Forming Sevastopol Print Media Space in New Conditions

2018 ◽  
pp. 114-124
Author(s):  
L. G. Egorova ◽  
Keyword(s):  
Print Media ◽  
Media Space

scholarly journals RELIGIUSITAS MEDIA MASSA DALAM PERSPEKTIF TEOANTROPOSENTRIS ISLAM

2020 ◽  
Vol 6 (2) ◽  
pp. 65
Author(s):  
Nanik Mujiati ◽  
Moh. Yunus
Keyword(s):  
Mass Media ◽  
New Media ◽  
Print Media ◽  
Human Science ◽  
Human Knowledge ◽  
New Paradigm ◽  
Good Communication ◽  
Public Media ◽  
Media Space ◽  
The Mass Media

This article examines about Islamic Theoantropocentric, a new paradigm of integration between the source of knowledge from Allah in the form of the Qur’an and human science. Islamic theoantroposentric phenomena that exist in the mass media space or called mass media religiosity. This form of religiosity is in the form of morals which is sourced from the revelation of Allah contained in the Qur’an and hadith. While the mass media itself is in the form of human knowledge such as print media, electronics and new media. The existence of integration between mass media and religion is complementary and become a unified whole. The use of mass media must be accompanied by the morals or ethics of the mass media. Mass media as public media must present religious content or that does not deviate from the teachings of Islam to meet the needs of the audience, especially Muslims themselves. So that the mass media with morals can create good communication and bring benefit to mankind, even the mass media can be a means of minimizing conflict.Keywords: Theoantropocentric, Islamic, and Mass Media.

scholarly journals Printed Space: Critically Exploring the (Re)production of Meaning in Architecture

2021 ◽  
Author(s):  
◽  
Matthieu Mereau
Keyword(s):  
Cultural Context ◽  
Print Media ◽  
Le Corbusier ◽  
Culture Industry ◽  
Special Focus ◽  
Media Discourse ◽  
Cultural Products ◽  
Built Form ◽  
Media Space ◽  
The Media

<p>This research is an exploration of meaning in architecture, considering architectural meaning as cultural production. My thesis expands the notion of architecture from the mere design and implementation of built forms to include consideration of the cultural context in which they are produced. It considers architecture to encompass not only built forms but the interpretations and cultural representations which are assigned to them. These cultural products – images, artworks, and media discourse – contribute to the wider social meanings people use to make sense of the world around them. Meanings in architecture are social creations. They are placed on artefacts by people situated within specific social contexts, and within their frames of thought and experience. My main premise is that institutions of architectural mass media, to a certain extent, shape the frames of reference for mainstream views of architecture, playing a significant role in influencing the meanings people attribute to the various cultural products that make up the field of architecture. From this premise, this research proposes that the 'media space' of architecture – a space which people abstractly construct as they interpret architectural print media – has potential for architects interested in dealing with the cultural substance of architecture, that is, with architectural meaning. To explore this idea, this thesis uses theoretical discussions on three themes ('Meaning in Architecture', 'Architectural Media and Representation', and 'the Architecture Culture Industry') to develop a particular understanding of the production of meaning in architecture. Parts of this understanding are strengthened and further developed by case studies of particular works of three architects: the journal L'Esprit Nouveau (1920-1925) produced by Le Corbusier; the Sala O exhibit at the Exhibition of the Fascist Revolution (1933) designed by Giuseppe Terragni; and the German Pavilion at the Barcelona International Exposition (1929) designed by Ludwig Mies van der Rohe. The way these architects engaged with architectural print media to develop the meanings of their work is used as the rationale for a series of architectural design explorations, which attempt to create an architecture open to post-structuralist understandings of meaning. This conceptual 'reconstruction' of Mies' much-publicised Barcelona Pavilion and the accompanying self-critique becomes my own contribution to the critical media discourse surrounding (or as I argue, constituting) the pavilion. This research finishes with some conclusions towards a philosophy of meaning in architecture. Its findings critique conventional understandings of the nature of architectural interpretation, and challenge the hegemony of the built form as the site of architectural meaning. Revealing the special focus of the architecture culture industry to be the stimulation of architectural meanings and the spread of particular interpretations in society, my study starts to reassess the role of the architect in contemporary, 'mediatised' culture. Through approaching architectural print media in more astute ways, architects may begin to explore new forms of architectural meaning, beyond the limits of built form and material existence, and create work within the 'media space of architecture'.</p>

scholarly journals Printed Space: Critically Exploring the (Re)production of Meaning in Architecture

2021 ◽  
Author(s):  
◽  
Matthieu Mereau
Keyword(s):  
Cultural Context ◽  
Print Media ◽  
Le Corbusier ◽  
Culture Industry ◽  
Special Focus ◽  
Media Discourse ◽  
Cultural Products ◽  
Built Form ◽  
Media Space ◽  
The Media

<p>This research is an exploration of meaning in architecture, considering architectural meaning as cultural production. My thesis expands the notion of architecture from the mere design and implementation of built forms to include consideration of the cultural context in which they are produced. It considers architecture to encompass not only built forms but the interpretations and cultural representations which are assigned to them. These cultural products – images, artworks, and media discourse – contribute to the wider social meanings people use to make sense of the world around them. Meanings in architecture are social creations. They are placed on artefacts by people situated within specific social contexts, and within their frames of thought and experience. My main premise is that institutions of architectural mass media, to a certain extent, shape the frames of reference for mainstream views of architecture, playing a significant role in influencing the meanings people attribute to the various cultural products that make up the field of architecture. From this premise, this research proposes that the 'media space' of architecture – a space which people abstractly construct as they interpret architectural print media – has potential for architects interested in dealing with the cultural substance of architecture, that is, with architectural meaning. To explore this idea, this thesis uses theoretical discussions on three themes ('Meaning in Architecture', 'Architectural Media and Representation', and 'the Architecture Culture Industry') to develop a particular understanding of the production of meaning in architecture. Parts of this understanding are strengthened and further developed by case studies of particular works of three architects: the journal L'Esprit Nouveau (1920-1925) produced by Le Corbusier; the Sala O exhibit at the Exhibition of the Fascist Revolution (1933) designed by Giuseppe Terragni; and the German Pavilion at the Barcelona International Exposition (1929) designed by Ludwig Mies van der Rohe. The way these architects engaged with architectural print media to develop the meanings of their work is used as the rationale for a series of architectural design explorations, which attempt to create an architecture open to post-structuralist understandings of meaning. This conceptual 'reconstruction' of Mies' much-publicised Barcelona Pavilion and the accompanying self-critique becomes my own contribution to the critical media discourse surrounding (or as I argue, constituting) the pavilion. This research finishes with some conclusions towards a philosophy of meaning in architecture. Its findings critique conventional understandings of the nature of architectural interpretation, and challenge the hegemony of the built form as the site of architectural meaning. Revealing the special focus of the architecture culture industry to be the stimulation of architectural meanings and the spread of particular interpretations in society, my study starts to reassess the role of the architect in contemporary, 'mediatised' culture. Through approaching architectural print media in more astute ways, architects may begin to explore new forms of architectural meaning, beyond the limits of built form and material existence, and create work within the 'media space of architecture'.</p>

The image of R. A. Kadyrov in russian and foreign media

nauka.me ◽  
2021 ◽  
pp. 7
Author(s):  
Egor Nikulin
Keyword(s):  
Russian Federation ◽  
Print Media ◽  
The Political ◽  
Traditional Media ◽  
Russian Region ◽  
Media Space ◽  
The Russian Federation ◽  
Foreign Media

This article is devoted to the phenomenon of the political image of R. A. Kadyrov in electronic versions of popular foreign and domestic print media. In the study, by studying the content associated with this leader of the Russian region in the traditional media space, the discourse field around R.A.Kadyrov in the Chechen Republic, the Russian Federation and abroad is analyzed.

scholarly journals Transcarpathian print media of the mid and second half of the 20th cс. as a process of deepening the Sovietization of the mass media space of the region

2020 ◽  
pp. 180-199
Author(s):  
Yuriy Bidzilya
Keyword(s):  
Soviet Union ◽  
Mass Media ◽  
Western Europe ◽  
Print Media ◽  
Main Function ◽  
The Soviet Union ◽  
Political Events ◽  
Media Space ◽  
The Media ◽  
Party Press

Against the background of the socio-political events of the time, the article analyzes the process of deepening the totalitarian ways of managing the media in Transcarpathia, the region most recently annexed to the Soviet Union. Communists liquidate newspapers and magazines of other parties, cultural and public associations in the region, and communist government bodies purposefully turn the newly created print media and survivors into a means of destroying dissent. Through custom newspaper publications, the communist administrative-command system not only launches repression against active local cultural and public figures, scholars, writers, clergy, but also uses a titanic effort to ideologically re-educate the population of Transcarpathia through the print media The main function of the media is to promote the communist way of life and class struggle. The author examines the main stages of the transformation of the Transcarpathian print media into communist print media, draws attention to the way in which the Soviet authorities in Transcarpathia fought dissent through the print media, rigidly implemented anti-religious propaganda in the media. Those public and religious figures who did not agree to move to the side of communist power were ruthlessly physically destroyed. Such was the fate of the famous and authoritative among the population of Transcarpathian Greek-Catholic bishop Theodore Romzha. Transcarpathian press of the second half of the 20th century becomes an era of strengthening and deepening of Sovietization. The media actively promoted the idea that the country had entered the era of advanced socialism, and that all peoples in the Soviet Union formed a single historical community – the «Soviet people». In this way, the idea that the national issue was finally resolved was entrenched. At the same time, self-publishing books, which proved quite differently, had a significant impact on Ukrainian society. During these years, Transcarpathia became the base for the transfer of selfpublishing and dissident works to Western Europe for printing. Anti-Communist appearances in neighboring Czechoslovakia, known as the «Prague Spring», have had a major impact on the information space of this region. Keywords: periodicals, journalism, mass media, media space, propaganda, agitation, party press.

Cebu Coal Mine Tragedies: Print Media Effects on Policy Legislation

2017 ◽  
Vol 2 (2) ◽  
pp. 83-91
Author(s):  
Nestor Godofredo Ramirez ◽  
◽  
Marjurie Lourince Zanoria ◽  
Andre Mikhail Obierez ◽  
◽  
...  
Keyword(s):  
Media Effects ◽  
Coal Mine ◽  
Print Media

MEDIA SOCIALIZATION OF PERSONALITY IN THE CONTEXT OF INMUTATION IN THE MASS MEDIA

2021 ◽  
pp. 104-109
Author(s):  
Chernysh O.O.
Keyword(s):  
Mass Media ◽  
Negative Impact ◽  
Effective Interaction ◽  
Individual Characteristics ◽  
Media Culture ◽  
Active Growth ◽  
Media Space ◽  
The Media ◽  
The Individual

The urgency of the researched problem is connected with the growing role of mass media in modern conditions leads to change of values and transformation of identity of the person. The active growth of the role of the media, their influence on the formation and development of personality leads to the concept of “media socialization” and immutation in the media. The aim of the study is to outline the possibilities of the process of media socialization in the context of immutation in the media. The methods of our research are: analysis of pedagogical, psychological, literature, synthesis, comparison, generalization. The article analyzes the views of domestic and foreign scientists on the problem of immutation in the media and the transformation of the information space. In the context of the mass nature of the immutation of society, the concept of “media socialization” becomes relevant, which is the basis for reducing the negative impact of the media on the individual.The author identifies the lack of a thorough study of the concept of “media socialization” in modern scientific thought. Thus, media socialization is associated with the transformation of traditional means of socialization, and is to assimilate and reproduce the social experience of mankind with the help of new media.The article analyzes the essence of the concepts “media space”, “mass media” and “immutation”. The influence of mass media on the formation and development of the modern personality is described in detail.The study concluded that it is necessary to form a media culture of the individual, to establish safe and effective interaction of young people with the modern media system, the formation of media awareness, media literacy and media competence in accordance with age and individual characteristics for successful media socialization. The role of state bodies in solving the problem of media socialization of the individual was also determined. It is determined that the process of formation of media culture in youth should take place at the level of traditional institutions of socialization of the individual.The author sees the prospect of further research in a detailed analysis and study of the potential of educational institutions as an institution and a means of counteracting the mass nature of the immutation of society.Key words: immutation, media socialization, mass media, media space, information.

Promosi Dan Informasi Media Audio Visual Berbentuk Video Profile Pada SMK PGRI 11 Ciledug Kota Tangerang

CICES ◽  
2017 ◽  
Vol 3 (1) ◽  
pp. 35-47
Author(s):  
Faisal Rudiansyah Hamzah ◽  
Panji Wira Soma ◽  
Indri Rahmawati
Keyword(s):  
Information Technology ◽  
Print Media ◽  
Visual Media ◽  
Message Delivery ◽  
The Public ◽  
Existing Problems ◽  
The Media ◽  
The Right

With the development of information technology in particular in the field of multimedia in such rapid and the longer forms of media information more diverse so that more education institutions boast. Media information and promotion is currently used by SMK PGRI 11 Ciledug Tangerang. The purpose of this research audio visual media into the media information and proper promotion, by controlling hearing and vision in the form of audio visual in order to convey messages can be understood by the public at large. Existing problems, namely the medium used by the SMK PGRI 11 Ciledug Tangerang still use print media such as banners, posters and pamplet are considered less effective and efficient to use while simultaneously promoting the institutions with the best possible audio visual media so that it is selected into a medium of information and promotion of the right, by controlling hearing and vision in the form of audio visual. Because therein lies the message delivery process or how to visualize. At the same time listening and showing the contents of the message to the recipient with information through media menunjangnya, so the design of video media profile that displays the entire scope, advantages and facilities belonging to SMK PGRI 11 Ciledug Tangerang, can be a solution in solving problems in media promotion and information. With this study the author makes with the title "promotion and INFORMATION AUDIO VISUAL MEDIA SHAPED VIDEO PROFILE on SMK PGRI 11 APPLICATIONS TANGERANG CITY ".

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