scholarly journals Cultural Heritage and Responsibility: Linking Narratives of the Past to Perspectives of the Future

2021 ◽  
Vol 69 (3) ◽  
pp. 432-446
Author(s):  
Cornelia Sylla

Abstract This paper aims at identifying factors behind the-making-of cultural heritage reproduced within educational settings by trying to answer the following question: How do young people link narratives of the past with their own cultural identities and perspectives on the future? Observations made at conferences by two different non-formal educational organisations in the same region in Germany form the data for this analysis. Both conferences were structurally similar but very different in their perspectives on Germany’s role in global history and on young people’s responsibilities to create a future worth living in. Since both organisations are concerned with political education and target a similar group of young people from similar economic and educational backgrounds, these differences seem especially significant for thinking about discursive practices in educational settings. Building on the understanding that heritage is a discursive practice in a field of power relations, the paper provides insights into the links between certain images of the past, which are recreated in very specific ways in different educational settings, and the cultural practices young people produce within their local contexts.

1970 ◽  
pp. 33
Author(s):  
Maria Björkroth

One popular movement, the 'hembygd'-movement, has been a particularly dynamic force in shaping Swedish attitudes towards museums and cultural heritage. The movement was born in the first decades of the 20th century, it attracted young people and it soon had spread throughout the country. It has undoubtedly had a profound impact, but it has been only superficially studied. The aim of this paper is to contribute to an understanding of how the past, in terms of cultural heritage, tradition and native district, has been used in the creation of our modern Swedish society. The past is explicitly used for the construction of the future and the process could be described as «Cultural and Environmental Recycling». 


Literary Fact ◽  
2021 ◽  
pp. 8-30
Author(s):  
Monika V. Orlova

The publication includes V.Ya. Bryusov’s letters to his fiancée I.M. Runt (1876 –1965) from June 9 to September 9, 1897. 11 correspondences, including the final telegram sent from Kursk, were written and sent from Aachen (Germany), Moscow and several Ukrainian localities. The letter 10 is accompanied by the full text of I.M. Runt’s only surviving letter to Bryusov, sent from Moscow to the village of Bolshye Sorochintsy and received by the poet a few months later at home. The relationship between the young people before the wedding were complicated. While the poet was preparing for the wedding in Moscow, he summed up the past contacts with “mes amantes”, and his state of mind was painful. Shortly before meeting his future wife, Bryusov broke up with the former governess of his family E.I. Pavlovskaya, who was terminally ill. A few days before the wedding he decided to go to say goodbye to Pavlovskaya to her homeland, Ukraine. In his letters to the future wife the poet tried to smooth out the tension of the situation, perhaps anticipating that he would be bounded with I.M. Runt 30 Литературный факт. 2021. № 2 (20) by a long-term relationship, where life and literature are closely interconnected. The letters are published for the first time.


2008 ◽  
Vol 33 (2) ◽  
pp. 6-17 ◽  
Author(s):  
Howard Bath

This is the first of a two-part discussion of the place of residential care services in Australia, which highlights the issues that are likely to influence the development of these services into the future. This paper explores service trends over the past few decades, the current place and focus of residential care services, the nature of the young people being placed into such services, and the imperative for developing a more needs-based approach to service delivery. It concludes with a review of recent calls for the development of therapeutic or treatment-orientated models and the initial steps in this direction that have been taken around the country.


2021 ◽  
Vol 69 (1) ◽  
pp. 7-17
Author(s):  
Marija Mandic

In the first part of the introductory text, I present a theoretical framework that places the attitude towards the Ottoman heritage in a broader socio-cultural context. I distinguish between the two basic strategies in relation to the Ottoman heritage in the Balkan modern societies, and they are: de-Ottomanization (neglecting of Ottoman influences) and internalization. Furthermore, I point out that both strategies were created under the direct influence of the discursive practice of Orientalism, with which they share rhetoric and internal logic. Furthermore, I show, based on several examples of linguistic and cultural practices, how both strategies have been implemented in Serbia. In the second part, I present the papers in this thematic issue and identify the topics presented in it, namely: interreligious dialogue, negotiation of ethnic and religious affiliation in everyday life, religious conversion, inherited institutions of the Ottoman society and attitude towards them, (re)presentation of historical figures and events in literary narratives, Muslim religious organizations in the past and present. The thematic issue aims to contribute to academic dialogue in domestic and international context, in which strategies, topoi and actors related to the Ottoman heritage, Muslims and Islam are very current.


2007 ◽  
Vol 01 (02) ◽  
pp. 05-06
Author(s):  
Tony Meggs

Executive Perspective - Attracting, developing, and inspiring the talented young people who will lead the oil and gas industry into the future is one of the biggest challenges facing our industry today. Creating this future will be at least as exciting and demanding as anything we have experienced over the past 30 years.


Author(s):  
Sanne Akkerman

This chapter discusses the way in which imagination is key to being and learning at school, given the fact that education is inherently oriented to that which is, for a large part, outside and beyond it. First, attention will be given to students’ life-wide imagination across parallel participations outside the educational context, showing how education is not isolated from other domains of life. Second, lifelong imagination is discussed as a process by which students narrate the past and anticipate the future; specifically at stake are the successive choices that students are required to make, often starting at a relatively young age during secondary education. Referring to existing studies on identity development and interest research, it is argued that the imaginary work of students is a plausible but also essential way to determine their own pathways, even in partly restricted educational settings.


2019 ◽  
Vol 58 (3) ◽  
pp. 382-395
Author(s):  
Colette Leinman

In 1955 a polychrome and affordable collection of writers' biographies was created, allowing a large and young audience to easily access contemporary art, especially abstract art. This is hardly a given in the context of post-war, where the return to classical French aesthetics clashes with Socialist Realism. This study of ‘The Pocket Museum’ (1955–1965), shows how the collection fits into art writing, between art criticism and poetic writing, and how it enables the reader to discover abstract works. An ideal place for mediation and transmission, the collection, as an editorial strategy, helps to transform these new aesthetic creations into a national cultural heritage. Through a discursive analysis of ten books from the collection, three processes that have contributed to the promotion of abstract art are highlighted: the legitimacy of the author's discourse, whether he is an art critic, a poet, writer or journalist; the representation of the artist in question, whose difficult path is both stereotyped and singular, but always valorized; and finally, a series of analogies between abstract art and nature or comparisons with music, or else metaphorical expressions manifesting the ‘collapse of time’ where the universality of abstract art is part of the past, the present and the future.


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