scholarly journals The Artist: Silent Technique in Film Form

2017 ◽  
Vol 3 (1) ◽  
pp. 9
Author(s):  
Agustinus Dwi Nugroho
Keyword(s):  
Film Studies ◽  
Transition Process ◽  
New Technique ◽  
Observation Process ◽  
The World ◽  
Strong Motivation ◽  
A New Technique ◽  
New Perspective ◽  
Film Form ◽  
Silent Era

The Artist is a film that uses the silent era techniques to visualize the film. This study sought to uncover what the motivation behind the use of techniques to the silent era films with his observation of the text of both aspects of the narrative as well as aspects of the technique. The findings of the observation process could be the basis of analysis. The Artist makes this silent era technology into a cinematic technique to visualize the film. This has become a strong motivation and able to demonstrate the strength of the story as a whole that tells about the silent era transition process from the perspective of the player. The silent era techniques were used to make this technique as a force in the film. This study focuses on how the technique of the silent era emerged as a new technique in the world of film and brings new perspective in film studies. This new technique emerged because it was never used fully in the present.

scholarly journals Touching the Unknown: On Marte Johnslien’s Ceramic Presences

Ung Uro ◽  
2021 ◽  
pp. 99-106
Author(s):  
Martine Hoff Jensen
Keyword(s):  
Art Museum ◽  
Relativity Theory ◽  
New Technique ◽  
Fourth Dimension ◽  
Eastern Philosophy ◽  
The World ◽  
Glass Plates ◽  
A New Technique ◽  
The Way ◽  
The Invisible

Touching is never a unidirectional event; what you touch will always touch you back. ‘How can the way we relate to the world around us take shape as sculpture?’ Norwegian artist Marte Johnslien asks. In the 2018 exhibition A Square on a Sphere at Lillehammer Kunstmuseum (Art Museum), Johnslien showed, amongst other works, a sculpture consisting of ceramic shapes stacked on top of each other with glass plates between. In this work, Johnslien explored a new technique of reinforcing ceramics in which she put steel mesh underneath the clay. By strengthening the thin ceramic shapes with iron, Johnslien changed the material and thus changed the texture. This chapter elaborates on how artistic presence can provide a way to access the glitch between the visible and the invisible, by exploring the ceramic works by Johnslien in light of Barad’s essay on touching, esotericist Pyotr Demianovich Ouspensky’s view on the fourth dimension, Eastern philosophy, and relativity theory.

The Art of Teaching: A New Technique in Plane Geometry

1948 ◽  
Vol 41 (4) ◽  
pp. 189-190
Author(s):  
D. A. Zarlengo
Keyword(s):  
Subject Matter ◽  
Plane Geometry ◽  
New Technique ◽  
Visual Instruction ◽  
The Past ◽  
The World ◽  
The Future ◽  
A New Technique ◽  
Future Education ◽  
Major Emphasis

With the ending of the war, many of us feel that the world and the life of earlier years will never return. The rapid developments in all fields during the past several years will leave their results with us, and we shall feel and live them long into the future. Education has had its share in this transition. During the training of American youth all methods of presentation of subject matter had to be tried for the quickest and best method. Needless to say visual instruction received a major emphasis; enough to make it a definite part of modern teaching.

scholarly journals Time to resuscitate cardiopulmonary resuscitation! The 3R/CPR: Refill-Recoil-Rebound.

2020 ◽  
Author(s):  
Sayed Nour
Keyword(s):  
Cardiac Arrest ◽  
Cardiopulmonary Resuscitation ◽  
Sudden Cardiac Arrest ◽  
New Technique ◽  
Health Issue ◽  
Cardiac Massage ◽  
Major Health ◽  
The World ◽  
A New Technique ◽  
Major Health Issue

Abstract Sudden cardiac arrest (SCA) remains a major health issue worldwide with a gloomy outcome due to the inadequate organs’ perfusion during cardiopulmonary resuscitation (CPR). Alternatively, we aim through the present work to expose our visions of SCA management and propose a new technique of cardiac massage, urging CPR experts around the world to conduct their in-depth reviews for the sake of patients.

scholarly journals Evolution of Dispute Resolution Processes: From Informal to Formal and Back to Informal

2020 ◽  
Vol V (II) ◽  
pp. 327-333
Author(s):  
Abida Hassan ◽  
Dil Muhammad Malik
Keyword(s):  
Dispute Resolution ◽  
Alternative Dispute Resolution ◽  
Formal System ◽  
New Technique ◽  
Historical Evolution ◽  
Ancient Time ◽  
The World ◽  
A New Technique ◽  
The Times ◽  
Resolution Processes

This article aims to provide information relating to Alternative Dispute Resolution (Informal Dispute Resolution) which is considered a new technique for the resolution of disputes in western countries. Still, from the study, it has been proven that it is not a new technique, and has been in practice in one form or other in different times and civilizations; it is a conversion to new title and system with some modification, but the aim is same as was in ancient time, i.e., the historical evolution of the system from Torah period to present time presents the whole picture of this system. The study highlighted both practices in ancient and present times which shows that the system has been working successfully in all the times. Therefore, it can be applied elsewhere in the world, so the researcher is of the view that this system is more sustainable in any form than the formal system because it reflects the friendly, amicable, long-lasting relationships between parties.

The Birth of an African Private Epistolography, Echo Island 1862–1901

1993 ◽  
Vol 34 (1) ◽  
pp. 115-141 ◽  
Author(s):  
Jay Spaulding
Keyword(s):  
Nineteenth Century ◽  
New Technique ◽  
Central Question ◽  
Legal Documents ◽  
Agricultural Community ◽  
Private Correspondence ◽  
The World ◽  
A New Technique

This study examines the surviving private correspondence from Echo Island (Jazīrat Abū Ranāt, formerly Abranarti), a small nineteenth-century agricultural community in the Shāīquiyya country of the northern Sudan. The central question addressed is a discordance between the preoccupations of the letters and the concerns manifested in the considerably larger literature of contemporary legal records surviving from the same community, a clash that finds resonance in the familiar historiographical rivalry between advocates of culturally autonomous consciousness and partisans of material or socioeconomic determinisms. It is suggested that the private correspondence from Echo Island may best be interpreted as a new technique of bond management in the microsociological sense that arose and flourished in an age when the community found itself compelled to respond to a colonial setting vastly larger in scale than what had previously prevailed. The world of subjective ideas evidenced in the correspondence ignored, probably deliberately, most of the pressing immediate concerns of the community revealed in the contemporary legal documents; however, it opened a new ‘mode of communication,’ a conceptual terrain across which members of the elite exercised their virtuosity in mutual manipulations of status.

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