scholarly journals Memahami Perjalanan "Kampung Cyber" Melalui Lensa Actor Network Theory

2021 ◽  
Vol 8 (6) ◽  
pp. 1149
Author(s):  
Alfandya Alfandya ◽  
Fathul Wahid

<p class="Abstrak">Penelitian terdahulu menunjukkan tingginya risiko kegagalan dari proyek-proyek penerapan teknologi informasi dan komunikasi (TIK) untuk pembangunan. Salah satu tantangan utamanya adalah mendapatkan kepercayaan dari masyarakat dan memastikan bahwa program-program itu lestari. Penelitian ini akan membahas detail proses implementasi TIK untuk pembangunan menggunakan lensa Actor Network Theory. Detail proses implementasi TIK nantinya akan dianalisis berdasarkan fase-fase pada Actor Network Theory.  Studi kasus penelitian ini adalah sebuah desa bernama “Kampung Cyber” di Yogyakarta yang sudah menerapkan TIK sejak tahun 2008. Penelitian ini merupakan hasil dari studi kualitatif berdasarkan wawancara dan observasi dari masyarakat Kampung Cyber beserta dengan tokoh-tokoh utama dalam implementasi TIK. Detail temuan penelitian ini dapat dijadikan referensi dalam implementasinya di daerah lain. Hasil penelitian menunjukkan Actor Network Theory mampu memetakan bagaimana proses implementasi TIK di Kampung Cyber. Hasil analisis juga menunjukkan perubahan peran Ketua RT yang di masa awal menjadi sangat dominan, yang akhirnya digantikan oleh masyarakat. </p><p class="Abstrak"> </p><p class="Abstrak"><em><strong>Abstract</strong></em></p><p class="Abstract"><em>Previous studies have documented failures in various information and communication technology for development (ICT4D) projects. One of the main challenges in ICT4D project is gaining the trust of the community and ensuring its sustainability. This paper presents stories from ICT4D project implementation through the lens of Actor Network Theory (ANT). The case is a village called "Kampung Cyber" in Yogyakarta. This study employs a qualitative approach using data gathered from interviews with the main actors and observations in Kampung Cyber. Details from the findings may be adapted as a reference to ICT4D project implementation in similar context. The finding unveil that the theory is very useful to explain the implementation process along with involved actors. The study also finds that the role of the leading actor (i.e. the head of neighborhood unit)) diminishes over time and the dominant role is taken over by the community.    </em></p><p class="Abstrak"><em><strong><br /></strong></em></p>

Seminar.net ◽  
2009 ◽  
Vol 5 (2) ◽  
Author(s):  
Gunilla Jedeskog ◽  
Inger Landström

This article is focused on Swedish folk high schools and study associations as organisational settings (and not explicitly at teaching efforts and educational activities). It concerns results from a research project about introducing and implementing information and communication technology (ICT) in these value based organisations. Our research has mainly been conducted through interviews with people engaged on different organisational levels. In this article empirical results are analysed in relation to actor-network theory (ANT). Human and non-human actors are linked together in a web of relationships referred to as an actor-network. Interaction among actors, contradictory roles of ICT and relations to essential values in these organisations are discussed.


2017 ◽  
Vol 61 (3) ◽  
pp. 103-126
Author(s):  
Karolina Żyniewicz

The aim of the text is to present the use of the analytical autoethnographic method in studying the “art&science” phenomenon. It is attempt to show that the role of the artist can combine with the role of the ethnographer. The objects of study are the multilevel relations emerging during the realization of artistic projects in biological laboratories. These relations concern both humans (the artist, the scientists) and non-humans (laboratory organisms, equipment). On the basis of actor-network theory, the author presents how the liminal status of ethnographic research is modified when it connects with art. The form of conducting the research is both an example of activity in the art and science field and a new methodological proposal for the study of science and technology.


Author(s):  
Marianne Harbo Frederiksen ◽  
Stoyan Tanev

Creativity is often conceptualized as actions and outcomes related to the creation of novel and useful ideas within the context of the development of new products. It is usually positioned in the activities of designers who play the role of “the creator”. In this paper the authors suggest “changing the subject” to consumers by claiming that creativity plays a key role in the adoption phase when they attempt to address their needs and preferences by appropriating the use value of everyday technological products. They emphasize that the product value perception which makes a potential consumer buy is the result of this consumer's own activities and efforts. Thus, the intensity of consumers' creative activities becomes a critical adoption factor. The authors suggest that activity-based approaches such as actor-network theory and activity theory could be quite appropriate in studying the dynamics and the design of new product adoption, and offer a comparative analysis indicating that actor-network theory has a greater potential to contribute to the interplay between consumer creativity and technology adoption research.


Author(s):  
Magdalena Bielenia-Grajewska

In this paper an attempt will be made to show how the grapevine shapes the relations between companies and stakeholders. To narrow the scope of the research, attention will be focused solely on one type of colloquial corporate socializing, namely gossiping. The company, its organizational environment and its relation with gossip are studied by implying the notion of company identity. The interrelation between gossiping and company identity has not been discussed by many researchers, although informal communication as such spans a number of disciplines. Consequently, in this work the author will try to show both the negative and positive sides of gossip in forming corporate communities and their character. Taking into account the growing role of networks in creating and sustaining different types of communication, gossiping is studied through the perspective of Actor-Network Theory that facilitates an understanding of how human beings and non-living entities shape the way company identity is constructed and maintained.


2017 ◽  
Vol 64 (3) ◽  
pp. 209-225 ◽  
Author(s):  
Jake Phillips

This article analyses the implications of the greater use of technology and information in probation practice. Using data generated via an ethnography of probation, the article firstly argues that probation in England and Wales now exists in what scholars would identify as ‘the information age’ (i.e. that computers and other technologies work to define and create probation practice as we know it). The article goes on to use actor-network theory to analyse two ‘heterogeneous networks’ to explore the way in which probation practitioners and the technologies they use interact to create particular forms of practice. The article argues that unless we understand the technology that underpins practice we cannot fully understand practice. Finally, the article considers the implications of this analysis for probation post-Transforming Rehabilitation (TR).


2018 ◽  
Author(s):  
Kathryn Henne

This article offers a transnational analysis of sport for development and peace (SDP) governance, focusing specifically on the role of indicator culture. Building on earlier attempts to use actor-network theory to study law and governance, it illuminates how a focus on indicator culture requires considering how actors, both human and nonhuman, inform SDP governance. It draws upon multi-sited ethnographic research conducted at the United Nations and in Oceania and considers how bureaucratic mechanisms, political and funding mandates, and postcolonial ideologies converge. Taken together, they point to emergent tensions within the broader embrace of indicator culture across domains of governance.


2020 ◽  
pp. 1037969X2096614
Author(s):  
Milena Heinsch ◽  
Tania Sourdin ◽  
Caragh Brosnan ◽  
Hannah Cootes

During the COVID-19 pandemic, courts around the world have introduced a range of technologies to cope with social distancing requirements. Jury trials have been largely delayed, although some jurisdictions moved to remote jury approaches and video conferencing was used extensively for bail applications. While videoconferencing has been used to a more limited extent in the area of sentencing, many were appalled by the news that two people were sentenced to death via Zoom. This article uses actor-network theory (ANT) to explore the role of technology in reshaping the experience of those involved in the sentencing of Punithan Genasan in Singapore.


Author(s):  
Quazi Omar Faruq ◽  
Arthur Tatnall

This chapter looks at the use of ICT by medical general practitioners in the Australian eHealth and the Virtual Doctor Program. It discusses introduction, adoption, and use of information and communication technologies in primary healthcare and investigates reasons for adoption, or non-adoption, of these technologies. For a new technology to be put into use, a decision must be made to adopt it, or at least some aspects of it, and this chapter makes use of innovation translation informed by actor-network theory to explain this.


Author(s):  
C. Claire Thomson

This chapter offers Actor-Network Theory (ANT) as a toolkit for analysing the often messy and complex networks and relationships involved in the production and distribution of useful cinema. Stressing that ANT is employed in the book as a way of thinking rather than as an explicit framework, the chapter briefly outlines the key principles of ANT and relates them to documentary and informational filmmaking. In particular, the chapter discusses the potential of ANT for rendering visible or audible the many non-human actors in any instance of filmmaking, and for revealing how facts are constructed in documentary and related genres. The institutions, individuals, networks, technologies and other actors involved in mid-twentieth-century Danish informational filmmaking are then mapped. The chapter concludes with a discussion of the role of the archive and the researcher in the network of any given film, explaining how contemporary archival practices, especially digital technologies, are creating new dispositifs for historical informational film.


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