ◽  
pp. 294-318 ◽  
Author(s):  
Gregory W. Dawes

A recurring debate within discussions of religion, science, and magic has to do with the existence of distinct modes of thought or “orientations” to the world. The thinker who initiated this debate, Lucien Lévy-Bruhl, distinguished two such orientations, one characterized as “participatory” and the other as “causal.” The present essay attempts to clarify what a participatory orientation might involve, making use of the social-psychological category of a “schema.” It argues that while the attitude to which Lévy-Bruhl refers is to be distinguished from an explicit body of doctrine, it does have a cognitive dimension and can embody causal claims. It follows that if such a distinction is to be made, it is not helpfully characterized as a contrast between participation and causality. A better distinction might be that between a mythical and an experimental attitude to the world.


2013 ◽  
Vol 16 (1) ◽  
Author(s):  
Michael Schillmeier

To assume that all things we want to describe – humans and non-humans alike – can be done so properly only in terms of 'societies', requires a contrast – a momentum of cosmopolitics – to the very abstract distinctions upon which our classical understanding of sociology and its key terms rests: 'The social' as defined in opposition to 'the non-social', 'society' in opposition to 'nature'. The concept of cosmopolitics tries to avoid such modernist strategy that A. N. Whitehead called 'bifurcation of nature' (cf. Whitehead 1978, 2000). The inventive production of contrasts names a cosmopolitical tool which does not attempt to denounce, debunk, replace or overcome abstract, exclusivist oppositions that suggest divisions as 'either…or'-relations. Rather, as the Belgian philosopher of science Isabelle Stengers stresses, 'the contrast will have to be celebrated in the manner of a new existent, adding a new dimension to the cosmos' (Stengers 2011: 513). Cosmopolitics, then, engages with 'habits we experiment with in order to become capable of new experiences' (Stengers 2001: 241) and opens up the possibility of agency of the non-expected Other, the non-normal, the non-human, the non-social, the un-common. 'The Other is the existence of a possible world', as Gilles Deleuze and Felix Guattari (1994: 17-18) have put it. It is 'the condition for our passing from one world to another. The Other (...) makes the world go by.'


2021 ◽  
Vol 65 (2) ◽  
pp. 157-167
Author(s):  
Grzegorz Sokół

The subject of this essay is Andrzej Waśkiewicz’s book Ludzie – rzeczy – ludzie. O porządkach społecznych, gdzie rzeczy łączą, nie dzielą (People–Things–People: On Social Orders Where Things Connect Rather Than Divide People). The book is the work of a historian of ideas and concerns contemporary searches for alternatives to capitalism: the review presents the book’s overview of visions of society in which the market, property, inequality, or profit do not play significant roles. Such visions reach back to Western utopian social and political thought, from Plato to the nineteenth century. In comparing these ideas with contemporary visions of the world of post-capitalism, the author of the book proposes a general typology of such images. Ultimately, in reference to Simmel, he takes a critical stance toward the proposals, recognizing the exchange of goods to be a fundamental and indispensable element of social life. The author of the review raises two issues that came to mind while reading the book. First, the juxtaposition of texts of a very different nature within the uniform category of “utopia” causes us to question the role and status of reflections regarding the future and of speculative theory in contemporary social thought; second, such a juxtaposition suggests that reflecting on the social “optimal good” requires a much more precise and complex conception of a “thing,” for instance, as is proposed by new materialism or anthropological studies of objects and value as such.


Author(s):  
Ram Prasad Rai

The main concern of this paper is to study on masculinity and more importantly the hyper masculinity of the Gurkhas in Imperial Warriors: Britain and the Gurkhas by Tony Gould. The writer describes the courage with discipline and dedication, the Gurkhas had while fighting for Nepal, their homeland during the Anglo-Nepal War (1814-1816) and for Britain in the First and Second World Wars, following the other wars and confrontations in many parts of the world. Despite a lot of hardships and pain in wars, they never showed their back to the enemies, but kept Britain’s imperial image always high with victories. They received Victoria Crosses along with other bravery medals. As a masculinity, the hegemonic masculinity is obviously present in the book since the high ranked British Officers are in the position to lead the Gurkha soldiers. However, the masculinity here is associated with the extreme level of bravery and that is the hyper-masculinity of the Gurkhas. Since this is a qualitative research work, the researcher has consulted various books, reviews and journal articles related to the Gurkhas. It is a new concept in the study of the Gurkhas in the particular book by Gould. So, it will certainly be a new insight for the future researchers in the related area.


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